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Lee (2222 KP) rated The Spy Who Dumped Me (2018) in Movies
Aug 21, 2018
Not enough comedy (1 more)
Drags on way too long
More action spy movie than comedy
In recent years, whenever I go to watch a comedy at the cinema, I come away totally disappointed, and end up going off on a rant about the state of movie comedies these days when I review them afterwards. Mostly, these movies have a very simple plot premise, which they then just try and plaster over with a tonne of gross out scenes or poorly written 'comedy' set-pieces. Other times they feature a bit more story and plot, with the humour being more of an add-on. The Spy Who Dumped Me veers more towards the latter, ending up as more of an above average action spy movie than a comedy.
Mila Kunis is Audrey, celebrating her birthday in a bar. Only her celebrations have been ruined somewhat by the fact that her boyfriend Drew (Justin Theroux) recently dumped her. By text! She's with best friend Morgan (Kate McKinnon), and as they complain about Drew, we see that he's in a spot of bother of his own over in Europe - taking out bad guys in a market shootout, getting chased through somebody's apartment while the owners watch TV, jumping out of a window onto a truck, and casually strolling out of a building as it explodes behind him. But when Audrey sends him yet another text, this time threatening to burn all of his stuff, Drew quickly gets in touch with her. Turns out that a small trophy in among his little box of dirty undies and other possessions is the key to saving a lot of people, and the bad guys want to get their hands on it at all costs. So, Audrey and Morgan unwittingly become involved in the world of spies and villains, traveling around Europe and bumbling their way through all manner of problems to ensure that the trophy finds its way into the right hands.
As mentioned earlier, every effort has been made to make sure that this is a high action spy movie along the lines of the Bourne and Mission Impossible movies. The aforementioned escape from the bad guys, a huge restaurant shootout, a deadly villain, a high speed street chase involving cars, motorbikes and guns, not to mention almost as much double crossing/who can you trust shenanigans than MI: Fallout recently, are all present and presented really well. All the while, Audrey and Morgan bring lighthearted relief and humour to it all. Kunis and McKinnon doing exactly what we're used to from their separate movie comedies but coming together here as a really likeable team and with a good supporting cast too.
Overall, The Spy Who Dumped Me isn't too bad, but it isn't too great either. It also seemed to drag on way too much for my liking and I would have preferred a much tighter movie, with a few more laughs. Still fairly enjoyable though.
Mila Kunis is Audrey, celebrating her birthday in a bar. Only her celebrations have been ruined somewhat by the fact that her boyfriend Drew (Justin Theroux) recently dumped her. By text! She's with best friend Morgan (Kate McKinnon), and as they complain about Drew, we see that he's in a spot of bother of his own over in Europe - taking out bad guys in a market shootout, getting chased through somebody's apartment while the owners watch TV, jumping out of a window onto a truck, and casually strolling out of a building as it explodes behind him. But when Audrey sends him yet another text, this time threatening to burn all of his stuff, Drew quickly gets in touch with her. Turns out that a small trophy in among his little box of dirty undies and other possessions is the key to saving a lot of people, and the bad guys want to get their hands on it at all costs. So, Audrey and Morgan unwittingly become involved in the world of spies and villains, traveling around Europe and bumbling their way through all manner of problems to ensure that the trophy finds its way into the right hands.
As mentioned earlier, every effort has been made to make sure that this is a high action spy movie along the lines of the Bourne and Mission Impossible movies. The aforementioned escape from the bad guys, a huge restaurant shootout, a deadly villain, a high speed street chase involving cars, motorbikes and guns, not to mention almost as much double crossing/who can you trust shenanigans than MI: Fallout recently, are all present and presented really well. All the while, Audrey and Morgan bring lighthearted relief and humour to it all. Kunis and McKinnon doing exactly what we're used to from their separate movie comedies but coming together here as a really likeable team and with a good supporting cast too.
