Search
Search results
Mandy and G.D. Burkhead (26 KP) rated Banewreaker in Books
May 20, 2018
Shelf Life – Banewreaker Will Make You Feel Bad for Sauron
Contains spoilers, click to show
Very few fantasy fans can get away with admitting that they aren’t all that big into sweeping, high epic fantasy à la Lord of the Rings or the Pern stories or everything that Terry Brooks writes. Many non-fantasy fans, however, can point to these tales as examples of why they aren’t into fantasy. Like it or not, it’s hard not to see the latter group’s point, as a lot of high fantasy is riddled with confusing terminology, rehashed stories, and genre clichés. This is not to say that these stories are bad, per sé, just that they can easily turn off readers who aren’t in the right kind of crowd.
Banewreaker, the first book in Jacqueline Carey’s two-part volume The Sundering, will probably not change any opinions in this respect, then, as it’s sweeping high fantasy to the core. This, as it turns out, is both its greatest strength and its greatest weakness.
There are some reviews out there that laud Banewreaker as a masterful examination of subjective viewpoints in an epic fantasy turned into a human tragedy by a simple change of perspective. And they are absolutely correct.
There are other reviews, however, that call the book out as a heap of all of the stalest fantasy clichés piled one atop the other in a confusing and pretentious jumble with a shellacking of purple prose for good measure. And they are also absolutely correct.
Let me explain.
For starters, it would be inaccurate to say that this story is full of clichés. This story is clichés. This story is every familiar and used-up trope you would expect from a high fantasy, all of those details that have been done to death in thousands of other versions until almost nothing that happens seems original anymore.
This is what’s going to turn off a lot of people. But the thing is, Banewreaker has to be this way. It wants the reader to look at all of the things that they’ve come to expect from a fantasy epic and then, by shifting the narrative focus, realize that all of these beloved tropes are actually, when you think about it, tragic as hell.
In other words, it’s Lord of the Rings from Sauron’s point of view.
It’s not a riff, though. It’s not goofy like most of the stuff I go in for. It takes its subject just as seriously as the stories that it’s mirroring, and this is what makes the whole story ultimately so gripping and so moving.
The story starts out like many stories of this magnitude, with exposition stretching back to the Dawn of This Particular Creation. In this case, we have a protogenos world god named Uru-Alat who died and gave rise to seven smaller godlike beings called Shapers. First comes Haomane, who becomes the Lord of Thought and sets himself up as head honcho for this ensuing pantheon. Second is Arahila, the Basically a Love Goddess; and third is Satoris, whose purview was “the quickening of the flesh,” which is high fantasy speak for sexy times. Four more Shapers come after this who, for the sake of brevity, we’ll be glossing over.
To summarize the important godly exposition, the Seven Shapers set about shaping the world to the surprise of no one. Haomane creates elves (here called Ellyl, but if you’ve ever even looked at a fantasy, you know that they’re the elves here), Arahila creates humans, and Satoris doesn’t create anything because he’s busy hanging out with dragons and learning their wisdom. Satoris grants his fleshy quickening to the humans but not the elves, because Haomane didn’t want his elves to do that. Then Haomane decides he doesn’t want the humans to do that either, but Satoris refuses to take the gift away again. Conflict escalates, god wars ensue, and the world splits into two continents, with Satoris ostracized from his brethren on one and the remaining Shapers on the other. By the time the dust has settled, Satoris is scarred and burned pitch black, living in a mostly dead land thanks to Haomane’s wrath, but with a dagger in his possession that is the only weapon capable of killing any of the Shapers.
The story itself picks up thousands of years later, with Satoris as the Satan/Sauron stand-in living in a forbidding land surrounded by classically evil things like trolls, giant spiders, and insane people. Since Haomane is the head god, the rest of the world believes Satoris to be a terrible figure of evil and betrayal, while Satoris’s few allies know him as a pitiable and misunderstood figure who only ever wanted to honor his word and do right by his own sense of morality rather than the dictates of his elder brother god king.
