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Movie Metropolis (309 KP) rated Pacific Rim (2013) in Movies
Jun 11, 2019
“Today, we are cancelling the apocalypse” barks Idris Elba’s Stacker Pentecost in the trailer for Pacific Rim, but it’s over 90 minutes in when you finally hear him utter that attention grabbing phrase in a movie so big, it will make your head spin. But is it worth the migraine?
In short, the answer is yes. Director Guillermo del Toro has created a monster movie that utilises themes from many other ‘classic’ films, giving it an old fashioned feel, whilst still making it incredibly fresh and unique.
The story is simple, but don’t let it fool you into thinking it’ll be a one dimensional ride from A to B, Pacific Rim is much more than that, it’s a big blockbuster most definitely, but it also gets the subtleties right; it has a heart. We begin with a Shakespearean narration by Raleigh Becket (Charlie Hunnan) who tells us about a war breaking out between humans and the Kaiju, a race of monsters from deep within the Pacific Ocean, and the only way to beat them is to bring in the heavy metal. Enter the Jaeger program, a series of gigantic robots built across the world to defend Earth against the terrifying creatures.
Whilst piloting a Jaeger, you are connected with a co-pilot who can see memories in a ‘drift’, a kind of telepathy which can be deadly for those around you if you ‘chase the rabbit’ and trap yourself in a memory which has caused distress. After all, you’re piloting a giant robot with laser beams, swords and over 100 diesel engines in some cases.
Hunnan’s character Raleigh is distraught after an incident with a Kaiju, so much so that he leaves the program and thinks he will never have to return. Unfortunately, he is very wrong and after five years he is back and, to cut a long story short, is teamed up with a rookie pilot in the shape of Mako Mori (Rinko Kikuchi) to put an end to the forthcoming invasion.
The film borrows heavily from other similar-minded movies like Cloverfield and Transformers and there’s even a subtle nod to Jurassic Park, see if you can spot it, but yet del Toro always manages to make the film feel new, exciting and exceptionally fresh. Never before have we seen all of these regularly used components together, and it adds an interesting new dynamic to a film which could’ve been run of the mill.
Acting is a mixed bag; Idris Elba is excellent in his role as Pentecost and shows why he is like catnip to directors at the moment. Rinko Kikuchi is understated in her large role but plays the character well; we feel her innocence before her ‘drift virginity’ is taken. There is also one scene involving a younger version of Mori which is by far the most poignant in the entire film. For comic relief, of which there is a surprising amount in a film about the destruction of the globe, we have a del Toro staple, Ron Perlman, who plays a black market dealer roped in to help the cause and locate a Kaiju brain. Rob Kazinsky (True Blood) and Charlie Day (Horrible Bosses) also star, with the latter providing some of the films best lines.
The special effects are truly exceptional, in films this big there can sometimes be a few shoddy scenes to cut costs in the hope that audiences don’t notice but not here; everything is stunning – from the computer generated Jaegers and the computer generated Kaiju, to the CGI recreations of Hong Kong and other destinations across the globe, it truly is beautiful to watch. Couple this with an absolutely mind-blowing soundtrack and each frame has either a tantalising musical score or a piece of eye-popping visual.
However, after an initially exciting opening, we are treated to a first-act lull from which the film takes a good 30 minutes to recover from, this being the most disappointing thing in the entire movie. The lull is used to good effect though, as we learn more about the lead characters and the Jaeger program itself, but 30 minutes in a 2 hour film is a little too long to wait for the action to restart.
Overall, Pacific Rim is everything a big summer blockbuster should be, it has beautiful special effects, excellent performances and a decent story mixed with a superb soundtrack. We’ve seen it all before, but in separate films, so to put everything together was a brave move on behalf of del Toro and it works brilliantly. It’s a little too long and the first-act lull is disappointing, but in the end it all ties together nicely as pure popcorn entertainment.
https://moviemetropolis.net/2013/07/13/pacific-rim-review-2013/
In short, the answer is yes. Director Guillermo del Toro has created a monster movie that utilises themes from many other ‘classic’ films, giving it an old fashioned feel, whilst still making it incredibly fresh and unique.
