Search
Search results
LeftSideCut (3776 KP) rated Psycho Goreman (2020) in Movies
May 21, 2021
I fully understand why Psycho Goreman may not be for everyone, but dammit if it wasn't right up my street.
This film is so ridiculous. From it's sudden bursts of hyper violence to kids playing ball games backed by the sounds of completely over the top guitar solos, to it's abundance of offbeat humour, PG is obviously trying to be exactly the kind of film that it is, but it stops short of feeling overly try-hard.
The young cast are pretty great, heck, all of the cast are pretty great. The commitment to practical effects is admirable, no matter how cheap it looks on occasion. The alien characters look like creatures out of Power Rangers, but it honestly just adds to the experience.
I'm not sure if anything written can truly explain what to expect from this. If you like these kind of 80s throwback B-movies like I do, then you'll surely get a kick out of Psycho Goreman. It's a blast from start to finish.
This film is so ridiculous. From it's sudden bursts of hyper violence to kids playing ball games backed by the sounds of completely over the top guitar solos, to it's abundance of offbeat humour, PG is obviously trying to be exactly the kind of film that it is, but it stops short of feeling overly try-hard.
The young cast are pretty great, heck, all of the cast are pretty great. The commitment to practical effects is admirable, no matter how cheap it looks on occasion. The alien characters look like creatures out of Power Rangers, but it honestly just adds to the experience.
I'm not sure if anything written can truly explain what to expect from this. If you like these kind of 80s throwback B-movies like I do, then you'll surely get a kick out of Psycho Goreman. It's a blast from start to finish.
Teenagers Explained: A Manual for Parents by Teenagers
Megan Lovegrove and Louise Bedwell
Book
Teenagers Megan and Louise reveal what your teen's thinking! If you're a parent and can't quite...
Rob Zombie recommended White Zombie (1932) in Movies (curated)
Some Sort Of Crazy
10.0
Rate It
Book
When a psychic tells Natalie Nixon her life is about to be upended by a mysterious stranger, she...
RəX Regent (349 KP) rated Black Hawk Down (2001) in Movies
Feb 18, 2019
Modern Warfare like we had never seen it before...
Black Hawk Down is to me, the best war film that I have ever seen. Intense and relentless, it conveys the horror and tactics of modern warfare and more to point, like all great and classic war movies, demonstrates the dedication, skill and spirit that warfare can manifest when all hell breaks loose, or the proverbial hits the fan!
As a launch pad for some many careers in the naughties and beyond, including Tom Hardy, this is well cast, directed, edited, with an effective Hans Zimmer score and some of the best sound design I have ever heard, the engrossing horror of the situation was conveyed brilliantly. But there is something that I find somewhat disturbing about this film and it may well be a failure but it does demonstrate the effectiveness of the medium;
The Somalians or the “Indigenous Personal” as they were so aptly referred to in the film, came across as heartless, rage filled amoral murderers and while in many respects in respects to those portrayed in the film, it may well be true, I found myself and I doubt that I was alone, being filled with sense of glee every time one of these bastards was blown to pieces or filled with a hail of Uncle Sam’s bullets!
Also the scene where a child accidentally guns down his own father after a U.S. troop slips, is so very telling of the militia culture in that country at that time. Are we supposed to feel sorry for the Man? The Child? Or see it a poetic justice? Or just be relieved that our “Peace Keeping” U.S. soldier got away with his life? In many ways, I think that the ambivalence if that scene, sums up what was so brilliant as well as frightening about this film.
Whilst on one hand, it is hard to deny that we are supposed to feel for, respect and support our American heroes who will go to extreme lengths to “Leave No Man Behind”, we are asked to look at why the Somalians have taken up arms? But in the end it is a huge sociological issue and this film does not dwell too much on that. It touches on the fact that there are always two sides to any conflict, but like Zulu (1960) forty years before it, it chose its side and that was the normally powerful under dog and we saw them survive what many of us would have struggled to do.
This is truly a war film for war film fans and a MUST SEE for everyone.
As a launch pad for some many careers in the naughties and beyond, including Tom Hardy, this is well cast, directed, edited, with an effective Hans Zimmer score and some of the best sound design I have ever heard, the engrossing horror of the situation was conveyed brilliantly. But there is something that I find somewhat disturbing about this film and it may well be a failure but it does demonstrate the effectiveness of the medium;
The Somalians or the “Indigenous Personal” as they were so aptly referred to in the film, came across as heartless, rage filled amoral murderers and while in many respects in respects to those portrayed in the film, it may well be true, I found myself and I doubt that I was alone, being filled with sense of glee every time one of these bastards was blown to pieces or filled with a hail of Uncle Sam’s bullets!
