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Night Reader Reviews (683 KP) rated Ten Minutes On Mars in Books
Jan 10, 2020
Honest Review for Free Copy of Book
Ten Minutes on Mars by Jonathan Fisher is a small collection of eighteen short stories. Some, or rather, most of these stories are a bit on the twisted side so reader be warned. On a deeper level this book appears to explore the darker side of humanity and how we are monsters to each other and to animals.
Keeping with more of a horror theme this book starts off with a ghost in a graveyard although the ghost doesn't make another appearance until the end of the book. Readers are then taken on a hunting trip through the eyes of the prey. A truly scary experience. During the course of this book, the people who live in the cracks in the pavement or as it seemed to be the down and out or homeless are brought to light as well. Basically these are the people that the majority of society pretends don’t exist.
This journey takes readers to the far reaches of space abroad The Ascension. It is on The Ascension where tattoos can be used to control people and others are able to shapeshift. In our technologically advanced society, many wonder about what will happen when AI becomes so advanced that it sees itself as human or tries to take over. That is what happens in another one of the stories to a worker on another planet. Finally, readers see the lengths that a mother will go to in order to avenge a close friend and protect her own child. So sit back and relax as you are taken on a creepy trip deep into the monstrous world that we call humanity, in a town where monsters are normal.
What I liked best was that many of the stories overlapped with one another in some way. While they all take place in the same town the connections go deeper than just that. This book could almost read as each story being just a chapter instead of a stand-alone story. What I did not like was how often this book was confusing to me. I had to reread areas to clear up and be sure what I just read was correct. Some of the confusing points were just because of me misunderstanding the wording. On the other hand, some areas such as when it talks about a decapitated dolphin head being sentient and a vampire still confuse me.
The target readers for this book are adults and young adults. Specifically, those who like fantasy and horror should enjoy this book the most. There is cussing, murder, and the overall tone was not for children to read, even if it wasn’t that long. A high school student should be able to handle this book if they wanted to read it. I rate this book 2 out of 4. After reading this book a second time I might increase my score but for now, this is the best I can offer it. I found this book to be enjoyable yet at the same time, I did not really like it. On the surface I found some of the stories to be confusing or even pointless. When I looked deeper I found it had more depth about the nature of humans than I previously thought, although I do not know if this was the author’s intention.
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Keeping with more of a horror theme this book starts off with a ghost in a graveyard although the ghost doesn't make another appearance until the end of the book. Readers are then taken on a hunting trip through the eyes of the prey. A truly scary experience. During the course of this book, the people who live in the cracks in the pavement or as it seemed to be the down and out or homeless are brought to light as well. Basically these are the people that the majority of society pretends don’t exist.
This journey takes readers to the far reaches of space abroad The Ascension. It is on The Ascension where tattoos can be used to control people and others are able to shapeshift. In our technologically advanced society, many wonder about what will happen when AI becomes so advanced that it sees itself as human or tries to take over. That is what happens in another one of the stories to a worker on another planet. Finally, readers see the lengths that a mother will go to in order to avenge a close friend and protect her own child. So sit back and relax as you are taken on a creepy trip deep into the monstrous world that we call humanity, in a town where monsters are normal.
What I liked best was that many of the stories overlapped with one another in some way. While they all take place in the same town the connections go deeper than just that. This book could almost read as each story being just a chapter instead of a stand-alone story. What I did not like was how often this book was confusing to me. I had to reread areas to clear up and be sure what I just read was correct. Some of the confusing points were just because of me misunderstanding the wording. On the other hand, some areas such as when it talks about a decapitated dolphin head being sentient and a vampire still confuse me.
The target readers for this book are adults and young adults. Specifically, those who like fantasy and horror should enjoy this book the most. There is cussing, murder, and the overall tone was not for children to read, even if it wasn’t that long. A high school student should be able to handle this book if they wanted to read it. I rate this book 2 out of 4. After reading this book a second time I might increase my score but for now, this is the best I can offer it. I found this book to be enjoyable yet at the same time, I did not really like it. On the surface I found some of the stories to be confusing or even pointless. When I looked deeper I found it had more depth about the nature of humans than I previously thought, although I do not know if this was the author’s intention.