The story is simple, but don’t let it fool you into thinking it’ll be a one dimensional ride from A to B, Pacific Rim is much more than that, it’s a big blockbuster most definitely, but it also gets the subtleties right; it has a heart. We begin with a Shakespearean narration by Raleigh Becket (Charlie Hunnan) who tells us about a war breaking out between humans and the Kaiju, a race of monsters from deep within the Pacific Ocean, and the only way to beat them is to bring in the heavy metal. Enter the Jaeger program, a series of gigantic robots built across the world to defend Earth against the terrifying creatures.
Whilst piloting a Jaeger, you are connected with a co-pilot who can see memories in a ‘drift’, a kind of telepathy which can be deadly for those around you if you ‘chase the rabbit’ and trap yourself in a memory which has caused distress. After all, you’re piloting a giant robot with laser beams, swords and over 100 diesel engines in some cases.
Hunnan’s character Raleigh is distraught after an incident with a Kaiju, so much so that he leaves the program and thinks he will never have to return. Unfortunately, he is very wrong and after five years he is back and, to cut a long story short, is teamed up with a rookie pilot in the shape of Mako Mori (Rinko Kikuchi) to put an end to the forthcoming invasion.
The film borrows heavily from other similar-minded movies like Cloverfield and Transformers and there’s even a subtle nod to Jurassic Park, see if you can spot it, but yet del Toro always manages to make the film feel new, exciting and exceptionally fresh. Never before have we seen all of these regularly used components together, and it adds an interesting new dynamic to a film which could’ve been run of the mill.
Acting is a mixed bag; Idris Elba is excellent in his role as Pentecost and shows why he is like catnip to directors at the moment. Rinko Kikuchi is understated in her large role but plays the character well; we feel her innocence before her ‘drift virginity’ is taken. There is also one scene involving a younger version of Mori which is by far the most poignant in the entire film. For comic relief, of which there is a surprising amount in a film about the destruction of the globe, we have a del Toro staple, Ron Perlman, who plays a black market dealer roped in to help the cause and locate a Kaiju brain. Rob Kazinsky (True Blood) and Charlie Day (Horrible Bosses) also star, with the latter providing some of the films best lines.
The special effects are truly exceptional, in films this big there can sometimes be a few shoddy scenes to cut costs in the hope that audiences don’t notice but not here; everything is stunning – from the computer generated Jaegers and the computer generated Kaiju, to the CGI recreations of Hong Kong and other destinations across the globe, it truly is beautiful to watch. Couple this with an absolutely mind-blowing soundtrack and each frame has either a tantalising musical score or a piece of eye-popping visual.
However, after an initially exciting opening, we are treated to a first-act lull from which the film takes a good 30 minutes to recover from, this being the most disappointing thing in the entire movie. The lull is used to good effect though, as we learn more about the lead characters and the Jaeger program itself, but 30 minutes in a 2 hour film is a little too long to wait for the action to restart.
Overall, Pacific Rim is everything a big summer blockbuster should be, it has beautiful special effects, excellent performances and a decent story mixed with a superb soundtrack. We’ve seen it all before, but in separate films, so to put everything together was a brave move on behalf of del Toro and it works brilliantly. It’s a little too long and the first-act lull is disappointing, but in the end it all ties together nicely as pure popcorn entertainment.
https://moviemetropolis.net/2013/07/13/pacific-rim-review-2013/
Awix (3310 KP) rated Gamera: Revenge of Iris (1999) in Movies
Mar 15, 2019 (Updated Mar 15, 2019)
Apocalyptic final instalment in Kaneko's trilogy takes the Japanese monster movie to places it has never been before or since. Amid signs of the man-eating Gyaos creatures reappearing in vast numbers, an embittered girl bonds with the life-draining Iris creature to seek revenge on Gamera after her parents were killed in his battle with the first Gyaos some years earlier.
Incomplete Struggle (a much better title to my mind) is much more of a fantasy film than the previous chapter in the story, once again playing cleverly with various tropes of Japanese monster stories. The script takes the trouble to include characters from both previous films (it is clearly intended as a grand conclusion to the story) and also explores notions of pre-millennial angst. Once again, the monster battles are superbly staged, but the big ideas explored by the film are also fascinating, even if some elements of the story are left a bit vague. What one person sees as vaulting imagination and ambition, another may see as the script getting a bit out of control; some may also have an issue with the deliberate lack of closure at the very end of the film. Nevertheless, this movie manages to give the Japanese kaiju genre a sense of majesty and gravitas it has seldom achieved anywhere else.
