Search
Search results
Sam (74 KP) rated The Possession of Mr Cave in Books
Mar 27, 2019
The Possession of Mr Cave is the story of a father’s mental breakdown after the tragic loss of many people close to him. Terrence is mentally unwell through the whole novel and is fighting his dead son’s influence on his mind. It’s completely disturbing, surprising and scary.
I’ll start this off by saying that I know that this book wasn’t for me. As I said, the blurb didn’t sound like anything I would usually enjoy reading and I only bought the book because it was by Matt Haig. But just because the book wasn’t for me didn’t stop me from still giving it 3/5.
The Possession of Mr Cave is very Shakespearean which isn’t a surprise coming from Matt Haig, as he has written a few novels inspired by Shakespeare’s plays. This is written as if it is one of Shakespeare’s tragedies, so if you do enjoy that sort of thing, the book will be perfect. To begin with, it reminded me a lot of Romeo and Juliet because the novel begins at the end with Terrence Cave explaining that he has killed his daughter, and the novel is a letter to her, retelling exactly how the events led to her death. I did quite like this format, because it meant the suspense rose throughout the whole novel and left me guessing as to why he would kill his own daughter right up until the end.
I’m not the biggest fan of Shakespeare, which is why I feel that this was just not the book for me. Like I said, this reads exactly like a Shakespearean Tragedy, which I think in a way is also why I struggled to get into it. The language seemed clunky and drawn out in places and made it a bit hard to read, as well as Terrence’s conversations with his own mind.
It’s disturbing, and that is exactly what pulled me in. Terrence takes his protectiveness over Bryony too far to the point where I was wondering where his relationship with her was going to lead. I found it upsetting that nobody around Terrence spoke to him about how he was too protective of his daughter, and also how despite everything, nobody took the time to see if Terrence was okay.
I’ll start this off by saying that I know that this book wasn’t for me. As I said, the blurb didn’t sound like anything I would usually enjoy reading and I only bought the book because it was by Matt Haig. But just because the book wasn’t for me didn’t stop me from still giving it 3/5.
The Possession of Mr Cave is very Shakespearean which isn’t a surprise coming from Matt Haig, as he has written a few novels inspired by Shakespeare’s plays. This is written as if it is one of Shakespeare’s tragedies, so if you do enjoy that sort of thing, the book will be perfect. To begin with, it reminded me a lot of Romeo and Juliet because the novel begins at the end with Terrence Cave explaining that he has killed his daughter, and the novel is a letter to her, retelling exactly how the events led to her death. I did quite like this format, because it meant the suspense rose throughout the whole novel and left me guessing as to why he would kill his own daughter right up until the end.
I’m not the biggest fan of Shakespeare, which is why I feel that this was just not the book for me. Like I said, this reads exactly like a Shakespearean Tragedy, which I think in a way is also why I struggled to get into it. The language seemed clunky and drawn out in places and made it a bit hard to read, as well as Terrence’s conversations with his own mind.
It’s disturbing, and that is exactly what pulled me in. Terrence takes his protectiveness over Bryony too far to the point where I was wondering where his relationship with her was going to lead. I found it upsetting that nobody around Terrence spoke to him about how he was too protective of his daughter, and also how despite everything, nobody took the time to see if Terrence was okay.
Becs (244 KP) rated Travels with Sushi in the Land of the Mind in Books
Feb 10, 2020
Trigger Warnings: violent threats, kidnapping, murder, death, violence
I received a physical ARC from Smith Publicity to read and review for my honest opinion. I would firstly like to thank the author and publisher for the ARC. I would secondly like to say that everything stated down below is my own honest opinion and is no way skewed to be positive just for the sake of the free ARC.
When I first started Travels with Sushi in the Land of the Mind, I was absolutely intrigued with the story and the characters. This story was basically an Alice in Wonderland inspired novel about Quantum Mechanics and Morals. It was an instant love kind of thing and I started holding a higher expectation for the story right then and there. And the story held my interest for the first couple of chapters, wowing me as I wasn’t expecting the turn the story took. But things soon turned and I started dragging through the reading, not wanting to even pick it up to finish.