From here the plot becomes the typical Army of Good vs. Army of Evil adventure, but with the protagonistic focus on Satoris and his allies. His trolls we see not as a mindless horde but as a simple, honorable people who happily serve their lord because he happily serves them right back. The mad individuals inhabiting his fortress are castaways from normal society with nowhere else to go. And the giant spiders just happen to live there and be bigger than normal, with no sinister intentions beyond that.
And just like that, by actually showing us the home life of the ultimate in evil fantasy tropes, we see how easily one side’s view of evil is another’s view of good. In doing so, Banewreaker becomes perhaps the first sweeping fantasy epic with no real bad guy, just two sides of an unfortunate conflict. Both sides have their likeable characters, both sides seem from their view to be in the right, and pretty soon you, as the reader, will stop cheering for either one, because whenever one person that you like succeeds it means that another person whom you also like is failing.
In fact, the closest thing that this story has to a clearly-labeled “evil” character is the sorceress Lilias, and even then, she’s not evil so much as a woman who has done some bad things for completely understandable reasons. Lilias, in fact, is one of the most pitiful characters in this whole saga of pitiable characters, with her fears and attachments closely mirroring those of most readers, only amplified by her immortality and magical powers. She is afraid of dying. She wants to be more in the grand scheme of things than just another man’s wife or another country’s momentary ruler, both of which would just be tiny moments in a long history. She likes her youth. She likes having pretty things and pretty people around her. And from her interactions with her dragon mentor and apparently only friend, Calandor, we see that she is also capable of intense affection and even love just as she is capable of indulging in self-centered self-interest that, if not particularly a good trait, is also one that she is not alone in possessing.
Banewreaker, then, is a story with a large cast of characters but very few actual heroes or innocents as well as very few outright villains, which is exactly what it sets out to be. Those who love it and those who hate it both seem to blame this quality in particular for their feelings. The biggest complaint leveled against it (that I have read, anyway) is that the people we should be rooting for do not deserve our sympathy, while the people we should be rooting against are more misguided and unwilling to see things in another light than deserving of our scorn.
This is true. But if it’s a flaw, it’s an intentional one. And if it makes you feel like you shouldn’t be cheering for either side at all in this conflict, that’s the point. This is a story of clichés, yes, but it has something that it needs to say about these clichés and, in doing so, about the subjective and impossibly nebulous quality of morality in general.
In short, here again is another fantasy story about the Forces of Good wiping out an entire nation dedicated to their “evil” enemy. And as the story points out, even if you believe in that cause, you’re still wiping out an entire nation of people. No way is there not a downside to that. Seeing things in a black-and-white morality just means crushing a whole lot of important shades of gray underfoot.
Whether or not you like Banewreaker, then, depends in large part upon how much you realize that Carey as an author is being self-aware. As someone who read and still hasn’t stopped being awed over her Kushiel series, I can’t claim complete objectivity in this area, because I came to Banewreaker already in love with her. I can say, however, that unless you have an intense and searing aversion to ornate and sweeping style, this book is worth any fantasy-lover’s time – especially if you’ve ever felt a pang of empathy for all of the poor villainous mooks that fantasy heroes tend to mow down without a thought because they were the wrong kind of ugly.
Banewreaker, the first book in Jacqueline Carey’s two-part volume The Sundering, will probably not change any opinions in this respect, then, as it’s sweeping high fantasy to the core. This, as it turns out, is both its greatest strength and its greatest weakness.
There are some reviews out there that laud Banewreaker as a masterful examination of subjective viewpoints in an epic fantasy turned into a human tragedy by a simple change of perspective. And they are absolutely correct.
There are other reviews, however, that call the book out as a heap of all of the stalest fantasy clichés piled one atop the other in a confusing and pretentious jumble with a shellacking of purple prose for good measure. And they are also absolutely correct.
Let me explain.
For starters, it would be inaccurate to say that this story is full of clichés. This story is clichés. This story is every familiar and used-up trope you would expect from a high fantasy, all of those details that have been done to death in thousands of other versions until almost nothing that happens seems original anymore.