Incomplete Struggle (a much better title to my mind) is much more of a fantasy film than the previous chapter in the story, once again playing cleverly with various tropes of Japanese monster stories. The script takes the trouble to include characters from both previous films (it is clearly intended as a grand conclusion to the story) and also explores notions of pre-millennial angst. Once again, the monster battles are superbly staged, but the big ideas explored by the film are also fascinating, even if some elements of the story are left a bit vague. What one person sees as vaulting imagination and ambition, another may see as the script getting a bit out of control; some may also have an issue with the deliberate lack of closure at the very end of the film. Nevertheless, this movie manages to give the Japanese kaiju genre a sense of majesty and gravitas it has seldom achieved anywhere else.
Jesters_folly (230 KP) rated Godzilla vs. Kong (2021) in Movies
Jun 4, 2021
Contains spoilers, click to show
Godzilla vs Kong is the fourth film in the current Godzilla franchise and is a a very good fit. The film is a good homage to the other Godzilla films that have gone before, both in this franchise and and for ones gone before. One thing this film does is show is why Kong wasn't in 'King of the Monsters'. It also tells us more about the 'hollow earth', a subject that has been touched on in the other films.
Of course 'Godzilla vs Kong' features monster vs monster fight scenes which which mostly turn out how you'd think when you put an atomic lizard against a giant ape. And this is the films problem, they seem to totally down played Kong, they seem to have been trying to make him more intelligent than Godzilla but then he doesn't seem to use that intelligence in any of the fights, even in a fight against a random winged serpent he need help from the humans.
Over all though ' Godzilla vs Kong' has everything you'd want from a Godzilla Film, you have 'hollow earth , monsters, over the top tech and humans who think they are being helpful. The film also plays tribute to the older Godzilla film by using music and sound effects from the originals.
Over all 'Godzilla vs Kong' is a good film and worth a watch for any Kaiju fan.
Of course 'Godzilla vs Kong' features monster vs monster fight scenes which which mostly turn out how you'd think when you put an atomic lizard against a giant ape. And this is the films problem, they seem to totally down played Kong, they seem to have been trying to make him more intelligent than Godzilla but then he doesn't seem to use that intelligence in any of the fights, even in a fight against a random winged serpent he need help from the humans.
Over all though ' Godzilla vs Kong' has everything you'd want from a Godzilla Film, you have 'hollow earth , monsters, over the top tech and humans who think they are being helpful. The film also plays tribute to the older Godzilla film by using music and sound effects from the originals.
Over all 'Godzilla vs Kong' is a good film and worth a watch for any Kaiju fan.
LeftSideCut (3778 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 10, 2019 (Updated Jun 11, 2019)
Big, loud, fun.
I'm not quite sure where all the bad reviews are coming from with this one, truth be told! I fully accept that there many action film cliches littered throughout, and the dialogue is just silly at times, but how much can you really dislike the spectacle of this sequel when the monsters turn up (and that doesn't take long!)
I liked the first one a lot, even though we didn't see a huge amount of Godzilla himself, and I also really rate Kong: Skull Island as well, so I've been looking forward to this one, and it's exactly what I expected it to be - it's loud, and it's dumb, but it works because it's an impressive looking monster film - and there a huge amount of them this time around.
Lifting various Godzilla opponents from the Japanese run of films, watching Kaiju like Ghidorah, Rhodan and Mothra get involved is pretty thrilling, especially coupled with the old school Godzilla theme music.
The effects themselves are pretty impressive, and all makes for an enjoyable blockbuster.
I didn't really care too much about the human characters (except Millie Bobbie Brown, and Charles Dance... Because it's Charles Dance) but I wasn't there for them!
And I guess there is where my main issue was, there was just a bit too much time spent on characters I struggled to care about.
Aside from that, it was pretty entertaining. Bring on Godzilla vs Kong!
I liked the first one a lot, even though we didn't see a huge amount of Godzilla himself, and I also really rate Kong: Skull Island as well, so I've been looking forward to this one, and it's exactly what I expected it to be - it's loud, and it's dumb, but it works because it's an impressive looking monster film - and there a huge amount of them this time around.
