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One True Loves
6.0
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In her twenties, Emma Blair marries her high school sweetheart, Jesse. They build a life for...
Anand Wilder recommended Bugsy Malone Soundtrack by Paul Williams in Music (curated)
LoganCrews (2861 KP) rated Hocus Pocus (1993) in Movies
Mar 16, 2021
A full-tilt ball, I tend to be averse to anything ruminating with *this* much untamed theater kid energy - but Sarah Jessica Parker, Kathy Najimy, and of-fucking-course Bette Midler are 110% off the chain. I admit that the odious 90s stereotypes in this are hard to stomach, but I miss when Disney's live action allowed for such sublime scenery-chewing like this trio of perfect performances instead of Will Smith and some dude tepidly talking about jelly for what feels like an hour. I hate to be that guy, but something this lively just couldn't be recreated from the company today; Kenny Ortega's knack for brilliant practical effects and super impressive CGI for the time today is replaced by plastic visuals and flat soundstages where any sense of fun all but evaporates. Make no mistake, this is still not much more than pure fluff at the end of the day - but Lord it's such a blast. One of the few millennial-worship films I can fully understand the hype for, a delightful cross between 𝘛𝘩𝘦 𝘞𝘪𝘵𝘤𝘩𝘦𝘴 𝘰𝘧 𝘌𝘢𝘴𝘵𝘸𝘪𝘤𝘬 and "The Three Stooges". It's also consistently funny. "I Put A Spell On You" is a bop, and maybe I'm just getting old but the stuff at the end had me genuinely choked up.
LoganCrews (2861 KP) rated In the Heart of the Sea (2015) in Movies
Apr 9, 2021 (Updated Jul 4, 2021)
If this story was handled with a bit more bite, a little less austere loyalty to formula than Ron Howard's PG-13 cleanliness then honestly this could have been the solid adventure movie it so clearly wants to be. It's already got the right look for it - with these pretty much perfect sea-faring nautical visuals: rich blues, greens, and yellows smoothly coat dutch angles of people looking wide-eyed into the sky with the wind flowing through their hair and whatnot... it's beautiful until it directly clashes with this indefensible CGI. The whales look like shit and the horrendous green screen work makes everyone constantly look like that last scene from 𝘎𝘦𝘮𝘪𝘯𝘪 𝘔𝘢𝘯. The framing device with Whishaw and Gleeson - both of whom are award-worthy in this (particularly Gleeson, giving some of the best work of his career painting a deeply effective complex portrait of this clearly haunted man) - is more exciting and emotive than the actual story, which shambles at such a laborious pace that one can even stop laughing at Hemsworth's piss-poor accent. Just feels manufactured, cuts a bit too much to simulate fun rather than actually having it. Has its moments but you're better off just re-reading "Moby Dick".
Beauty's Beasts
10.0
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I am not a woman. But I am also not a man. I won't pretend to be something I’m not, but those...
Dark Fantasy Reverse Harem Why Choose? Romance Fairytale Retelling
Mandy and G.D. Burkhead (26 KP) rated Banewreaker in Books
May 20, 2018
Shelf Life – Banewreaker Will Make You Feel Bad for Sauron
Contains spoilers, click to show
Very few fantasy fans can get away with admitting that they aren’t all that big into sweeping, high epic fantasy à la Lord of the Rings or the Pern stories or everything that Terry Brooks writes. Many non-fantasy fans, however, can point to these tales as examples of why they aren’t into fantasy. Like it or not, it’s hard not to see the latter group’s point, as a lot of high fantasy is riddled with confusing terminology, rehashed stories, and genre clichés. This is not to say that these stories are bad, per sé, just that they can easily turn off readers who aren’t in the right kind of crowd.
Banewreaker, the first book in Jacqueline Carey’s two-part volume The Sundering, will probably not change any opinions in this respect, then, as it’s sweeping high fantasy to the core. This, as it turns out, is both its greatest strength and its greatest weakness.