This is what’s going to turn off a lot of people. But the thing is, Banewreaker has to be this way. It wants the reader to look at all of the things that they’ve come to expect from a fantasy epic and then, by shifting the narrative focus, realize that all of these beloved tropes are actually, when you think about it, tragic as hell.
In other words, it’s Lord of the Rings from Sauron’s point of view.
It’s not a riff, though. It’s not goofy like most of the stuff I go in for. It takes its subject just as seriously as the stories that it’s mirroring, and this is what makes the whole story ultimately so gripping and so moving.
The story starts out like many stories of this magnitude, with exposition stretching back to the Dawn of This Particular Creation. In this case, we have a protogenos world god named Uru-Alat who died and gave rise to seven smaller godlike beings called Shapers. First comes Haomane, who becomes the Lord of Thought and sets himself up as head honcho for this ensuing pantheon. Second is Arahila, the Basically a Love Goddess; and third is Satoris, whose purview was “the quickening of the flesh,” which is high fantasy speak for sexy times. Four more Shapers come after this who, for the sake of brevity, we’ll be glossing over.
To summarize the important godly exposition, the Seven Shapers set about shaping the world to the surprise of no one. Haomane creates elves (here called Ellyl, but if you’ve ever even looked at a fantasy, you know that they’re the elves here), Arahila creates humans, and Satoris doesn’t create anything because he’s busy hanging out with dragons and learning their wisdom. Satoris grants his fleshy quickening to the humans but not the elves, because Haomane didn’t want his elves to do that. Then Haomane decides he doesn’t want the humans to do that either, but Satoris refuses to take the gift away again. Conflict escalates, god wars ensue, and the world splits into two continents, with Satoris ostracized from his brethren on one and the remaining Shapers on the other. By the time the dust has settled, Satoris is scarred and burned pitch black, living in a mostly dead land thanks to Haomane’s wrath, but with a dagger in his possession that is the only weapon capable of killing any of the Shapers.
The story itself picks up thousands of years later, with Satoris as the Satan/Sauron stand-in living in a forbidding land surrounded by classically evil things like trolls, giant spiders, and insane people. Since Haomane is the head god, the rest of the world believes Satoris to be a terrible figure of evil and betrayal, while Satoris’s few allies know him as a pitiable and misunderstood figure who only ever wanted to honor his word and do right by his own sense of morality rather than the dictates of his elder brother god king.
From here the plot becomes the typical Army of Good vs. Army of Evil adventure, but with the protagonistic focus on Satoris and his allies. His trolls we see not as a mindless horde but as a simple, honorable people who happily serve their lord because he happily serves them right back. The mad individuals inhabiting his fortress are castaways from normal society with nowhere else to go. And the giant spiders just happen to live there and be bigger than normal, with no sinister intentions beyond that.
And just like that, by actually showing us the home life of the ultimate in evil fantasy tropes, we see how easily one side’s view of evil is another’s view of good. In doing so, Banewreaker becomes perhaps the first sweeping fantasy epic with no real bad guy, just two sides of an unfortunate conflict. Both sides have their likeable characters, both sides seem from their view to be in the right, and pretty soon you, as the reader, will stop cheering for either one, because whenever one person that you like succeeds it means that another person whom you also like is failing.
In fact, the closest thing that this story has to a clearly-labeled “evil” character is the sorceress Lilias, and even then, she’s not evil so much as a woman who has done some bad things for completely understandable reasons. Lilias, in fact, is one of the most pitiful characters in this whole saga of pitiable characters, with her fears and attachments closely mirroring those of most readers, only amplified by her immortality and magical powers. She is afraid of dying. She wants to be more in the grand scheme of things than just another man’s wife or another country’s momentary ruler, both of which would just be tiny moments in a long history. She likes her youth. She likes having pretty things and pretty people around her. And from her interactions with her dragon mentor and apparently only friend, Calandor, we see that she is also capable of intense affection and even love just as she is capable of indulging in self-centered self-interest that, if not particularly a good trait, is also one that she is not alone in possessing.