Lifting various Godzilla opponents from the Japanese run of films, watching Kaiju like Ghidorah, Rhodan and Mothra get involved is pretty thrilling, especially coupled with the old school Godzilla theme music.
The effects themselves are pretty impressive, and all makes for an enjoyable blockbuster.
I didn't really care too much about the human characters (except Millie Bobbie Brown, and Charles Dance... Because it's Charles Dance) but I wasn't there for them!
And I guess there is where my main issue was, there was just a bit too much time spent on characters I struggled to care about.
Aside from that, it was pretty entertaining. Bring on Godzilla vs Kong!
Otway93 (567 KP) rated Night of the Living Dead (1968) in Movies
Oct 1, 2022
Acting (4 more)
Soundtrack
Characters
Ending
Genuinely Frightening
Almost the perfect horror movie!
This film is basically a horror masterpiece, with it's only downside being some of the worst movie punches I've ever seen near the ending. These are barely worth mentioning but this is the only downside I could find apart from all the clichés, which this movie invented anyway, so you can hardly count that against it!
The story is of course typical, but with a little bit of a science-fiction element I wasn't aware of, so that was a nice surprise! But it is worth mentioning the small, enclosed setting which makes the film all that much scarier and makes it a genuinely frightening movie.
All of the actors played their parts to perfection, and the perfect blend of different character traits among the 6 main characters provides the film with another layer of horror.
The soundtrack is beautiful. An unusual score consisting of strings, horns and synthesisers, all at different times. It is reminiscent of 1950s and early 1960s Kaiju films.
Finally, the ending. The ending is a masterpiece, and certainly not the typical zombie ending. I'll leave it there to leave the "surprise" intact.
Overall, apart from the aforementioned punches, a total masterpiece, and I can't wait to watch Dawn of the Dead when it arrives!
P.S. The original quality of the film is quite poor, but the 4K remaster is stunning, so I definitely recommend the Criterion Collection 4K remaster as the film quality is dramatically improved.
The story is of course typical, but with a little bit of a science-fiction element I wasn't aware of, so that was a nice surprise! But it is worth mentioning the small, enclosed setting which makes the film all that much scarier and makes it a genuinely frightening movie.
All of the actors played their parts to perfection, and the perfect blend of different character traits among the 6 main characters provides the film with another layer of horror.
The soundtrack is beautiful. An unusual score consisting of strings, horns and synthesisers, all at different times. It is reminiscent of 1950s and early 1960s Kaiju films.
Finally, the ending. The ending is a masterpiece, and certainly not the typical zombie ending. I'll leave it there to leave the "surprise" intact.
Overall, apart from the aforementioned punches, a total masterpiece, and I can't wait to watch Dawn of the Dead when it arrives!
P.S. The original quality of the film is quite poor, but the 4K remaster is stunning, so I definitely recommend the Criterion Collection 4K remaster as the film quality is dramatically improved.
JT (287 KP) rated Godzilla: King of the Monsters (2019) in Movies
Mar 5, 2020 (Updated Mar 10, 2020)
Godzilla rises from the deep once again, this time to stand side by side with part of the human race to fend off monsters summoned by the crypto-zoological agency Monarch. Monarch has been able to devise a way to control the giant creatures using a sonar device called the Orca, in the hope that they will be able to live together in perfect harmony.
“Sometimes… the only way to heal our wounds is to make peace with the demons who created them,” says Ken Watanabe‘s Dr Ishiro Serizawa. That theory is short-lived when eco-terrorist Alan Jonah (Charles Dance) threatens to unleash hell, all for the greater good.
It’s one big mess. I don’t know how else to describe it other than that. I lost interest halfway through and only raised an eyebrow when Godzilla arrived on-screen to pummel the shit out of the three-headed Ghidorah and Rodan. In 2014 Godzilla was rarely seen, albeit for the odd glimpse of a whipping tail. Here that is rectified and he’s placed front and centre as he smashes everything to smithereens.
