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Billie Wichkan (118 KP) rated Heartlands (Detective Jessie Blake #1) in Books
May 22, 2019
Call it mothers intuition, but I knew she was dead the moment she was late home. As I listened to her phone ring and ring, thats when I knew for sure. My little girl was gone.
Fifteen-year-old Shannon Ross is missing and her parents are distraught. With her long blonde hair, easy laugh and perfect grades, shes the girl everyone at school wants to be.
Detective Jessie Blake is called to Inverlochty, the missing girls home town in the Scottish Highlands, and finds Shannon was keeping a diary full of friends and neighbors secrets. She knows the kind, outgoing boy whos sleeping with his teacher and the quiet woman whos been having an affair with her best friends husband.
Just as Jessie and her team are beginning to understand Shannons complicated world, her lifeless body is found on an ice-cold river bank on the outskirts of town. And when Jessie tells Shannons family the heart-breaking news, she senses something isnt right. The loving family is beginning to show cracks. Did Shannon know about her fathers alcohol problems and violent past? Why does Shannons mother keep finding excuses to leave the room, when Jessie wants to ask her questions?
As Jessie begins to piece together the final days of Shannons life, her own history comes back to haunt her. Putting aside her personal demons, Jessie vows to do whatever it takes to catch Shannons killer. But what if the killer is ready to strike first?
Totally captivating and addictive read. I loved this book! There are two storylines. One routed in the past about a brutally raped and murdered school girl and her young killers as they face trial and juvenile detention. One in the present, a missing school girl, Shannon, baring all the similarities of the case from the past - or so it seems.
There are a lot of characters introduced and it ca be a bit overwhelming but persevere as the novel is one worth reading.
The plot is very well written in my opinion and it does flow well. The main characters are well written and enjoy them.
Very compelling and suspenseful read.
I look forward to more in the series as it develops and hope to get more backstory on the detective.
Highly recommend!
My thanks to Bookouture and Netgalley for the ARC.
Fifteen-year-old Shannon Ross is missing and her parents are distraught. With her long blonde hair, easy laugh and perfect grades, shes the girl everyone at school wants to be.
Detective Jessie Blake is called to Inverlochty, the missing girls home town in the Scottish Highlands, and finds Shannon was keeping a diary full of friends and neighbors secrets. She knows the kind, outgoing boy whos sleeping with his teacher and the quiet woman whos been having an affair with her best friends husband.
Just as Jessie and her team are beginning to understand Shannons complicated world, her lifeless body is found on an ice-cold river bank on the outskirts of town. And when Jessie tells Shannons family the heart-breaking news, she senses something isnt right. The loving family is beginning to show cracks. Did Shannon know about her fathers alcohol problems and violent past? Why does Shannons mother keep finding excuses to leave the room, when Jessie wants to ask her questions?
As Jessie begins to piece together the final days of Shannons life, her own history comes back to haunt her. Putting aside her personal demons, Jessie vows to do whatever it takes to catch Shannons killer. But what if the killer is ready to strike first?
Totally captivating and addictive read. I loved this book! There are two storylines. One routed in the past about a brutally raped and murdered school girl and her young killers as they face trial and juvenile detention. One in the present, a missing school girl, Shannon, baring all the similarities of the case from the past - or so it seems.
There are a lot of characters introduced and it ca be a bit overwhelming but persevere as the novel is one worth reading.
The plot is very well written in my opinion and it does flow well. The main characters are well written and enjoy them.
Very compelling and suspenseful read.
I look forward to more in the series as it develops and hope to get more backstory on the detective.
Highly recommend!
My thanks to Bookouture and Netgalley for the ARC.
Flip Flap Dogs
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What do you get when you cross a whippet with a chihuahua? Why, a whippihuahua, of course! What...
Chris Sawin (602 KP) rated Ambulance (2022) in Movies
Apr 18, 2022
Repetitive drone camera work (2 more)
Cringey humor and dialogue
An outdated and juvenile screenplay
Ambulance Review: Action At Its Dumbest And Gaudiest
Ambulance is a remake of a 2005 Danish film of the same name. Michael Bay’s version of the film follows former Marine Will Sharp (Yahya Abdul-Mateen II) as he struggles to find a job and support his family; his wife requires an experimental surgery that their health insurance won’t pay for.
Will turns to his estranged yet wealthy adopted brother Danny (Jake Gyllenhaal). Danny wants Will to participate in a bank heist worth $32 million. Will takes the job out of desperation, but when the heist goes sideways the two brothers hijack an ambulance and take a wounded cop along with a paramedic named Cam (Elza Gonzalez) as hostages.