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TravelersWife4Life (31 KP) rated Lu. (Modern Faith, #1) in Books
Feb 23, 2021
Where should I start…
The story of Lu was interesting. Beth Troy wrote the story in a way that made me feel like I was Lu; that I was the person going through struggles and learning to work through them. Lu is a strong character who knew what she wanted in life (or thought she did), she is a very dedicated person; someone dedicated to finding the truth, not just accepting what others tell her. Lu’s thought process was very realistic, and her thoughts were something that most of us think at one point or another in our lives, but that we very rarely voice. Beth Troy did a great job of giving voice to those thoughts and showing that there is a time for every season in life.
I do wish that the ending of the book had been a bit different. I wanted Lu to not make the choices that she did, however, I understand that Beth Troy was showing that we all make mistakes and wrong choices in life. But that God will be there for us always, through the good choices and the bad.
I give this book 4 out of 5 stars for the frank spiritual battles, the well-developed storyline, and most of all for Lu.
*This book does contain some mild swearing, and some sexual content (nothing detailed, just implied). I do not particularly care for it, however, that stuff happens all around us. It is naïve of us to think otherwise. I relate it to how Rachel Hauck uses those elements of real life in her books to depict life without Jesus.
**I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
The story of Lu was interesting. Beth Troy wrote the story in a way that made me feel like I was Lu; that I was the person going through struggles and learning to work through them. Lu is a strong character who knew what she wanted in life (or thought she did), she is a very dedicated person; someone dedicated to finding the truth, not just accepting what others tell her. Lu’s thought process was very realistic, and her thoughts were something that most of us think at one point or another in our lives, but that we very rarely voice. Beth Troy did a great job of giving voice to those thoughts and showing that there is a time for every season in life.
I do wish that the ending of the book had been a bit different. I wanted Lu to not make the choices that she did, however, I understand that Beth Troy was showing that we all make mistakes and wrong choices in life. But that God will be there for us always, through the good choices and the bad.
I give this book 4 out of 5 stars for the frank spiritual battles, the well-developed storyline, and most of all for Lu.
*This book does contain some mild swearing, and some sexual content (nothing detailed, just implied). I do not particularly care for it, however, that stuff happens all around us. It is naïve of us to think otherwise. I relate it to how Rachel Hauck uses those elements of real life in her books to depict life without Jesus.
**I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed within are my own.
Sarah (7800 KP) rated Onward (2020) in Movies
Oct 5, 2020 (Updated Oct 5, 2020)
Heartwarmingly funny
For me Pixar films usually fall into one of two categories: very good (Cars, Brave, Coco) and brilliant (Up, Wall-E, Toy Story). However there is no such thing as a bad Pixar film, and Onward does not prove this wrong.
A Pixar film with a fantasy setting, what's not to like? It's a great take on elves, wizards and mythical creatures and also relevant to today's society with it's cultural references and technological advancements. And unicorns acting like stray cats? Genius. The plot itself is exactly the type of quest you'd expect in a fantasy, with your typical Disney/Pixar tropes (dead parent). However this story doesn't necessarily turn out the way you'd expect and I have to commend Pixar for not being predictable. Like Frozen before it, this plays out in a rather emotional and heartwarming yet fairly unexpected way. I'd be lying if I said I didn't get any "feels" watching this!
There's no real need to say that this film looks amazing. I think it'd be more surprising if a Pixar film didn't. It also has a great voice cast although my only real negative of this film is that I felt like the cast could've been given more to work with. It may have just been me not paying attention, but I struggled to even notice John Ratzenberger (which is like missing the late Stan Lee in a Marvel film).
Onward is an unusual Pixar film. For me it falls between the aforementioned categories. It's not "bad" enough to just be very good but it's not quite brilliant, although I did enjoy it very much and laughed a lot more than I was expecting.
A Pixar film with a fantasy setting, what's not to like? It's a great take on elves, wizards and mythical creatures and also relevant to today's society with it's cultural references and technological advancements. And unicorns acting like stray cats? Genius. The plot itself is exactly the type of quest you'd expect in a fantasy, with your typical Disney/Pixar tropes (dead parent). However this story doesn't necessarily turn out the way you'd expect and I have to commend Pixar for not being predictable. Like Frozen before it, this plays out in a rather emotional and heartwarming yet fairly unexpected way. I'd be lying if I said I didn't get any "feels" watching this!