Overall, The Spy Who Dumped Me isn't too bad, but it isn't too great either. It also seemed to drag on way too much for my liking and I would have preferred a much tighter movie, with a few more laughs. Still fairly enjoyable though.
Lonely Planet Africa
Lonely Planet, Simon Richmond, Stuart Butler and Paul Clammer
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Lonely Planet: The world's leading travel guide publisher Lonely Planet Africa is your passport to...
Why Vote Leave
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THE SUNDAY TIMES BESTSELLER 'Confused about the EU referendum? In the dark about which way to vote?...
Bob Mann (459 KP) rated 47 Meters Down (2017) in Movies
Sep 29, 2021
Down Down, Deeper and Down.
It’s summer again; it’s a shark movie. Lisa and Kate are two sisters on holiday in Mexico with one grieving a lost relationship and the other looking for fun. Against their better judgement they go shark cage diving 5 metres below a vessel that looks like it should have been in the salvage yard 20 years ago. After a mechanical failure the cage plummets down to the sea bed….. (Go on, how deep? Have a guess. Go on, go on, go on …)
With sharks circling and air running low, will the girls survive their ordeal?
Last year, one of the surprise movies of the year for me was “The Shallows“, which I really enjoyed. A tense, well made yarn held together by a solid performance by Blake Lively and with a genuine escalation of tension (albeit let down by a poor ending).
“47 Metres Down” differs from that film in three major respects: B-movie acting, from Mandy Moore and Claire Holt (with Holt being significantly better than Moore); a screenplay by Johannes Roberts and Ernest Riera that is both ponderous and unbelievable; and dialogue that is at times truly execrable.
The film really takes its time to get to the ‘sharp end’ (as it were). Once there, the actions of the girls are so clinically stupid that they are deserving of Darwin Award nominations. Fortunately, the IQs of the sharks (well realised as CGI by Outpost VFX) are only marginally greater: the sharks will appear and then go away for ten minutes at a time, just so that the implausible plot can progress unmolested.
These films always need an escalator for the tension: in “The Shallows” it was the rising tide; in this film it is the air supply. This element works well and adds an additional element of claustrophobia to the film that is already at 11 on the scale (you surely don’t need me to tell you that claustrophobics need to avoid this film!).
Much of the dialogue is expository regarding what is going on in the darkness and is so repetitive (“We ARE going to get out of here Kate!”) that it would make a good drinking game. The worst dialogue award though goes to Matthew Modine (“Memphis Belle”) who’s repeated medical descriptions of “the bends” becomes mildly comical – I literally got a fit of the giggles at one point.
I’m not going to completely savage the film though, since there IS a nice twist to the ending, albeit one that’s heavily signposted. And instead of reaching constantly for the classic “Ben’s head in the boat” jump scare, the film occasionally teases the audience with set-ups that ultimately just feature murky water and nothing more.
My recommendation: if you’ve not yet seen “The Shallows”, check that out on DVD and give this one a miss.
With sharks circling and air running low, will the girls survive their ordeal?
Last year, one of the surprise movies of the year for me was “The Shallows“, which I really enjoyed. A tense, well made yarn held together by a solid performance by Blake Lively and with a genuine escalation of tension (albeit let down by a poor ending).
“47 Metres Down” differs from that film in three major respects: B-movie acting, from Mandy Moore and Claire Holt (with Holt being significantly better than Moore); a screenplay by Johannes Roberts and Ernest Riera that is both ponderous and unbelievable; and dialogue that is at times truly execrable.
The film really takes its time to get to the ‘sharp end’ (as it were). Once there, the actions of the girls are so clinically stupid that they are deserving of Darwin Award nominations. Fortunately, the IQs of the sharks (well realised as CGI by Outpost VFX) are only marginally greater: the sharks will appear and then go away for ten minutes at a time, just so that the implausible plot can progress unmolested.
