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The Silver Wolf
8.0
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The extraordinarily rich, dark, panoramic tale of an orphaned boy's quest for truth and then for...
Historical fiction 17th Century The Thirty Years War Europe
The Valkyrie
10.0
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From SUNDAY TIMES bestselling author Kate Heartfield comes a glorious, lyrical retelling of one of...
Norse mythology Retellings Historical fiction
Annie Chanse (15 KP) rated Shadows & Dreams in Books
Dec 19, 2017
Review** spoiler alert ** *Warning: contains spoilers, bad words, and quite a long rant*
To be honest, I was very disappointed in this book. It had a great premise, which meant it had the potential to be a really good story, but the writing style of the author just completely ruined this book for me.
The basic idea behind the story is that Kate Kane, a paranormal PI, sets off on a case to find the brother of a woman she slept with once, and during this investigation, she runs into ALL MANNER OF TROUBLE. There are vampires and werewolves and ex-girlfriends around every corner, just lurking and waiting to pounce on Miss Kane. It's a very busy and involved story, and if it had been better written, I would have easily given it four stars at least, but there was just TOO much about this book -- style-wise -- that drove me insane.
For instance:
1. The plot, itself, is actually fairly well thought out and developed and is nowhere NEAR as cheesy as it sounds when you hear, "Vampires fighting werewolves," -- which, let's be honest, these days is so trite and overdone that it is scoffed at on a regular basis. However, there IS a good story in this novel. But the way Hall writes the not-cheesy story is so cheesy that it makes you THINK the story is cheesy. A lot of cheese, huh? A little confusing? Well then, let me give you an example.
Page 7-8: "Truth be told it was a little bit awkward, but my social weirdness threshold has gone way up since my girlfriend tried to murder my ex-girlfriend because her ex-girlfriend tried to murder her."
Okay... a bit ridiculous, especially seven/eight pages in, but I can roll with it. However, at the bottom of page eight:
Kane asks, "Who saw him last?"
Her assistant -- who is actually a statue brought to life and gifted to Kate by a group of rats who are apparently all seeing and all knowing God-types -- says, "I don't know. [...] Probably somebody at the hospital."
Kane asks, "Which one?"
And the assistant replies with this fantastic line: "The Whittington. He broke his leg changing a light bulb. Because he was standing on a swivel chair because he's an idiot."
Okay, I concede that maybe this line is supposed to sound ridiculous and funny, so I can even let that one slide. But then, three pages later, Hall completely turns me off to the book with this:
"Well, fuck. I was about to be hired by a woman I'd very nearly slept with to find her missing brother who was working for the woman who'd left me for a tech startup at the tech startup she left me for."
Wh-wh-what?! Are you kidding me? Could that sentence BE anymore convoluted or that plot-point any more ridiculously stereotypical?
And what is truly awful is that the story itself REALLY WASN'T THAT BAD. I mean, the writing was awful, which, overall, meant that the novel was -- in my opinion, of course -- bad, but the way the story progressed WAS interesting. It was nowhere near as bad as these 'recaps' by the main character make it sound, but the problem is that Hall throws in these inner-monologues for Kane ALL throughout the book, and they are terrible! Which, in turn, decreases the value of the entire story.
Another example falls right on the heels of the page 11 jewel.
Page 14: "I really really hoped this wasn't going to be another zombie plague. There'd been an outbreak when I'd taken Eve up to Lake Windermere for our third anniversary, and we'd spent the whole weekend under siege in the hotel, making molotovs from the minibar and clubbing re-animated tourists to death with souvenir walking sticks."
Really? Zombies now? On top of the vampires, witches, and werewolves? Can we POSSIBLY fit anymore para into this normal?
Enough with that.
Now on to point number 2. The girl on girl sex scenes in this book between sexy, snarky PI and her vampire girlfriend, the Prince (yes, Prince) of Cups, should be hot, right? No. They are forced, fake, and ridiculous. Halfway through the first one, I thought, "Jesus. This isn't lesbian sex. This is lesbian sex if it was written by a man who WISHES he could see some lesbian sex." That was the point at which I decided to look up more info on Alexis Hall, and I found out that he is, in fact, a man, which at least explains the sex scenes.
