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Awix (3310 KP) rated Wonder Wheel (2017) in Movies

Mar 12, 2018 (Updated Mar 12, 2018)  
Wonder Wheel (2017)
Wonder Wheel (2017)
2017 | Drama
7
5.3 (3 Ratings)
Movie Rating Watch
Not-bad-by-his-recent-standards-at-least Woody Allen melodrama (NB: theme park attractions are not central to plot). Frustrated former actress trapped in unhappy marriage with Fred Flintstone lookalike starts an affair with intellectual lifeguard, becomes insanely jealous when her stepdaughter also catches her lover's eye.

One of Allen's more theatrical movies - it certainly seems to have been made on a relatively low budget. Feels very much like a pastiche of Tennessee Williams or Eugene O'Neill, only considerably less subtle. At least as a character piece focused on a (somewhat) older woman there are fewer of the more problematic Allen tropes on display, and no sign of a laboured message or theme. Film is carried by a tremendous performance from Kate Winslet; Juno Temple is also good in a supporting role. Watchable stuff, certainly for Allen's remaining followers, although you do still wish he'd just make one more all-out comedy in the old-school style.
  
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LeftSideCut (3778 KP) rated Indiana Jones and the Temple of Doom (1984) in Movies

Jan 25, 2021  
Indiana Jones and the Temple of Doom (1984)
Indiana Jones and the Temple of Doom (1984)
1984 | Action, Adventure
7
7.8 (93 Ratings)
Movie Rating Watch
Comedy comes in many forms and is certainly subjective. Unfortunately, slapstick comedy which is plastered all over the second outing for Indiana Jones really holds the film back as a whole for me.
Where Raiders of the Lost Ark and The Last Crusade are more straight shooting adventures, the comedic elements in them are placed fantastically, sparingly, and add to the overall experience. Temple of Doom is more of a gauntlet of jokes and over the top silliness, and most of it unfortunately doesn't land.
A lot of this comes from Willie Scott (Kate Capshaw), who acts as (constant) comic relief and Indiana Jones' love interest. The character is written in a way that she ends up at worst not being remotely likable, and at best being hugely grating.

Thankfully, the final third of Temple of Doom redeems matters a fair bit. The whole last sequence is unrelenting in its series of events. The action is masterfully executed, and feels like Spielberg was just constantly trying to one up himself in what he was doing, and his efforts result in an extremely fun and thrilling final act.
Once again, a lot of practical effects on display that lends this blockbuster series a sense of magic in a pre CGI age, and an as-per-usual incredible score from John Williams can be considered huge positives.

Overall then, Temple of Doom is a mixed bag for me, and easily my least favourite of the initial trilogy, even if I do have some find childhood memories attached to it!