The human element is just as bad. With a cast that boasted the likes of Vera Farmiga, Kyle Chandler, Charles Dance and Strangers Things starlet Millie Bobby Brown I would have expected more from the experienced group. I blame the script which falls by the wayside. Loud, thundering action set pieces do offer a little bit of satisfaction but it’s not enough to carry the film home. Plenty of scenes could have been cut which might have made it bearable.
There are suggestions that we could be getting a Kong Vs Godzilla film at some point which would loosely tie into a Kaiju styled universe but after this load of tripe, they will have their work cut out.
“Sometimes… the only way to heal our wounds is to make peace with the demons who created them,” says Ken Watanabe‘s Dr Ishiro Serizawa. That theory is short-lived when eco-terrorist Alan Jonah (Charles Dance) threatens to unleash hell, all for the greater good.
It’s one big mess. I don’t know how else to describe it other than that. I lost interest halfway through and only raised an eyebrow when Godzilla arrived on-screen to pummel the shit out of the three-headed Ghidorah and Rodan. In 2014 Godzilla was rarely seen, albeit for the odd glimpse of a whipping tail. Here that is rectified and he’s placed front and centre as he smashes everything to smithereens.
The human element is just as bad. With a cast that boasted the likes of Vera Farmiga, Kyle Chandler, Charles Dance and Strangers Things starlet Millie Bobby Brown I would have expected more from the experienced group. I blame the script which falls by the wayside. Loud, thundering action set pieces do offer a little bit of satisfaction but it’s not enough to carry the film home. Plenty of scenes could have been cut which might have made it bearable.
There are suggestions that we could be getting a Kong Vs Godzilla film at some point which would loosely tie into a Kaiju styled universe but after this load of tripe, they will have their work cut out.
Awix (3310 KP) rated Godzilla: Final Wars (2004) in Movies
Feb 8, 2018
Everything but the Nagashidai
Almost wholly nuts kaiju-SF movie originally produced for the 50th anniversary of Godzilla's first appearance. It actually does a pretty good job of having something for everyone - everyone who's ever enjoyed a Godzilla film, anyway. The plot is certainly reminiscent of some of the 60s movies - aliens from Planet X (seriously) turn up and initially pretend to be friendly, but turn out to be intent on taking over the world, using their ability to control almost all of Earth's monsters. Naturally, Godzilla is immune, and the desperate human characters resort to releasing Godzilla from the prison he's been in for years so he can sort the invaders out - even if this will mean him having to fight virtually every other monster on the planet almost single-handed.
All very promising, if you like this sort of thing, but the director's clear desire to actually be making a Matrix sequel is a bit intrusive - there's a lot of human-on-human martial arts action which isn't what I personally turn up to a Godzilla movie for. The sheer knowing silliness of the film may also be off-putting for some viewers.
But set against all that, there's a bit where Mothra battles Gigan! There's a fight between proper Japanese Godzilla and the mutant iguana pretender from the Roland Emmerich version! You get to see Baby Godzilla sitting in the cab of a pick-up truck during an unexpected subplot about hitch-hiking! And much more. (Keith Emerson's soundtrack is very atypical for a Godzilla film, but actually pretty funky.) The sheer profusion of monsters - nearly every Toho beastie makes at least a cameo, the only big-name absentee being Mechagodzilla - and the cheerful craziness of the story make this, if not quite an entirely worthy tribute to Godzilla's first fifty years, then certainly a very hard film to completely dislike.
All very promising, if you like this sort of thing, but the director's clear desire to actually be making a Matrix sequel is a bit intrusive - there's a lot of human-on-human martial arts action which isn't what I personally turn up to a Godzilla movie for. The sheer knowing silliness of the film may also be off-putting for some viewers.
But set against all that, there's a bit where Mothra battles Gigan! There's a fight between proper Japanese Godzilla and the mutant iguana pretender from the Roland Emmerich version! You get to see Baby Godzilla sitting in the cab of a pick-up truck during an unexpected subplot about hitch-hiking! And much more. (Keith Emerson's soundtrack is very atypical for a Godzilla film, but actually pretty funky.) The sheer profusion of monsters - nearly every Toho beastie makes at least a cameo, the only big-name absentee being Mechagodzilla - and the cheerful craziness of the story make this, if not quite an entirely worthy tribute to Godzilla's first fifty years, then certainly a very hard film to completely dislike.