#3. Speaking of sex scenes, Hall also has this really irritating -- and distracting -- habit of throwing in random, explicitly sexual thoughts at TOTALLY inappropriate times. Right in the middle of the most stressful situations -- being locked up, about to be killed, thrown in prison/on trial -- Kate Kane begins inner-monologuing with herself about how much she'd like to fuck whatever female happens to be standing in front of her. RIDICULOUS! And annoying. Hated it.
4. One of the MOST annoying things about this book, however, was that it was in DESPERATE need of a SERIOUS case of editing. All throughout the book there were glaring errors that any first year college student should have caught while reading. I'm willing to discount SOME of these "errors" as simply being lost in translation, as the book is written with a British tone, and I am very much American. However, SOME of these errors simply CANNOT be due to anything other than careless editing.
For instance, page 113: "It's main distinguishing feature, right, was that was it was blue."
WAS that WAS it WAS blue? What does that even mean? Oh, yes, it means that no one bothered editing this beast before printing.
Page 141: "Piercing the heart will paralyse, but it won't kill, and anything will do, it doesn't have to wood."
Okay, so maybe the "paralyse" is simply British, but surely the "doesn't have to wood" bit needs a "be" in there somewhere, right?
Page 157: "Have we have achieved case closed, Miss Kane?"
Yes, yes have we have.
There are several -- SEVERAL -- more examples of these type errors, but I'm not about to point them all out. If you read the book, I'm sure you'll easily catch them on your own.
5. Another thing that drove me NUTS was the repetition. The awful thing is I'm fairly certain that Hall used these repetitious lines PURPOSELY to create some kind of effect -- humor, maybe? Whatever the desired result, it failed to do anything other than annoy me.
For instance, page 163: "'Hi. So. Look.' I tried to find a way to express the fact I had some good news and some bad news that wasn't I've got some good news and some bad news. 'I've got some good news and some bad news.'"
...blink... ...falls over...
Page 177: "All the more reason to tell them. [...] If they know that we know that she has returned, then they will not be tempted to conspire against us out of the false belief that we do not know. Of course, they may already know, but at present, we have no way to know what they know. If we tell them, we will know what they know, and all we will not know is how long they have known it."
Oh. Jumping. Jesus. On. A. Pogo. Stick. Please tell me you aren't serious.
And there was this one thing that repeated over and over again throughout the book. The first time, it was actually pretty clever. The second time, even, was okay. But by the time I'd read it nine times -- yes, NINE TIMES, no exaggeration whatsoever -- I was ready to never EVER read anything like it ever again.
This particular phrase was something Kate Kane internalized or muttered aloud to herself each time she decided to do something stupid OR she felt her life was in danger. The basic format went something like this:
"Here lies Kate Kane, died peacefully in her sleep aged 94. Beloved daughter."
The "Here lies Kate Kane" part remained constant, as did the "Beloved daughter." It was only the middle part that changed, for instance, "Here lies Kate Kate. Should have minded her own business. Beloved daughter." Or perhaps, "Here lies Kate Kane. She made a difference to dozens. Beloved daughter."
This continued NINE TIMES. It is not cute, funny, or clever after about the second time, definitely after the third. BUT NINE TIMES?! Come on!
And finally, my last complaint.
6. Several of the items, scenes, quotes, etc. in this book seemed waaaaaaaaaay too close to things from other books for my taste. Perhaps it is simply a coincidence and the author did not intentionally siphon plot points and details from other authors -- except, of course, when he obviously did in his quotations, such as his use of "Not all those who wander are lost" and "As old as my tongue, a little bit older than my teeth" which are DIRECTLY taken from other books, but I'm hoping those were intentional and not attempted-to-get-away-with-it plagiarism.