Banewreaker, then, is a story with a large cast of characters but very few actual heroes or innocents as well as very few outright villains, which is exactly what it sets out to be. Those who love it and those who hate it both seem to blame this quality in particular for their feelings. The biggest complaint leveled against it (that I have read, anyway) is that the people we should be rooting for do not deserve our sympathy, while the people we should be rooting against are more misguided and unwilling to see things in another light than deserving of our scorn.
This is true. But if it’s a flaw, it’s an intentional one. And if it makes you feel like you shouldn’t be cheering for either side at all in this conflict, that’s the point. This is a story of clichés, yes, but it has something that it needs to say about these clichés and, in doing so, about the subjective and impossibly nebulous quality of morality in general.
In short, here again is another fantasy story about the Forces of Good wiping out an entire nation dedicated to their “evil” enemy. And as the story points out, even if you believe in that cause, you’re still wiping out an entire nation of people. No way is there not a downside to that. Seeing things in a black-and-white morality just means crushing a whole lot of important shades of gray underfoot.
Whether or not you like Banewreaker, then, depends in large part upon how much you realize that Carey as an author is being self-aware. As someone who read and still hasn’t stopped being awed over her Kushiel series, I can’t claim complete objectivity in this area, because I came to Banewreaker already in love with her. I can say, however, that unless you have an intense and searing aversion to ornate and sweeping style, this book is worth any fantasy-lover’s time – especially if you’ve ever felt a pang of empathy for all of the poor villainous mooks that fantasy heroes tend to mow down without a thought because they were the wrong kind of ugly.
Eleanor Luhar (47 KP) rated BZRK (BZRK, #1) in Books
Jun 24, 2019
BZRK is a unique, action-packed story about the war taking place "down in the meat", the war that could determine the fate of the human race.
Sadie McLure, daughter of billionaire Grey McLure, is horrified when she witnesses the death of her father and brother. This was no mere accident, and Sadie is determined to discover the truth behind their deaths.
And Noah Cotton is desperate to find out the cause of his brother's madness. He was an army recruit, Alex. But then something happened, something that drove him so insane that he was sent to live out his days in an asylum, screaming about Bug Man and repeating the word "nano". It has to mean something, doesn't it?
These two teens are joined in extraordinary circumstances, and thrown into the deep end of a major battle. A battle that is too small to be seen by the human eye. A battle between biots and nanobots. A battle that leads to multiple deaths, and could alter humanity entirely.
I loved the concept of this book. I've never read anything like it, about tiny bug-like robotic creatures and people who are linked to that are linked to their biots in such a way that they risk their sanity with every mission. But personally, I found it all somewhat... overwhelming. I wanted to enjoy it but I just got lost and, frankly, kind of bored. It improved again further on but I'm only going to give BZRK 3 stars.
Sadie McLure, daughter of billionaire Grey McLure, is horrified when she witnesses the death of her father and brother. This was no mere accident, and Sadie is determined to discover the truth behind their deaths.
And Noah Cotton is desperate to find out the cause of his brother's madness. He was an army recruit, Alex. But then something happened, something that drove him so insane that he was sent to live out his days in an asylum, screaming about Bug Man and repeating the word "nano". It has to mean something, doesn't it?
These two teens are joined in extraordinary circumstances, and thrown into the deep end of a major battle. A battle that is too small to be seen by the human eye. A battle between biots and nanobots. A battle that leads to multiple deaths, and could alter humanity entirely.
I loved the concept of this book. I've never read anything like it, about tiny bug-like robotic creatures and people who are linked to that are linked to their biots in such a way that they risk their sanity with every mission. But personally, I found it all somewhat... overwhelming. I wanted to enjoy it but I just got lost and, frankly, kind of bored. It improved again further on but I'm only going to give BZRK 3 stars.
Drawing Grid & Outline Tracing by Myvinchy
Productivity and Utilities
App
Myvinchy is a drawing tool that has been a year in the making - working with designers, artists and...