These films always need an escalator for the tension: in “The Shallows” it was the rising tide; in this film it is the air supply. This element works well and adds an additional element of claustrophobia to the film that is already at 11 on the scale (you surely don’t need me to tell you that claustrophobics need to avoid this film!).
Much of the dialogue is expository regarding what is going on in the darkness and is so repetitive (“We ARE going to get out of here Kate!”) that it would make a good drinking game. The worst dialogue award though goes to Matthew Modine (“Memphis Belle”) who’s repeated medical descriptions of “the bends” becomes mildly comical – I literally got a fit of the giggles at one point.
I’m not going to completely savage the film though, since there IS a nice twist to the ending, albeit one that’s heavily signposted. And instead of reaching constantly for the classic “Ben’s head in the boat” jump scare, the film occasionally teases the audience with set-ups that ultimately just feature murky water and nothing more.
My recommendation: if you’ve not yet seen “The Shallows”, check that out on DVD and give this one a miss.
LeftSideCut (3776 KP) rated Hawkeye in TV
Dec 23, 2021
Contains spoilers, click to show
Marvel Studios continue their streak of enjoyable mini-series with Hawkeye, a series that was met with a fair amount of indifference upon its announcement, which is understandable. On the surface , Clint Barton isn't the most exciting Avenger to build a series around, but Hawkeye surprises with a team of decent writers, and a story adapted from Matt Fraction and David Aja's acclaimed comic book run.
Most of Barton's specific plot beats revolve around his family, and his loss of hearing. The human elements ensure that he remains a relatable, street level character. The "Hawkeye" that this series is really about of course is MCU newcomer Kate Bishop, a fan favourite comic character who is portrayed wonderfully by Hailee Steinfeld. The series is essentially her origin story, and I for one can't wait to see her in future projects. The chemistry between Steinfeld and Jeremy Renner is great, and provides a huge amount of heart to the overall story.
Florence Pugh has a welcome return as Yelena, and her involvement ensures that Hawkeye is as much of a tribute to Black Widow as anything else, and serves some much needed closure for her concluded story arc that has been frustratingly absent since the events of Avengers: Endgame.
Elsewhere, the likes of Vera Farmiga, Tony Dalton, and Alaqua Cox make up a strong supporting cast, and sets up an upcoming series for Echo, a deeper cut from the Marvel vaults, but one that I'm intrigued to see develop.
And then of course, there's motherfucking Kingpin. Arguably the most popular character from the Netflix shows, the decision to bring Vincent Donofrio back as Wilson Fisk is a smart one. His presence in the MCU is incredibly exciting to me, and Donofrio does and excellent job once again, at filling the boots of one of Marvel's most intimidating villains. Welcome back sir.
There are plenty of exciting action set pieces sprinkled throughout (a car chase involving various trick arrows is a particular highlight) and the decision to keep Hawkeye firmly street level in its execution is a wise one. It allows New York City to feel like a character in it's own right, and the Christmas setting adds to that. It does feel like a proper holiday watch at times, and this is probably why the show feels so goofy on more than one occasion. I know that the MCU likes to keep the mood light for the most part, and is often found guilty of undercutting serious or epic moments with jokes. Hawkeye occasionally goes overboard with these moments, especially in the finale. It's not enough to derail what is an incredibly entertaining series, but it's a little frustrating.
Overall though, Hawkeye is another decent and fleshed out mini series in this sprawling franchise. The extra runtime of a season has ensured that all of the MCU shows this year have been high quality and worth watching. I just hope it's not too long until we get a Kate Bishop/Yelena reunion!
Most of Barton's specific plot beats revolve around his family, and his loss of hearing. The human elements ensure that he remains a relatable, street level character. The "Hawkeye" that this series is really about of course is MCU newcomer Kate Bishop, a fan favourite comic character who is portrayed wonderfully by Hailee Steinfeld. The series is essentially her origin story, and I for one can't wait to see her in future projects. The chemistry between Steinfeld and Jeremy Renner is great, and provides a huge amount of heart to the overall story.