The performances from Yahya Abdul-Mateen II and Jake Gyllenhall save Ambulance from being nothing more than an explosive, gyrating mess of a film. You don’t necessarily walk out of the theater feeling sympathy for Will, but you understand why the character turns to robbing a bank after serving his country through the heartfelt actions of Abdul-Mateen’s performance.
Jake Gyllenhaal is a memorable psychopath as Danny Sharp. Gyllenhaal has a ton of charisma as the character and can be incredibly likeable at times, but he has a temper that ignites without warning. Gyllenhaal is able to become intense and unhinged whenever Danny loses control of the situation, which is quite often over the course of 136-minutes.
The action thriller is dripping with what has either made you a fan of Michael Bay’s work or made you despise the Los Angeles born filmmaker for the majority of his career. The editing of the film is spastic and frenetic. There doesn’t seem to be a single sequence that lasts longer than eight seconds before cutting to another angle.
There are several references to other Michael Bay films in Ambulance; The Rock, 13 Hours, Armageddon, and Pearl Harbor. There’s also stuff you’d expect to find in a Michael Bay film like countless explosions and extravagant car wrecks. The film also seems to recycle the rotating camera Bay utilized in Bad Boys to highlight intense conversations between Will and Danny when they’re not confined to being inside the ambulance.
Despite working with a screenwriter whose first screenwriting credit is this film, Ambulance has writing that feels like it was something Bay produced over a decade ago. The dialogue feels extremely outdated and juvenile as characters walk this thin line between cringey humor and being downright sexist or racist. It feels like Bay was trying to feature a strong, independent woman in Ambulance with Cam. She's a competent single woman who is good at her job and doesn’t have to rely on anyone for anything. But the reveal of why she’s cold and remorseless is entirely cliché. The male characters have no real character development either though as their defining quality is that they all want to fight each other any chance they possibly get.
The Will character is also written in a way that is insulting and kind of offensive. So because he served his country he can get away with robbing a bank, shooting a cop, and participating in and driving the getaway vehicle during a massive car chase? He has a wife and daughter and his wife needs “experimental surgery” for an undisclosed illness and we’re supposed to root for this guy? Are we really this dumb?
It couldn’t be a film set in Los Angeles without someone making a reference to how terrible drivers are in LA. The secondary storylines don’t make sense or are just a complete waste of time. That conversation Danny has with his assistant about futbol/soccer and the lawn flamingos was obviously something extremely relevant to the overall story of the film. A cop also tries to ask out a bank teller while the bank is being robbed and literally doesn’t notice. We also have these other massively relevant and not pointless at all story points; bringing a dog to a car chase, Danny joking about walking around with herpes, and performing surgery in the back of an ambulance while stopping the bleeding with a hair clip.
Revoke Michael Bay’s license to utilize drones in his films. Every outside sequence seemed to have the same establishing shot of the camera flying up into the air turning around and zooming back down towards the ground. The camera in this film never stops moving. That combined with the film’s brutal rapid fire editing style will have you wanting to barf long before Danny calls upon the cartel for back up.
Buried deep within Ambulance’s loud, flashy action, sickening editing, overstimulated filming techniques, and a screenplay that seems like it was fished out of a port-a-potty is a somewhat thrilling action film. Jake Gyllenhaal is a cashmere obsessed lunatic that you can’t help but love, but Ambulance is a gaudy and sloppy excuse of an action film otherwise.
Will turns to his estranged yet wealthy adopted brother Danny (Jake Gyllenhaal). Danny wants Will to participate in a bank heist worth $32 million. Will takes the job out of desperation, but when the heist goes sideways the two brothers hijack an ambulance and take a wounded cop along with a paramedic named Cam (Elza Gonzalez) as hostages.
The performances from Yahya Abdul-Mateen II and Jake Gyllenhall save Ambulance from being nothing more than an explosive, gyrating mess of a film. You don’t necessarily walk out of the theater feeling sympathy for Will, but you understand why the character turns to robbing a bank after serving his country through the heartfelt actions of Abdul-Mateen’s performance.
Jake Gyllenhaal is a memorable psychopath as Danny Sharp. Gyllenhaal has a ton of charisma as the character and can be incredibly likeable at times, but he has a temper that ignites without warning. Gyllenhaal is able to become intense and unhinged whenever Danny loses control of the situation, which is quite often over the course of 136-minutes.