As I grew further into the book and closer to the end, the story lost a bit of it’s lackluster. I just felt like the story dragged on and was adding far too many details than what was needed. There was also the fact that parts of the plot grew confusing. What really threw me for a loop were the specific scenes and topics that were shown / talked about. These scenes and topics were defiantly not something that I would have expected to see in a children’s middle grade novel. Especially when the audience was perceived to be a younger age group.
The one positive thing that really drew my interest into the story and actually kept me reading, were all of the Quantum Mechanics and Moral lessons that were littered throughout the text. These lessons really shone brighter than the negatives and I am thankful that they were included. And honestly, this was a nice touch to this story.
Overall, this was an entertaining read but the author seemed to want to include far too much in such a small book. Resulting in an overwhelming world where each element was overlooked more than what was needed. Leaving these elements to seem like a bore.
I received a physical ARC from Smith Publicity to read and review for my honest opinion. I would firstly like to thank the author and publisher for the ARC. I would secondly like to say that everything stated down below is my own honest opinion and is no way skewed to be positive just for the sake of the free ARC.
When I first started Travels with Sushi in the Land of the Mind, I was absolutely intrigued with the story and the characters. This story was basically an Alice in Wonderland inspired novel about Quantum Mechanics and Morals. It was an instant love kind of thing and I started holding a higher expectation for the story right then and there. And the story held my interest for the first couple of chapters, wowing me as I wasn’t expecting the turn the story took. But things soon turned and I started dragging through the reading, not wanting to even pick it up to finish.
As I grew further into the book and closer to the end, the story lost a bit of it’s lackluster. I just felt like the story dragged on and was adding far too many details than what was needed. There was also the fact that parts of the plot grew confusing. What really threw me for a loop were the specific scenes and topics that were shown / talked about. These scenes and topics were defiantly not something that I would have expected to see in a children’s middle grade novel. Especially when the audience was perceived to be a younger age group.
The one positive thing that really drew my interest into the story and actually kept me reading, were all of the Quantum Mechanics and Moral lessons that were littered throughout the text. These lessons really shone brighter than the negatives and I am thankful that they were included. And honestly, this was a nice touch to this story.
Overall, this was an entertaining read but the author seemed to want to include far too much in such a small book. Resulting in an overwhelming world where each element was overlooked more than what was needed. Leaving these elements to seem like a bore.
Chris Sawin (602 KP) rated Public Enemies (2009) in Movies
Jun 22, 2019
The year is 1933 and bank robberies are at an all time high. John Dillinger, Baby Face Nelson, and Pretty Boy Floyd are at the top of their game. In the public eye, robbers are looked at as heroes instead of criminals. Dillinger enjoys the fruit of his labor to the fullest until the day Melvin Purvis is put in charge of the FBI division down in Chicago. Word traveled fast of how one of FBI's top agents (Purvis) took down Pretty Boy Floyd and hopes are high that he can help in the newly announced "war on crime." Once Purvis arrived in Chicago, the crime wave of the 30's that was on a steady uprise took a drastic decline. Bank robberies were never the same as Dillinger's friends began dropping like flies. As Dillinger's motto of not thinking about tomorrow since he's too busy enjoying today comes back to haunt him, he soon realizes that he can only hide for so long and that the feds will catch up with him sooner or later.
The most noticeable thing about the film is its cinematography. Michael Mann has used the same method of shooting Public Enemies with HD digital cameras like he did with Collateral. This could be a hassle to some viewers as the picture isn't as shaky as it was in something like Cloverfield, but isn't as crystal clear and steady as you may have found in some of Mann's earlier work like Heat or most other films, for that matter. Perspective plays a huge role in this film. Certain lighting seems to come off better being shot in HD digital and it certainly shows, but the imperfections seem to give the film more character. Some people might throw the word, "edgy," around, but we'll settle on saying this style of filming feels like a more realistic approach. It makes the audience feel like they're actually amongst these gangsters during their heyday.