Also the scene where a child accidentally guns down his own father after a U.S. troop slips, is so very telling of the militia culture in that country at that time. Are we supposed to feel sorry for the Man? The Child? Or see it a poetic justice? Or just be relieved that our “Peace Keeping” U.S. soldier got away with his life? In many ways, I think that the ambivalence if that scene, sums up what was so brilliant as well as frightening about this film.
Whilst on one hand, it is hard to deny that we are supposed to feel for, respect and support our American heroes who will go to extreme lengths to “Leave No Man Behind”, we are asked to look at why the Somalians have taken up arms? But in the end it is a huge sociological issue and this film does not dwell too much on that. It touches on the fact that there are always two sides to any conflict, but like Zulu (1960) forty years before it, it chose its side and that was the normally powerful under dog and we saw them survive what many of us would have struggled to do.
This is truly a war film for war film fans and a MUST SEE for everyone.
Becs (244 KP) rated Warm Transfer in Books
Aug 27, 2018
The cover. (2 more)
Laura Holtz's writing.
Well-developed backgrounds and characters.
A story of courage, potential, finding joy, and one woman's journey to rediscovering herself.
I received a copy from Smith Publicity for read and review. The following review is my honest opinion of Warm Transfer by Laura Holtz.
Okay, this cover is just awesome. Yes, I judge a book by its cover all the time and when I got this, I was like "Yea, this is an awesome cover!" Then I read the synopsis and was a little put off by it. But as I read it, and continued to read it, I was just blown away by the story, the plot, the characters, the emotions that you could feel through Laura Holtz's writing, how her writing also brought memories back from my mother's most recent marriage to my step-father. It was defiantly a roller-coaster of a ride, and I sure as heck enjoyed it.
Victor is an arse and I just want him to die. (I promise I'm not a psycho - I just absolutely hate this character with a burning rage that can only be put out with the blood oozing out of his skull. - Wow, okay Becca. Calm down.) Tamsen is a very relatable MC and her journey brought many different emotions out of me as I read this breathtakingly great novel! I loved how the main and semi-main characters were developed tremendously well. I mean, I could just relate to each and every one of them. Laura, you're the bomb diggity! What a well-versed writer.
Okay, this cover is just awesome. Yes, I judge a book by its cover all the time and when I got this, I was like "Yea, this is an awesome cover!" Then I read the synopsis and was a little put off by it. But as I read it, and continued to read it, I was just blown away by the story, the plot, the characters, the emotions that you could feel through Laura Holtz's writing, how her writing also brought memories back from my mother's most recent marriage to my step-father. It was defiantly a roller-coaster of a ride, and I sure as heck enjoyed it.
Victor is an arse and I just want him to die. (I promise I'm not a psycho - I just absolutely hate this character with a burning rage that can only be put out with the blood oozing out of his skull. - Wow, okay Becca. Calm down.) Tamsen is a very relatable MC and her journey brought many different emotions out of me as I read this breathtakingly great novel! I loved how the main and semi-main characters were developed tremendously well. I mean, I could just relate to each and every one of them. Laura, you're the bomb diggity! What a well-versed writer.
Goddess in the Stacks (553 KP) rated Gender Outlaw: On Men, Women and the Rest of Us in Books
Jul 23, 2019
This book has one of the best forewords I've ever seen. Bornstein explains that since 1994, when the book was first published, language has changed a lot, and terms that were used regularly then, like transsexual, are highly offensive now. So she has heavily rewritten the book to change the language, but she goes on to say that language is an always-changing thing, and in five or six years this edition, too, might be offensive in the language used. Then she apologizes for that. My favorite lines are one of the last paragraphs of the foreword:
"Now, if anything you read in this book makes you feel bad or wrong or small and weak, then please know that I said something wrong. This book was written many years ago, and the culture I wrote it in is not the culture in which you're reading it. So, if you find anything to be personally insulting, please accept my apology and keep reading with the knowledge that your identity and how you express your gender are correct only when you feel they are correct."
It was a wonderful note to start the book on. I just loved "if you are offended, if this invalidates your identity, then I AM WRONG." Bornstein transitioned in the 80s, and has been an outspoken advocate of queer and trans people most of her life. She is definitely a figure in queer history that more people should read about.