Florence Pugh has a welcome return as Yelena, and her involvement ensures that Hawkeye is as much of a tribute to Black Widow as anything else, and serves some much needed closure for her concluded story arc that has been frustratingly absent since the events of Avengers: Endgame.
Elsewhere, the likes of Vera Farmiga, Tony Dalton, and Alaqua Cox make up a strong supporting cast, and sets up an upcoming series for Echo, a deeper cut from the Marvel vaults, but one that I'm intrigued to see develop.
And then of course, there's motherfucking Kingpin. Arguably the most popular character from the Netflix shows, the decision to bring Vincent Donofrio back as Wilson Fisk is a smart one. His presence in the MCU is incredibly exciting to me, and Donofrio does and excellent job once again, at filling the boots of one of Marvel's most intimidating villains. Welcome back sir.
There are plenty of exciting action set pieces sprinkled throughout (a car chase involving various trick arrows is a particular highlight) and the decision to keep Hawkeye firmly street level in its execution is a wise one. It allows New York City to feel like a character in it's own right, and the Christmas setting adds to that. It does feel like a proper holiday watch at times, and this is probably why the show feels so goofy on more than one occasion. I know that the MCU likes to keep the mood light for the most part, and is often found guilty of undercutting serious or epic moments with jokes. Hawkeye occasionally goes overboard with these moments, especially in the finale. It's not enough to derail what is an incredibly entertaining series, but it's a little frustrating.
Overall though, Hawkeye is another decent and fleshed out mini series in this sprawling franchise. The extra runtime of a season has ensured that all of the MCU shows this year have been high quality and worth watching. I just hope it's not too long until we get a Kate Bishop/Yelena reunion!
Bila Yarrudhanggalangdhuray
Book
Gundagai, 1852 The powerful Murrumbidgee River surges through town leaving death and destruction...
Kyera (8 KP) rated A Hot Glue Gun Mess: Funny Stories, Pretty DIY Projects in Books
Jan 31, 2018
This is not the usual book that I read, but I was intrigued when I heard about it. I've watched Mr. Kate's YouTube channel and she has some cool DIY projects/decorating tips. The structure of the book is not uncommon, as she tells a short story and then breaks it up with photos - except in this book, the photos are a DIY project that you can do.
There are 50 different stories and accompanying projects. While the DIY's are meant to relate to the story that Mr. Kate just finished telling, they're generally pretty nebulous and only remotely related. I personally found around 10 to be interesting, but that will vary from person to person. They're not just crafty projects, but beauty tips and fashion.
The stories themselves are also very varied, from cute tales about meeting her (now) husband to crude ones that won't appeal to everyone. She also is from a very well off family, so readers may be put off by her constant name-dropping or rich-kid woes. I wasn't completely turned off by it, but I also was 99% there for the crafts and didn't really borrow the book so that I could be engrossed by the stories.
Overall it was a cute book, but probably not one that I would go out and buy. I'll just borrow it from the library if I ever decide I want to do one of the projects.
There are 50 different stories and accompanying projects. While the DIY's are meant to relate to the story that Mr. Kate just finished telling, they're generally pretty nebulous and only remotely related. I personally found around 10 to be interesting, but that will vary from person to person. They're not just crafty projects, but beauty tips and fashion.
The stories themselves are also very varied, from cute tales about meeting her (now) husband to crude ones that won't appeal to everyone. She also is from a very well off family, so readers may be put off by her constant name-dropping or rich-kid woes. I wasn't completely turned off by it, but I also was 99% there for the crafts and didn't really borrow the book so that I could be engrossed by the stories.
Overall it was a cute book, but probably not one that I would go out and buy. I'll just borrow it from the library if I ever decide I want to do one of the projects.