It almost felt like Christian Bale didn't really want to be there. Between this and Terminator: Salvation, he's really lacking the charisma and talent he's shown in films like The Prestige and The Machinist or even American Psycho. Maybe he's just hit his peak and has nothing else up his sleeve to wow audiences. Bale has hit an eye-catching slump, which is hard to say since this is coming from a long time fan. As long as he continues to be cast in big budget films though and those films wind up doing extremely well at the box office, then not many people are going to notice a difference in the actor's lackluster performance.
Johnny Depp, on the other hand, stole every scene he was in. His cockiness and confidence in his abilities in what he does just gave life to Dillinger that makes you generally like him. You want to see him escape as soon as he gets caught, pull off that next big robbery, and succeed at everything he does so he can run off with Billie Frechette (Marion Cotillard) and live happily ever after. His dialogue is also generally pretty incredible. In the scene where he's confronting Agent Purvis from behind bars, Dillinger is asking Purvis about what it was like to kill a man. How their eyes looked and how you can literally watch a man just drift away by staring into their eyes while they're dying. That that whole experience could keep a man up at night. Purvis asks Dillinger what keeps him up at night. Dillinger, who always seemed to be chewing gum, replies, "Coffee." Dillinger just felt like one of Depp's better acting roles, as of late. He showed more emotion than we're generally used to seeing from him and it was just an incredibly strong performance from the Oscar nominee.
The film has a lot of great dialogue, intriguing character interaction, and it's interesting watching the story unfold of how the crime wave of the 30s may have come to an end, but what really makes the film worth seeing is the shootouts. Any scene that begins with somebody holding a gun is worth getting excited over. There's a scene in the woods in the latter half of the film that is worth the price of admission alone. It takes place at night and everything is littered with darkness until the tommy guns make an appearance. The way the guns light up everything else around the characters firing them was a nice touch. Small explosions erupting from a chamber every time somebody pulled the trigger. This is some of the best gunfire to ever be filmed.
When it comes to Public Enemies, it is one of the best films of the year which is mentioned in at least one of the TV spots. Anyone who was a fan of Michael Mann's previous films (or gangster films, in general) will more than likely walk away from this film satisfied. Johnny Depp is still at the top of his game while Christian Bale seems to be winding down. Public Enemies is a film worthy of the summer blockbuster season which will satisfy the appetite of any fan of crime films.
The most noticeable thing about the film is its cinematography. Michael Mann has used the same method of shooting Public Enemies with HD digital cameras like he did with Collateral. This could be a hassle to some viewers as the picture isn't as shaky as it was in something like Cloverfield, but isn't as crystal clear and steady as you may have found in some of Mann's earlier work like Heat or most other films, for that matter. Perspective plays a huge role in this film. Certain lighting seems to come off better being shot in HD digital and it certainly shows, but the imperfections seem to give the film more character. Some people might throw the word, "edgy," around, but we'll settle on saying this style of filming feels like a more realistic approach. It makes the audience feel like they're actually amongst these gangsters during their heyday.
It almost felt like Christian Bale didn't really want to be there. Between this and Terminator: Salvation, he's really lacking the charisma and talent he's shown in films like The Prestige and The Machinist or even American Psycho. Maybe he's just hit his peak and has nothing else up his sleeve to wow audiences. Bale has hit an eye-catching slump, which is hard to say since this is coming from a long time fan. As long as he continues to be cast in big budget films though and those films wind up doing extremely well at the box office, then not many people are going to notice a difference in the actor's lackluster performance.
Johnny Depp, on the other hand, stole every scene he was in. His cockiness and confidence in his abilities in what he does just gave life to Dillinger that makes you generally like him. You want to see him escape as soon as he gets caught, pull off that next big robbery, and succeed at everything he does so he can run off with Billie Frechette (Marion Cotillard) and live happily ever after. His dialogue is also generally pretty incredible. In the scene where he's confronting Agent Purvis from behind bars, Dillinger is asking Purvis about what it was like to kill a man. How their eyes looked and how you can literally watch a man just drift away by staring into their eyes while they're dying. That that whole experience could keep a man up at night. Purvis asks Dillinger what keeps him up at night. Dillinger, who always seemed to be chewing gum, replies, "Coffee." Dillinger just felt like one of Depp's better acting roles, as of late. He showed more emotion than we're generally used to seeing from him and it was just an incredibly strong performance from the Oscar nominee.
