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Bob Mann (459 KP) rated Official Secrets (2019) in Movies
Mar 13, 2020
Cracking British all star cast (1 more)
Reminds you just how crazy politics was in 2003
The best little UK film you've never seen
A film about whistle-blowing against the backdrop of the Iraq War of 2003 doesn't sound like a very appealing watch, but "Official Secrets" defies all those fears. It's a cracking little UK movie.
Two years after 9/11, and the West has its sights set on Saddam Hussein's regime in Iraq. Tony Blair and George "Dubya" Bush (together with that behind-the-scenes pit-bull Don Cheney - as featured in "Vice") are determined to persuade the United Nations that WMD - Weapons of Mass Destruction - are in place, whether they are or not. London is threatened with being a nuclear wasteland within 45 minutes. Of course, while certain areas of the press (including the leadership of "The Guardian") support the war, the majority of the British people think this is total b*llocks! Two journalists - the irascible and volatile Ed Vulliamy (Rhys Ifans) and the head-down but relentless Martin Bright (Matt Smith) - are determined to uncover the truth behind the two government's machinations.
Enter Katharine Gun (Keira Knightley), an interpreter at GCHQ in Cheltenham who, when brought into a loop of the dirty government dealing, takes great exception to it. Unfortunately, she has signed the Official Secret's Act, a document incompatible with a conscience, and with a Kurdish husband Yasar (Adam Bakri) seeking British residence, she is in no position to throw stones.
Can Katharine's legal team, led by human rights lawyer Ben Emmerson (Ralph Fiennes), keep her away from a long prison sentence?
We've seen lots of fictional movies about the little guy up against the immovable mass and sunglass-wearing creepiness of the state: Will Smith's excellent "Enemy of the State" is a great example. Here the frisson in the script by Gregory Bernstein, Sara Bernstein and director Gavin Hood, based on the book by Marsha and Thomas Mitchell, is that it is all based on fact, brought brilliantly to life with interspersed news footage.
It's easy to forget, with nearly 20 years having passed, just how completely f****d up the world was after 9/11. Sabre-rattling became a US obsession, and the news-reel shots of Bush and Blair trying to justify their actions is really quite vomit-inducing.
Keira Knightley gives one of her best performances in years as the rather naive every-woman for appreciates she's digging a hole but has only dawning realisation as to how deep it goes.
But the supporting cast is also outstanding with Smith and Ifans being enormously entertaining as the journos, supported by their supportive boss - Downton's Matthew Goode. Ralph Fiennes delivers a typically underplayed and powerful performance as the legal beagle. Other well known faces popping up include Tamsin Greig and W1A's Monica Dolan.
How gripped you will be will depend on your memory! Mine is officially useless... so the denouement when it came was a surprise to me! But this is a little British film that really packs a punch. Extremely watchable and with a star cast, this ones a keeper. Highly recommended.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/12/one-manns-movies-dvd-review-official-secrets-2019/ Thanks).
Two years after 9/11, and the West has its sights set on Saddam Hussein's regime in Iraq. Tony Blair and George "Dubya" Bush (together with that behind-the-scenes pit-bull Don Cheney - as featured in "Vice") are determined to persuade the United Nations that WMD - Weapons of Mass Destruction - are in place, whether they are or not. London is threatened with being a nuclear wasteland within 45 minutes. Of course, while certain areas of the press (including the leadership of "The Guardian") support the war, the majority of the British people think this is total b*llocks! Two journalists - the irascible and volatile Ed Vulliamy (Rhys Ifans) and the head-down but relentless Martin Bright (Matt Smith) - are determined to uncover the truth behind the two government's machinations.
Enter Katharine Gun (Keira Knightley), an interpreter at GCHQ in Cheltenham who, when brought into a loop of the dirty government dealing, takes great exception to it. Unfortunately, she has signed the Official Secret's Act, a document incompatible with a conscience, and with a Kurdish husband Yasar (Adam Bakri) seeking British residence, she is in no position to throw stones.
Can Katharine's legal team, led by human rights lawyer Ben Emmerson (Ralph Fiennes), keep her away from a long prison sentence?