Haley Mathiot (9 KP) rated Dead Perfect in Books
Apr 27, 2018
My Summary: Shannah is going to die. She has a blood disease that none of the doctors can identify, and she only has months to live. She’s on her last month, possibly her last week… she hates to think it’s her last day, but it sure feels like it. She has been watching the strange tall, dark (and hansom) man for several months, and is convinced that he is a vampire (though she’s not exactly sane when she makes that decision). She goes to him seeking immortality, but collapses in near death on his front porch. When she wakes up, she feels better. What did he do that healed her? She’s not a vampire, but even the doctors couldn’t heal her… then there’s the fact that she’s pretty sure that she’s falling in love with him. but Ronan’s healing doesn’t last forever… and Shannah has to make a hard choice.
Ronan is five hundred and thirteen years old. He has never loved anyone in his life, but when Shannah comes to his door he takes her into his house and begins to heal her in his own special way. But then he accidentally falls in love with her. That causes problems—when your mortal soulmate is going to die soon and she isn’t sure she wants to be a leach her whole life. If he changes her against her will, will she hate him forever? Are his only choices letting her die and losing her, or changing her and losing her?
And then there’s that whole problem with a vampire hunter tracking down Ronan… and trying to kill him.
My Thoughts—at first glimpse, this seemed so twilight-ish. But once I started reading it I got out of my vampire stereotype and enjoyed this book quite a lot. I was at the library and dying for a light-hearted vampire romance (because I was just in that mood) so I picked it up. It’s a very quick read, and very sweet.
The Plot—the plot moved quickly, though at one point a thought crossed my mind, “there isn’t much story here, how is the author dragging it out into 345 pages and is still managing to keep it interesting?” although the plot seemed a little simple, it held my attention very well.
The Characters—I loved the characters in this book. Shannah was depicted as a desperate-to-do-anything-to-keep-alive kind of girl, to the point that she was willing to live with a vampire. Ronan had so much passion and love for this poor girl that it made him endearing. I love how he’d always call her “love.” It was so sweet. Jim Hewitt, the hunter, was a character that you just didn’t like one bit—a strong willed jerk who, although he thought he was doing the right thing, even that he was doing it to keep Shannah safe, I didn’t like him and I felt sorry for him. Though, in my opinion, I liked what happened to him at the end ;)
The writing—There were a lot of really good descriptions in this book, I was able to see everything that the author said in beautiful detail. There wasn’t any graphic sex, though there were a few scenes at the end, but it was brief. There were a few re-used phrases in the book though, and that gets annoying. (My sister and I call this the JMG Syndrome, or “Jenny McGrady” syndrome, because of a series we read when we were younger. Jenny was always feeling “like she got slugged in the stomach”. The phrase was used several times in all fifteen books. It got old really fast.) Shannah had many kissed “brushed across her brow” in this book. But besides that, the writing was warm and welcoming.
My Recommendation: I recommend this book to anyone who likes a good paranormal romance, vampires, or just a romance in general. Ages 16+, only because of the frequency of sex at the end of the book (though I will say that the vampire held fast to abstinence, so that was encouraging.) there wasn’t any foul language, and I really liked that! I hate books that have so much language that I feel dirty reading it. But this book was very clean.
~Haleyknitz
Ronan is five hundred and thirteen years old. He has never loved anyone in his life, but when Shannah comes to his door he takes her into his house and begins to heal her in his own special way. But then he accidentally falls in love with her. That causes problems—when your mortal soulmate is going to die soon and she isn’t sure she wants to be a leach her whole life. If he changes her against her will, will she hate him forever? Are his only choices letting her die and losing her, or changing her and losing her?
And then there’s that whole problem with a vampire hunter tracking down Ronan… and trying to kill him.
My Thoughts—at first glimpse, this seemed so twilight-ish. But once I started reading it I got out of my vampire stereotype and enjoyed this book quite a lot. I was at the library and dying for a light-hearted vampire romance (because I was just in that mood) so I picked it up. It’s a very quick read, and very sweet.
The Plot—the plot moved quickly, though at one point a thought crossed my mind, “there isn’t much story here, how is the author dragging it out into 345 pages and is still managing to keep it interesting?” although the plot seemed a little simple, it held my attention very well.