The action thriller is dripping with what has either made you a fan of Michael Bay’s work or made you despise the Los Angeles born filmmaker for the majority of his career. The editing of the film is spastic and frenetic. There doesn’t seem to be a single sequence that lasts longer than eight seconds before cutting to another angle.
There are several references to other Michael Bay films in Ambulance; The Rock, 13 Hours, Armageddon, and Pearl Harbor. There’s also stuff you’d expect to find in a Michael Bay film like countless explosions and extravagant car wrecks. The film also seems to recycle the rotating camera Bay utilized in Bad Boys to highlight intense conversations between Will and Danny when they’re not confined to being inside the ambulance.
Despite working with a screenwriter whose first screenwriting credit is this film, Ambulance has writing that feels like it was something Bay produced over a decade ago. The dialogue feels extremely outdated and juvenile as characters walk this thin line between cringey humor and being downright sexist or racist. It feels like Bay was trying to feature a strong, independent woman in Ambulance with Cam. She's a competent single woman who is good at her job and doesn’t have to rely on anyone for anything. But the reveal of why she’s cold and remorseless is entirely cliché. The male characters have no real character development either though as their defining quality is that they all want to fight each other any chance they possibly get.
The Will character is also written in a way that is insulting and kind of offensive. So because he served his country he can get away with robbing a bank, shooting a cop, and participating in and driving the getaway vehicle during a massive car chase? He has a wife and daughter and his wife needs “experimental surgery” for an undisclosed illness and we’re supposed to root for this guy? Are we really this dumb?
It couldn’t be a film set in Los Angeles without someone making a reference to how terrible drivers are in LA. The secondary storylines don’t make sense or are just a complete waste of time. That conversation Danny has with his assistant about futbol/soccer and the lawn flamingos was obviously something extremely relevant to the overall story of the film. A cop also tries to ask out a bank teller while the bank is being robbed and literally doesn’t notice. We also have these other massively relevant and not pointless at all story points; bringing a dog to a car chase, Danny joking about walking around with herpes, and performing surgery in the back of an ambulance while stopping the bleeding with a hair clip.
Revoke Michael Bay’s license to utilize drones in his films. Every outside sequence seemed to have the same establishing shot of the camera flying up into the air turning around and zooming back down towards the ground. The camera in this film never stops moving. That combined with the film’s brutal rapid fire editing style will have you wanting to barf long before Danny calls upon the cartel for back up.
Buried deep within Ambulance’s loud, flashy action, sickening editing, overstimulated filming techniques, and a screenplay that seems like it was fished out of a port-a-potty is a somewhat thrilling action film. Jake Gyllenhaal is a cashmere obsessed lunatic that you can’t help but love, but Ambulance is a gaudy and sloppy excuse of an action film otherwise.
Jayme (18 KP) rated Turtles All The Way Down in Books
Apr 15, 2018 (Updated Apr 15, 2018)
Characters (3 more)
Plot
Accurate depiciton of mental illness
Didn't have an "easy" or cliche "fairytale" ending
I’ve been meaning to pick up a John Green book for a very long time, but it wasn’t until I heard good reviews of this book that I finally did. My initial thought after finishing the book is this: I now understand all the hype.
I read a great deal of YA fiction, but it is not very often that I finish the book feeling whole. Not because the ending was that of a fairy tale — John Green has a reputation for ensuring those endings don’t exist in his novels — but because the book was just so well-written. I feel as if many YA writers sit down to write books, but forget who their audience is. They are writing a much more washed out and juvenile version of what teenagers are actually like today. They are afraid to let their characters cuss or talk about sex, as if neither action actually exists among young adults. YA authors tend to stray away from the reality of teen behavior, but this book faced realities in a compelling way.
The novel follows Aza, a sixteen year old with an obsessive compulsive disorder, as she navigates the implications of her illness on her relationships with other people. Simultaneously, Aza and her best friend Daisy make it their mission to find Davis Pickett’s billionaire father wanted by the police, and it just so happens that Davis is an old friend of Aza’s from camp.
I appreciated the way the Aza, Daisy, and Davis (as well as the other secondary characters) were facing so many different conflicts (i.e. grief, financial classes, love, mental health, college decisions) at once, because that is exactly how the world works. Real teenagers do not fixate their lives on one specific conflict for extended periods of time, rather they balance several conflicts. I love the way this book was able to depict that struggle to maintain a balance in such a way that allowed readers to follow each plot line to the very end.
