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Maleficent (2014)
Maleficent (2014)
2014 | Adventure, Family, Fantasy, Sci-Fi

"The metaphor, man. The fact that they would take this age old, vilified idea of a powerful woman and take away that dark mystique that’s been repeated throughout history and in such a mean way to all women. Like, anytime you see in cartoons, in movies, anything from, like, the ’50s, the ’40s, you would see this dark bitter woman. And you would see her explored in a way where she always represented evil, but never with a sense of justified evil. Rewrote the history books on the vilification of a powerful woman. I thought that was really, really powerful for Disney to do that. It’s like taking an old metaphor that’s been repeated for so many years and putting it on its head. It makes you think twice when you look at a person that’s a “bad guy.” That‘s a powerful message for kids to not be judgmental."

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Judy & Punch (2019)
Judy & Punch (2019)
2019 | Comedy, Crime, Drama
8
6.3 (3 Ratings)
Movie Rating
Not many movies contain moments that leave me literally open-mouthed with astonishment, unsure whether to laugh out loud or moan with horror, but Judy & Punch (a comedy-drama-horror-fantasy) has one. The setting seems to be England in the very late middle-ages, where Punch, a sausage-loving puppeteer with a drinking problem, is making life hard for his capable wife Judy. Slowly but surely, the classic events of the familiar Punch and Judy story begin to happen (although they do struggle to insert the crocodile into the movie).

Lots going on here, most obviously a fable about male violence towards women (and how it is justified when it appears in entertainment). The movie isn't especially subtle about this, but it is inventive, well-staged, and played with energy. It does become rather uneven towards the end, but it is easily different enough from most other movies to be worth checking out. Probably not for the faint-hearted or squeamish though.
  
Tie Me Up! Tie Me Down! (¡Átame!) (1989)
Tie Me Up! Tie Me Down! (¡Átame!) (1989)
1989 | Comedy, Romance
Black romantic-comedy, a rare misfire from Pedro Almodovar. A mentally-unstable young man kidnaps a troubled actress and junkie and keeps her prisoner until she falls in love with him. Yes, I know: I would say it was a Spanish thing but it's fundamentally the same plot as Passengers and a few other movies.

I suppose it's conceivable that you could make quite an interesting and provocative film based on such a premise, provided you approached it the right way (perhaps in this case doing it ironically might be justified). However, Almodovar plays it unexpectedly straight, and quite apart from how dodgy the basis of the plot is, not even actors like Banderas and Abril (who do the best they can with the material) can make the story work. Lots of interesting characters and story material gets crowded out to the edges of the film, and it's oddly graphic for what's supposed to be a romance. Watchable but not satisfying.