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Kirk Bage (1775 KP) rated BlacKkKlansman (2018) in Movies
Jan 22, 2021
I have had my issues with Spike Lee as a filmmaker over the years. It always seemed like his next film was the most “important” one, and that he didn’t make a film if it didn’t have something to say about race and the oppression of African Americans. Which in itself is not a problem, as long as that point isn’t laboured to the detriment of all other aspects of the film. My problem wasn’t the message, it was that a lot of the films were dull or just not that great.
I like Malcolm X to a point, but it is overlong and uneven. I think Do the Right Thing is a fine example of indie bravura, but also has faults. Of the rest, I really only rate 25th Hour and Inside Man, both of which are entertaining movies that move tentatively away from full on politics and therefore avoid the trap of being bombastic. In short, I’ve always wanted to like him as a director a lot more than I do.
The thing that drew me to BlacKkKlansman more than Lee, or the yet little known John David Washington, was the 100% dependable Adam Driver. I have yet to see a performance of his I didn’t like, and I’d heard that he was the standout of this film too, so it went on my list of must sees. And, yes, he is excellent, of course he is – there’s something about how easy and relaxed he can be within a character that is very rare. I’d suggest he is one of the very best male actors of that age group working today.
Now, obviously, it is entirely intentional that the two leads and eventual partners in the film are black and white… but the idea that this is a problem, or a thing at all, is not addressed as the only issue; in BlacKkKlansman it isn’t being black or white or anything else that defines you, it is what you do, what you say and what you stand for. And that idea is so crystal clear and well achieved that as an entertainment the film can then go anywhere it wants around that framework. Which it revels in doing.
It is both a good looking film and an exciting one; funny when it wants to be, smart all the time, and razor serious when it needs to be. A balancing act not to be sniffed at! And one that Lee has struggled with in the past. Here he nails the tone so well that it feels like his entire back catalogue was just a training exercise to get him to this point. I wouldn’t say it’s a masterpiece, but it is a damn fine work of art on many levels.
Washington as the focus of the tale, which also functions perfectly as an undercover cop movie of basic intent, i.e. infiltrate the bad guys and take them down, is perfectly cast and believable from minute one. His chemistry with the insanely gorgeous and talented Laura Harrier is a highlight, especially watching them dance and move with absolute cool in those 70s clothes and hairstyles. This movie has serious style that leaves you in no doubt that the black sub-culture is where it’s at, and the stupid bigoted klansmen are shown up as ridiculous as much as dangerous.
Every trope and icon of the Blacksploitation era is referenced and reclaimed as cool. Perhaps to a degree I am not aware of, as I’ve only seen one or two obvious examples in my time. We are given the tease to follow the notion that racism of this kind was a thing of the past, specifically related to the 70s and now it’s better in many ways. Before we are hit with the hammer blow of realisation at the very end of the film, where a juxtaposition of fantasy and horrific reality collide to magnificently shocking and depressing effect.
I felt after seeing it that I had been cleverly schooled. As in, I’m glad you enjoyed this, now go away and really think about it… and it worked, because I have tried to think about it more than I have before. And feel just that little bit more educated to a problem that is worldwide, but has never really felt directly part of my world.
Discussing anything related to the BLM movement in 2020 feels important and complicated in so many ways. It is an emotive subject that I’d feel I mostly want to avoid for fear of saying the wrong thing. Even though the basic idea of human rights and basic rights for all people has always been a no brainer; prejudice and hate crimes and fear are wrong, and we collectively must do whatever we can to educate ourselves and others not to make the mistakes of the past. Can a movie do that? No of course not, but it can open the door to dialogue that might not have happened otherwise.
Lee isn’t scared of what you think of this film, or any argument you may have against it. He knows his subject, and you feel that confidence in every scene. He doesn’t want to lecture you, or scream at you in despair, he wants to tell you an entertaining story that comes with a whole side discussion if you want it. Which is so much more powerful than any tactic he has tried before. And I think it works. I’d recommend anyone watch this, without hesitation.
I like Malcolm X to a point, but it is overlong and uneven. I think Do the Right Thing is a fine example of indie bravura, but also has faults. Of the rest, I really only rate 25th Hour and Inside Man, both of which are entertaining movies that move tentatively away from full on politics and therefore avoid the trap of being bombastic. In short, I’ve always wanted to like him as a director a lot more than I do.
The thing that drew me to BlacKkKlansman more than Lee, or the yet little known John David Washington, was the 100% dependable Adam Driver. I have yet to see a performance of his I didn’t like, and I’d heard that he was the standout of this film too, so it went on my list of must sees. And, yes, he is excellent, of course he is – there’s something about how easy and relaxed he can be within a character that is very rare. I’d suggest he is one of the very best male actors of that age group working today.
