"I remember seeing Kurt Cobain wearing a Daniel Johnston t-shirt when I was young and it looking so weird that I wanted to know what it was, but I only really got into him in 2007 when Gallows were playing in Austin, Texas, where they've got the big mural to him at SXSW. I saw the record in the store next door and fell in love with it. It was very pure; there was nothing to it, just great, genius songwriting that's full of emotion. Then I watched the documentary, The Devil And Daniel Johnston, and became a fan for life. The man is fairly tortured, but always undeniably himself. I just love musicians who are themselves, there's so much to be said for that. 'Outsider Music' is a tough term because it implies he's not welcome here, but those types of characters are beacons, they're the people that other musicians to go out and do what they to do. It's musicians like Daniel Johnston that inspire the Kurt Cobains of the world, who then inspire a generation of people to pick up a guitar. I think it's insider music."

"The thing that blows my mind about Fela's records is that he can just write two 15 minute songs, and they don't feel at all indulgent. It's all in one key but it never bores you. The tension is like slow, tantric sex, it just builds and builds. He knows how to capture a vibe and hold it tight so the intensity keeps building before it explodes. I don't know why 'Lady' is my favourite track, but personally it hits me really hard. I listen to it all the time, and I find the lyrics really entertaining too. It's his version of a feminist album I guess, he's talking about how 'the woman eats the meat before the man…' I guess that's a symbol of liberation. Meanwhile he has his nine wives singing the backing vocals. He's more than a musician, he's a superman. He almost took over Nigeria and his compound was a separate city, he had his own laws, it's amazing that music can be that powerful. I'm a huge fan of his, He's an example of how music can almost start a revolution."