Search

Search only in certain items:

Trout Mask Replica by Captain Beefheart
Trout Mask Replica by Captain Beefheart
1969 | Experimental, Jazz, Rock
8
6.7 (7 Ratings)
Album Rating
It’s fucking nuts!!! (0 more)
It’s a hot mess of an album (0 more)
After deciding to embrace my inner hippy and introduce myself to new musical experiences I had started with Frank Zappa and the natural progression was Captain Beefheart.

After doing extensive research as to where to start, I was intrigued to read about Trout Mask Replica, especially when it was classed on several sites as unlistenable.

I like a challenge so I bought it. I have to say that it’s the weirdest album I’ve EVER listened to! Captain Beefy does a lot of bellowing and, to be honest, I found it hard to distinguish one song for the other. However! I don’t know if it’s cos I’m on the autistic spectrum and generally like weird things, but... I liked it! I think the key to enjoying it is not to overthink it while listening, just do with it. I concentrated more on the beat of the music (if you can call it that?????!!!) than the lyrics.

Normally I hate jazz but I did enjoy it. I think I’d have to listen to it more times to feel comfortable with it. I would say, if you’re a bit nervous of investing in this, listen to the whole album before you purchase - it’s not for everyone, you may decide it’s just a cacophonous mess
  
We Summon the Darkness (2019)
We Summon the Darkness (2019)
2019 | Horror, Thriller
This is fun but there's no reason it shouldn't be gorier, crazier, more inventive, and/or more insightful given the film's insanely clever choice to frame a horror/slasher flick through the lens of religious sects vs. metal culture in the 80s - but I digress, perfectly serviceable fluff trash as it stands. Daddario is awesome in it, and I just can't get enough of Knoxville as a deliciously fire-and-brimstone pastor. I at least appreciate the formality - I'm glad this wasn't an obnoxiously meta "hey, remember this?" nostalgia soundboard like droves of films or shows detrimentally feel the need to become whenever they're set in the 80s now. But at the same time, there's so much potential for super bombastic kills and nuanced commentary that never was, and in their place it just tends to lumber for no real reason. Otherwise entertaining solely on principle, with another dependably cool score from Timothy Williams keeping things entertaining. And yes the twist is as righteous as everyone says. Not going to shake a stick at the amount of blood, enjoyment, and amped-up performances this does end up delivering - it's a decent little throwback slasher on its own - but God could you imagine if like Adam Wingard had made this? Holy hell what a picture that would have been.
  
Fantasy Island (2020)
Fantasy Island (2020)
2020 | Comedy, Horror, Mystery
Is Fantasy Island a good movie? I'd be inclined to say no. Is it as bad as everyone has been saying? Kind of...
The absolutely biggest flaw with this movie is it's pacing. The last 20 or so minutes are entertaining enough, and show off a few half decent twists, no matter how silly it gets, but sweet lord it really takes its time getting there. It's not a good slow burn either. The series of events leading up to the films climax is messy and bloated, and feels like a whole load of hot air being blown about.

The cast are ok...they do the best they can with an on the nose script that sounds like it's been written by adults trying to be "down with the kids" but the only person who comes out of this looking good (?) is Maggie Q. Her character was relatively interesting, everyone else was just an arsehole, and Michael Rooker is criminally under utilised. Michael Peña just looks severely uninterested for the whole runtime.

As I said, I didn't find it as ball achingly awful as I'd heard. It's a decent enough premise that unfortunately faffs about in its execution. It's sometimes entertaining, but devoid of any scares. And between this and the 2019 Black Christmas, I'm completely over Blumhouse movies replacing blood with jet black gooey liquid. Have some balls dammit!
  
Heartthrob (2017)
Heartthrob (2017)
2017 |
5
6.0 (2 Ratings)
Movie Rating
Contains spoilers, click to show
After a classmate dies, Sam bumps into a guy from school, Henry, on the beach after the memorial. They don't really get along and she storms off after belittling him. A while later she bumps into him again after work and he offers her a lift home, where she apologises and agrees to go on a date with him, which leads to them becoming a couple.
They seem like a very odd couple from the get go though, Henry comes across as very awkward and you keep expecting something bad to happen, eventually something bad does happen but it seems to take ages to get there just like many other parts of the film.
After a very awkward and way too long pool scene, we find out that Henry is listening to Sam's conversations through what I can only assume is an app on her phone, and that's just the start of the creepiness, as we also discover he is capable of murder when he kills one of Sam's ex boyfriends out of jealousy.
I lost interest very quickly if I'm honest, keir Gilchrist did a good job playing a crazy jealous boyfriend, but the movie wasn't all that great. I don't know if it's the writing or what but it could have been so much better. It was disappointing really as the concept sounded good.
  
Ripping Off the Mask
Ripping Off the Mask
Harper Jewel | 2018 | Contemporary, LGBTQ+, Romance
6
6.0 (1 Ratings)
Book Rating
Ripping Off The Mask by Harper Jewel
Ripping Off The Mask starts with action. Coop is with his (work) partner, Silvio, when they are called to a bank robbery. Others are on their way, or already there, chasing the suspects. Silvio goes off by himself as he is faster than Coop. That leads to them both being shot, only Silvio doesn't make it. What he does do is to open up a hornet's nest within Coop, as he tries to come to terms with everything that has happened, and what he did.