The film has a lot of great dialogue, intriguing character interaction, and it's interesting watching the story unfold of how the crime wave of the 30s may have come to an end, but what really makes the film worth seeing is the shootouts. Any scene that begins with somebody holding a gun is worth getting excited over. There's a scene in the woods in the latter half of the film that is worth the price of admission alone. It takes place at night and everything is littered with darkness until the tommy guns make an appearance. The way the guns light up everything else around the characters firing them was a nice touch. Small explosions erupting from a chamber every time somebody pulled the trigger. This is some of the best gunfire to ever be filmed.
When it comes to Public Enemies, it is one of the best films of the year which is mentioned in at least one of the TV spots. Anyone who was a fan of Michael Mann's previous films (or gangster films, in general) will more than likely walk away from this film satisfied. Johnny Depp is still at the top of his game while Christian Bale seems to be winding down. Public Enemies is a film worthy of the summer blockbuster season which will satisfy the appetite of any fan of crime films.
Darren (1599 KP) rated Villain (1971) in Movies
Jul 25, 2019
Story: Villain starts as we see how gangster Vic Dakin (Burton) controls London, he has people that will grass on him to the cops with Inspector Bob Matthews (Davenport) trying to bring down the criminal.
Vic continues to use his business connections to stay ahead of the police, with Wolfe Lissner (McShane) being the latest person the inspectors are turning to try and give up Vic’s secrets.
Thoughts on Villain
Characters – Vic Dakin runs London with his criminal activities, he is feared by most people and if you cross him, you will get hurt if not killed. He has become over confident that he can get away with anything, making him one of the prime targets for everyone involved in law. Wolf Lissner works for Vic, he is one of the youngster members of the crew and the one that the police are trying to use to turn on him, even if he the one person that Vic will always turn to. Bob Matthews is the inspector that has been trying to bring down Vic for years, he has risen up the ranks, got the people in the gang, but never been able to get the conviction. Gerald Draycott is the politician that is being blackmailed to keep the business under wraps for Vic.
Performances – We do have two big names in his film, first Richard Burton that doesn’t get to show the skill he could bring to a film, while a younger Ian McShane shows us that he could be set for a career in this sidekick gangster role. The rest of the cast are doing all they need to without being in anyway stand out through the film.
Story – The story follows a gangster that has the power over London, the police have been hunting him for years, but he always finds a way to get out of trouble. This time they get closer than ever before and could finally take down one of the biggest gangsters in London. When it comes to the gangster genre, we don’t really ever get much different when it comes to where the story goes, this one is based loosely on the Kray brother, but for some reason only one of the twins. It does feel like we have seen everything before, we don’t get drawn into support either side of the battle and end up feeling like it is just another gangster film.
Crime – The crime world we enter shows us just where the criminals operate and just where the police will need to turn to, in any hope of bringing him down.
Settings – The film is mostly set in London which see just how the criminals operate, where they can get away from crime.
Scene of the Movie – The opening scene as we see just how Vic can operate.
That Moment That Annoyed Me – The final shot.
Final Thoughts – This is a typical British gangster film that starts with an intense opening, only to become a drag as the film unfolds.
Overall: British Gangster 101.
Vic continues to use his business connections to stay ahead of the police, with Wolfe Lissner (McShane) being the latest person the inspectors are turning to try and give up Vic’s secrets.