Sarah (7798 KP) rated Aquaman (2018) in Movies
Jan 8, 2019
A little too cheesy
I really badly wanted to like this film, but for me it was a little too bad in places to really be anything other than just ‘ok’.
As stated by virtually everyone else who has reviewed it so far, the CGI is fantastic. For the most part, this film looks visually stunning. There are a few instances though where I thought some of the sets and costumes were a little too lurid and garish and looked a little bit ridiculous. But mostly it looked great. And I give a huge thumbs up to the fight scenes - I’m sick of watching shaky camera fights that give you motion sickness, so it was freshing to watch the brilliantly shot and choreographed scenes in this, the flowed very well. Jason Momoa is also fantastic, he plays Aquaman perfectly with just enough charm, brashness and charisma to make him funny and likeable. I even found myself liking Amber Heard, which is odd as I’ve never liked her in anything else. The rest of the cast though are hit and miss; the excellent Willem Defoe is underused, Patrick Wilson is misplaced and hamming it up far too much, and I can’t look at Nicole Kidman anymore without seeing all of the fakery and plastic in her face... and Black Manta? When he turned up in his fancy suit, he just looked like a goth version of Alpha from the Power Rangers. Very poor choice of bad guy there.
Where this film really falters though is the script and parts of the plot. Whilst this film is obviously meant to be silly, the script is horrendous and stilted in parts and the plot is beyond predictable. And I also thought the runtime is much too long. The cast, effects and director do their best, but it’s let down by the writing.
Also, did anyone else think the Karathen looked like a Kaiju? Didn’t clock she was voiced by Julie Andrews though until afterwards.
As stated by virtually everyone else who has reviewed it so far, the CGI is fantastic. For the most part, this film looks visually stunning. There are a few instances though where I thought some of the sets and costumes were a little too lurid and garish and looked a little bit ridiculous. But mostly it looked great. And I give a huge thumbs up to the fight scenes - I’m sick of watching shaky camera fights that give you motion sickness, so it was freshing to watch the brilliantly shot and choreographed scenes in this, the flowed very well. Jason Momoa is also fantastic, he plays Aquaman perfectly with just enough charm, brashness and charisma to make him funny and likeable. I even found myself liking Amber Heard, which is odd as I’ve never liked her in anything else. The rest of the cast though are hit and miss; the excellent Willem Defoe is underused, Patrick Wilson is misplaced and hamming it up far too much, and I can’t look at Nicole Kidman anymore without seeing all of the fakery and plastic in her face... and Black Manta? When he turned up in his fancy suit, he just looked like a goth version of Alpha from the Power Rangers. Very poor choice of bad guy there.
Where this film really falters though is the script and parts of the plot. Whilst this film is obviously meant to be silly, the script is horrendous and stilted in parts and the plot is beyond predictable. And I also thought the runtime is much too long. The cast, effects and director do their best, but it’s let down by the writing.
Also, did anyone else think the Karathen looked like a Kaiju? Didn’t clock she was voiced by Julie Andrews though until afterwards.
Movie Metropolis (309 KP) rated Godzilla: King of the Monsters (2019) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
All hail the Titans
2014’s Godzilla was a thrilling and somewhat underrated return to form for the king of the kaiju. Directed by visionary film-maker Gareth Edwards, Godzilla’s return to the big screen was beautifully filmed with some of the best set pieces ever seen on celluloid. It certainly made up for the Roland Emmerich monstrosity that shall remain nameless here.
Little did we know 5 years ago that Edwards’ mega movie would be the start of a franchise culminating in a battle of the ages: Godzilla vs Kong. Follow-up film Kong: Skull Island was again, beautifully filmed, feeling like a movie from a completely different era. Now the follow-up to the follow-up is here. Still with us? Good.
Members of the crypto-zoological agency Monarch face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species-thought to be mere myths-rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.
Taking over from Gareth Edwards after he chose not to return to the franchise is director Michael Dougherty. If the name rings a bell, it’s because he co-wrote X2 and directed the fantastic horror comedy, Krampus. Used to much-lower budgets than this $200million behemoth, Dougherty crafts a film that throws everything including the kitchen sink at the audience, but lacks the lightness of touch that made its predecessors such popcorn-munching fun.