We've seen lots of fictional movies about the little guy up against the immovable mass and sunglass-wearing creepiness of the state: Will Smith's excellent "Enemy of the State" is a great example. Here the frisson in the script by Gregory Bernstein, Sara Bernstein and director Gavin Hood, based on the book by Marsha and Thomas Mitchell, is that it is all based on fact, brought brilliantly to life with interspersed news footage.
It's easy to forget, with nearly 20 years having passed, just how completely f****d up the world was after 9/11. Sabre-rattling became a US obsession, and the news-reel shots of Bush and Blair trying to justify their actions is really quite vomit-inducing.
Keira Knightley gives one of her best performances in years as the rather naive every-woman for appreciates she's digging a hole but has only dawning realisation as to how deep it goes.
But the supporting cast is also outstanding with Smith and Ifans being enormously entertaining as the journos, supported by their supportive boss - Downton's Matthew Goode. Ralph Fiennes delivers a typically underplayed and powerful performance as the legal beagle. Other well known faces popping up include Tamsin Greig and W1A's Monica Dolan.
How gripped you will be will depend on your memory! Mine is officially useless... so the denouement when it came was a surprise to me! But this is a little British film that really packs a punch. Extremely watchable and with a star cast, this ones a keeper. Highly recommended.
(For the full graphical review, check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/12/one-manns-movies-dvd-review-official-secrets-2019/ Thanks).
Lee (2222 KP) rated The Nutcracker and the Four Realms (2018) in Movies
Nov 12, 2018
It's Victorian London, Christmas time, and a family mourning the recent loss of their mother is preparing to go to a Christmas party. Their father hands out some gifts left to them by their mother and eldest daughter Clara (Mackenzie Foy) receives an egg shaped box, locked and with the keys whereabouts unknown. Disappointed, they head off to the lavish Christmas party hosted by Claras godfather (Morgan Freeman) and while there, Clara discovers a hidden world consisting of four realms. War is brewing and in the absence of her mother, who discovered this world and became its queen, it's up to Clara to bring everyone together once more.
First things first, this movie is just beautiful to look at. Such attention to detail, with vibrant sets and costumes throughout. Mackenzie Foy is wonderful as Clara, dealing with grief while coming to terms with trying to live up to her mothers legacy. Keira Knightley is good, if a little annoying at times, and Helen Mirren is also reliably interesting. And Morgan Freeman is just.... Morgan Freeman!
It's all very Alice in Wonderland or The Lion The Witch and the Wardrobe. Despite their faults though, the Narnia movies always seemed to explore the vast world introduced to us, taking the time to meet many of it's inhabitants. While this movie introduces us briefly to the realms as part of a wonderful ballet sequence, only to not show any of it again for the rest of the movie. Instead, the plot all seems very contained and all over far too quickly. I liked what I saw, it just didn't really leave much of a lasting impression at all. Nor did it leave me feeling very magical or festive.
First things first, this movie is just beautiful to look at. Such attention to detail, with vibrant sets and costumes throughout. Mackenzie Foy is wonderful as Clara, dealing with grief while coming to terms with trying to live up to her mothers legacy. Keira Knightley is good, if a little annoying at times, and Helen Mirren is also reliably interesting. And Morgan Freeman is just.... Morgan Freeman!
It's all very Alice in Wonderland or The Lion The Witch and the Wardrobe. Despite their faults though, the Narnia movies always seemed to explore the vast world introduced to us, taking the time to meet many of it's inhabitants. While this movie introduces us briefly to the realms as part of a wonderful ballet sequence, only to not show any of it again for the rest of the movie. Instead, the plot all seems very contained and all over far too quickly. I liked what I saw, it just didn't really leave much of a lasting impression at all. Nor did it leave me feeling very magical or festive.
Emma @ The Movies (1786 KP) rated Colette (2018) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
Colette has left me bemused. The performances are amazing, the costumes and sets are beautiful, the story is interesting and well told, and yet at 1 hour 51 minutes in length if felt too long. I wasn't bored at any point, I was just really surprised that I was still sitting there watching.