Thoughts on Villain
Characters – Vic Dakin runs London with his criminal activities, he is feared by most people and if you cross him, you will get hurt if not killed. He has become over confident that he can get away with anything, making him one of the prime targets for everyone involved in law. Wolf Lissner works for Vic, he is one of the youngster members of the crew and the one that the police are trying to use to turn on him, even if he the one person that Vic will always turn to. Bob Matthews is the inspector that has been trying to bring down Vic for years, he has risen up the ranks, got the people in the gang, but never been able to get the conviction. Gerald Draycott is the politician that is being blackmailed to keep the business under wraps for Vic.
Performances – We do have two big names in his film, first Richard Burton that doesn’t get to show the skill he could bring to a film, while a younger Ian McShane shows us that he could be set for a career in this sidekick gangster role. The rest of the cast are doing all they need to without being in anyway stand out through the film.
Story – The story follows a gangster that has the power over London, the police have been hunting him for years, but he always finds a way to get out of trouble. This time they get closer than ever before and could finally take down one of the biggest gangsters in London. When it comes to the gangster genre, we don’t really ever get much different when it comes to where the story goes, this one is based loosely on the Kray brother, but for some reason only one of the twins. It does feel like we have seen everything before, we don’t get drawn into support either side of the battle and end up feeling like it is just another gangster film.
Crime – The crime world we enter shows us just where the criminals operate and just where the police will need to turn to, in any hope of bringing him down.
Settings – The film is mostly set in London which see just how the criminals operate, where they can get away from crime.
Scene of the Movie – The opening scene as we see just how Vic can operate.
That Moment That Annoyed Me – The final shot.
Final Thoughts – This is a typical British gangster film that starts with an intense opening, only to become a drag as the film unfolds.
Overall: British Gangster 101.
Neon's Nerd Nexus (360 KP) rated Pokémon: Detective Pikachu (2019) in Movies
May 13, 2019
Catch it or run away?
#detectivepikachu is more Pokemeh than #Pokemon, sure the ideas are there but the execution isn't leaving us with a movie that's simply just ok. I was really #hyped for this movie, I loved the neon flair, underground, mature & almost seedy look it pitched us in the trailer & very much to its credit all that is still there VISUALLY but in almost every other aspect it sadly fails. Ok so this film is #gorgeous, pokemon feel like living breathing #creatures with tremendous cgi texture detail almost making some of the feel like practical effect rather than computer imagery. Pokemon also interact with not just the world/scenery but with the actors too flawlessly keeping the immersion grounded/realistic just like #bumblebee did. World wise it nails it the city #feels so alive & lived in by both humans & pokemon with the grimy smokey alleyways, radiant forest areas & the neon glows of street signs adding character & dimension as they glisten beautifully off the characters fur & concrete. Its all very #bladerunner/#ghostintheshell #inspired & overflows with human technological progression. Accompanying the visuals is a simply awesome soundtrack that invokes a sense of wonder & #fantasy esc dream states only adding to its world building. Here then lies my problem we have the perfect world & these incredible creatures that inhabit it so why dont we spend more time with them exploring not only the world but the #relationship/bond between us & pokemon & how we cope with sharing the world together. Instead we are forced to follow such a dull, bland, paint by numbers plot with a twist thats so frustratingly obvious within the first 15 minutes that I was annoyed it took so long to reveal it. Adding to its tedium & dullness are the human actors who (aside from #Kenwatanabe & #ryanreynolds who carry the film) are unlikable, soulless, emotionless drones that seem to only be there to explain/advance the mundane plot. Detective #pikachu is one extremely well marketed/over #hyped missed opportunity & I cant help but feel if they'd focused more on the things we were all there to see (the pokemon) it might of had a bit more #heart. #nintendo #pokeball #pokemongo #cute #anime #manga
Sean Farrell (9 KP) rated Zoo in Books
Mar 15, 2018
Working in a library it's hard not to notice how popular (and prolific) James Patterson is. While I was skeptical of just how good anything could be when it's written by someone who spits out books at a dizzying pace, and who is probably handing much of the actual writing off to one of the other authors he seems to employ, I still figured at some point I should read something of his just to see what I thought. Being a completely standalone story, and of somewhat more interest to me than his typical "murder-of-the-month" fare, "Zoo" seemed like a good way to dip my toes in the water. It tells the story of the world's population falling victim to an uprising of animal violence and the scientist who is trying to warn everybody of the coming problem and its cause. It's a somewhat simple story, but it's told briskly and has a number of memorably suspenseful scenes. The science behind everything sounds relatively plausible, whether or not it really is I couldn't tell you, though I have my doubts. Either way, it was good enough to sell the rather dire and dramatic circumstances that unfold over the course of the novel. The characters are likable enough, but don't really feel all that fleshed out. On some other negative notes; the dialogue is sometimes quite bad and there are too many times where people make horrifically stupid decisions for reasons that I found it hard to believe would have been enough to get them to make them. That aside, it was fast paced and suspenseful enough to keep me reading. The short chapters make it feel like it's propelling along at a higher speed, even if it does seem like some sequences were ended too abruptly, negating any chance of building up real suspense. The end in particular, while logical to the story, felt pretty abrupt and left me feeling just a little unsatisfied. I enjoyed reading Mr. Patterson more than I expected I might, but I don't know that I'll be coming back for more any time soon.
