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Daigoro Vs Goliath (1972)
5.0
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Children's giant monster movie from the makers of Ultraman. When a cute baby monster is orphaned by...
monster movie suitamation
Emma Ashford (10 KP) created a post
Aug 18, 2018
Pacific Rim: Uprising (2018)
6.3
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It has been ten years since the Battle of the Breach and the oceans are still, but restless....
Awix (3310 KP) rated Gamera: Guardian of the Universe (1995) in Movies
Feb 14, 2018 (Updated Feb 14, 2018)
Turtle Recall
Hugely confident reinvention not just of Gamera the flying turtle but also, maybe, the whole kaiju movie genre. Japan is plagued by man-eating Gyaos birds, finds unexpected assistance when floating island turns out to be giant flying turtle with plasma fireball breath. Stage is set for climactic showdown between Gamera and the last, colossal Gyaos in downtown Tokyo (of course).
Altogether much lighter on its feet than Toho's Godzilla movies from the same period; makers have clearly studied the tropes of the genre and reinvent and deploy them to great effect. Hugely enjoyable monster action sequences, solid work from the human cast as well (Steven Seagal's daughter Ayako Fujitani is clearly the one in the family with acting talent). The two sequels are possibly even better.
Altogether much lighter on its feet than Toho's Godzilla movies from the same period; makers have clearly studied the tropes of the genre and reinvent and deploy them to great effect. Hugely enjoyable monster action sequences, solid work from the human cast as well (Steven Seagal's daughter Ayako Fujitani is clearly the one in the family with acting talent). The two sequels are possibly even better.
Awix (3310 KP) rated Pacific Rim: Uprising (2018) in Movies
Mar 27, 2018 (Updated Mar 28, 2018)
What-time-d'you-call-this-then late-arriving sequel to Guillermo del Toro's 2013 love letter to Japanese tokusatsu movies. A new generation of giant robot pilots must stop a new attempt to wipe out the human race using giant monsters.
The plot is fairly forgettable and possibly incoherent, as is most of the acting (though Scott Eastwood makes something of an impression in an underwritten part), but you go to this kind of film to see enormous robots and kaiju smacking each other about the head with bits of skyscraper, and this movie delivers that in spades. Possibly the first western movie to capture the real spirit of Japanese monster movies, and that makes up for a lot. The world-building isn't as interesting as in the first one, but it retains a few compellingly weird touches. Pure popcorn entertainment, but made with real energy and actually quite charming in a puppyish way.
The plot is fairly forgettable and possibly incoherent, as is most of the acting (though Scott Eastwood makes something of an impression in an underwritten part), but you go to this kind of film to see enormous robots and kaiju smacking each other about the head with bits of skyscraper, and this movie delivers that in spades. Possibly the first western movie to capture the real spirit of Japanese monster movies, and that makes up for a lot. The world-building isn't as interesting as in the first one, but it retains a few compellingly weird touches. Pure popcorn entertainment, but made with real energy and actually quite charming in a puppyish way.
Plug & Play
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Explore the universe of Plug & Play, an interactive animation drawn by Michael Frei and coded by...
Lee (2222 KP) rated Pacific Rim: Uprising (2018) in Movies
Mar 27, 2018
More of the same... not that there's anything wrong with that
It's 10 years since the apocalypse was cancelled. The son of the man who uttered those immortal words is Jake Pentecost (John Boyega), currently doing anything but follow in his fathers footsteps. Scavenging fallen Jaegers for parts in order to sell to the highest bidder and living a carefree party lifestyle.
His hunt for a highly expensive Jaeger part leads him to a 15 year old girl called Amara, who is a bit of a mechanical hacking genius and has managed to use old spare parts she has scavenged (including the big one that Jake had his eye on) to build her own, much smaller, Jaeger. Rogue Jaegers are illegal, so after a bit of a tussle with one of the official, bigger Jaegers, Jake and Amara find themselves in trouble with the law. Thanks to Jakes sister stepping in though, they find themselves paying for their crime by being sent to the PPDC (Pan Pacific Defense Corps) where they begin training for a possible return of a Kaiju related world threat. And, coincidentally, one of those just happens to be right around the corner!