There's no real need to say that this film looks amazing. I think it'd be more surprising if a Pixar film didn't. It also has a great voice cast although my only real negative of this film is that I felt like the cast could've been given more to work with. It may have just been me not paying attention, but I struggled to even notice John Ratzenberger (which is like missing the late Stan Lee in a Marvel film).
Onward is an unusual Pixar film. For me it falls between the aforementioned categories. It's not "bad" enough to just be very good but it's not quite brilliant, although I did enjoy it very much and laughed a lot more than I was expecting.
Kristy H (1252 KP) rated Keep the Ends Loose in Books
Feb 13, 2018
I wanted to like this book. I really did. It was a quick read, but honestly, I kept reading partly because the ridiculous and far-fetched plot sucked me in and partially because I just wanted it to be over. There were times when I found myself gritting my teeth because of the rather annoying diction and narration. You sort of became lulled into it the more you read, but it really was awful.
The novel follows 15-year-old Miranda (Mandy), who thinks she has a rather boring life and family, until her mother reveals a shocking secret that turns the family upside down. It involves Mandy's aunt, Iris, whom she adores, and encompasses the entire family - her father, Roy; her 17-year-old brother Adam; her best friend, Barley (seriously, Barley); and a whole cast of other characters.
I'll hand it to Campbell - she creates a cast of rich characters and it's a plot worthy of a soap opera. The problem is that everything just seems a little off. Mandy is so adamant about her life previously being so boring and her startling "realizations" that adults, too, have depth and problems, that you feel like you're being hit over the head with it. The author bashes you over and over with Mandy's coming of age thoughts, rather than simply letting them unfold from the plot.
Further, while Mandy is supposed to be a naive 15-year-old, at times she sounds like a kid. Other times, she's drinking beer and ruminating on sex. It's really disconcerting. Her narration is jumbled and I was left wondering if the author actually knew any teens at all. Both Mandy and Adam exhibit a host of age-inappropriate behaviors and diction -- no matter what happens to them!
Finally, the storyline is so inane that I found myself wondering what sort of parents would actually do this to their children? If Mandy's parents were so supposedly boring and placid, the behavior seemed awfully odd. It was all just a little unbelievable and again, left you a tad jarred.
Overall, about 2.5 stars. A lot of promise, really, but just didn't get fulfilled.
(Note: I received an advance ebook copy of this novel from Netgally in return for a honest review.)
The novel follows 15-year-old Miranda (Mandy), who thinks she has a rather boring life and family, until her mother reveals a shocking secret that turns the family upside down. It involves Mandy's aunt, Iris, whom she adores, and encompasses the entire family - her father, Roy; her 17-year-old brother Adam; her best friend, Barley (seriously, Barley); and a whole cast of other characters.
I'll hand it to Campbell - she creates a cast of rich characters and it's a plot worthy of a soap opera. The problem is that everything just seems a little off. Mandy is so adamant about her life previously being so boring and her startling "realizations" that adults, too, have depth and problems, that you feel like you're being hit over the head with it. The author bashes you over and over with Mandy's coming of age thoughts, rather than simply letting them unfold from the plot.
Further, while Mandy is supposed to be a naive 15-year-old, at times she sounds like a kid. Other times, she's drinking beer and ruminating on sex. It's really disconcerting. Her narration is jumbled and I was left wondering if the author actually knew any teens at all. Both Mandy and Adam exhibit a host of age-inappropriate behaviors and diction -- no matter what happens to them!
Finally, the storyline is so inane that I found myself wondering what sort of parents would actually do this to their children? If Mandy's parents were so supposedly boring and placid, the behavior seemed awfully odd. It was all just a little unbelievable and again, left you a tad jarred.
Overall, about 2.5 stars. A lot of promise, really, but just didn't get fulfilled.
(Note: I received an advance ebook copy of this novel from Netgally in return for a honest review.)
Phillip McSween (751 KP) rated Crawl (2019) in Movies
Jul 26, 2019
Like Sushi Stuffed With Korean BBQ: Try it and You Just Might Like it
When a woman goes to check on her dad during a hurricane, she gets more than she bargained for when she discovers alligators are in the crawl space. Yes, Crawl sounds dumb, but if you give it a chance, there is a possibility that you might just have a good time.