Lee Ronaldo recommended Meet The Beatles! by The Beatles in Music (curated)
Hazel (2934 KP) rated The Housemates in Books
Jan 12, 2018
I cant put it into words how much I enjoyed this book. There are only a select few books that I cant help talking about with my family and work colleagues, whether they want to hear about it or not, but this is one of them
I just couldnt help myself!
Be warned, there is gratuitous violence throughout!
Im not going to give anything away about the story-line but basically, its a twisted Big Brother with a bit of Saw thrown in for good measure where the contestants have to take part in tasks and eliminations with the last person standing having the chance of walking away with £2 million.
The contestants inside the house are a mix of characters some of which more likeable than others and some thoroughly despicable we learn more about each person as time goes on and it can be a bit of an eye-opener in some cases.
Now, I'm not going to sit here and tell you that this is going to put your brain cells to work extra hard nor am I going to say that the twist is a massive surprise but what I will say is that if you, like me, are a little bit sick of the raft of reality TV programmes being rammed down our throats and just wish they would up the anti just a little, then this is the book for you!
Thank you to the author for sending me a copy in return for an honest and unbiased review. I will, most definitely, read more from Mr Wright as I do like a bit of gore every now and then 😃.
Be warned, there is gratuitous violence throughout!
Im not going to give anything away about the story-line but basically, its a twisted Big Brother with a bit of Saw thrown in for good measure where the contestants have to take part in tasks and eliminations with the last person standing having the chance of walking away with £2 million.
The contestants inside the house are a mix of characters some of which more likeable than others and some thoroughly despicable we learn more about each person as time goes on and it can be a bit of an eye-opener in some cases.
Now, I'm not going to sit here and tell you that this is going to put your brain cells to work extra hard nor am I going to say that the twist is a massive surprise but what I will say is that if you, like me, are a little bit sick of the raft of reality TV programmes being rammed down our throats and just wish they would up the anti just a little, then this is the book for you!
Thank you to the author for sending me a copy in return for an honest and unbiased review. I will, most definitely, read more from Mr Wright as I do like a bit of gore every now and then 😃.
Phillip McSween (751 KP) rated Little (2019) in Movies
May 17, 2019
Just a Few Tweaks and I Would Have Loved it
When April’s (Issa Rae) boss gets turned into a child by a curse, April has to hold down the fort at work while trying to figure out a way to reverse the curse. It’s not a great movie that will leave a long impression, but I can definitely say that I liked it a whole lot more than I expected to.
Acting: 10
Beginning: 7
The movie begins with the audience getting a view into the lives of April and her boss Jordan Sanders (Regina Hall). It’s a little formulaic as you can tell it’s solely for the purpose of introducing the characters, but still manages to be enough to jumpstart the movie. It was enough to get me laughing and looking forward for more.
