"This would be from when I did 'Sisters Of Mercy' for the film Leonard Cohen: I'm Your Man. I was so happy to be given that song. I love Leonard Cohen; I've always loved him, grew up around that music. He is the most extraordinary lyricist, but he, as well, creates such a mood with his music. It's like nothing else. He belongs in my life as a writer and as a singer. I suppose this record, again, it's actually quite similar to Joni Mitchell; not brilliantly imaginative on my part to begin with, but just every single song is a classic. I've read bits and pieces of his poetry and he's an extraordinary poet. It's poignant, and there's humour, coupled with the pathos. He's a poet, he's an extraordinary writer and singer and beautiful man, and, what can I say? Is that enough?"

"I wasn’t even sure that I liked music in my early years. There was a massive generation gap between myself and my parents, and they didn’t get it at all. They had no concept of pop culture, so the music I heard when I was a child was all light entertainment. There was a round tin in the house with a picture of tulips on it that had some singles inside and they were all awful, like “Itsy Bitsy Teenie Weenie Yellow Polka-Dot Bikini.” It was all comedy. Just terrible. I wasn’t interested in it. But two things woke me up. One was “Telstar” by the Tornados. I heard it in a shop, and this person on the radio said, “This is the sound of the future.” That got my interest. I remember the squeaky organ sound, and it was all jolly exciting. Then the Beatles happened."