But there are several things in this novel that could have been taken from Jim Butcher's "Dresden Files", Lewis' "Narnia" chronicles, and Tolkien's "Lord of the Rings" series. I'm hoping, however, that they weren't, but they were very, very similar.
All in all, I'm disappointed to say that I was not a fan of this book at all, and I will most likely not be reading anymore Kate Kane books.
To be honest, I was very disappointed in this book. It had a great premise, which meant it had the potential to be a really good story, but the writing style of the author just completely ruined this book for me.
The basic idea behind the story is that Kate Kane, a paranormal PI, sets off on a case to find the brother of a woman she slept with once, and during this investigation, she runs into ALL MANNER OF TROUBLE. There are vampires and werewolves and ex-girlfriends around every corner, just lurking and waiting to pounce on Miss Kane. It's a very busy and involved story, and if it had been better written, I would have easily given it four stars at least, but there was just TOO much about this book -- style-wise -- that drove me insane.
For instance:
1. The plot, itself, is actually fairly well thought out and developed and is nowhere NEAR as cheesy as it sounds when you hear, "Vampires fighting werewolves," -- which, let's be honest, these days is so trite and overdone that it is scoffed at on a regular basis. However, there IS a good story in this novel. But the way Hall writes the not-cheesy story is so cheesy that it makes you THINK the story is cheesy. A lot of cheese, huh? A little confusing? Well then, let me give you an example.
Page 7-8: "Truth be told it was a little bit awkward, but my social weirdness threshold has gone way up since my girlfriend tried to murder my ex-girlfriend because her ex-girlfriend tried to murder her."
Okay... a bit ridiculous, especially seven/eight pages in, but I can roll with it. However, at the bottom of page eight:
Kane asks, "Who saw him last?"
Her assistant -- who is actually a statue brought to life and gifted to Kate by a group of rats who are apparently all seeing and all knowing God-types -- says, "I don't know. [...] Probably somebody at the hospital."
Kane asks, "Which one?"
And the assistant replies with this fantastic line: "The Whittington. He broke his leg changing a light bulb. Because he was standing on a swivel chair because he's an idiot."
Okay, I concede that maybe this line is supposed to sound ridiculous and funny, so I can even let that one slide. But then, three pages later, Hall completely turns me off to the book with this:
"Well, fuck. I was about to be hired by a woman I'd very nearly slept with to find her missing brother who was working for the woman who'd left me for a tech startup at the tech startup she left me for."
Wh-wh-what?! Are you kidding me? Could that sentence BE anymore convoluted or that plot-point any more ridiculously stereotypical?
And what is truly awful is that the story itself REALLY WASN'T THAT BAD. I mean, the writing was awful, which, overall, meant that the novel was -- in my opinion, of course -- bad, but the way the story progressed WAS interesting. It was nowhere near as bad as these 'recaps' by the main character make it sound, but the problem is that Hall throws in these inner-monologues for Kane ALL throughout the book, and they are terrible! Which, in turn, decreases the value of the entire story.
Another example falls right on the heels of the page 11 jewel.
Page 14: "I really really hoped this wasn't going to be another zombie plague. There'd been an outbreak when I'd taken Eve up to Lake Windermere for our third anniversary, and we'd spent the whole weekend under siege in the hotel, making molotovs from the minibar and clubbing re-animated tourists to death with souvenir walking sticks."
Really? Zombies now? On top of the vampires, witches, and werewolves? Can we POSSIBLY fit anymore para into this normal?
Enough with that.
Now on to point number 2. The girl on girl sex scenes in this book between sexy, snarky PI and her vampire girlfriend, the Prince (yes, Prince) of Cups, should be hot, right? No. They are forced, fake, and ridiculous. Halfway through the first one, I thought, "Jesus. This isn't lesbian sex. This is lesbian sex if it was written by a man who WISHES he could see some lesbian sex." That was the point at which I decided to look up more info on Alexis Hall, and I found out that he is, in fact, a man, which at least explains the sex scenes.