There was an amazing cast. Up until this point I've never particularly enjoyed Keira Knightley roles, after The Nutcracker And The Four Realms I was very close to giving up hope. As Colette she shone. It's absolutely the best piece of acting I've seen from her. Dominic West playing Willy her fame seeking husband was a great bit of casting too. The pair had such chemistry in everything from love to rage. It was also lovely to see Fiona Shaw pop up as Sido, a small role but by no means forgettable.
It's certainly an interesting story of gender norms in history and the literary world of Paris. But beyond the acting, costumes and sets it's not... Exciting? Moving? It's a very good film but just lacks that little something extra to push it to the top. It's difficult to say much more about the film really, I hardly took any notes during the screening. In fact, the only note I made that wasn't related to things I've already mentioned was this: "Four films this year, 50% lesbians."
What you should do
It's a well made film and certainly enjoyable to watch. If you fancy watching a period drama then it's well worth a trip to the cinema for.
Movie thing you wish you could take home
A beautiful second home in the country would be lovely.
There was an amazing cast. Up until this point I've never particularly enjoyed Keira Knightley roles, after The Nutcracker And The Four Realms I was very close to giving up hope. As Colette she shone. It's absolutely the best piece of acting I've seen from her. Dominic West playing Willy her fame seeking husband was a great bit of casting too. The pair had such chemistry in everything from love to rage. It was also lovely to see Fiona Shaw pop up as Sido, a small role but by no means forgettable.
It's certainly an interesting story of gender norms in history and the literary world of Paris. But beyond the acting, costumes and sets it's not... Exciting? Moving? It's a very good film but just lacks that little something extra to push it to the top. It's difficult to say much more about the film really, I hardly took any notes during the screening. In fact, the only note I made that wasn't related to things I've already mentioned was this: "Four films this year, 50% lesbians."
What you should do
It's a well made film and certainly enjoyable to watch. If you fancy watching a period drama then it's well worth a trip to the cinema for.
Movie thing you wish you could take home
A beautiful second home in the country would be lovely.
Matthew Krueger (10051 KP) rated Pirates of the Caribbean: The Curse of the Black Pearl (2003) in Movies
Nov 19, 2019 (Updated Nov 20, 2019)
Drunk Johnny Part 1
Yo-Ho, what do you get when you based you movie off of a disney ride, a great movie. Yes you read the correctly, this movie is based off of the ride at disney. So how does a 20-30 minute ride turn into a 2h and 20min movie, well you expand it. Expand it and make it have a great plot, good charcters, a great villian and a drunking Johnny Depp or Johnny Depp playing pirate Keith Richards.
The Plot: Capt. Jack Sparrow (Johnny Depp) arrives at Port Royal in the Caribbean without a ship or crew. His timing is inopportune, however, because later that evening the town is besieged by a pirate ship. The pirates kidnap the governor's daughter, Elizabeth (Keira Knightley), who's in possession of a valuable coin that is linked to a curse that has transformed the pirates into the undead. A gallant blacksmith (Orlando Bloom) in love with Elizabeth allies with Sparrow in pursuit of the pirates.
It was also significant in being the first film released under the Walt Disney Pictures banner to be rated PG-13 by the MPAA.
The film spun off four sequels, with the latest sequel released in 2017. The first two were back-to-back sequels in 2006 and 2007, Dead Man's Chest and At World's End, respectively. The third sequel, On Stranger Tides, was released in 2011. The fourth sequel, Dead Men Tell No Tales, was slated to begin production in October 2014 for a summer 2016 release, but was eventually delayed to May 2017. It was directed by Joachim Rønning and Espen Sandberg. While none of the sequels matched the critical acclaim of the first film, they were still box office successes nevertheless.
It is a classic movie, it has comedy, action, adventure and most importanly pirates.
The Plot: Capt. Jack Sparrow (Johnny Depp) arrives at Port Royal in the Caribbean without a ship or crew. His timing is inopportune, however, because later that evening the town is besieged by a pirate ship. The pirates kidnap the governor's daughter, Elizabeth (Keira Knightley), who's in possession of a valuable coin that is linked to a curse that has transformed the pirates into the undead. A gallant blacksmith (Orlando Bloom) in love with Elizabeth allies with Sparrow in pursuit of the pirates.