Now, obviously, it is entirely intentional that the two leads and eventual partners in the film are black and white… but the idea that this is a problem, or a thing at all, is not addressed as the only issue; in BlacKkKlansman it isn’t being black or white or anything else that defines you, it is what you do, what you say and what you stand for. And that idea is so crystal clear and well achieved that as an entertainment the film can then go anywhere it wants around that framework. Which it revels in doing.
It is both a good looking film and an exciting one; funny when it wants to be, smart all the time, and razor serious when it needs to be. A balancing act not to be sniffed at! And one that Lee has struggled with in the past. Here he nails the tone so well that it feels like his entire back catalogue was just a training exercise to get him to this point. I wouldn’t say it’s a masterpiece, but it is a damn fine work of art on many levels.
Washington as the focus of the tale, which also functions perfectly as an undercover cop movie of basic intent, i.e. infiltrate the bad guys and take them down, is perfectly cast and believable from minute one. His chemistry with the insanely gorgeous and talented Laura Harrier is a highlight, especially watching them dance and move with absolute cool in those 70s clothes and hairstyles. This movie has serious style that leaves you in no doubt that the black sub-culture is where it’s at, and the stupid bigoted klansmen are shown up as ridiculous as much as dangerous.
Every trope and icon of the Blacksploitation era is referenced and reclaimed as cool. Perhaps to a degree I am not aware of, as I’ve only seen one or two obvious examples in my time. We are given the tease to follow the notion that racism of this kind was a thing of the past, specifically related to the 70s and now it’s better in many ways. Before we are hit with the hammer blow of realisation at the very end of the film, where a juxtaposition of fantasy and horrific reality collide to magnificently shocking and depressing effect.
I felt after seeing it that I had been cleverly schooled. As in, I’m glad you enjoyed this, now go away and really think about it… and it worked, because I have tried to think about it more than I have before. And feel just that little bit more educated to a problem that is worldwide, but has never really felt directly part of my world.
Discussing anything related to the BLM movement in 2020 feels important and complicated in so many ways. It is an emotive subject that I’d feel I mostly want to avoid for fear of saying the wrong thing. Even though the basic idea of human rights and basic rights for all people has always been a no brainer; prejudice and hate crimes and fear are wrong, and we collectively must do whatever we can to educate ourselves and others not to make the mistakes of the past. Can a movie do that? No of course not, but it can open the door to dialogue that might not have happened otherwise.
Lee isn’t scared of what you think of this film, or any argument you may have against it. He knows his subject, and you feel that confidence in every scene. He doesn’t want to lecture you, or scream at you in despair, he wants to tell you an entertaining story that comes with a whole side discussion if you want it. Which is so much more powerful than any tactic he has tried before. And I think it works. I’d recommend anyone watch this, without hesitation.
LeftSideCut (3776 KP) rated Doctor Strange in the Multiverse of Madness (2022) in Movies
May 11, 2022
I've taken a few days since seeing Multiverse of Madness to try and digest it as a whole, and decide how I felt about it. It's certainly wild, and leaves a hefty impression. My initial reservations stem from a couple of elements. Firstly, due to the nature of the multiverse, there are some big set pieces and character moments that feel a bit inconsequential. I hope that future projects might reveist these moments and the subsequent fallout from them, but I've got a sneaky feeling that might not happen. Secondly, there's a massive plot point that drives the entire movie that feels a little unearned, even if the execution packs a hell of a punch.
Overall though, I feel that these are minor detriments to what is a spectacular, and comic-book-as-fuck MCU entry, an entry that carries a unique signature, thanks in no small part to its director. It's no secret that I'm a big ol' Sam Raimi fan, and the entirety of MoM feels like a film straight from his mind. Sure, it has the standard Marvel Studios template, but his style shines through with little effort. There are definitely some moments that feel like a gateway horror flick, and even a bit of splatter that you might not expect from an MCU movie. There's even a few Evil Dead references chucked in for good measure.
It terms of wider connections, there's a lot goinh on here. The narrative does a lot to establish Dr Strange as a major player going forward, and introduces a great deep cut from the comics in America Chavez, another character that would fit right in with a Young Avenger film that is surely not too far off. It's also the first theater release to really feel impacted by the Disney+ shows, essentially acting as not just a sequel to Doctor Strange and No Way Home, but to WandaVision as well. On that note, Elizabeth Olsen all but steals the show here, and it's quite glorious. Elsewhere, the multiverse ensures that there are some crazy set pieces, and some fun cameos that will surely have fans talking and speculating for quite some time.