Acting: 10
Beginning: 5
Characters: 6
Cinematography/Visuals: 8
There was a surprising amount of gator gore that I wasn’t prepared for, but welcomed. I never knew how much I needed to see a gator take a Floridian’s head off until the moment I watched Crawl. From an effects standpoints, the film is facing two hurdles: The ongoing hurricane and making the gators feel and look realistic. For the most part, both hurdles were leapt with ease. A lot of this film takes place within a tight space and director Sam Raimi effectively makes sure each shot looks original and the setting doesn’t get overdone.
Conflict: 10
Agree or disagree with the realism of the plot, you can’t deny the fact that this movie has consistent action throughout. After a slow start, the action quickly kicks in and there is always something happening. The tension buildups were perfect, leaving me on the hook for just long enough to make me want to scream out loud for them to get it over with.
Entertainment Value: 5
Memorability: 8
Pace: 10
At one point while gathering my thoughts, I wrote, “Not going to win any awards but still manages to hold your attention with a consistent pace.” It doesn’t just hold your attention, but commands it with things, crazy things, liable to happen at any moment. Those damn gators could be lurking anywhere as the crawlspace continues to fill up with water. It’s high-level intensity at its finest.
Plot: 5
Resolution: 8
Overall: 75
I never thought I would say this after watching the trailers but…I’d watch Crawl again. Not a classic by any stretch, but there are some that will like it and some that will love it. At a certain point, I was actually hoping it would really exceed my expectations and blow my mind, but I won’t get carried away. It’s good, but it’s not knocking anyone’s socks off.
Acting: 10
Beginning: 5
Characters: 6
Cinematography/Visuals: 8
There was a surprising amount of gator gore that I wasn’t prepared for, but welcomed. I never knew how much I needed to see a gator take a Floridian’s head off until the moment I watched Crawl. From an effects standpoints, the film is facing two hurdles: The ongoing hurricane and making the gators feel and look realistic. For the most part, both hurdles were leapt with ease. A lot of this film takes place within a tight space and director Sam Raimi effectively makes sure each shot looks original and the setting doesn’t get overdone.
Conflict: 10
Agree or disagree with the realism of the plot, you can’t deny the fact that this movie has consistent action throughout. After a slow start, the action quickly kicks in and there is always something happening. The tension buildups were perfect, leaving me on the hook for just long enough to make me want to scream out loud for them to get it over with.
Entertainment Value: 5
Memorability: 8
Pace: 10
At one point while gathering my thoughts, I wrote, “Not going to win any awards but still manages to hold your attention with a consistent pace.” It doesn’t just hold your attention, but commands it with things, crazy things, liable to happen at any moment. Those damn gators could be lurking anywhere as the crawlspace continues to fill up with water. It’s high-level intensity at its finest.
Plot: 5
Resolution: 8
Overall: 75
I never thought I would say this after watching the trailers but…I’d watch Crawl again. Not a classic by any stretch, but there are some that will like it and some that will love it. At a certain point, I was actually hoping it would really exceed my expectations and blow my mind, but I won’t get carried away. It’s good, but it’s not knocking anyone’s socks off.
I am giving this first book a 4.5 stars, because, while I really enjoyed reading it, there were a few points where if got a bit too much for me. If you have read it, you'll understand what I mean. Also, like always, this is a spoiler alert as there will most likely be a bunch of spoilers in this review. So you have been warned.
I can honestly say that I loved the relationship between the two main characters. They have such a deep love for one another and it is refreshing to see. They also have a pretty healthy relationship for the circumstances they are under.
It was cool to start the series in the middle of so much chaos, just like how the characters are in their lives at that time. I like how they set up the rules of the world by explaining it through the daughter as if she is telling us the story.
All the characters, in general, are very compelling and multifaceted, something I (obviously) appreciate a lot.
This was a very good exposition graphic novel that is setting up the rest of the story and I cannot wait to read the rest of the series!
The artwork is phenomenal. I cannot express enough how amazing it is! Props to the artists who worked on this, because I feel like they don't get enough credit. So if you're reading this, very well done!!
I can honestly say that I loved the relationship between the two main characters. They have such a deep love for one another and it is refreshing to see. They also have a pretty healthy relationship for the circumstances they are under.
It was cool to start the series in the middle of so much chaos, just like how the characters are in their lives at that time. I like how they set up the rules of the world by explaining it through the daughter as if she is telling us the story.
All the characters, in general, are very compelling and multifaceted, something I (obviously) appreciate a lot.