#3. Speaking of sex scenes, Hall also has this really irritating -- and distracting -- habit of throwing in random, explicitly sexual thoughts at TOTALLY inappropriate times. Right in the middle of the most stressful situations -- being locked up, about to be killed, thrown in prison/on trial -- Kate Kane begins inner-monologuing with herself about how much she'd like to fuck whatever female happens to be standing in front of her. RIDICULOUS! And annoying. Hated it.
4. One of the MOST annoying things about this book, however, was that it was in DESPERATE need of a SERIOUS case of editing. All throughout the book there were glaring errors that any first year college student should have caught while reading. I'm willing to discount SOME of these "errors" as simply being lost in translation, as the book is written with a British tone, and I am very much American. However, SOME of these errors simply CANNOT be due to anything other than careless editing.
For instance, page 113: "It's main distinguishing feature, right, was that was it was blue."
WAS that WAS it WAS blue? What does that even mean? Oh, yes, it means that no one bothered editing this beast before printing.
Page 141: "Piercing the heart will paralyse, but it won't kill, and anything will do, it doesn't have to wood."
Okay, so maybe the "paralyse" is simply British, but surely the "doesn't have to wood" bit needs a "be" in there somewhere, right?
Page 157: "Have we have achieved case closed, Miss Kane?"
Yes, yes have we have.
There are several -- SEVERAL -- more examples of these type errors, but I'm not about to point them all out. If you read the book, I'm sure you'll easily catch them on your own.
5. Another thing that drove me NUTS was the repetition. The awful thing is I'm fairly certain that Hall used these repetitious lines PURPOSELY to create some kind of effect -- humor, maybe? Whatever the desired result, it failed to do anything other than annoy me.
For instance, page 163: "'Hi. So. Look.' I tried to find a way to express the fact I had some good news and some bad news that wasn't I've got some good news and some bad news. 'I've got some good news and some bad news.'"
...blink... ...falls over...
Page 177: "All the more reason to tell them. [...] If they know that we know that she has returned, then they will not be tempted to conspire against us out of the false belief that we do not know. Of course, they may already know, but at present, we have no way to know what they know. If we tell them, we will know what they know, and all we will not know is how long they have known it."
Oh. Jumping. Jesus. On. A. Pogo. Stick. Please tell me you aren't serious.
And there was this one thing that repeated over and over again throughout the book. The first time, it was actually pretty clever. The second time, even, was okay. But by the time I'd read it nine times -- yes, NINE TIMES, no exaggeration whatsoever -- I was ready to never EVER read anything like it ever again.
This particular phrase was something Kate Kane internalized or muttered aloud to herself each time she decided to do something stupid OR she felt her life was in danger. The basic format went something like this:
"Here lies Kate Kane, died peacefully in her sleep aged 94. Beloved daughter."
The "Here lies Kate Kane" part remained constant, as did the "Beloved daughter." It was only the middle part that changed, for instance, "Here lies Kate Kate. Should have minded her own business. Beloved daughter." Or perhaps, "Here lies Kate Kane. She made a difference to dozens. Beloved daughter."
This continued NINE TIMES. It is not cute, funny, or clever after about the second time, definitely after the third. BUT NINE TIMES?! Come on!
And finally, my last complaint.
6. Several of the items, scenes, quotes, etc. in this book seemed waaaaaaaaaay too close to things from other books for my taste. Perhaps it is simply a coincidence and the author did not intentionally siphon plot points and details from other authors -- except, of course, when he obviously did in his quotations, such as his use of "Not all those who wander are lost" and "As old as my tongue, a little bit older than my teeth" which are DIRECTLY taken from other books, but I'm hoping those were intentional and not attempted-to-get-away-with-it plagiarism.
But there are several things in this novel that could have been taken from Jim Butcher's "Dresden Files", Lewis' "Narnia" chronicles, and Tolkien's "Lord of the Rings" series. I'm hoping, however, that they weren't, but they were very, very similar.
All in all, I'm disappointed to say that I was not a fan of this book at all, and I will most likely not be reading anymore Kate Kane books.