The Characters—I loved the characters in this book. Shannah was depicted as a desperate-to-do-anything-to-keep-alive kind of girl, to the point that she was willing to live with a vampire. Ronan had so much passion and love for this poor girl that it made him endearing. I love how he’d always call her “love.” It was so sweet. Jim Hewitt, the hunter, was a character that you just didn’t like one bit—a strong willed jerk who, although he thought he was doing the right thing, even that he was doing it to keep Shannah safe, I didn’t like him and I felt sorry for him. Though, in my opinion, I liked what happened to him at the end ;)
The writing—There were a lot of really good descriptions in this book, I was able to see everything that the author said in beautiful detail. There wasn’t any graphic sex, though there were a few scenes at the end, but it was brief. There were a few re-used phrases in the book though, and that gets annoying. (My sister and I call this the JMG Syndrome, or “Jenny McGrady” syndrome, because of a series we read when we were younger. Jenny was always feeling “like she got slugged in the stomach”. The phrase was used several times in all fifteen books. It got old really fast.) Shannah had many kissed “brushed across her brow” in this book. But besides that, the writing was warm and welcoming.
My Recommendation: I recommend this book to anyone who likes a good paranormal romance, vampires, or just a romance in general. Ages 16+, only because of the frequency of sex at the end of the book (though I will say that the vampire held fast to abstinence, so that was encouraging.) there wasn’t any foul language, and I really liked that! I hate books that have so much language that I feel dirty reading it. But this book was very clean.
~Haleyknitz
Joelene Marie (28 KP) rated The Song of the Quarkbeast (The Last Dragonslayer, #2) in Books
Oct 1, 2018
Another fun fantasy adventure that picks up right after the events of The Last Dragonslayer. I just love the world Jasper Fforde has built here and the characters feel like old friends. Oh, and I really want a quarkbeast!! My main complaint with this one, and from the little I've read of the third one, is a lack of continuity in places. Dragonslayer is set in the "capital city of Hereford in the kingdom of the same name" whose monarch is the nefarious King Snod. When Quarkbeast begins and Jennifer is summarizing the details of her world and the events of Dragonslayer the kingdom name has changed from Hereford to Snod with no explanation. This kinda threw me a bit, things like that are a pet peeve of mine, but I decided to overlook it. Then I finish this one and start the sample of book three and it happened again, the end of Quark and the beginning of the Eye of Zoltar don't match up. At the end of Quark Jennifer talks about all the repairs they made to zambini towers and in the beginning of Zoltar she says they didn't happen. Im not sure if it was intentional or just bad editing but it's a bit irritating in an otherwise wonderful series.
James Koppert (2698 KP) rated Lil Pump by Lil Pump in Music
Oct 19, 2019 (Updated Nov 9, 2019)
Gross
This is bad, not in usual Hip Hop terms as in "I just spat a bad ass rhyme", no, this is bad as in wack.
Lil Pump has rose to meteoritic fame and wealth and the reason why? His stuff speaks to kids of that age where swearing and talking about drugs upsets mummy and daddy.
This is mumble rap. I'm not hating on mumble rap, Some artists are artists. Pump however shouts a line, then says Ouu and then repeats the formula the entire album Ouu.
So we've established he can't rap, lyrically it's just offensive. Now I have a lot of horribly misogynistic hip hop but somehow this feels worse because there is no artistic element. Lil Pump shouts things like "I f##ked your daughter" Ouu, yeah, that is the base level, women are nothing but botches to abide and drugs are new and clever according to Pump. It really is playground level.
What about the beats? Ok anyone knows my output knows I sometimes play with distortion but Pump takes it up so it distorts and the base blows and I bet he giggles like a toddler and goes "that's great Ouu".
Utterly terrible
Lil Pump has rose to meteoritic fame and wealth and the reason why? His stuff speaks to kids of that age where swearing and talking about drugs upsets mummy and daddy.
This is mumble rap. I'm not hating on mumble rap, Some artists are artists. Pump however shouts a line, then says Ouu and then repeats the formula the entire album Ouu.