This was a very good exposition graphic novel that is setting up the rest of the story and I cannot wait to read the rest of the series!
The artwork is phenomenal. I cannot express enough how amazing it is! Props to the artists who worked on this, because I feel like they don't get enough credit. So if you're reading this, very well done!!
Phillip McSween (751 KP) rated Pain and Glory (2019) in Movies
Aug 12, 2020
Not Enough Conflict For Me
A director is forced to confront his past when an old flame shows up.
Acting: 10
Beginning: 4
Characters: 10
Cinematography/Visuals: 10
From a cinematic standpoint, I dare call the movie a masterpiece, or this portion of it rather. Love the way the movie unfolds on screen. Regardless of how I feel about the movie as a whole, it is visually beautiful.
Conflict: 2
Entertainment Value: 7
Memorability: 8
This movie is full of poignant cinematic moments that remain etched in your brain. Director Pedro Almodovar has an extreme talent for capturing just the right moment in time that is perfect. It is like watching a beautiful dream unfold.
Pace: 7
Plot: 5
There is a story here, but too often it felt aimless. This was one of the biggest misses for me, the fact that I could never really get a good grasp on where this movie was going. I was hoping for more of an arrowed directive.
Resolution: 6
Decent ending, but again I felt like there was something lacking here. I was hoping for more closure for Salvador (Antonio Banderas) the main character. It didn’t feel like the proper sum to its parts.
Overall: 69
Heartfelt, Pain and Glory certainly means well. I can see what it was trying to do, but I felt like the execution could have been much better. A stronger story most certainly would have sold me.
Acting: 10
Beginning: 4
Characters: 10
Cinematography/Visuals: 10
From a cinematic standpoint, I dare call the movie a masterpiece, or this portion of it rather. Love the way the movie unfolds on screen. Regardless of how I feel about the movie as a whole, it is visually beautiful.
Conflict: 2
Entertainment Value: 7
Memorability: 8
This movie is full of poignant cinematic moments that remain etched in your brain. Director Pedro Almodovar has an extreme talent for capturing just the right moment in time that is perfect. It is like watching a beautiful dream unfold.
Pace: 7
Plot: 5
There is a story here, but too often it felt aimless. This was one of the biggest misses for me, the fact that I could never really get a good grasp on where this movie was going. I was hoping for more of an arrowed directive.
Resolution: 6
Decent ending, but again I felt like there was something lacking here. I was hoping for more closure for Salvador (Antonio Banderas) the main character. It didn’t feel like the proper sum to its parts.
Overall: 69
Heartfelt, Pain and Glory certainly means well. I can see what it was trying to do, but I felt like the execution could have been much better. A stronger story most certainly would have sold me.
Rachel King (13 KP) rated Heavenly in Books
Feb 11, 2019
I found the opening chapter of this book to be very strange, but intriguing, and I understood that it was meant be an extended teaser of something that happens later in the book. I liked that the author used this to hook the reader in, but the drawback is that I was looking for where the opening chapter fits in for the rest of the book.
Very quickly into the book, I felt an emotional connection with the main character, Zoe. The responsibilities of having an autistic sister have really drained her in many ways, and left her with this hole that she was either looking to fill or ignore. At the same time, when she was at home, she assumed the role of the "second mother" with an unselfish pride that showed a maturity beyond her age of seventeen.
On the flip side, her brother Luke is the opposite of Zoe in many ways in that he does not seem to share the responsibilities of caring for their sister, Abria, but instead is often seen running out the door. But like Abria, he also seeks to fill the void that the demands of his life have pulled out of him in different, but just as self-destructive, ways as Zoe.
Abria, the austistic younger sibling, is quite a fascinating character to read about, as I felt like I could extract the meaning behind her varied antics better than her family could. For instance, she has a habit of climbing anything she can get on, but it's the guardian angel Matthias who must point out to Zoe that Abria climbs because she like high places. The permanence of her innocence puts her in a state of joy that Zoe can only envy.
It was not until the end of the book that I fully understood the slogan attached to the Heavenly series: "Real Angels Don't Fall." The character of Matthias is just as unique and interesting as Abria, and the details put into both of them had me flying through this book in a matter of days. Matthias holds to the principles of his role as a guardian angel with both humor and intensity, and the number of times he side-stepped Zoe's questions even while answering others became quite frustrating. I would love for the story to switch viewpoints just so I could understand more of what Matthias was thinking and what motivated him.