There are some reviews out there that laud Banewreaker as a masterful examination of subjective viewpoints in an epic fantasy turned into a human tragedy by a simple change of perspective. And they are absolutely correct.
There are other reviews, however, that call the book out as a heap of all of the stalest fantasy clichés piled one atop the other in a confusing and pretentious jumble with a shellacking of purple prose for good measure. And they are also absolutely correct.
Let me explain.
For starters, it would be inaccurate to say that this story is full of clichés. This story is clichés. This story is every familiar and used-up trope you would expect from a high fantasy, all of those details that have been done to death in thousands of other versions until almost nothing that happens seems original anymore.
This is what’s going to turn off a lot of people. But the thing is, Banewreaker has to be this way. It wants the reader to look at all of the things that they’ve come to expect from a fantasy epic and then, by shifting the narrative focus, realize that all of these beloved tropes are actually, when you think about it, tragic as hell.
In other words, it’s Lord of the Rings from Sauron’s point of view.
It’s not a riff, though. It’s not goofy like most of the stuff I go in for. It takes its subject just as seriously as the stories that it’s mirroring, and this is what makes the whole story ultimately so gripping and so moving.
The story starts out like many stories of this magnitude, with exposition stretching back to the Dawn of This Particular Creation. In this case, we have a protogenos world god named Uru-Alat who died and gave rise to seven smaller godlike beings called Shapers. First comes Haomane, who becomes the Lord of Thought and sets himself up as head honcho for this ensuing pantheon. Second is Arahila, the Basically a Love Goddess; and third is Satoris, whose purview was “the quickening of the flesh,” which is high fantasy speak for sexy times. Four more Shapers come after this who, for the sake of brevity, we’ll be glossing over.
To summarize the important godly exposition, the Seven Shapers set about shaping the world to the surprise of no one. Haomane creates elves (here called Ellyl, but if you’ve ever even looked at a fantasy, you know that they’re the elves here), Arahila creates humans, and Satoris doesn’t create anything because he’s busy hanging out with dragons and learning their wisdom. Satoris grants his fleshy quickening to the humans but not the elves, because Haomane didn’t want his elves to do that. Then Haomane decides he doesn’t want the humans to do that either, but Satoris refuses to take the gift away again. Conflict escalates, god wars ensue, and the world splits into two continents, with Satoris ostracized from his brethren on one and the remaining Shapers on the other. By the time the dust has settled, Satoris is scarred and burned pitch black, living in a mostly dead land thanks to Haomane’s wrath, but with a dagger in his possession that is the only weapon capable of killing any of the Shapers.
The story itself picks up thousands of years later, with Satoris as the Satan/Sauron stand-in living in a forbidding land surrounded by classically evil things like trolls, giant spiders, and insane people. Since Haomane is the head god, the rest of the world believes Satoris to be a terrible figure of evil and betrayal, while Satoris’s few allies know him as a pitiable and misunderstood figure who only ever wanted to honor his word and do right by his own sense of morality rather than the dictates of his elder brother god king.
From here the plot becomes the typical Army of Good vs. Army of Evil adventure, but with the protagonistic focus on Satoris and his allies. His trolls we see not as a mindless horde but as a simple, honorable people who happily serve their lord because he happily serves them right back. The mad individuals inhabiting his fortress are castaways from normal society with nowhere else to go. And the giant spiders just happen to live there and be bigger than normal, with no sinister intentions beyond that.
And just like that, by actually showing us the home life of the ultimate in evil fantasy tropes, we see how easily one side’s view of evil is another’s view of good. In doing so, Banewreaker becomes perhaps the first sweeping fantasy epic with no real bad guy, just two sides of an unfortunate conflict. Both sides have their likeable characters, both sides seem from their view to be in the right, and pretty soon you, as the reader, will stop cheering for either one, because whenever one person that you like succeeds it means that another person whom you also like is failing.