With a cast that includes Stranger Things’ Millie Bobby Brown, Vera Farmiga, Sally Hawkins, Ken Watanabe, Charles Dance and Kyle Chandler, you’d be forgiven that everything from a characterisation point of view would be spot on. Unfortunately, that just isn’t the case. The story and screenplay, penned by Dougherty himself is really lacklustre with poor, cringeworthy dialogue and some wooden performances by actors who should really know better. The attempts at Marvel-esque humour fall completely flat and this is a real shame.
Making her feature film debut, Mille Bobby Brown salvages what she can from the script and performs very well but when the screenplay doesn’t know what to do with individual characters, they’re tossed aside as Ghidorah fodder and completely forgotten about. Not only is this frustrating for the audience, but it certainly isn’t script-writing best practice.
Thankfully, things start to turn around when it comes to the cinematography. Lawrence Sher, who has worked on Paul, The Hangover and the upcoming Joker movie picks some outstanding shots that make you feel very much part of this almost apocalyptic universe the Titans are roaming. While stopping short of beautiful, many of the sequences are too messy for that, Godzilla: King of the Monsters is a very attractive film indeed and the colours used are ethereal in their nature and require the biggest screen possible to get the most from them.
Godzilla is beautifully rendered and while the look is less successful on King Ghidorah, it’s not enough to detract from the exceptional visual effects work
The special effects too make a lasting impression. This was not a cheap film to make and thankfully this shows on screen. Whilst naturally heavy on CGI, Dougherty has stated that practical effects had been used wherever possible. Perhaps the biggest compliment here is that it’s impossible to tell where practical meets CG.
Godzilla is beautifully rendered and while the look is less successful on King Ghidorah, it’s not enough to detract from the exceptional visual effects work that has gone into making Godzilla 2. Mothra in particular is a sight to behold.
Bear McCreary’s score too is very good. After working on relatively low-budget films until now, his orchestral and vocal compositions work beautifully with what’s being shown on screen and the music has an operatic vibe that feels truly fitting of a film of this magnitude.
Nevertheless, Godzilla: King of the Monster’s downfall is in that shoddy script. None of the actors bring their a-game here and moments that should have emotional poignancy don’t hit home because they’re not allowed to. Within 10 minutes of the film’s opening, we’re smack bang in the middle of an action sequence with it rarely letting up until the thrilling finale 2 hours later.
Overall, Godzilla: King of the Monsters is a perfectly adequate outing for the king of the kaiju but one that comes with a dash of disappointment. The bar was set incredibly high by Gareth Edwards and while the special effects and action scenes are impressive, that’s not enough to mask poor storytelling and thinly drawn characters.
https://moviemetropolis.net/2019/05/29/godzilla-king-of-the-monsters-review-all-hail-the-titans/
Little did we know 5 years ago that Edwards’ mega movie would be the start of a franchise culminating in a battle of the ages: Godzilla vs Kong. Follow-up film Kong: Skull Island was again, beautifully filmed, feeling like a movie from a completely different era. Now the follow-up to the follow-up is here. Still with us? Good.
Members of the crypto-zoological agency Monarch face off against a battery of god-sized monsters, including the mighty Godzilla, who collides with Mothra, Rodan, and his ultimate nemesis, the three-headed King Ghidorah. When these ancient super-species-thought to be mere myths-rise again, they all vie for supremacy, leaving humanity’s very existence hanging in the balance.
Taking over from Gareth Edwards after he chose not to return to the franchise is director Michael Dougherty. If the name rings a bell, it’s because he co-wrote X2 and directed the fantastic horror comedy, Krampus. Used to much-lower budgets than this $200million behemoth, Dougherty crafts a film that throws everything including the kitchen sink at the audience, but lacks the lightness of touch that made its predecessors such popcorn-munching fun.
With a cast that includes Stranger Things’ Millie Bobby Brown, Vera Farmiga, Sally Hawkins, Ken Watanabe, Charles Dance and Kyle Chandler, you’d be forgiven that everything from a characterisation point of view would be spot on. Unfortunately, that just isn’t the case. The story and screenplay, penned by Dougherty himself is really lacklustre with poor, cringeworthy dialogue and some wooden performances by actors who should really know better. The attempts at Marvel-esque humour fall completely flat and this is a real shame.