It was also significant in being the first film released under the Walt Disney Pictures banner to be rated PG-13 by the MPAA.
The film spun off four sequels, with the latest sequel released in 2017. The first two were back-to-back sequels in 2006 and 2007, Dead Man's Chest and At World's End, respectively. The third sequel, On Stranger Tides, was released in 2011. The fourth sequel, Dead Men Tell No Tales, was slated to begin production in October 2014 for a summer 2016 release, but was eventually delayed to May 2017. It was directed by Joachim Rønning and Espen Sandberg. While none of the sequels matched the critical acclaim of the first film, they were still box office successes nevertheless.
It is a classic movie, it has comedy, action, adventure and most importanly pirates.
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Movie Metropolis (309 KP) rated Everest (2015) in Movies
Jun 11, 2019
A by the numbers adventure
The 1996 Everest disaster remains one of the greatest true stories to have ever been told. From made-for-TV movies to award-winning documentaries, it appears that audiences simply cannot get enough of this tale of survival.
Now, Universal Pictures ends its record-breaking summer campaign with Everest, a high-budget thriller based on those events in 1996. But does it get the balance between all-out spectacle and human characterisation spot on?
Everest follows the fortunes of two climbing teams planning on making it to the top of the deadly mountain. The Adventure Consultants, led by Rob Hall, and Mountain Madness, guided by Scott Fischer, all make their way to the summit of Everest, battling against horrific storms, avalanches and the mountain itself along the way.
The film features an all-star cast, something not forgotten in its marketing campaign, with the likes of Jason Clarke as Hall, Jake Gyllenhaal as Fischer, Josh Brolin, Keira Knightley, Emily Watson and Sam Worthington all making an appearance as climbers and base-camp attendees.
There’s some great talent here but Everest simply cannot cope with that many characters jostling for screen time and the majority of the cast, bar Clarke, feel like cardboard cut-outs – this is a real shame given the true-story that the writers had to work with.
Knightley in particular is wasted with only ten minutes of screen time and Brolin’s side story is never fully explored to make you remember his character – especially when the onslaught of stormy weather makes it difficult to pick out each person at a glance.
Effects-wise, this is a huge spectacle. The cinematography is absolutely astounding and every shot is filled to the brim with colours, sounds and ragged landscapes – it’s absolutely stunning.
The scenes before the mountaineers start their final climb are particularly beautiful and the summit sequences themselves feel ridiculously real, all culminating in a film that looks and sounds spectacular, but just lacks that human touch needed to make it matter.
Unfortunately, there are no risks here, despite the ones being taken by our intrepid explorers and whilst the true-story elements lend the film some gravitas, everything else feels a little clichéd with a been there, done that attitude.
Naturally, the finale is when the emotional side comes into play with a selection of real video footage and photographs. This ensures that Everest finishes on a thought-provoking and intentionally sombre note. Yes, this is Hollywood at work, but this is not a film to be ‘enjoyed’ in the traditional sense.
Overall, Everest is a fine film with some breath-taking action sequences and top-notch special effects. Unfortunately, despite the fascinating true-story, the human characters don’t register until the final act and this stops it from being as memorable as it should be.
https://moviemetropolis.net/2015/09/27/a-by-the-numbers-adventure-everest-review/
Now, Universal Pictures ends its record-breaking summer campaign with Everest, a high-budget thriller based on those events in 1996. But does it get the balance between all-out spectacle and human characterisation spot on?
Everest follows the fortunes of two climbing teams planning on making it to the top of the deadly mountain. The Adventure Consultants, led by Rob Hall, and Mountain Madness, guided by Scott Fischer, all make their way to the summit of Everest, battling against horrific storms, avalanches and the mountain itself along the way.
