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Halloween: Resurrection (2002)
Halloween: Resurrection (2002)
2002 | Horror
Introducing reality TV star Michael Myers!
Some people were turned off by the different style and almost humorous take on the ongoing Michael saga, but I thought it was a pleasant surprise.

Inject more young, fun actors like Busta Rhymes, Katee Sackhoff, Thomas Ian Nicholas and even Tyra Banks and what you have is a masterpiece of horror (not really, but at least something a little different).

Interesting idea to place a bunch of unknowns in Michael's childhood home as part of a reality show and watch the calamity ensue when bad things start to happen (and then the real Michael shows up).

Seems like I enjoyed more than most.

  
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Nickg24 (492 KP) rated Another Life in TV

Aug 11, 2019  
Another Life
Another Life
2019 | Drama, Sci-Fi
Katee Sackhoff (0 more)
The crew seem to be horny every episode A Few dodgy effects Gradually turns into a soap opera of sorts (0 more)
Another netflix sci fi
This series began well,the opening 2 episodes were ok and steadily set the tone for the rest of the series BUT instead the series just gradually went downhill to the point of ridiculousness.

The Story is divided into two sections.A mysterious alien artifact lands on earth and a crew are sent into space to try to trace its origins while on earth scientists/government officials try to make contact with the artifact.

The earth set story is fine but the story set on the spaceship gets worse as the episodes go on.Everyone at some point is either screaming,shouting,trying to kill someone or trying to get off with one another.

A very bog standard Netflix drama all in all.
  
Riddick (2013)
Riddick (2013)
2013 | Action, Sci-Fi
Vin Diesel hits the silver screen in the third installment of the Chronicles of Riddick series. As you would expect, Diesel delivers on a role crafted solely for him.

Pitch Black opened in 2000, heralding a unique story with a compelling main character. Riddick was unique for his planning skills and killer instincts, and he possessed eyes with a “shine job,” which allowed him to see effectively in the dark. He was a convict — a killer — but he possessed enough of a conscience to be endearing and for the audience to identify with him.

In the second film (Chronicles of Riddick), an entirely different storyline unfolded. It showed Riddick as a hero, taking control of the Necromonger horde.

The third and newest film opens to show Riddick broken and stranded on a desolate planet. We watch as he ponders how he got into his current situation. After a brief flashback to the events of the second movie, the film segues into the new story — which feels very reminiscent of the first. This time around, Riddick is up against bounty hunters.

The beginning third of the film pits Riddick against nature itself. Later, the bounty hunters arrive, and the game of cat and mouse goes into overdrive.

I found the transition from the second film to the third adequate, but unsatisfying.

The script, acting, action, and cinematography are all top notch. I was happy with the production value. It didn’t feel cheap or cheesy at all; the effects seemed believable.

I enjoyed the humor. I also appreciated the complexity of the Riddick character, something fans of the series have all come to love.

There were a few plot holes, and a couple of inconsistencies, but overall it’s a great film.

One of the greatest parts of the film is Katee Sackhoff (“Starbuck” of Battlestar Galactica fame), and her bare breast. (I’m a hetero dude — sue me!) The other gratuitous nudity (including one shot of a woman’s shaved groin area) was appropriate and served as great icing on the filmography cake.

My main criticism is that this movie had almost nothing to do with the previous films. There were two great tie-ins, but it never felt like a true continuation of the story line, not in any meaningful way. It was very unsatisfying in that respect However, as a stand-alone action film featuring Riddick, it delivers.

This movie is well worth seeing, but it will dissapoint those looking for strong continuity with the other parts of the franchise.
  
The Haunting in Connecticut: 2 Ghosts of Georgia  (2013)
The Haunting in Connecticut: 2 Ghosts of Georgia (2013)
2013 | Drama, Horror, Thriller
6
6.4 (9 Ratings)
Movie Rating
Characters – Lisa is the wife and mother of the family, she does have an ability to see spirits with her mother helping her through these experiences. In her new home she starts to see more spirits that has trying to send her messages and must use her skills to figure out how to save her child. Andy is the husband and father, he is the only one that doesn’t have the ability to see the spirits which shows him taking on the situation as if there would need to be a logical reason behind it all. Heidi is the daughter of the family, that can also see the spirits and it is her visits which guide us to where the story goes this time, she is encouraged by her Auntie and discouraged by her mum. Joyce is the free-spirited Auntie that joins the family, she tries to embrace the idea of the spirits needing help and will guide Heide unlike her sister.