Characters: 10
Cinematography/Visuals: 6
Conflict: 6
Genre: 5
Memorability: 7
Pace: 8
While not the end of the world, I think the movie suffered from being longer than it needed to be. The pacing was scattered at times and could have been managed by tightening the story. The comedic moments were enough for the most to part to mask the pacing shortcomings.
Plot: 7
Twists? Turns? You won’t find any of that here. The story is as linear as they come. Still, the ride you are taken on just happens to be a fun one so it’s pretty forgivable. Just don’t expect to say, “Didn’t see that coming” at any point.
Resolution: 10
Overall: 76
You could do worse this year than checking out Little. Some won’t like it while others, like myself, will take its entertainment value for what it is. Had the story been a little more inventive, I might be singing a different tune.
Acting: 10
Beginning: 7
The movie begins with the audience getting a view into the lives of April and her boss Jordan Sanders (Regina Hall). It’s a little formulaic as you can tell it’s solely for the purpose of introducing the characters, but still manages to be enough to jumpstart the movie. It was enough to get me laughing and looking forward for more.
Characters: 10
Cinematography/Visuals: 6
Conflict: 6
Genre: 5
Memorability: 7
Pace: 8
While not the end of the world, I think the movie suffered from being longer than it needed to be. The pacing was scattered at times and could have been managed by tightening the story. The comedic moments were enough for the most to part to mask the pacing shortcomings.
Plot: 7
Twists? Turns? You won’t find any of that here. The story is as linear as they come. Still, the ride you are taken on just happens to be a fun one so it’s pretty forgivable. Just don’t expect to say, “Didn’t see that coming” at any point.
Resolution: 10
Overall: 76
You could do worse this year than checking out Little. Some won’t like it while others, like myself, will take its entertainment value for what it is. Had the story been a little more inventive, I might be singing a different tune.
Louise (64 KP) rated Horrorstör in Books
Jul 2, 2018
I was super excited about reading this book, when I first read the synopsis of a haunted Ikea style superstore I was instantly intrigued and couldn’t wait to pick it up. I showed my friend the book and she too wanted to read this book on the synopsis alone. There is something quite thrilling about a superstore being haunted especially as I have an Ikea around the corner from where I live.
Lets talk about the design of this book first of all, when I picked it up it looked and felt just like a shopping catalogue,the book also had french flaps and on the inside of the cover there was a layout of the store and list of areas, such as kitchens, bedrooms, wardrobes etc etc. Every chapter had a product advertisement that become more and more sinister throughout the book.
This book was definitely intense and got very creepy and definitely scary in parts but I didn’t feel any connection with the characters, This could be that it was told from a third person perspective or that none of them had personalities.All of the characters were just boring. The reason why it was haunted was quite interesting and I really liked that aspect of the story. The ending, I think is a bit 50/50 you are either going to love it or hate it and I didn’t like it.When I finished this book there was one question on my mind WHY? This book is described as a parody/humor which I found wasn’t the case at all and I perhaps sniggered once.
Overall I enjoyed the book and loved the aesthetic side of it but it just didn’t blow me away. I recommend this for people who want a quick read with elements of horror.
I rated this 2.5 out of 5 stars
Lets talk about the design of this book first of all, when I picked it up it looked and felt just like a shopping catalogue,the book also had french flaps and on the inside of the cover there was a layout of the store and list of areas, such as kitchens, bedrooms, wardrobes etc etc. Every chapter had a product advertisement that become more and more sinister throughout the book.
This book was definitely intense and got very creepy and definitely scary in parts but I didn’t feel any connection with the characters, This could be that it was told from a third person perspective or that none of them had personalities.All of the characters were just boring. The reason why it was haunted was quite interesting and I really liked that aspect of the story. The ending, I think is a bit 50/50 you are either going to love it or hate it and I didn’t like it.When I finished this book there was one question on my mind WHY? This book is described as a parody/humor which I found wasn’t the case at all and I perhaps sniggered once.
Overall I enjoyed the book and loved the aesthetic side of it but it just didn’t blow me away. I recommend this for people who want a quick read with elements of horror.
I rated this 2.5 out of 5 stars