Kristy H (1252 KP) rated Anatomy of a Scandal in Books
Jan 5, 2018
Fascinating (2 more)
Cultivates a sense of foreboding
Grabs your attention
Different book, but in a good way; Certainly worth a read
Kate Woodcroft is a London lawyer (barrister) who prosecutes--almost exclusively--crimes of a sexual nature. So when a highly publicized case comes across her desk, she looks forward to trying it. The defendant is James Whitehouse, a wealthy and successful politician who has been best friends with the Prime Minister since their university days. James stands accused of rape, but he claims it was a consensual incident with a young woman with whom he was having an affair. The trial causes James' loyal wife, Sophie--the mother of his two young children--to question whether her husband truly committed the heinous act of which he is accused. Kate, meanwhile, is convinced James is guilty, and she'll do everything she can to make sure he's convicted.
This was a rather fascinating novel. I'm not sure what I was expecting when I picked this one up, but it wasn't what I read, yet I really enjoyed the book. It wasn't a fast read for me, though in its defense, I read it over the holidays and while moving, but there's a sense of foreboding while reading it that completely sucks you in.
The book is told via various points of view. We hear from Kate and Sophie, as well as a young woman named Holly, and once in a while, James. We also get their takes from both the present and the past, when all attended university. It's an effective narrative technique, although the novel can be a bit slow at times. I was drawn to all the women narrating and found it particularly interesting to get a wife's take on James' various alleged indiscretions and crimes, for the heart of the novel is the reader trying to discover exactly what he has done.
The novel is very British -- lots of description of the courts, Oxford and its various colleges, and just the language used. It takes a little getting used to, but you definitely get caught up in James' trial. And, of course, the plot is rather timely, with the subject of rape and sexual assault (unfortunately) being in the news so often right now.
The book itself, as mentioned, is a slow read. I wouldn't describe it as a thriller myself, but it's interesting and it grabbed my attention. James is certainly a cad, but the women are intriguing. The discussions of class and race in Britain are fairly nuanced too (and if you enjoy them, you should check out anything written by Gilly Macmillan, whom I thought of several times while reading this.) There are definitely a couple of good twists, which I always appreciate.
Overall, this was a different book--but in a good way. Certainly worth a read.
This was a rather fascinating novel. I'm not sure what I was expecting when I picked this one up, but it wasn't what I read, yet I really enjoyed the book. It wasn't a fast read for me, though in its defense, I read it over the holidays and while moving, but there's a sense of foreboding while reading it that completely sucks you in.
The book is told via various points of view. We hear from Kate and Sophie, as well as a young woman named Holly, and once in a while, James. We also get their takes from both the present and the past, when all attended university. It's an effective narrative technique, although the novel can be a bit slow at times. I was drawn to all the women narrating and found it particularly interesting to get a wife's take on James' various alleged indiscretions and crimes, for the heart of the novel is the reader trying to discover exactly what he has done.
The novel is very British -- lots of description of the courts, Oxford and its various colleges, and just the language used. It takes a little getting used to, but you definitely get caught up in James' trial. And, of course, the plot is rather timely, with the subject of rape and sexual assault (unfortunately) being in the news so often right now.
The book itself, as mentioned, is a slow read. I wouldn't describe it as a thriller myself, but it's interesting and it grabbed my attention. James is certainly a cad, but the women are intriguing. The discussions of class and race in Britain are fairly nuanced too (and if you enjoy them, you should check out anything written by Gilly Macmillan, whom I thought of several times while reading this.) There are definitely a couple of good twists, which I always appreciate.
Overall, this was a different book--but in a good way. Certainly worth a read.