In fact, the closest thing that this story has to a clearly-labeled “evil” character is the sorceress Lilias, and even then, she’s not evil so much as a woman who has done some bad things for completely understandable reasons. Lilias, in fact, is one of the most pitiful characters in this whole saga of pitiable characters, with her fears and attachments closely mirroring those of most readers, only amplified by her immortality and magical powers. She is afraid of dying. She wants to be more in the grand scheme of things than just another man’s wife or another country’s momentary ruler, both of which would just be tiny moments in a long history. She likes her youth. She likes having pretty things and pretty people around her. And from her interactions with her dragon mentor and apparently only friend, Calandor, we see that she is also capable of intense affection and even love just as she is capable of indulging in self-centered self-interest that, if not particularly a good trait, is also one that she is not alone in possessing.
Banewreaker, then, is a story with a large cast of characters but very few actual heroes or innocents as well as very few outright villains, which is exactly what it sets out to be. Those who love it and those who hate it both seem to blame this quality in particular for their feelings. The biggest complaint leveled against it (that I have read, anyway) is that the people we should be rooting for do not deserve our sympathy, while the people we should be rooting against are more misguided and unwilling to see things in another light than deserving of our scorn.
This is true. But if it’s a flaw, it’s an intentional one. And if it makes you feel like you shouldn’t be cheering for either side at all in this conflict, that’s the point. This is a story of clichés, yes, but it has something that it needs to say about these clichés and, in doing so, about the subjective and impossibly nebulous quality of morality in general.
In short, here again is another fantasy story about the Forces of Good wiping out an entire nation dedicated to their “evil” enemy. And as the story points out, even if you believe in that cause, you’re still wiping out an entire nation of people. No way is there not a downside to that. Seeing things in a black-and-white morality just means crushing a whole lot of important shades of gray underfoot.
Whether or not you like Banewreaker, then, depends in large part upon how much you realize that Carey as an author is being self-aware. As someone who read and still hasn’t stopped being awed over her Kushiel series, I can’t claim complete objectivity in this area, because I came to Banewreaker already in love with her. I can say, however, that unless you have an intense and searing aversion to ornate and sweeping style, this book is worth any fantasy-lover’s time – especially if you’ve ever felt a pang of empathy for all of the poor villainous mooks that fantasy heroes tend to mow down without a thought because they were the wrong kind of ugly.
Banewreaker, the first book in Jacqueline Carey’s two-part volume The Sundering, will probably not change any opinions in this respect, then, as it’s sweeping high fantasy to the core. This, as it turns out, is both its greatest strength and its greatest weakness.
There are some reviews out there that laud Banewreaker as a masterful examination of subjective viewpoints in an epic fantasy turned into a human tragedy by a simple change of perspective. And they are absolutely correct.
There are other reviews, however, that call the book out as a heap of all of the stalest fantasy clichés piled one atop the other in a confusing and pretentious jumble with a shellacking of purple prose for good measure. And they are also absolutely correct.
Let me explain.
For starters, it would be inaccurate to say that this story is full of clichés. This story is clichés. This story is every familiar and used-up trope you would expect from a high fantasy, all of those details that have been done to death in thousands of other versions until almost nothing that happens seems original anymore.
This is what’s going to turn off a lot of people. But the thing is, Banewreaker has to be this way. It wants the reader to look at all of the things that they’ve come to expect from a fantasy epic and then, by shifting the narrative focus, realize that all of these beloved tropes are actually, when you think about it, tragic as hell.
In other words, it’s Lord of the Rings from Sauron’s point of view.
It’s not a riff, though. It’s not goofy like most of the stuff I go in for. It takes its subject just as seriously as the stories that it’s mirroring, and this is what makes the whole story ultimately so gripping and so moving.
The story starts out like many stories of this magnitude, with exposition stretching back to the Dawn of This Particular Creation. In this case, we have a protogenos world god named Uru-Alat who died and gave rise to seven smaller godlike beings called Shapers. First comes Haomane, who becomes the Lord of Thought and sets himself up as head honcho for this ensuing pantheon. Second is Arahila, the Basically a Love Goddess; and third is Satoris, whose purview was “the quickening of the flesh,” which is high fantasy speak for sexy times. Four more Shapers come after this who, for the sake of brevity, we’ll be glossing over.