Deborah (162 KP) rated Master and God in Books
Dec 21, 2018
Lindsey Davis' latest offering isn't a new Falco, but it isn't all bad news, because I thought it was a really good read! The Master & God of the title is, of course, the emperor Domitian, son of Vespasian and brother of Titus, so readers of the Falco novels will already be in familiar territory.... Domitian isn't the main narrative character in the novel though, so in some ways it's not really 'about' him. The story centres around a soldier and a hairdresser and imperial freedwoman, and it is their story and the story of the times they live through.
The book I read just before this was Kate Quinn's Daughters of Rome, which covers the Year of the Four Emperors, concluding with the accession of Vespasian, so in many ways this linked in nicely from an historical point of view. What I noticed almost straight away though, was how much better Davis' writing is; Rome and the characters really came alive for me in a way they never quite managed in Quinn's work.
Davis' sense of humour is still very much apparent, thought it doesn't come across quite so keenly as in the Falco novels; I think this may be because Falco is in the first person while Master & God is told in the third person, utilising more than one character point of view - including Musca the Fly, that I see several people have commented on!
The book I read just before this was Kate Quinn's Daughters of Rome, which covers the Year of the Four Emperors, concluding with the accession of Vespasian, so in many ways this linked in nicely from an historical point of view. What I noticed almost straight away though, was how much better Davis' writing is; Rome and the characters really came alive for me in a way they never quite managed in Quinn's work.
Davis' sense of humour is still very much apparent, thought it doesn't come across quite so keenly as in the Falco novels; I think this may be because Falco is in the first person while Master & God is told in the third person, utilising more than one character point of view - including Musca the Fly, that I see several people have commented on!
Gareth von Kallenbach (980 KP) rated The Book of Life (2014) in Movies
Aug 6, 2019
The Book of Life is an animated film with some big names lending their voices to the characters.
Channing Tatum, Zoe Saldana, Diego Luna, Christina Applegate, Ice Cube, Cheech Marin, Kate del Castillo, and Ron Perlman are all part of the voice cast.
The movie had lots of movement, tons of bright colours, and great music.
The story was good, but I think maybe a bit ‘too much’ for children my sons age (6). He seemed to like it, despite some of the moments that made him uncomfortable or scared.
The tale is of good vs bad and bravado vs true courage and life long friendships.
This movie takes place in long-ago Mexico and revolves around The Day of the Dead. Two boys, one an aspiring bull fighter and guitar player named Manolo (Diego Luna) and one a would-be champion and defender of the town named Joaquin (Channing Tatum), are in love with the same girl, a feisty girl named Maria (Zoe Saldana).
We follow their life paths as the gods above, La Muerta and Xibalba, place wagers on the outcome of the love triangle.
Xibalba cheats in order to win the bet, and the remainder if the film is spent watching Manolo trying to reunite with his true love, Maria.
The movie is fast paced and the music really helps bring it together and help tell the tale.
I would give this movie 3.5 out of 5 stars.
Channing Tatum, Zoe Saldana, Diego Luna, Christina Applegate, Ice Cube, Cheech Marin, Kate del Castillo, and Ron Perlman are all part of the voice cast.
The movie had lots of movement, tons of bright colours, and great music.
The story was good, but I think maybe a bit ‘too much’ for children my sons age (6). He seemed to like it, despite some of the moments that made him uncomfortable or scared.
The tale is of good vs bad and bravado vs true courage and life long friendships.
This movie takes place in long-ago Mexico and revolves around The Day of the Dead. Two boys, one an aspiring bull fighter and guitar player named Manolo (Diego Luna) and one a would-be champion and defender of the town named Joaquin (Channing Tatum), are in love with the same girl, a feisty girl named Maria (Zoe Saldana).
We follow their life paths as the gods above, La Muerta and Xibalba, place wagers on the outcome of the love triangle.
Xibalba cheats in order to win the bet, and the remainder if the film is spent watching Manolo trying to reunite with his true love, Maria.
The movie is fast paced and the music really helps bring it together and help tell the tale.
I would give this movie 3.5 out of 5 stars.