I loved the characterization, as they all felt tangible. Their mannerisms and tendancies were displayed through each appearance on the page. There was not a single moment in any interaction that made me feel as if the personalities of these characters were lost, not even in the dialogue (which was also incredible). This attention to detail is something that will drive me to pick up another John Green novel in the near future.
I read a great deal of YA fiction, but it is not very often that I finish the book feeling whole. Not because the ending was that of a fairy tale — John Green has a reputation for ensuring those endings don’t exist in his novels — but because the book was just so well-written. I feel as if many YA writers sit down to write books, but forget who their audience is. They are writing a much more washed out and juvenile version of what teenagers are actually like today. They are afraid to let their characters cuss or talk about sex, as if neither action actually exists among young adults. YA authors tend to stray away from the reality of teen behavior, but this book faced realities in a compelling way.
The novel follows Aza, a sixteen year old with an obsessive compulsive disorder, as she navigates the implications of her illness on her relationships with other people. Simultaneously, Aza and her best friend Daisy make it their mission to find Davis Pickett’s billionaire father wanted by the police, and it just so happens that Davis is an old friend of Aza’s from camp.
I appreciated the way the Aza, Daisy, and Davis (as well as the other secondary characters) were facing so many different conflicts (i.e. grief, financial classes, love, mental health, college decisions) at once, because that is exactly how the world works. Real teenagers do not fixate their lives on one specific conflict for extended periods of time, rather they balance several conflicts. I love the way this book was able to depict that struggle to maintain a balance in such a way that allowed readers to follow each plot line to the very end.
I loved the characterization, as they all felt tangible. Their mannerisms and tendancies were displayed through each appearance on the page. There was not a single moment in any interaction that made me feel as if the personalities of these characters were lost, not even in the dialogue (which was also incredible). This attention to detail is something that will drive me to pick up another John Green novel in the near future.
Alice (12 KP) rated Of Sand and Malice Made (The Song of the Shattered Sands, #0.5) in Books
Jul 3, 2018
Definitely wasn’t what I expected. After reading the blurb I was excited to read about the youngest pit fighter in Sharakhai only there wasn’t so much pit fighting as running all over the desert trying to escape from a demonic being who becomes fixated on Ceda.
Ceda is 15 when the story begins and it starts off with her picking a fight with someone who – in the beginning – gives off a secondary character kinda vibe, almost filler but ends up being an integral part of the story later on. Brama had apparently stolen a purse that Ceda wad tasked to collect and Ceda decided she’d rather fight him than find the purse. That came across as quite juvenile particularly when her “boss” pointed out the same thing that I thought.
The story progresses pretty slowly for the first 60 or 70 pages where it does eventually improve but there’s a distinctly Middle Eastern vibe to this story. It’s sort of like a twisted sci-fi type of Aladdin story.
The pit fighting is few and far between and for a character who is called the White Wolf I would have preferred a little more fighting and a little less talking but the steroidal like properties to the flower petals is amazingly unique, I don’t think I’ve ever read that in a book so kudos to that.
The writing style was a touch different to what I’m used to but it was written quite well. As mentioned above there was a distinctly Middle Eastern vibe to this story and the descriptions of the desert and other areas in Sharakhai were beautifully written and it almost made me feel like I was back on holiday in Egypt which was a lovely experience.
The concept of Rumayesh was really good – a semi corrupt demonic type being who overtakes the body of her “chosen” one – and Rumayesh took an awful big shine to Ceda which is where the story basically followed. Now having not read Twelve Kings I am completely unable to comment on how the story progresses in that book but the plot line in this novella was drawing to the mind and the descriptions of what was happening were very good.
Apart from my initial dubious feeling and the subsequent lack of pit – fighting for a story based on a pit-fighter I did enjoy Of Sand and Malice Made but I don’t think that it is entirely my thing and I don’t think I’d be continuing the story anytime soon though I do look forward to seeing where this novella leads.
Ceda is 15 when the story begins and it starts off with her picking a fight with someone who – in the beginning – gives off a secondary character kinda vibe, almost filler but ends up being an integral part of the story later on. Brama had apparently stolen a purse that Ceda wad tasked to collect and Ceda decided she’d rather fight him than find the purse. That came across as quite juvenile particularly when her “boss” pointed out the same thing that I thought.
The story progresses pretty slowly for the first 60 or 70 pages where it does eventually improve but there’s a distinctly Middle Eastern vibe to this story. It’s sort of like a twisted sci-fi type of Aladdin story.