To summarize the important godly exposition, the Seven Shapers set about shaping the world to the surprise of no one. Haomane creates elves (here called Ellyl, but if you’ve ever even looked at a fantasy, you know that they’re the elves here), Arahila creates humans, and Satoris doesn’t create anything because he’s busy hanging out with dragons and learning their wisdom. Satoris grants his fleshy quickening to the humans but not the elves, because Haomane didn’t want his elves to do that. Then Haomane decides he doesn’t want the humans to do that either, but Satoris refuses to take the gift away again. Conflict escalates, god wars ensue, and the world splits into two continents, with Satoris ostracized from his brethren on one and the remaining Shapers on the other. By the time the dust has settled, Satoris is scarred and burned pitch black, living in a mostly dead land thanks to Haomane’s wrath, but with a dagger in his possession that is the only weapon capable of killing any of the Shapers.
The story itself picks up thousands of years later, with Satoris as the Satan/Sauron stand-in living in a forbidding land surrounded by classically evil things like trolls, giant spiders, and insane people. Since Haomane is the head god, the rest of the world believes Satoris to be a terrible figure of evil and betrayal, while Satoris’s few allies know him as a pitiable and misunderstood figure who only ever wanted to honor his word and do right by his own sense of morality rather than the dictates of his elder brother god king.
From here the plot becomes the typical Army of Good vs. Army of Evil adventure, but with the protagonistic focus on Satoris and his allies. His trolls we see not as a mindless horde but as a simple, honorable people who happily serve their lord because he happily serves them right back. The mad individuals inhabiting his fortress are castaways from normal society with nowhere else to go. And the giant spiders just happen to live there and be bigger than normal, with no sinister intentions beyond that.
And just like that, by actually showing us the home life of the ultimate in evil fantasy tropes, we see how easily one side’s view of evil is another’s view of good. In doing so, Banewreaker becomes perhaps the first sweeping fantasy epic with no real bad guy, just two sides of an unfortunate conflict. Both sides have their likeable characters, both sides seem from their view to be in the right, and pretty soon you, as the reader, will stop cheering for either one, because whenever one person that you like succeeds it means that another person whom you also like is failing.
In fact, the closest thing that this story has to a clearly-labeled “evil” character is the sorceress Lilias, and even then, she’s not evil so much as a woman who has done some bad things for completely understandable reasons. Lilias, in fact, is one of the most pitiful characters in this whole saga of pitiable characters, with her fears and attachments closely mirroring those of most readers, only amplified by her immortality and magical powers. She is afraid of dying. She wants to be more in the grand scheme of things than just another man’s wife or another country’s momentary ruler, both of which would just be tiny moments in a long history. She likes her youth. She likes having pretty things and pretty people around her. And from her interactions with her dragon mentor and apparently only friend, Calandor, we see that she is also capable of intense affection and even love just as she is capable of indulging in self-centered self-interest that, if not particularly a good trait, is also one that she is not alone in possessing.
Banewreaker, then, is a story with a large cast of characters but very few actual heroes or innocents as well as very few outright villains, which is exactly what it sets out to be. Those who love it and those who hate it both seem to blame this quality in particular for their feelings. The biggest complaint leveled against it (that I have read, anyway) is that the people we should be rooting for do not deserve our sympathy, while the people we should be rooting against are more misguided and unwilling to see things in another light than deserving of our scorn.
This is true. But if it’s a flaw, it’s an intentional one. And if it makes you feel like you shouldn’t be cheering for either side at all in this conflict, that’s the point. This is a story of clichés, yes, but it has something that it needs to say about these clichés and, in doing so, about the subjective and impossibly nebulous quality of morality in general.