John Boyega manages to carry this movie with his lovable roguish charm for quite a while, in what is otherwise a pretty average movie. But, we're here for Jaegers and the Kaiju (well, I was anyway), and once that action kicks in, that's when the movie really steps up a gear. To be fair, if you enjoyed the original Pacific Rim, then you know exactly what you're in for and really should enjoy this second outing. For me, I enjoyed it just as much as the first.
Something that many other reviews have commented on is the fact that the fight scenes in Uprising tend to take place during daylight, whereas the original tended to favour night. I found the daylight scenes to be a huge improvement, allowing for much greater enjoyment of the incredible fight choreography on display, along with the gloriously detailed CGI destruction of Tokyo!
His hunt for a highly expensive Jaeger part leads him to a 15 year old girl called Amara, who is a bit of a mechanical hacking genius and has managed to use old spare parts she has scavenged (including the big one that Jake had his eye on) to build her own, much smaller, Jaeger. Rogue Jaegers are illegal, so after a bit of a tussle with one of the official, bigger Jaegers, Jake and Amara find themselves in trouble with the law. Thanks to Jakes sister stepping in though, they find themselves paying for their crime by being sent to the PPDC (Pan Pacific Defense Corps) where they begin training for a possible return of a Kaiju related world threat. And, coincidentally, one of those just happens to be right around the corner!
John Boyega manages to carry this movie with his lovable roguish charm for quite a while, in what is otherwise a pretty average movie. But, we're here for Jaegers and the Kaiju (well, I was anyway), and once that action kicks in, that's when the movie really steps up a gear. To be fair, if you enjoyed the original Pacific Rim, then you know exactly what you're in for and really should enjoy this second outing. For me, I enjoyed it just as much as the first.
Something that many other reviews have commented on is the fact that the fight scenes in Uprising tend to take place during daylight, whereas the original tended to favour night. I found the daylight scenes to be a huge improvement, allowing for much greater enjoyment of the incredible fight choreography on display, along with the gloriously detailed CGI destruction of Tokyo!
Lenard (726 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 2, 2019
Oh no there goes Boston?
Four years ago, Godzilla awoke and destroyed San Francisco. A small boy was trampled. While the mother worked on a way to communicate with monsters, the father ran away and went into wildlife photography. Now, working for Monarch, the monster hunting secret organization, mom is captured and her Orca device is being used to wake up all the monsters (I refuse to call them Titans). Plot twist: mom wants the monsters to destroy everything so the Earth can rebuild itself. Yes, another ecoterrorist plot. There is also some lesson about symbiosis and invasive species but that is for ecology class. Anyway, a few times, Godzilla shows up just in time to save the puny humans who have tried for 65 years to kill him. Why are all these doctors and professors so dumb in these Godzilla movies? Everything they do leads to another problem like they never consider the consequences of their action if it alleviates the present predicament.
Chris Sawin (602 KP) rated Godzilla vs. Kong (2021) in Movies
Apr 2, 2021
All of the Kaiju Battles (2 more)
Any Scene Featuring King Kong
Jia Since Her Silence Is So Appreciated
The Entire Conspiracy Angle is Incredibly Boring (3 more)
The MechaGodzilla Design is Pretty Wonky
CGI Seems Off During Underwater Battle
People Are Even Dumber Than They Were in King of The Monsters and Somehow Still Get Rewarded For It
Monkey Good, Humans Bad
Godzilla vs. Kong suffers from what other versus films such as Freddy vs. Jason or the Alien vs. Predator films also suffered from. These films put too much value in humans when the audience just wants to see more of the on-screen monsters they either paid hard money or chose to stream to see. That’s why if Legendary chooses to keep this franchise going they should do All Monsters Attack or something involving Monster Island next where humans can be spectators at best and monsters wreak havoc for up to two straight hours. Stop feeding fans unbearable human excretion and trying to pass it off as Godzilla gold.