The rest of the book is every bit as good as the foreword. Bornstein absolutely destroys the concept of gender in this book, dissecting it and looking at all the parts and pieces to attempt to figure out why society is so set on the binary system. She more than makes her case that gender is a spectrum, not an either/or. And not just a spectrum between "more male" and "more female" but a colorful kaleidoscope of gender expression and identity. She does not shy away from sensitive topics like surgeries and anatomy. She talks to the reader like she's your favorite outrageous aunt, sitting in the family room gossiping over heavily-spiked tea.
The formatting was occasionally confusing; she has the usual justified text, but then she has left-aligned passages (usually quotes from other people) and right-aligned passages (side-bar like content; I'm unclear if these are notes she made on the original text or what, but it generally clarifies or alters what the main text is talking about.)
I would HIGHLY recommend this book for anyone who wants to learn more about gender issues. Bornstein has an incredibly entertaining way of writing, and she loves to challenge what we think of as gender.
You can find all my reviews and more at http://goddessinthestacks.com
"Now, if anything you read in this book makes you feel bad or wrong or small and weak, then please know that I said something wrong. This book was written many years ago, and the culture I wrote it in is not the culture in which you're reading it. So, if you find anything to be personally insulting, please accept my apology and keep reading with the knowledge that your identity and how you express your gender are correct only when you feel they are correct."
It was a wonderful note to start the book on. I just loved "if you are offended, if this invalidates your identity, then I AM WRONG." Bornstein transitioned in the 80s, and has been an outspoken advocate of queer and trans people most of her life. She is definitely a figure in queer history that more people should read about.
The rest of the book is every bit as good as the foreword. Bornstein absolutely destroys the concept of gender in this book, dissecting it and looking at all the parts and pieces to attempt to figure out why society is so set on the binary system. She more than makes her case that gender is a spectrum, not an either/or. And not just a spectrum between "more male" and "more female" but a colorful kaleidoscope of gender expression and identity. She does not shy away from sensitive topics like surgeries and anatomy. She talks to the reader like she's your favorite outrageous aunt, sitting in the family room gossiping over heavily-spiked tea.
The formatting was occasionally confusing; she has the usual justified text, but then she has left-aligned passages (usually quotes from other people) and right-aligned passages (side-bar like content; I'm unclear if these are notes she made on the original text or what, but it generally clarifies or alters what the main text is talking about.)
I would HIGHLY recommend this book for anyone who wants to learn more about gender issues. Bornstein has an incredibly entertaining way of writing, and she loves to challenge what we think of as gender.
You can find all my reviews and more at http://goddessinthestacks.com
Felicia (44 KP) rated Ready Player One (2018) in Movies
Sep 20, 2018
Contains spoilers, click to show
I'm going to try very hard to keep my feelings about the novel out of this review about the movie, often when reading reviews I feel that the feelings of one medium influences the feelings of the other.
Ready Player One is a entertaining ride that follows the main character Wade through the virtual world of the Oasis. The creator of this virtual world is dead but he left a puzzle when he died that if the players figured out it would lead them to a series of keys that would grant them ownership of the world.
But of course nothing can just be simple, so while the players are trying to figure out the puzzle in the Oasis there are people who are trying to take them out of the real world.
The movie goes through many different phases cutting between live action and cgi to demonstrate the difference between the Oasis and the real world. So if you're a fan of CGI this probably won't annoy you too much.
One of my major complaints about the movie is that visually there is too much going on, it is a huge distraction with so much going on in the background to really pay attention to what is going on in the foreground. This could be because they were trying to give the illusion of it being a real world but in a movie setting it was just too much.
The movie is also too long, some of the challenges and scenes just take too much time and drag down the pace of the movie. But one of the Challenges, where the players go into a recreating of The Shining is actually the best part of the whole movie, it is fun, familiar, and entertaining. Moments like that really help to save the movie from the slower moments that seem to drag.
Overall the movie isn't bad but it also isn't good. I doubt it will become a classic like the novel had when it was released. But I can totally see people putting it on when hanging out with a group of friends and want some background noise. It was a really interesting and good concept but they tried to do too much with it and it really hurt the movie in the long run.
Ready Player One is a entertaining ride that follows the main character Wade through the virtual world of the Oasis. The creator of this virtual world is dead but he left a puzzle when he died that if the players figured out it would lead them to a series of keys that would grant them ownership of the world.
But of course nothing can just be simple, so while the players are trying to figure out the puzzle in the Oasis there are people who are trying to take them out of the real world.
The movie goes through many different phases cutting between live action and cgi to demonstrate the difference between the Oasis and the real world. So if you're a fan of CGI this probably won't annoy you too much.