In short, here again is another fantasy story about the Forces of Good wiping out an entire nation dedicated to their “evil” enemy. And as the story points out, even if you believe in that cause, you’re still wiping out an entire nation of people. No way is there not a downside to that. Seeing things in a black-and-white morality just means crushing a whole lot of important shades of gray underfoot.
Whether or not you like Banewreaker, then, depends in large part upon how much you realize that Carey as an author is being self-aware. As someone who read and still hasn’t stopped being awed over her Kushiel series, I can’t claim complete objectivity in this area, because I came to Banewreaker already in love with her. I can say, however, that unless you have an intense and searing aversion to ornate and sweeping style, this book is worth any fantasy-lover’s time – especially if you’ve ever felt a pang of empathy for all of the poor villainous mooks that fantasy heroes tend to mow down without a thought because they were the wrong kind of ugly.
Steven Sklansky (231 KP) rated Battle of the Sexes (2016) in Movies
Sep 26, 2017
Good storytelling (2 more)
Amazing Cast
Tennis shots were done very well
Sports with a hint of romance
This is another sports movie I had no knowledge of going in to and I watch a lot of sports. Tennis is one that I play more then I follow. Sometimes it is fun to watch a tennis match or 2 on tv but not all the time. This match though would have be amazing to see and live through. The story of Billy Jean King is like any other women making history by doing something great in the 70's. It has been told several times using different backgrounds. The big difference with this movie though is they did not overly portray her as the victim being driven down by the man. She always had her head held high and new she could win. You never really felt sad for her during the course of the movie. She had a goal set forth and took it head on.
This movie had a story to tell and like most Based on True Story movies they add way to much drama. This movie was the opposite. It told the story from her perspective and Bobby's perspective and really kept unnecessary drama out of it. The biggest drama points was Billy's female lover. Some of it felt way over the top and you just knew what was coming. I don't mind gay couples in movies, but what I don't like is if it feels forced on to screen just for the sake of adding it. This was part of her story, just put it in there, you don't have to tease the audience that it is going to happen.
The sports part of this movie was my favorite. The back at forth on the court felt real. Which is a good thing because you never want to see look fake. There were very few cuts during the action sequences which means they were really playing tennis, unless they were professionals dressed like them. I would not be disappointed if that was the case, but it would be great if it was the real actors doing it.
All in all this was a fantastic and think everyone, men (from the 70's and earlier) and women should go and see this movie. If you know the story already you may not like it as much but see it anyway.
This movie had a story to tell and like most Based on True Story movies they add way to much drama. This movie was the opposite. It told the story from her perspective and Bobby's perspective and really kept unnecessary drama out of it. The biggest drama points was Billy's female lover. Some of it felt way over the top and you just knew what was coming. I don't mind gay couples in movies, but what I don't like is if it feels forced on to screen just for the sake of adding it. This was part of her story, just put it in there, you don't have to tease the audience that it is going to happen.
The sports part of this movie was my favorite. The back at forth on the court felt real. Which is a good thing because you never want to see look fake. There were very few cuts during the action sequences which means they were really playing tennis, unless they were professionals dressed like them. I would not be disappointed if that was the case, but it would be great if it was the real actors doing it.
All in all this was a fantastic and think everyone, men (from the 70's and earlier) and women should go and see this movie. If you know the story already you may not like it as much but see it anyway.
RavenclawPrincess913 (253 KP) rated Star Splitter in Books
Jul 14, 2023
Star Splitter by Matthew J Kirby was one of my favorite books I have read this year. My favorite character in this book would be Duncan, the ships captains sixteen year old son. I like the character due to him being a great friend with an amazing personality. I also love how him and the main character Jessica formed a friendship and how protective he was over her. My favorite part of the book was when they were together. I really loved the part when he saved her. I also loved all the other parts with them together which made the book interesting. This book was very well written kept me interested, and I loved the plot. I honestly had a hard time putting the book down. The author should write more books like this one.