Gareth von Kallenbach (980 KP) rated Four Christmases (2008) in Movies
Aug 14, 2019
Christmas, for most of the population who celebrate it, is about gathering with family, taking the opportunity to reunite with loved ones and share in the spirit of the holiday. Most of us do this with great anticipation. But not Brad and Kate, an intensely committed couple, played by Vince Vaughn and Reese Witherspoon, who would rather be anywhere but near their respective families at Christmas. So much so, they invent elaborate excuses every year that keep them away.And because it’s always for a good cause, they’re granted a pass by their relatives. This year, they’ll be busy volunteering to inoculate children in some remote third-world country. In actuality, they’ll be vacationing on some tropical island. But the San Francisco fog works against them this Christmas, and they’re captured on camera by a news crew at the airport dealing with the cancelation of their flight, and, of course, there’s no getting away now.
So, why don’t Brad and Kate want to spend Christmas with their families? Well, mainly it’s because they’re products of broken marriages and each of them have two homes to visit. Hence, the title. Brad’s family consists of a bitter old man, played by Robert Duvall and two brothers (Jon Favreau and Tim McGraw) who are amateur cage fighters who take great delight in torturing their attorney brother. His uncoventional mother, a quirky Sissy Spacek, is remarried and Brad has yet to come to terms with a stepfather he knows all too well. Kate’s mother, played by Mary Steenburgen, has found religion and a not-so-angelic devotion to the pastor of her church, while her sister, an earnest Kristin Chenoweth, just can’t say enough about the joys of childbearing.
Brad and Kate, who airily dismiss the idea of marriage and the notion of children, are content to just focus on each other, spicing up their relationship with some sexy role-playing, dance lessons and exotic vacations. But on one Christmas day, traveling from one parent’s home to another, they face their fears four times and discover more and more about each other with each visit. She didn’t know his name wasn’t really Brad. He didn’t know she went to fat camp. She doesn’t know how to give good clues in Taboo. He is inflexible in changing the rules of their relationship. Suddenly, the happily unmarried couple doesn’t feel so happily unmarried.
The movie is good for a few laughs, mainly at the expense of Vince Vaughn’s Brad. I’ve always been a big fan of Vince Vaughn’s rapid-fire stream of consciousness delivery and he certainly has his moments. While it seems like he carries the movie for the most part, Reese isn’t without her chances to shine. Unfortunately, the opportunities are few and far between. Even with it’s stellar cast, the phrase “lighthearted comedy” feels a little generous. It is definitely light, but doesn’t have much heart.
So, why don’t Brad and Kate want to spend Christmas with their families? Well, mainly it’s because they’re products of broken marriages and each of them have two homes to visit. Hence, the title. Brad’s family consists of a bitter old man, played by Robert Duvall and two brothers (Jon Favreau and Tim McGraw) who are amateur cage fighters who take great delight in torturing their attorney brother. His uncoventional mother, a quirky Sissy Spacek, is remarried and Brad has yet to come to terms with a stepfather he knows all too well. Kate’s mother, played by Mary Steenburgen, has found religion and a not-so-angelic devotion to the pastor of her church, while her sister, an earnest Kristin Chenoweth, just can’t say enough about the joys of childbearing.
Brad and Kate, who airily dismiss the idea of marriage and the notion of children, are content to just focus on each other, spicing up their relationship with some sexy role-playing, dance lessons and exotic vacations. But on one Christmas day, traveling from one parent’s home to another, they face their fears four times and discover more and more about each other with each visit. She didn’t know his name wasn’t really Brad. He didn’t know she went to fat camp. She doesn’t know how to give good clues in Taboo. He is inflexible in changing the rules of their relationship. Suddenly, the happily unmarried couple doesn’t feel so happily unmarried.
The movie is good for a few laughs, mainly at the expense of Vince Vaughn’s Brad. I’ve always been a big fan of Vince Vaughn’s rapid-fire stream of consciousness delivery and he certainly has his moments. While it seems like he carries the movie for the most part, Reese isn’t without her chances to shine. Unfortunately, the opportunities are few and far between. Even with it’s stellar cast, the phrase “lighthearted comedy” feels a little generous. It is definitely light, but doesn’t have much heart.