Full review: https://godhatesgeeks.com/godzilla-vs-kong-review-monkey-good-humans-bad/
Full review: https://godhatesgeeks.com/godzilla-vs-kong-review-monkey-good-humans-bad/
Movie Metropolis (309 KP) rated Pacific Rim (2013) in Movies
Jun 11, 2019
“Today, we are cancelling the apocalypse” barks Idris Elba’s Stacker Pentecost in the trailer for Pacific Rim, but it’s over 90 minutes in when you finally hear him utter that attention grabbing phrase in a movie so big, it will make your head spin. But is it worth the migraine?
In short, the answer is yes. Director Guillermo del Toro has created a monster movie that utilises themes from many other ‘classic’ films, giving it an old fashioned feel, whilst still making it incredibly fresh and unique.
The story is simple, but don’t let it fool you into thinking it’ll be a one dimensional ride from A to B, Pacific Rim is much more than that, it’s a big blockbuster most definitely, but it also gets the subtleties right; it has a heart. We begin with a Shakespearean narration by Raleigh Becket (Charlie Hunnan) who tells us about a war breaking out between humans and the Kaiju, a race of monsters from deep within the Pacific Ocean, and the only way to beat them is to bring in the heavy metal. Enter the Jaeger program, a series of gigantic robots built across the world to defend Earth against the terrifying creatures.
Whilst piloting a Jaeger, you are connected with a co-pilot who can see memories in a ‘drift’, a kind of telepathy which can be deadly for those around you if you ‘chase the rabbit’ and trap yourself in a memory which has caused distress. After all, you’re piloting a giant robot with laser beams, swords and over 100 diesel engines in some cases.
Hunnan’s character Raleigh is distraught after an incident with a Kaiju, so much so that he leaves the program and thinks he will never have to return. Unfortunately, he is very wrong and after five years he is back and, to cut a long story short, is teamed up with a rookie pilot in the shape of Mako Mori (Rinko Kikuchi) to put an end to the forthcoming invasion.
The film borrows heavily from other similar-minded movies like Cloverfield and Transformers and there’s even a subtle nod to Jurassic Park, see if you can spot it, but yet del Toro always manages to make the film feel new, exciting and exceptionally fresh. Never before have we seen all of these regularly used components together, and it adds an interesting new dynamic to a film which could’ve been run of the mill.
Acting is a mixed bag; Idris Elba is excellent in his role as Pentecost and shows why he is like catnip to directors at the moment. Rinko Kikuchi is understated in her large role but plays the character well; we feel her innocence before her ‘drift virginity’ is taken. There is also one scene involving a younger version of Mori which is by far the most poignant in the entire film. For comic relief, of which there is a surprising amount in a film about the destruction of the globe, we have a del Toro staple, Ron Perlman, who plays a black market dealer roped in to help the cause and locate a Kaiju brain. Rob Kazinsky (True Blood) and Charlie Day (Horrible Bosses) also star, with the latter providing some of the films best lines.
The special effects are truly exceptional, in films this big there can sometimes be a few shoddy scenes to cut costs in the hope that audiences don’t notice but not here; everything is stunning – from the computer generated Jaegers and the computer generated Kaiju, to the CGI recreations of Hong Kong and other destinations across the globe, it truly is beautiful to watch. Couple this with an absolutely mind-blowing soundtrack and each frame has either a tantalising musical score or a piece of eye-popping visual.
However, after an initially exciting opening, we are treated to a first-act lull from which the film takes a good 30 minutes to recover from, this being the most disappointing thing in the entire movie. The lull is used to good effect though, as we learn more about the lead characters and the Jaeger program itself, but 30 minutes in a 2 hour film is a little too long to wait for the action to restart.