If nothing else, MoM is an incredibly fun Sam Raimi film, and a solid entry into the wider MCU, and I'm happy with that result.
Overall though, I feel that these are minor detriments to what is a spectacular, and comic-book-as-fuck MCU entry, an entry that carries a unique signature, thanks in no small part to its director. It's no secret that I'm a big ol' Sam Raimi fan, and the entirety of MoM feels like a film straight from his mind. Sure, it has the standard Marvel Studios template, but his style shines through with little effort. There are definitely some moments that feel like a gateway horror flick, and even a bit of splatter that you might not expect from an MCU movie. There's even a few Evil Dead references chucked in for good measure.
It terms of wider connections, there's a lot goinh on here. The narrative does a lot to establish Dr Strange as a major player going forward, and introduces a great deep cut from the comics in America Chavez, another character that would fit right in with a Young Avenger film that is surely not too far off. It's also the first theater release to really feel impacted by the Disney+ shows, essentially acting as not just a sequel to Doctor Strange and No Way Home, but to WandaVision as well. On that note, Elizabeth Olsen all but steals the show here, and it's quite glorious. Elsewhere, the multiverse ensures that there are some crazy set pieces, and some fun cameos that will surely have fans talking and speculating for quite some time.
If nothing else, MoM is an incredibly fun Sam Raimi film, and a solid entry into the wider MCU, and I'm happy with that result.
ArecRain (8 KP) rated I Heart Geeks in Books
Jan 18, 2018
I received a complimentary copy in exchange for a review.
The good thing about anthologies is that if you dont like the story you are reading, you can move on to the next one. Unfortunately, I found myself doing that a lot with this anthology. I requested it because it showcases a culture I am apart of. I go to cons, I read comics books, and play video games. I even have a twitch account where I stream.
But this just wasnt what I was looking for. Out of all the stories, I only enjoyed a couple. I felt that many of the characters and situations were cliché and stereotypical. While I understand that those type of people and situations exist, I felt that each story was a repeat of the others. When I say those people and those situations, I am talking about the anti-social, socially awkward people who are sensitive and easily hurt.
I understand, I get it. Those people need representation, too. But these werent the people I wanted to read about. I wanted to read about the happy, friendly, quirky people you cant help but love. The people who are unapologetic in their love of all things nerdy regardless of what that includes. Most of the protagonists in their stories were fragile and delicate. It seems that every protagonists I read about has been hurt before and is resolved to not love again.
Its an old tired trope. I wish I would have enjoyed it more. I loathe writing negative reviews, but reading this anthology just frustrated me.
The good thing about anthologies is that if you dont like the story you are reading, you can move on to the next one. Unfortunately, I found myself doing that a lot with this anthology. I requested it because it showcases a culture I am apart of. I go to cons, I read comics books, and play video games. I even have a twitch account where I stream.
But this just wasnt what I was looking for. Out of all the stories, I only enjoyed a couple. I felt that many of the characters and situations were cliché and stereotypical. While I understand that those type of people and situations exist, I felt that each story was a repeat of the others. When I say those people and those situations, I am talking about the anti-social, socially awkward people who are sensitive and easily hurt.
I understand, I get it. Those people need representation, too. But these werent the people I wanted to read about. I wanted to read about the happy, friendly, quirky people you cant help but love. The people who are unapologetic in their love of all things nerdy regardless of what that includes. Most of the protagonists in their stories were fragile and delicate. It seems that every protagonists I read about has been hurt before and is resolved to not love again.
Its an old tired trope. I wish I would have enjoyed it more. I loathe writing negative reviews, but reading this anthology just frustrated me.
JT (287 KP) rated The Intruder (2019) in Movies
Mar 10, 2020
When are couples moving into a new home going to realise that there is a lot more to worry about than just making sure all of your stuff arrives in one piece. If it’s not things going bump in the night or uninvited demons, it’s seemingly sweet as pie neighbours with an ulterior motive.
Annie (Meagan Good) and Scott ( Michael Ealy) think that they have found their dream home, away from the concrete jungle of the city with an idyllic setting in which to start a family. Step in Charlie (Dennis Quaid), a kind hearted widower who is selling in order to start a new life with his daughter in Florida – or so it would seem, as we know, looks can be deceiving.
Dennis Quaid nails the disturbed seller turned psycho
The film has been battered with reviews saying that it forgoes plot in favour of setting up a good jump scare, but do you know what? I don’t mind that.
I’ve always been a sucker for this type of genre and this one is no different. There are the obvious plot holes, some laughable, like how come it takes Annie so long to realise that Charlie has psychotic tendencies, despite Scott practically spelling it out for her? Or the fact that everyone seems to be drawn to a particular linen closet. It moves along enough to keep you entertained with Quaid giving a good account of himself and clearly having fun.
