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LeftSideCut (3778 KP) rated Bride of Re-Animator (1990) in Movies
Oct 3, 2020
The first Re-Animator definitely ranks in my personal top horrors of all time, and it's sequel isn't that far behind in quality.
First and foremost, Bride of Re-Animator is batshit insane, arguably more so than its predecessor. My the time the climax rolls around, there is just an unholy amount of crazy shit going on at once. It's genuinely quite challenging to take it all in, and it's nothing short of marvelous.
The effects work is outstanding. Practical effects and stop motion are used to bring a plethora of rejected experiments to life, and the whole film is just caked in gore and viscera (be prepared if you get funny about veins and ligaments...)
There's one particular moment that could well be one of the finest examples of body horror ever committed to screen.
The puppeteer of this madness is of course Herbert West, a bonafide icon of horror, and once again played by the great Jeffrey Combs. It's great to see David Gale and Bruce Abbott back for another stint as well, and Kathleen Kinmont gives it her all as the titular and showstopping Bride of Re-Animator.
The only real way that Bride falls short of the first movie is really down to pacing and structure. The payoff is fantastic, but the majority of film that comes beforehand feels a bit jumbled together (much like the Bride herself) and comes across as disjointed at times. Honestly, any character that isn't mentioned above is also just kind of there, but that's a minor grumble in a film that involves Hebert West.
Not quite as brilliant as the first Re-Animator then, but a suitably absurd sequel that can stand proud on its own merits.
First and foremost, Bride of Re-Animator is batshit insane, arguably more so than its predecessor. My the time the climax rolls around, there is just an unholy amount of crazy shit going on at once. It's genuinely quite challenging to take it all in, and it's nothing short of marvelous.
The effects work is outstanding. Practical effects and stop motion are used to bring a plethora of rejected experiments to life, and the whole film is just caked in gore and viscera (be prepared if you get funny about veins and ligaments...)
There's one particular moment that could well be one of the finest examples of body horror ever committed to screen.
The puppeteer of this madness is of course Herbert West, a bonafide icon of horror, and once again played by the great Jeffrey Combs. It's great to see David Gale and Bruce Abbott back for another stint as well, and Kathleen Kinmont gives it her all as the titular and showstopping Bride of Re-Animator.
The only real way that Bride falls short of the first movie is really down to pacing and structure. The payoff is fantastic, but the majority of film that comes beforehand feels a bit jumbled together (much like the Bride herself) and comes across as disjointed at times. Honestly, any character that isn't mentioned above is also just kind of there, but that's a minor grumble in a film that involves Hebert West.
Not quite as brilliant as the first Re-Animator then, but a suitably absurd sequel that can stand proud on its own merits.