Performances – This is a sequel with no returning cast members, no connection to the original, so the cast is brand new. We do have a couple of known actors from television, Abigail Spencer, Chad Michael Murray and Katee Sackhoff, they do what they can with the material, but the poor decisions they are forced to make doesn’t help. Emily Alyn Lind does well for a child star put in horror situation.

Story – The story is based on real events or sold on this idea anyway. We have the events of the story taking place over short amount of time, as we see how everything seems to escalate, which is fine for a horror story. the idea the sisters and daughter can see spirits naturally is a good spin on the idea where only one can usually see the ghosts. The problems do some into this too as the one person who can’t see the spirits still sees them and most of the decisions being made are poor throughout. For the mystery behind everything it does keep us interested throughout and does give us shocks along the way.

Horror/Mystery – When it comes to the horror in this film we get plenty of the normal jump scares, most of which just play out like you would imagine, the casual fan will jump along the way. The highlight is the mystery behind what is causing the hauntings because history is always filled with surprises.

Settings – The setting for the film is good because it is an old house that is bound to be filled with history that could be a terrifying as what we learn as the film unfolds.

Special Effects – The effects in this film are mixed because the way the flashbacks are shot does look do and feels different to current events, the negatives come from how the injuries can look while inflicted to the modern characters.


Scene of the Movie – Cut the cord.

That Moment That Annoyed Me – The moments Andy saw a ghost.

Final Thoughts – This is a solid enough sequel even though it has no connection to the actual first film, it does have smart ideas but terrible character decisions.

 

Overall: Horror fans should enjoy.
  
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JT (287 KP) rated Riddick (2013) in Movies

Mar 10, 2020  
Riddick (2013)
Riddick (2013)
2013 | Action, Sci-Fi
When are directors ever going to learn from their own mistakes. I mean you would think it was a no brainer really. Your first film is a hit, the sequel dies on its arse and the third instalment is a chance to right the wrongs and win back the fans – yet you’re not able to capitalise.

Riddick (Vin Diesel) has been left for dead… again, which is becoming something of a habit. This time stranded on a planet with practically no chance of survival. The opening twenty minutes almost plays out like an episode of Bear Grylls, as Riddick fends off an attack from a pack of rabid Alien like dingos, finds water and fixes a broken leg as only he can (causing some wincing from the audience).

This part is slow, although it still proves that Vin Diesel is worth the entrance fee if he’s able to hold the attention on his own for this long. All this messing about tries to set up the film on some kind of narrative, cutting back to how Riddick ended up in this predicament in the first place. Vin Diesel’s character has his Fuyran backstory elaborated further and how he was betrayed and left for dead on the rock we find him on which, incidentally, he thought was his home planet of Fuyra but as he puts it “not Fuyra!”

After the one man show the film moves into overdrive as two teams of bounty hunters descend to take Riddick’s head back in a box. This begins about forty-five minutes of awful one liners and total blatant sexism. The characters are mismatched and none that you really care about. When you suddenly get immersed in the action you get a sense of deja vu taking you back to Predator and Aliens, as the team of crack shots get picked off one by one.

The action is alright but it’s nothing special. The overall shooting of the film isn’t enhanced by the fact it’s all done in front of a green screen.

There are plenty of plot holes and Twohy has to result in pinching a sub plot from Pitch Black as the character Johns (senior in this case) becomes an all too familiar figure. Fans of the original will know what I’m talking about. This does little to enhance the film and is just a glorified way to salvage something that really hasn’t been good from the outset. What made Pitch Black so revering was the fact that we knew nothing about Riddick, he was just there for the ride.

In this we know far too much about him, and personally I didn’t really want to. I liked him how he was, a dark entity with issues and whether or not he was the type of person that you could trust? Perhaps the biggest shock and something of an annoyance was the blatant sexism on show for poor Katee Sackhoff. Clearly a sexy on screen presence she spends most of her time fending off advances from Jordi Mollà’s Santana.

The final act is almost a par with the end of Pitch Black as Riddick and the remaining crew fend off a mass attack from those scorpion like atrocities that we met at the start. Riddick is a step down not up for the franchise and it’s a bit of a misguided mess with a poor script and sexist dialogue. If they even attempt to think of returning for a fourth then they’re going to have to re-shine their eyeballs so they can see more clearly.