I had expected this book to be mostly focused on romance, but I would say that the romantic aspects are only part of the story. Both Abria and Luke are vital to the plotline, and the ending was different than what I was predicting by a mile. I shed a few tears at the end, but there was still a sweetness that put a smile on my face. I can't wait to get my hands on the next one in the series, Penitence (Volume 2).
Very quickly into the book, I felt an emotional connection with the main character, Zoe. The responsibilities of having an autistic sister have really drained her in many ways, and left her with this hole that she was either looking to fill or ignore. At the same time, when she was at home, she assumed the role of the "second mother" with an unselfish pride that showed a maturity beyond her age of seventeen.
On the flip side, her brother Luke is the opposite of Zoe in many ways in that he does not seem to share the responsibilities of caring for their sister, Abria, but instead is often seen running out the door. But like Abria, he also seeks to fill the void that the demands of his life have pulled out of him in different, but just as self-destructive, ways as Zoe.
Abria, the austistic younger sibling, is quite a fascinating character to read about, as I felt like I could extract the meaning behind her varied antics better than her family could. For instance, she has a habit of climbing anything she can get on, but it's the guardian angel Matthias who must point out to Zoe that Abria climbs because she like high places. The permanence of her innocence puts her in a state of joy that Zoe can only envy.
It was not until the end of the book that I fully understood the slogan attached to the Heavenly series: "Real Angels Don't Fall." The character of Matthias is just as unique and interesting as Abria, and the details put into both of them had me flying through this book in a matter of days. Matthias holds to the principles of his role as a guardian angel with both humor and intensity, and the number of times he side-stepped Zoe's questions even while answering others became quite frustrating. I would love for the story to switch viewpoints just so I could understand more of what Matthias was thinking and what motivated him.
I had expected this book to be mostly focused on romance, but I would say that the romantic aspects are only part of the story. Both Abria and Luke are vital to the plotline, and the ending was different than what I was predicting by a mile. I shed a few tears at the end, but there was still a sweetness that put a smile on my face. I can't wait to get my hands on the next one in the series, Penitence (Volume 2).
ArecRain (8 KP) rated Boys that Bite (Blood Coven Vampire, #1) in Books
Jan 18, 2018
As far as young adult novels go, this one lacked all the teenage drama and angst that most do. Very little action happened while Sunny, our narrator, was pumping us information about her, her family and life, and what she learned over the course of the novel. I liked that the plot was so simple. There was no world that needed to be saved except for Sunnys (own little high school world). Although I found it awkward at BEST that a hundreds (maybe thousands) of years old vampire fell in love with a teenage girl in a matter of day.
Other than that, it was an overall enjoyable story. It was nothing spectacular and groundbreaking, and I am no hurry to read the rest of the series. But I am interested enough to read it eventually. I actually really enjoyed Sunny as a narrator. She was funny and sounded like a teenager, with a multitude of asides that actually didnt take away from the story itself, regardless of how long winded they were.
At the same time, I wanted to punch her sister Rayne. Rayne was so stereotypical and cliche, but I could imagine her perfectly and have people exactly like it, making my dislike of her all that more real. I dont think it helped that everyone but Magnus seemed to be bemoaning their situation (whiny ungrateful children).
The best part about the novel? The detail that Mancusi put into her vampire race and culture. I thought it was well thought out and unique. I wish there could have been vampire interaction that just Magnus and Lucifent, but I suppose that will have to wait for the other novels in the series.
Other than that, it was an overall enjoyable story. It was nothing spectacular and groundbreaking, and I am no hurry to read the rest of the series. But I am interested enough to read it eventually. I actually really enjoyed Sunny as a narrator. She was funny and sounded like a teenager, with a multitude of asides that actually didnt take away from the story itself, regardless of how long winded they were.
At the same time, I wanted to punch her sister Rayne. Rayne was so stereotypical and cliche, but I could imagine her perfectly and have people exactly like it, making my dislike of her all that more real. I dont think it helped that everyone but Magnus seemed to be bemoaning their situation (whiny ungrateful children).
The best part about the novel? The detail that Mancusi put into her vampire race and culture. I thought it was well thought out and unique. I wish there could have been vampire interaction that just Magnus and Lucifent, but I suppose that will have to wait for the other novels in the series.