Mandi S (1 KP) rated Anatomy of a Scandal in Books
Jan 23, 2018
WOAH. This book was a rush. I flew through it and I can tell this is one that will stick with me for a while. Anatomy of a Scandal by Sarah Vaughan is set in London and follows a cast of characters, Sophie, James, Kate, Holly, and Alison. After owning up to an affair, prominent government worker James gets accused of rape and must face trial for his supposed actions. Told in both present day and flashbacks, the reader soon realizes that there are more ties that bind this group together than originally thought, and that everyone is not always who they seem to be.
This novel deals very heavily with sexual assault and rape. As this is a prominent topic in our society today, I think this book is both timely and necessary. Revealing how deeply a rape can impact an individual, how celebrity and prominence can play a role in prosecution, and how easily someone's guilt can be questioned, it speaks to the deep set issues that for many years our society has ignored that are finally coming to light.
While this was a tough topic to swallow, I loved everything about this book. I loved the characters, especially Kate. The plot was fast moving and interesting, and even though there were flashbacks it was very easy to piece together. The ending was so satisfying as well, even if it isn't what you initially expect it will be, and there are a few plot twists along the way that keep you engaged. Each character's section was the perfect length, enough to let you know what was happening and what they were thinking but not too long to get bored of them before moving on, and I really enjoyed Vaughan's detailed yet simple writing style.
Overall Rating: 5 out of 5 Stars
A huge thanks to Atria and Goodreads for allowing me early access to an ecopy of this fantastic read.
This novel deals very heavily with sexual assault and rape. As this is a prominent topic in our society today, I think this book is both timely and necessary. Revealing how deeply a rape can impact an individual, how celebrity and prominence can play a role in prosecution, and how easily someone's guilt can be questioned, it speaks to the deep set issues that for many years our society has ignored that are finally coming to light.
While this was a tough topic to swallow, I loved everything about this book. I loved the characters, especially Kate. The plot was fast moving and interesting, and even though there were flashbacks it was very easy to piece together. The ending was so satisfying as well, even if it isn't what you initially expect it will be, and there are a few plot twists along the way that keep you engaged. Each character's section was the perfect length, enough to let you know what was happening and what they were thinking but not too long to get bored of them before moving on, and I really enjoyed Vaughan's detailed yet simple writing style.
Overall Rating: 5 out of 5 Stars
A huge thanks to Atria and Goodreads for allowing me early access to an ecopy of this fantastic read.
The Spirit Level: Why Equality is Better for Everyone
Richard Wilkinson and Kate Pickett
Book
Richard Wilkinson and Kate Pickett's The Spirit Level: Why Equality is Better for Everyone is the...
The Witchfinder's Sister
9.0
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Book
'VIVID AND TERRIFYING' Paula Hawkins, author of The Girl on the Train 'At once a feminist parable...
Kristy H (1252 KP) rated Local Woman Missing in Books
May 27, 2021
I'm so excited to be a part of the blog tour for this dark, frantic page-turner of a thriller
First Shelby Tebow goes missing. A new mom, Shelby's husband is quickly suspected in her disappearance. Then Meredith Dickey and her young daughter, Delilah--who live just blocks from Shelby--vanish. The rest of the neighborhood, including couple Bea and Kate, are terrified. Are the cases related? An investigation is launched, with few results. Then, eleven years later, Delilah is found, bringing back memories of all the incidents, especially for her father Josh and brother Leo. Everyone wants answers, but Delilah is too traumatized to provide them. Besides, the secrets unearthed with Delilah's return may be too much for everyone.
"I don't know how old I am. I don't know how long they've been keeping me here."
This was a captivating page-turner that I read in three breathless sittings. It's undeniably compelling and sucks you in from the beginning. It starts with Delilah's point of view, shocking and terrifying, and sort of never lets you go. Her voice and story are hard to forget. Among other narrators, we hear from Meredith, eleven years ago, and then Kate and Leo in the present. Working out how the various families and characters are interconnected is part of the challenge and honestly, I was truly shocked at various points in the story. How exactly these missing women and Delilah are tied together is incredibly dark and twisty.