The pit fighting is few and far between and for a character who is called the White Wolf I would have preferred a little more fighting and a little less talking but the steroidal like properties to the flower petals is amazingly unique, I don’t think I’ve ever read that in a book so kudos to that.
The writing style was a touch different to what I’m used to but it was written quite well. As mentioned above there was a distinctly Middle Eastern vibe to this story and the descriptions of the desert and other areas in Sharakhai were beautifully written and it almost made me feel like I was back on holiday in Egypt which was a lovely experience.
The concept of Rumayesh was really good – a semi corrupt demonic type being who overtakes the body of her “chosen” one – and Rumayesh took an awful big shine to Ceda which is where the story basically followed. Now having not read Twelve Kings I am completely unable to comment on how the story progresses in that book but the plot line in this novella was drawing to the mind and the descriptions of what was happening were very good.
Apart from my initial dubious feeling and the subsequent lack of pit – fighting for a story based on a pit-fighter I did enjoy Of Sand and Malice Made but I don’t think that it is entirely my thing and I don’t think I’d be continuing the story anytime soon though I do look forward to seeing where this novella leads.
JT (287 KP) rated Where the Wild Things Are (2009) in Movies
Mar 10, 2020
Let’s face it, as children we have all been there, we went a bit wild at some point in our life! We made up our own games and talked to people that we knew were not there, but for us it felt like another world.
It was a world that we could escape to, forget our fears and problems. For Max (Max Records) it is the same, a child with a vivid imagination he is sent to bed without any tea and so he runs away. Climbing into a boat he sails off and lands on an island full of large, if somewhat scarily looking cuddly creatures that make Max their king.
The film itself is based on the book by Maurice Sendak which if anyone had any sort of a childhood it will have been on their book case. The adaptation from book to film is brilliant, although there are a few things missing out.
There will be no forest growing in Max’s room, or the appearance of an aggravated sea monster which rears up beneath Max’s little yacht as he approaches the island. If you look closely enough at the film, and the world and creatures that Max has created you will realise that each creature is a character trait of Max himself.
His main friend on the island is Carol (voiced by James Gandolfini) who is Max’s creativeness. As Carol is closest to Max, he also plays the monster who presents the greatest physical challenges, and the anger that threatens to consume him.
KW, is Max’s love for his family in particular his mother and sister, the two people who give him the most structure in his life and who help to become the support that his absent father can’t give him.
The other personalities are Judith (Catherine O’Hara) who is his spitefulness, Ira (Forest Whitaker) his calm side, Alexander (Paul Dano) his insecurity, Douglas (Chris Cooper) his reason, and the mysterious unnamed bull his sadness.
The setting of the island is nothing short of picturesque, with a changing in Max’s mood twinned with the surrounding atmosphere. One minute it’s snowing and then blossom is falling. The overall feel of the film is juvenile, there is the odd way in which the creatures all like to sleep in a pile, to the big dirt clog fight that inevitably ends up with someone getting hurt.
Where The Wild Things Are is a film for anyone who has ever felt like re-living past childhood memories, the ones that our closest to our wild hearts.
It was a world that we could escape to, forget our fears and problems. For Max (Max Records) it is the same, a child with a vivid imagination he is sent to bed without any tea and so he runs away. Climbing into a boat he sails off and lands on an island full of large, if somewhat scarily looking cuddly creatures that make Max their king.
The film itself is based on the book by Maurice Sendak which if anyone had any sort of a childhood it will have been on their book case. The adaptation from book to film is brilliant, although there are a few things missing out.
There will be no forest growing in Max’s room, or the appearance of an aggravated sea monster which rears up beneath Max’s little yacht as he approaches the island. If you look closely enough at the film, and the world and creatures that Max has created you will realise that each creature is a character trait of Max himself.
His main friend on the island is Carol (voiced by James Gandolfini) who is Max’s creativeness. As Carol is closest to Max, he also plays the monster who presents the greatest physical challenges, and the anger that threatens to consume him.
KW, is Max’s love for his family in particular his mother and sister, the two people who give him the most structure in his life and who help to become the support that his absent father can’t give him.
The other personalities are Judith (Catherine O’Hara) who is his spitefulness, Ira (Forest Whitaker) his calm side, Alexander (Paul Dano) his insecurity, Douglas (Chris Cooper) his reason, and the mysterious unnamed bull his sadness.