Director (Deon Taylor) seems inspired by classic home invasion thrillers but offers nothing new that we won’t have already seen before – you can just throw this one onto the pile with all the rest.
Annie (Meagan Good) and Scott ( Michael Ealy) think that they have found their dream home, away from the concrete jungle of the city with an idyllic setting in which to start a family. Step in Charlie (Dennis Quaid), a kind hearted widower who is selling in order to start a new life with his daughter in Florida – or so it would seem, as we know, looks can be deceiving.
Dennis Quaid nails the disturbed seller turned psycho
The film has been battered with reviews saying that it forgoes plot in favour of setting up a good jump scare, but do you know what? I don’t mind that.
I’ve always been a sucker for this type of genre and this one is no different. There are the obvious plot holes, some laughable, like how come it takes Annie so long to realise that Charlie has psychotic tendencies, despite Scott practically spelling it out for her? Or the fact that everyone seems to be drawn to a particular linen closet. It moves along enough to keep you entertained with Quaid giving a good account of himself and clearly having fun.
Director (Deon Taylor) seems inspired by classic home invasion thrillers but offers nothing new that we won’t have already seen before – you can just throw this one onto the pile with all the rest.
Andy K (10827 KP) rated American Psycho (2000) in Movies
Jun 3, 2018
The business card scene is the best!
Christian Bale is excellent as Patrick Bateman (Batman lol), a Wall Street executive with an extremely dark side, he is a cold-blooded murderer.
Much of the film sees Bateman juggling his two separate lives, and how has has to have everything just so, and loses it if everything doesn''t go his way. He really loves 80s music and explains the nuances of his favorite artists in way too much detail.
The ending is ambiguous, but that is all right here as it leaves you wondering what actually happened and what was in his mind and was he really just going crazy or dreaming.
Some very graphic scenes are not for the squeamish and I'll never like the song "Hip to be Square" the same way again.
Much of the film sees Bateman juggling his two separate lives, and how has has to have everything just so, and loses it if everything doesn''t go his way. He really loves 80s music and explains the nuances of his favorite artists in way too much detail.
The ending is ambiguous, but that is all right here as it leaves you wondering what actually happened and what was in his mind and was he really just going crazy or dreaming.
Some very graphic scenes are not for the squeamish and I'll never like the song "Hip to be Square" the same way again.
Roxanne (13 KP) rated Thank You for Smoking in Books
Nov 14, 2018
This book was an ok read, it took me quite a while to get into it as the writing style is very different to what i'm used to. I found the story to be quite jumbled and sometimes I just had no idea which of the characters were speaking, I had to sometimes read a page a couple of times in order for it to sink in. Some of it a found quite funny but other bits I didn't really understand. The novel is very political, which probably explains why I kept losing interest (not to say it wasn't interesting at all- which is why I gave it 3 stars, I did like it, mainly because it was just different). The story had some good twists but I do believe that the ending was very unrealistic.
Roxanne (13 KP) rated F My Life: And You Thought You'd Had A Bad Day in Books
Nov 14, 2018
Do you ever feel like your life is going down the toilet? Does something happen to you where you just wish the ground would open up and swallow you? Then read this book! Nothing makes you feel better about your own misfortune than reading about other people's misfortune. This book is a hilarious collection of unfortunate events that have affected members of the general public. These are the most popular stories taken from the website FML and are guaranteed to make you chuckle to yourself. I know this is meant to be read in small chunks and to be referred back to now and again as a pick me up but I just have to read a book from start to finish. This made the book a little repetitive and dry in places but overall I really recommend this book.
ClareR (6256 KP) rated Midwinter Mysteries in Books
Jan 7, 2020
Tales not just for Christmas!
Midwinter Mysteries is a great, festive collection of crime stories and thrillers - and I loved it. There are some of my favourite characters in this anthology, and some I’m now very interested in finding out more about. Graham Brack brings in another great story from Josef Slonsky (he IS my favourite), Linda Stratmann’s Mina Scarletti is also a great, if ghostly, story, and Charles Dickens makes an appearance thanks to J. C. Briggs (might have to read more of these books). Actually, it’s hard NOT to like any of these stories, and this fabulous collection has just made my wish list even longer - there wasn’t a single story that I didn’t enjoy. The collection left me feeling kind of seasonal in a slightly murderous, criminal way - but these stories don’t have to be confined to December!
Old Jews Telling Jokes
Sam Hoffman and Eric Spiegelman
Book
Schtick happens. For five thousand years, Gold's chosen people have cornered the market on...