Chris Sawin (602 KP) rated S. Darko: A Donnie Darko Tale (2009) in Movies
Jun 22, 2019
Samantha Darko, or Sam as she goes by, just wants to feel like a normal person. Back where she's from, Virginia, she feels like everyone knows everything about her yet that she's invisible at the same time. She'd change places with somebody if she could. Somehow start all over. Nothing has been the same for her since her brother, Donnie, died seven years ago and she is consumed with the same outlandish visions Donnie had. She decides to go on a road trip with her friend, Corey, to California in hopes of working for Corey's dad. Their car breaks down along the way and they wind up in a small town called Conejo Springs. This is where the world will end in four days, seventeen hours, twenty six minutes, and thirty one seconds.
s. Darko wasn't nearly as bad as I thought it would be, but that still isn't saying much. I love Donnie Darko as it seems to be a film that gets better with each viewing. When news that a sequel to the film was being made, the question that plagued me and every other person who was a fan of the first film was, "Why?" Did the original really leave much room for a sequel? Not in my eyes. The sequel does little to add to the story established in the first film. It pretty much treads the same ground. The world is going to end again. An element that is different in the film is that more than one person is having the visions this time around. While it makes sense that Sam is having these visions, it doesn't really add up why these other people are having them as well. The movie does a lot of back tracking. A lot of things are explained only to rewind and have it play out differently, which makes full use of the time travel element of the film but kind of leaves the viewer wondering if the film was nothing more than a waste of time once the ending rolls around. The film just seems to recycle most of the ingredients of the first film (time travel, Frank the Bunny...even though he's not Frank this time around, religion playing a roll in the film, black holes, etc) and is unable to establish itself as a decent sequel, let alone its own film.
The scene in Donnie Darko that has "Head Over Heels" by Tears For Fears playing in the background while we see Donnie arrive at school and the "Mad World" scene are really the first scenes that come to mind when I think of the original film. The soundtrack played a pivotal role in the film. In s. Darko, there isn't really a scene like that and the soundtrack is forgettable, which really only hurt the film in the long run.
s. Darko walks a thin line between paying homage to the original film and complete bastardization. Its plot tries to string the viewer along this intelligent and thought provoking story, but executes doing so in clumsy fashion. It resembles a circus seal waiting for its reward after playing that ensemble with its nose on the horns currently residing in front of it. It'll really only be accessible to people who were fans of the first film, which is ironic since the film will probably just wind up irritating those fans. If you can ignore the first film entirely and have no expectations for this, then you may find yourself with a direct to video release that is...pretty much just that.
s. Darko wasn't nearly as bad as I thought it would be, but that still isn't saying much. I love Donnie Darko as it seems to be a film that gets better with each viewing. When news that a sequel to the film was being made, the question that plagued me and every other person who was a fan of the first film was, "Why?" Did the original really leave much room for a sequel? Not in my eyes. The sequel does little to add to the story established in the first film. It pretty much treads the same ground. The world is going to end again. An element that is different in the film is that more than one person is having the visions this time around. While it makes sense that Sam is having these visions, it doesn't really add up why these other people are having them as well. The movie does a lot of back tracking. A lot of things are explained only to rewind and have it play out differently, which makes full use of the time travel element of the film but kind of leaves the viewer wondering if the film was nothing more than a waste of time once the ending rolls around. The film just seems to recycle most of the ingredients of the first film (time travel, Frank the Bunny...even though he's not Frank this time around, religion playing a roll in the film, black holes, etc) and is unable to establish itself as a decent sequel, let alone its own film.
The scene in Donnie Darko that has "Head Over Heels" by Tears For Fears playing in the background while we see Donnie arrive at school and the "Mad World" scene are really the first scenes that come to mind when I think of the original film. The soundtrack played a pivotal role in the film. In s. Darko, there isn't really a scene like that and the soundtrack is forgettable, which really only hurt the film in the long run.
s. Darko walks a thin line between paying homage to the original film and complete bastardization. Its plot tries to string the viewer along this intelligent and thought provoking story, but executes doing so in clumsy fashion. It resembles a circus seal waiting for its reward after playing that ensemble with its nose on the horns currently residing in front of it. It'll really only be accessible to people who were fans of the first film, which is ironic since the film will probably just wind up irritating those fans. If you can ignore the first film entirely and have no expectations for this, then you may find yourself with a direct to video release that is...pretty much just that.