So we've established he can't rap, lyrically it's just offensive. Now I have a lot of horribly misogynistic hip hop but somehow this feels worse because there is no artistic element. Lil Pump shouts things like "I f##ked your daughter" Ouu, yeah, that is the base level, women are nothing but botches to abide and drugs are new and clever according to Pump. It really is playground level.
What about the beats? Ok anyone knows my output knows I sometimes play with distortion but Pump takes it up so it distorts and the base blows and I bet he giggles like a toddler and goes "that's great Ouu".
Utterly terrible
Elli H Burton (1288 KP) rated Fifty Shades Freed (2018) in Movies
Nov 7, 2019
The chemistry between the leads is non existent. (1 more)
Misses important parts from the books so feels rushed.
It's alright.
I am one of those that actually enjoyed the books. Take THEM scenes away and I kind of love the story. Despite not being written great, I still looked forward to the films like everyone else.
This one is alright and I'll watch it again but it's so forced. Jamie Doran seems to have the same 3 Expressions in this film, he doesn't use his limited dialogue to the best he could have done it's just monotone and said because it's an actor saying his lines not the character talking like it should be.
Some forced comedy, which was probably forced from lack of enthusiasm from the cast and the deviation from the books. In the books theres some genuinely sweet, funny moments which in the films just feel wrong.
Dakota Johnson gets a bit more range in this and tries but honestly i think the fault lies with poor direction.
Scenes that are so important to the plot are cut short and really important story lines have been completely cut out the franchise which is why i much prefer the books.
This one is alright and I'll watch it again but it's so forced. Jamie Doran seems to have the same 3 Expressions in this film, he doesn't use his limited dialogue to the best he could have done it's just monotone and said because it's an actor saying his lines not the character talking like it should be.
Some forced comedy, which was probably forced from lack of enthusiasm from the cast and the deviation from the books. In the books theres some genuinely sweet, funny moments which in the films just feel wrong.
Dakota Johnson gets a bit more range in this and tries but honestly i think the fault lies with poor direction.
Scenes that are so important to the plot are cut short and really important story lines have been completely cut out the franchise which is why i much prefer the books.
Lyndsey Gollogly (2893 KP) rated The Guardian (The Dark-Hunter World) in Books
Mar 11, 2020
Contains spoilers, click to show
Dream-Hunter Lydia has been charged with the most sacred and dangerous of missions: To descend into the Nether Realm and find the missing god of dreams before he betrays the secrets that could kill her and her kind. What she never expects is to be taken prisoner by the Realm’s most vicious guardian…
Seth’s time is running out. If he can’t hand over the entrance to Olympus, his own life and those of his people will be forfeit. No matter the torture, Seth hasn’t been able to break the god in his custody. Then there’s the beautiful Dream-Hunter Lydia: She isn’t just guarding the gates of Olympus—she’s holding back one of the world’s darkest powers. If she fails, an ancient curse will haunt the earth once more and no one will be safe. But evil is always seductive...
Sherrilyn never fails to produce a good book! This is the second one I've actually shed a tear too how can anyone treat a child like that? Seth finally got everything he deserved and Lydia helped him find it! Loved seeing a few familiar characters. I just love this world Sherrilyn has created no matter what book I read it's always like coming home!!
Seth’s time is running out. If he can’t hand over the entrance to Olympus, his own life and those of his people will be forfeit. No matter the torture, Seth hasn’t been able to break the god in his custody. Then there’s the beautiful Dream-Hunter Lydia: She isn’t just guarding the gates of Olympus—she’s holding back one of the world’s darkest powers. If she fails, an ancient curse will haunt the earth once more and no one will be safe. But evil is always seductive...
Sherrilyn never fails to produce a good book! This is the second one I've actually shed a tear too how can anyone treat a child like that? Seth finally got everything he deserved and Lydia helped him find it! Loved seeing a few familiar characters. I just love this world Sherrilyn has created no matter what book I read it's always like coming home!!
Neon's Nerd Nexus (360 KP) created a post
Apr 8, 2020
One True Loves
6.0
Rate It
Book
In her twenties, Emma Blair marries her high school sweetheart, Jesse. They build a life for...