Making her feature film debut, Mille Bobby Brown salvages what she can from the script and performs very well but when the screenplay doesn’t know what to do with individual characters, they’re tossed aside as Ghidorah fodder and completely forgotten about. Not only is this frustrating for the audience, but it certainly isn’t script-writing best practice.
Thankfully, things start to turn around when it comes to the cinematography. Lawrence Sher, who has worked on Paul, The Hangover and the upcoming Joker movie picks some outstanding shots that make you feel very much part of this almost apocalyptic universe the Titans are roaming. While stopping short of beautiful, many of the sequences are too messy for that, Godzilla: King of the Monsters is a very attractive film indeed and the colours used are ethereal in their nature and require the biggest screen possible to get the most from them.
Godzilla is beautifully rendered and while the look is less successful on King Ghidorah, it’s not enough to detract from the exceptional visual effects work
The special effects too make a lasting impression. This was not a cheap film to make and thankfully this shows on screen. Whilst naturally heavy on CGI, Dougherty has stated that practical effects had been used wherever possible. Perhaps the biggest compliment here is that it’s impossible to tell where practical meets CG.
Godzilla is beautifully rendered and while the look is less successful on King Ghidorah, it’s not enough to detract from the exceptional visual effects work that has gone into making Godzilla 2. Mothra in particular is a sight to behold.
Bear McCreary’s score too is very good. After working on relatively low-budget films until now, his orchestral and vocal compositions work beautifully with what’s being shown on screen and the music has an operatic vibe that feels truly fitting of a film of this magnitude.
Nevertheless, Godzilla: King of the Monster’s downfall is in that shoddy script. None of the actors bring their a-game here and moments that should have emotional poignancy don’t hit home because they’re not allowed to. Within 10 minutes of the film’s opening, we’re smack bang in the middle of an action sequence with it rarely letting up until the thrilling finale 2 hours later.
Overall, Godzilla: King of the Monsters is a perfectly adequate outing for the king of the kaiju but one that comes with a dash of disappointment. The bar was set incredibly high by Gareth Edwards and while the special effects and action scenes are impressive, that’s not enough to mask poor storytelling and thinly drawn characters.
https://moviemetropolis.net/2019/05/29/godzilla-king-of-the-monsters-review-all-hail-the-titans/
Neon's Nerd Nexus (360 KP) rated Godzilla: King of the Monsters (2019) in Movies
May 29, 2019
Oh my God...
#godzillakingofthemonsters is overlong, overstuffed, bland & lacks the one thing that at bare minimum I expected from a movie about big #monsters #fighting, EXCITEMENT. Now I quite liked the first #godzilla movie & yes it was to focused on the human element but visually it was really sticking & I found its slow build up to the reveal of Godzilla intense & exciting so that when he's finally introduced fully his presence became that more intimidating & thrilling. Sadly although in this sequel the monsters are given way more screen time at around 2hours the human element is still far to overpowering. That would be fine but its all so #boring & only serves as exposition to move the plot along. Dialog is sloppy/bellow basic & repetitive, acting is average at best & no one is likeable. Story wise its incredibly weak/bare bones which makes me wonder why it takes so long to play out considering we are only all here really to see monsters #fight. Cgi is really dodgy in places & I'm not sure if this is a throwback to past films but it feels odd & disjointed because at times its also impressive like it suddenly found its budget again. For an hour & a half I found this movie terrible with nothing setting it apart from stuff like #sanandreas or #geostorm. There are big set pieces upping the pace but like those movies they are a hollow mess of washed out cgi/badly framed fights that just weren't exciting at all. Why a 3? something changes in the last half hour & things do get a little cool for a bit, the score becomes epic, cgi looks great, theres some nice visual touches, #animation has weight & #action invokes some thrill but by then its all a just a bit to late. Theres also some #beautiful artsy establishing shots at times too throughout the movie & the subtle metaphors about the effects of #nuclear #weapons/war & looking after our #planet are well implemented too but thats about it. Im still #excited for #GodzillavsKong but just hoping this is a case of middle film itis but for now there are way better monster movies out there as i cant recomend seeing this one at all to be honest which is such a shame. #shingodzilla #godzillamovie #kong #japan #anime #gojira #kaiju