I liked Coop and Wes when they weren't talking. In fact, I liked ALL the characters when they weren't talking. The minute they opened their mouths, I lost interest. The conversations and comments made came across as very stilted and forced, with lots of repetition between what they thought and what they said.

Some of the situations in the book just didn't seem realistic - and yes, I know this is fiction, but I still like to be able to pretend it's real! There is a paranormal element to this book that you will either like or loathe. Personally, I liked it, but that's just me. The premise of this book is a good one, and has all the elements there that I normally like. However, although I still liked the book, it didn't really get to me. There are plenty of themes in this book, from the twins separated at birth, to ghosts/angels, to the big bad with a rough childhood. This is a long book, so there is plenty of time for everything to play out.

I think if you can get to grips with the pacing and style of writing, then you will probably enjoy this book.

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
  
Suicide Squad (2016)
Suicide Squad (2016)
2016 | Action
Entirely crackbrained and nonsensical - I'm not even sure there's a single theme in either this nor the extended cut - but way better than 𝘛𝘩𝘦 𝘈𝘷𝘦𝘯𝘨𝘦𝘳𝘴 for the chief purposes that it doesn't look like pure ass and doesn't really try to act like it's anything more than religiously entertaining dirtpunk grit-fetish trash. It's just about as thinly-written as the former, but if you're going to make one-note characters and a bullshit plot I'd rather them sport this sort of wildly memorable, freakish cringe rather than the flat, market-tested cringe of most modern day Marvel. There's more meme-worthy, hilariously dumbass quotes in here than you can shake a stick at and the designwork on display is simply delicious imo - the lush, matted mess of CGI is actually quite stunning and the production is exquisite: the sickly makeup + vibrant costuming against the sets where you often see opulent golds and corporate lucre juxtaposed with a dank coat of dirt and graffiti - it's total eye candy. The image of Harley Quinn and Joker laughing in the chemical bath while Kehlani's "Gangster" blasts in the background and the colors from their clothes melt away is nothing less than a knockout piece of moving imagery. Smith is the weak link, not only horribly miscast but it also seems like he isn't even trying - otherwise everyone else does a bangup job from Jared Leto's "Pimp Daddy" chilling street tweaker Joker to Viola Davis' business-casual demon Waller to Cara Delevingne's gonzo, always sauntering, Meryl Streep-sounding Enchantress. Very dynamically idiotic in that random fun shit is just allowed to happen because it's clear this isn't at all concerned with making any sort of sense to begin with. All this and with a soundtrack that can only be described as epic, I truly believe this is a fascinating curio that got way too bad of a rap. As dumb as everyone says but also better than the last five MCU entries.
  
Peaky Blinders  - Season 1
Peaky Blinders - Season 1
2013 | Drama
Acting, casting, writing, cinematography, music (0 more)
Seasons too short and far between (0 more)
Forget everything you think you know about period drama
It would be easy to dismiss Peaky Blinders as just a British drama. It would be easy to dismiss it as just a period piece. It would be easy to claim that it was just a British Boardwalk Empire. You'd be so wrong to do so.

Every part of Peaky Blinders is perfection. From the superb acting of its regular cast (Cillian Murphy on a tv show? Sign me up!) to a roster of featured guests (Sam Neill? Tom Hardy? Adrien Brody? Who did the casting director sell their soul to, anyway?) to the use of colour and an outlaw music soundtrack that shouldn't work, but does (Nick Cave? PJ Harvey? Tom Waits? David Bowie? On a period drama? What is this? Freaking genius, that's what.)


Shortly after the end of the first World War, a family of Irish gypsy (their word, not mine) - blooded Birmingham bookmakers tries to recover from the horrors of that war and build up their business. Second oldest, Tommy Shelby (played expertly by Cillian Murphy who manages to play a gangster who is both ruthless and fragile with the ability to break your heart with a single look), came back from the war broken by his experiences, but determined to rise far beyond the limitations of his Small Heath upbringing. Not only does he have the expected clashes with those who want to keep him from growing his business (both criminal rivals and the police) but he has a family to run (with all the interpersonal conflicts that entails). All of this is set against a backdrop of political turmoil from the IRA and the rise of communist sympathy in the UK.


You shouldn't like Tommy Shelby, but he is written and acted so well that you won't be able to not like him. The same can be said for older brother, Arthur, younger siblings John, Ada, and Finn. If you don't love Aunt Polly, then you must have a problem with strong female characters.


Steven Knight has taken a world told to him through family legend and turned it into a world that you will be eager to inhabit an hour (or, if you're like everyone I know, a season) at a time. He writes a period drama that doesn't feel dated. The characters and their struggles are as relevant today as they were nearly a hundred years ago.


Take a chance on the show with the weird name and discover why there are very few casual Peaky Blinders fans. There's a reason why the late, great David Bowie was a huge fan and made sure that they would have a song from his last album before he died. There's a reason the show's dated fashion and hairstyles are making a comeback, why Peaky Blinders pubs and pub nights are popping up all over. It's that good. Check it out for yourself.