The setting of the island is nothing short of picturesque, with a changing in Max’s mood twinned with the surrounding atmosphere. One minute it’s snowing and then blossom is falling. The overall feel of the film is juvenile, there is the odd way in which the creatures all like to sleep in a pile, to the big dirt clog fight that inevitably ends up with someone getting hurt.
Where The Wild Things Are is a film for anyone who has ever felt like re-living past childhood memories, the ones that our closest to our wild hearts.
Axel Scheffler's Flip Flap Ocean
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What do you get if you cross a whale with a jellyfish? Why, a whellyfish of course! And how about a...
Axel Scheffler's Flip Flap Jungle
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What do you get when you cross a monkey with a porcupine? Why, a monkupine, of course! What about a...
Axel Scheffler’s Flip Flap Pets
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What do you get when you cross a rabbit with a dog? Why, a Rog, of course! What about a snake with a...
Gareth von Kallenbach (971 KP) rated Selah and the Spades (2019) in Movies
May 28, 2020
Selah (Lovie Simone) is leader of The Spades. One of the five cliques that run the student body in their upper-crust private school. The campus is filled with bored students who nothing better to do than spend the time roiling in teen angst, drugs and group hierarchies.
The school is run by five factions, each one function in a different capacity. Like Student Government for juvenile delinquents. They are organized enough to call group meetings, but not focused enough to get the through without arguments.
This is Selah’s senior year. She is caught between trying to figure out what to do with her life after graduation, waiting for the acceptance letters to come in while she is completely fixated on The Spade’s control over the drug trade on campus. She is also trying to find her successor to run the Spades once she leaves her alma mater. Her best friend, Maxxie (Jharrel Jerome) is her right hand in the Spades. Together, they have kept the five groups running the underground smoothly. It’s their senior year and they have plans.
Paloma (Celeste O’Connor)is the new sophomore at the school. She is immediately befriended by Selah, who quickly decides that Paloma would be the perfect person to inherit the Spades crown for the following year. While Selah tutors Paloma in the business of running the show, Max becomes distracted by a new face on the cheerleading squad, leaving Selah to go into a slow, emotional and mental tailspin.
Overall, the film felt unfocused, as if the purpose was to create a lowkey Lord of the Flies. It’s difficult to find empathy for teenage struggles in a private school setting. The film seems to be about Selah’s concern with losing her identity and the fear of leaving all that is familiar to her as she moves on to her next phase in life.
We see the kids trying to run this warped StuGo, undermining the leaders hold on each group. There isn’t much empathy for the students. They don’t have to worry about their next meal. These kids don’t have to worry about doing well in school in order to earn a scholarship for college.
The story lacks depth. It does not illicit empathy for any of the characters. There is one scene in the film that I had hoped would set the tone for the film. I was disappointed because that scene perfectly encapsulated how women are expected to be and how to they can take control of the narrative. I was hoping for more in this movie and it did not deliver enough.
The school is run by five factions, each one function in a different capacity. Like Student Government for juvenile delinquents. They are organized enough to call group meetings, but not focused enough to get the through without arguments.
This is Selah’s senior year. She is caught between trying to figure out what to do with her life after graduation, waiting for the acceptance letters to come in while she is completely fixated on The Spade’s control over the drug trade on campus. She is also trying to find her successor to run the Spades once she leaves her alma mater. Her best friend, Maxxie (Jharrel Jerome) is her right hand in the Spades. Together, they have kept the five groups running the underground smoothly. It’s their senior year and they have plans.
Paloma (Celeste O’Connor)is the new sophomore at the school. She is immediately befriended by Selah, who quickly decides that Paloma would be the perfect person to inherit the Spades crown for the following year. While Selah tutors Paloma in the business of running the show, Max becomes distracted by a new face on the cheerleading squad, leaving Selah to go into a slow, emotional and mental tailspin.
Overall, the film felt unfocused, as if the purpose was to create a lowkey Lord of the Flies. It’s difficult to find empathy for teenage struggles in a private school setting. The film seems to be about Selah’s concern with losing her identity and the fear of leaving all that is familiar to her as she moves on to her next phase in life.
We see the kids trying to run this warped StuGo, undermining the leaders hold on each group. There isn’t much empathy for the students. They don’t have to worry about their next meal. These kids don’t have to worry about doing well in school in order to earn a scholarship for college.
The story lacks depth. It does not illicit empathy for any of the characters. There is one scene in the film that I had hoped would set the tone for the film. I was disappointed because that scene perfectly encapsulated how women are expected to be and how to they can take control of the narrative. I was hoping for more in this movie and it did not deliver enough.