Overall, Pacific Rim is everything a big summer blockbuster should be, it has beautiful special effects, excellent performances and a decent story mixed with a superb soundtrack. We’ve seen it all before, but in separate films, so to put everything together was a brave move on behalf of del Toro and it works brilliantly. It’s a little too long and the first-act lull is disappointing, but in the end it all ties together nicely as pure popcorn entertainment.
https://moviemetropolis.net/2013/07/13/pacific-rim-review-2013/
In short, the answer is yes. Director Guillermo del Toro has created a monster movie that utilises themes from many other ‘classic’ films, giving it an old fashioned feel, whilst still making it incredibly fresh and unique.
The story is simple, but don’t let it fool you into thinking it’ll be a one dimensional ride from A to B, Pacific Rim is much more than that, it’s a big blockbuster most definitely, but it also gets the subtleties right; it has a heart. We begin with a Shakespearean narration by Raleigh Becket (Charlie Hunnan) who tells us about a war breaking out between humans and the Kaiju, a race of monsters from deep within the Pacific Ocean, and the only way to beat them is to bring in the heavy metal. Enter the Jaeger program, a series of gigantic robots built across the world to defend Earth against the terrifying creatures.
Whilst piloting a Jaeger, you are connected with a co-pilot who can see memories in a ‘drift’, a kind of telepathy which can be deadly for those around you if you ‘chase the rabbit’ and trap yourself in a memory which has caused distress. After all, you’re piloting a giant robot with laser beams, swords and over 100 diesel engines in some cases.
Hunnan’s character Raleigh is distraught after an incident with a Kaiju, so much so that he leaves the program and thinks he will never have to return. Unfortunately, he is very wrong and after five years he is back and, to cut a long story short, is teamed up with a rookie pilot in the shape of Mako Mori (Rinko Kikuchi) to put an end to the forthcoming invasion.
The film borrows heavily from other similar-minded movies like Cloverfield and Transformers and there’s even a subtle nod to Jurassic Park, see if you can spot it, but yet del Toro always manages to make the film feel new, exciting and exceptionally fresh. Never before have we seen all of these regularly used components together, and it adds an interesting new dynamic to a film which could’ve been run of the mill.
Acting is a mixed bag; Idris Elba is excellent in his role as Pentecost and shows why he is like catnip to directors at the moment. Rinko Kikuchi is understated in her large role but plays the character well; we feel her innocence before her ‘drift virginity’ is taken. There is also one scene involving a younger version of Mori which is by far the most poignant in the entire film. For comic relief, of which there is a surprising amount in a film about the destruction of the globe, we have a del Toro staple, Ron Perlman, who plays a black market dealer roped in to help the cause and locate a Kaiju brain. Rob Kazinsky (True Blood) and Charlie Day (Horrible Bosses) also star, with the latter providing some of the films best lines.
The special effects are truly exceptional, in films this big there can sometimes be a few shoddy scenes to cut costs in the hope that audiences don’t notice but not here; everything is stunning – from the computer generated Jaegers and the computer generated Kaiju, to the CGI recreations of Hong Kong and other destinations across the globe, it truly is beautiful to watch. Couple this with an absolutely mind-blowing soundtrack and each frame has either a tantalising musical score or a piece of eye-popping visual.
However, after an initially exciting opening, we are treated to a first-act lull from which the film takes a good 30 minutes to recover from, this being the most disappointing thing in the entire movie. The lull is used to good effect though, as we learn more about the lead characters and the Jaeger program itself, but 30 minutes in a 2 hour film is a little too long to wait for the action to restart.
Overall, Pacific Rim is everything a big summer blockbuster should be, it has beautiful special effects, excellent performances and a decent story mixed with a superb soundtrack. We’ve seen it all before, but in separate films, so to put everything together was a brave move on behalf of del Toro and it works brilliantly. It’s a little too long and the first-act lull is disappointing, but in the end it all ties together nicely as pure popcorn entertainment.
https://moviemetropolis.net/2013/07/13/pacific-rim-review-2013/