One of my major complaints about the movie is that visually there is too much going on, it is a huge distraction with so much going on in the background to really pay attention to what is going on in the foreground. This could be because they were trying to give the illusion of it being a real world but in a movie setting it was just too much.
The movie is also too long, some of the challenges and scenes just take too much time and drag down the pace of the movie. But one of the Challenges, where the players go into a recreating of The Shining is actually the best part of the whole movie, it is fun, familiar, and entertaining. Moments like that really help to save the movie from the slower moments that seem to drag.
Overall the movie isn't bad but it also isn't good. I doubt it will become a classic like the novel had when it was released. But I can totally see people putting it on when hanging out with a group of friends and want some background noise. It was a really interesting and good concept but they tried to do too much with it and it really hurt the movie in the long run.
Hazel (2934 KP) rated The 13th Girl in Books
Jul 10, 2022
Lucy thought she had escaped her past but little did she know that it was just waiting for her all along ready to come back and bite her with venom.
Lucy escaped a cult when she was just seven years old. Many years later and having made a new life for herself, the skeletons start to emerge and Lucy's life is turned upside down. Having escaped one kind of controlling environment, Lucy swaps it for another - her husband and his parents are, in my opinion, vile creatures who continue to brow beat Lucy and blame her for what happened to her as a child and what her mother and cult did ... what the heck!!! Who blames a 7 year old??? Like I said, vile creatures.
Anyway, what follows is the story of Lucy trying to remember her time in the cult through flashbacks, memories and dreams/nightmares but what is real and how reliable is she? And who is doing this to her? Lucy returns to the place of her nightmares to try and remember just what happened but she is soon in an even more terrifying nightmare which is all to real and how is she going to get out of it.
This is a book that pulls on all your emotions at once and I admit that I wanted to physically get inside it and give Lucy's husband and parents-in-law a slap and Lucy a shake; oh my word, I was so annoyed at times that I nearly didn't finish the book it irritated me that much however, I persevered and, actually, am glad I did as the reasons she was like she was, became clear and, in the end, I was rooting for her and desperate for there to be a happy ending. I won't give it away but I will say that it was quite satisfying albeit a little unbelievable in parts.
Overall, a good read with an interesting plot and some unexpected twists but with characters I struggled with and with a pace that started well, got a bit slow in the middle and ramped up again towards the end.
Thank you to Avon Books UK and NetGalley for enabling me to read The 13th Girl and share my thoughts.
Lucy escaped a cult when she was just seven years old. Many years later and having made a new life for herself, the skeletons start to emerge and Lucy's life is turned upside down. Having escaped one kind of controlling environment, Lucy swaps it for another - her husband and his parents are, in my opinion, vile creatures who continue to brow beat Lucy and blame her for what happened to her as a child and what her mother and cult did ... what the heck!!! Who blames a 7 year old??? Like I said, vile creatures.
Anyway, what follows is the story of Lucy trying to remember her time in the cult through flashbacks, memories and dreams/nightmares but what is real and how reliable is she? And who is doing this to her? Lucy returns to the place of her nightmares to try and remember just what happened but she is soon in an even more terrifying nightmare which is all to real and how is she going to get out of it.
This is a book that pulls on all your emotions at once and I admit that I wanted to physically get inside it and give Lucy's husband and parents-in-law a slap and Lucy a shake; oh my word, I was so annoyed at times that I nearly didn't finish the book it irritated me that much however, I persevered and, actually, am glad I did as the reasons she was like she was, became clear and, in the end, I was rooting for her and desperate for there to be a happy ending. I won't give it away but I will say that it was quite satisfying albeit a little unbelievable in parts.
Overall, a good read with an interesting plot and some unexpected twists but with characters I struggled with and with a pace that started well, got a bit slow in the middle and ramped up again towards the end.
Thank you to Avon Books UK and NetGalley for enabling me to read The 13th Girl and share my thoughts.
Chris Sawin (602 KP) rated Rainy Dog (1997) in Movies
Jun 19, 2019
Rainy Dog introduces us to Yuuji, a yakuza hitman who lives in Taiwan. He mentions later on in the film that his grandma always told him that going out in the rain was bad luck and that couldn't be more true. Not too long after he received word from his brother that a hit was put on his former boss and was killed recently, a woman comes busting into his house while he's sleeping. She's brought a little mute boy named Ah Chen with her who she says is his son. She's taken care of him up until this point and he is now Yuuji's responsibility. Yuuji pretty much ignores Ah Chen and continues to carry out hits to pay the bills and even goes to a whore house while Ah Chen tags along every step of the way. When the prostitute(Lily) he'd been spending time with says she'd like to go somewhere where it doesn't rain, Yuuji takes it a little too seriously and kills the wrong people in order to get a little extra cash. Now, trying to stay one step ahead of the boss he was working for in Taiwan and his men, Yuuji tries to get Lily and Ah Chen out of town but doesn't count on bonding with a prostitute and a mute to become a dysfunctional family of sorts.