I was completely into this book for most of the story and thought I was looking at 4.5+ star read. It started to dissolve a bit at the end, as things (including some characters) went a little crazy. Still, some of the twists were truly awesome and breathtaking. I think--in that way--this is one of Kubica's best in a while.
Overall, this is an addictive thriller filled with some truly shocking plot twists. It keeps you guessing the entire time, and its complex and layered plot is different and exciting. 4+ stars.
"I don't know how old I am. I don't know how long they've been keeping me here."
This was a captivating page-turner that I read in three breathless sittings. It's undeniably compelling and sucks you in from the beginning. It starts with Delilah's point of view, shocking and terrifying, and sort of never lets you go. Her voice and story are hard to forget. Among other narrators, we hear from Meredith, eleven years ago, and then Kate and Leo in the present. Working out how the various families and characters are interconnected is part of the challenge and honestly, I was truly shocked at various points in the story. How exactly these missing women and Delilah are tied together is incredibly dark and twisty.
I was completely into this book for most of the story and thought I was looking at 4.5+ star read. It started to dissolve a bit at the end, as things (including some characters) went a little crazy. Still, some of the twists were truly awesome and breathtaking. I think--in that way--this is one of Kubica's best in a while.
Overall, this is an addictive thriller filled with some truly shocking plot twists. It keeps you guessing the entire time, and its complex and layered plot is different and exciting. 4+ stars.
Gareth von Kallenbach (980 KP) rated 47 Meters Down (2017) in Movies
Jul 11, 2019
The British horror film “47 Meters Down” tells the tale of two young women on vacation in Mexico who get far more of a thrill then they bargained for during a shark cage swim session. Sisters, Lisa (Mandy Moore) and Kate (Claire Holt) meet two charming young men as they try to lick Lisa’s post-break up wounds during a night out somewhere Mexico. When the guys offer to take them out on a shark swim adventure, Kate pushes Lisa to go ahead and do it in an effort to prove she is not as boring as her ex claims.
The film spends about twenty minutes building up this background story, but fails to create any moments for the audience to connect with the characters.
The whole premise is built around what clearly is a poor decision as a rusty old boat pulls into the marina to board the sisters. At this point forward, the entire rest of the film is shot primarily from Lisa’s point of view deep inside the ocean.
As the cage the girls are in first lowers down, there are a few shots of sharks that are very beautiful and thrilling. But after the predictable breakage of the winch holding the cage to the boat ensues, the girls sink to the bottom and attempt to fight for survival.
At this point forward it becomes a bit frustrating to watch because the entire film is very dark and you only get a few glimpses of a shark here or there. If there had been a bit more character build up or story line including rescue efforts, this may have been a theater worthy view. Audiences definitely won’t get as much excitement as they did from other shark films like that of “Jaws” or “Sharknado.” Mostly because this film attempts to take on a more realistic feel. Unfortunately it falls a bit flat and the audience finds comedy in what was supposed to be serious.
I give “47 meters Down” 1 out of 5 stars.
The film spends about twenty minutes building up this background story, but fails to create any moments for the audience to connect with the characters.
The whole premise is built around what clearly is a poor decision as a rusty old boat pulls into the marina to board the sisters. At this point forward, the entire rest of the film is shot primarily from Lisa’s point of view deep inside the ocean.
As the cage the girls are in first lowers down, there are a few shots of sharks that are very beautiful and thrilling. But after the predictable breakage of the winch holding the cage to the boat ensues, the girls sink to the bottom and attempt to fight for survival.
At this point forward it becomes a bit frustrating to watch because the entire film is very dark and you only get a few glimpses of a shark here or there. If there had been a bit more character build up or story line including rescue efforts, this may have been a theater worthy view. Audiences definitely won’t get as much excitement as they did from other shark films like that of “Jaws” or “Sharknado.” Mostly because this film attempts to take on a more realistic feel. Unfortunately it falls a bit flat and the audience finds comedy in what was supposed to be serious.
I give “47 meters Down” 1 out of 5 stars.