Even though I loved this book and gave it a five out of five stars, the ending made me mad. I just don't like how it ended. It leaves many questions unanswered. Also, the back and forth between Jessica one and Jessica two got me very confused at times. One scene I disliked was when the two crew members talked about Jessica and her family behind her back. Also, the scene where her father killed the ships doctor was scary to me. Her dad's transfer was corrupted, which made him very violent. Another part I didn't like was the fact that Jessica's mother is the reason the ship was destroyed since she didn't leave Jessica's violent Dad locked up like she was supposed to. In my opinion, Jessica and her mother should have just left the ship alone and left her corrupted father behind. Jessica's relationship with her parents was bad from the start, but I imagine this made it even worse. Duncan also had a bad relationship with his dad, so I'm pretty sure them having that in common helped their relationship grow. In conclusion, I can definitely see myself rereading this book. If you love young adult science fiction with teleportation to another planet, you would love this book too.
Star Splitter was my favorite book read this year, so here's some fun facts about the book. Jessica refers to Carver 1061c as Hades, which I found hilarious and very fitting after everything that happened. Jessica's Mom was a geologist, and her dad a biological studying Hades surface. The rest you will just have to read to find out.
Even though I loved this book and gave it a five out of five stars, the ending made me mad. I just don't like how it ended. It leaves many questions unanswered. Also, the back and forth between Jessica one and Jessica two got me very confused at times. One scene I disliked was when the two crew members talked about Jessica and her family behind her back. Also, the scene where her father killed the ships doctor was scary to me. Her dad's transfer was corrupted, which made him very violent. Another part I didn't like was the fact that Jessica's mother is the reason the ship was destroyed since she didn't leave Jessica's violent Dad locked up like she was supposed to. In my opinion, Jessica and her mother should have just left the ship alone and left her corrupted father behind. Jessica's relationship with her parents was bad from the start, but I imagine this made it even worse. Duncan also had a bad relationship with his dad, so I'm pretty sure them having that in common helped their relationship grow. In conclusion, I can definitely see myself rereading this book. If you love young adult science fiction with teleportation to another planet, you would love this book too.
Star Splitter was my favorite book read this year, so here's some fun facts about the book. Jessica refers to Carver 1061c as Hades, which I found hilarious and very fitting after everything that happened. Jessica's Mom was a geologist, and her dad a biological studying Hades surface. The rest you will just have to read to find out.
Danielle (103 KP) rated The Little Stranger (2018) in Movies
Feb 12, 2019
Acting (3 more)
Slow
Boring
Storyline
Snooze fest
I decided to watch this film because i enjoy horrors and the trailer made it look good. However i watched an hour of it then has to turn it off as it was extremely boring and slow paced. I did go back to it the next day to finish it as i wanted to know how it ended. I hoped it would pick up and be scary but sadly it wasnt. There where bits that seemed like they were supposed to be scary but they just weren't. The story seemed interesting but it left a lot of questions and didnt explain what was going on. As its based on a book i feel like the book may be better. However i havent read the book.
Autumn (3 KP) rated The Time Traveler's Wife in Books
Jan 18, 2018
this is a book i have to own. even before i was finished with it i wanted to read it a second time. it was so hard to finish just because i was so attached to the characters and their lives. it was like they nestled themselves into my heart and wouldn't let go.
unlike some other books where the author spouts off obscure literature and poetry and uses unrealistic prose this was very believable. their conversations, their actions, their passions. clare and henry felt like old friends. really amazing.
there was one tiny thing that bothered me though. it was niffenegger's religious comments. they weren't realistic. maybe to someone who grew up in the 60s but not in a post-feminist world. some didn't even make sense.
unlike some other books where the author spouts off obscure literature and poetry and uses unrealistic prose this was very believable. their conversations, their actions, their passions. clare and henry felt like old friends. really amazing.
there was one tiny thing that bothered me though. it was niffenegger's religious comments. they weren't realistic. maybe to someone who grew up in the 60s but not in a post-feminist world. some didn't even make sense.