Rainy Dog is part of Takashi Miike's Black Society Trilogy. Shinjuku Triad Society, Rainy Dog, and Ley Lines make up the entire trilogy. The main reason I'm writing this review is because if you're familiar with any of Miike's former works, then you're probably expecting the black humor, crazy sex, and over the top violence and gore you may have seen in films like Ichi the Killer, Visitor Q, or Audition. Well, this has none of that. Rainy Dog is still dark and has a great sense of atmosphere, but has none of the things you may have thought were signature of a Miike film. The heavy rain may not sound like a lot on paper, but its presence throughout the film adds more to the overall feel of the movie than you may think. This is a crime drama and while it could have still very easily attained that R rating, it still doesn't show a whole lot. It's actually what it doesn't show that helps get the point across. Sometimes it's just better to let the viewer use their imagination.
I'm a fan of Miike's work. I really am. I'm hearing this is the best of the Black Society Trilogy though and if that's the case, then I'm going to be a little disappointed. I enjoyed Rainy Dog, but I felt there was room for improvement since it did seem to drag in certain scenes. This is actually a more character driven effort with drama and heartfelt scenes, scenes you'd never think you'd see in a Miike film, and I'm all for the unexpected. Maybe I was just a little letdown though as I do like the over the top violence Miike is known best for.
Rainy Dog is not a bad film, by any means. In fact, I'd recommend seeing it. I actually heard people comparing it to Unforgiven and Leon the Professional, so you'll probably like this if you enjoyed either of those films. Some fans say this is in Miike's top three best films of all time. I wouldn't go that far, but it's definitely worth renting or owning if you like crime films.
Do you remember that line from Kill Bill Vol. 1 that went something like this:
"It was not my intention to do this in front of you. For that, I'm sorry. But you can take my word for it, your mother had it coming. When you grow up, if you still feel raw about it, I'll be waiting." ?
It feels like it's an homage to this movie as there's a line almost identical to it:
"Grow up. Then come and kill me. I'll be waiting for you."
Rainy Dog is part of Takashi Miike's Black Society Trilogy. Shinjuku Triad Society, Rainy Dog, and Ley Lines make up the entire trilogy. The main reason I'm writing this review is because if you're familiar with any of Miike's former works, then you're probably expecting the black humor, crazy sex, and over the top violence and gore you may have seen in films like Ichi the Killer, Visitor Q, or Audition. Well, this has none of that. Rainy Dog is still dark and has a great sense of atmosphere, but has none of the things you may have thought were signature of a Miike film. The heavy rain may not sound like a lot on paper, but its presence throughout the film adds more to the overall feel of the movie than you may think. This is a crime drama and while it could have still very easily attained that R rating, it still doesn't show a whole lot. It's actually what it doesn't show that helps get the point across. Sometimes it's just better to let the viewer use their imagination.
I'm a fan of Miike's work. I really am. I'm hearing this is the best of the Black Society Trilogy though and if that's the case, then I'm going to be a little disappointed. I enjoyed Rainy Dog, but I felt there was room for improvement since it did seem to drag in certain scenes. This is actually a more character driven effort with drama and heartfelt scenes, scenes you'd never think you'd see in a Miike film, and I'm all for the unexpected. Maybe I was just a little letdown though as I do like the over the top violence Miike is known best for.
Rainy Dog is not a bad film, by any means. In fact, I'd recommend seeing it. I actually heard people comparing it to Unforgiven and Leon the Professional, so you'll probably like this if you enjoyed either of those films. Some fans say this is in Miike's top three best films of all time. I wouldn't go that far, but it's definitely worth renting or owning if you like crime films.
Do you remember that line from Kill Bill Vol. 1 that went something like this:
"It was not my intention to do this in front of you. For that, I'm sorry. But you can take my word for it, your mother had it coming. When you grow up, if you still feel raw about it, I'll be waiting." ?
It feels like it's an homage to this movie as there's a line almost identical to it:
"Grow up. Then come and kill me. I'll be waiting for you."