The film features an all-star cast, something not forgotten in its marketing campaign, with the likes of Jason Clarke as Hall, Jake Gyllenhaal as Fischer, Josh Brolin, Keira Knightley, Emily Watson and Sam Worthington all making an appearance as climbers and base-camp attendees.
There’s some great talent here but Everest simply cannot cope with that many characters jostling for screen time and the majority of the cast, bar Clarke, feel like cardboard cut-outs – this is a real shame given the true-story that the writers had to work with.
Knightley in particular is wasted with only ten minutes of screen time and Brolin’s side story is never fully explored to make you remember his character – especially when the onslaught of stormy weather makes it difficult to pick out each person at a glance.
Effects-wise, this is a huge spectacle. The cinematography is absolutely astounding and every shot is filled to the brim with colours, sounds and ragged landscapes – it’s absolutely stunning.
The scenes before the mountaineers start their final climb are particularly beautiful and the summit sequences themselves feel ridiculously real, all culminating in a film that looks and sounds spectacular, but just lacks that human touch needed to make it matter.
Unfortunately, there are no risks here, despite the ones being taken by our intrepid explorers and whilst the true-story elements lend the film some gravitas, everything else feels a little clichéd with a been there, done that attitude.
Naturally, the finale is when the emotional side comes into play with a selection of real video footage and photographs. This ensures that Everest finishes on a thought-provoking and intentionally sombre note. Yes, this is Hollywood at work, but this is not a film to be ‘enjoyed’ in the traditional sense.
Overall, Everest is a fine film with some breath-taking action sequences and top-notch special effects. Unfortunately, despite the fascinating true-story, the human characters don’t register until the final act and this stops it from being as memorable as it should be.
https://moviemetropolis.net/2015/09/27/a-by-the-numbers-adventure-everest-review/
Gareth von Kallenbach (965 KP) rated Jack Ryan: Shadow Recruit (2014) in Movies
Aug 6, 2019
This is not your father’s Jack Ryan; but it should’ve been.
Chris Pine stars as the famed Jack Ryan in this reboot of the character. We open the movie with Ryan
attending school in London on the day many won’t soon forget: September 11, 2001. The events
this day push Ryan into enlisting in the Marines and we join him 3 years later where we see Ryan in
a helicopter with some brothers-in-arms. It doesn’t take long for the helo to be shot down, but not
without Ryan becoming a hero. After extensive rehab from a broken spine, Mr. Ryan is approached by
Thomas Harper (Kevin Costner) to join the CIA as an analyst.
This intro to the movie was short. But what lacks in length it makes up for in the eloquence in which
it delivers the back story for Jack Ryan, thus setting up a whole new franchise and getting new viewers
ready for the ride. After this intro, we flash forward 10 years later to find Ryan working on Wall Street,
but he’s undercover and is an analyst for the CIA. He is with his one-time physical therapist, Cathy
Muller (Keira Knightley), and he discovers the details of a planned economic attack against the USA.
It isn’t long before he is whisked away to Russia to do some wet work, and he bumbles into the life
of a field agent facing off against the mastermind of the villainy in the film, Viktor Cherevin (Kenneth
Branagh).
Some may find that the movie lacks the quick-paced, non-stop action that we have seen from spy
movies these days (including the famous 007), but it does keep a good pace and puts an intelligent story
line on the screen and actually entices the audience to think, all the while including some action for the
adrenaline-junkies.
Pine plays a very believable Jack Ryan. He portrays a character that is more closely linked to Tom
Clancy’s original stories and vision for the character than even Harrison Ford did in Patriot Games (which
I thought was an excellent movie). He nailed the bumbling analyst-turned-field-agent in such a way that
you’d believe it was really his personality. They explain his ability to handle himself with the military
background so expertly set up at the beginning of the movie. Adding Costner to the cast was a stroke
of genius as he plays the mentor/superior part extremely well, but he wasn’t in the film so much as
to distract from the focus of Ryan. Branagh (who also directed the film) played an excellent Russian
adversary to Ryan, who was nothing short of a genius in the way he delivered his character’s stoic
responses and reactions.
If I had to name one gripe with the movie, which believe me was no small feat, it was the Cathy
Muller character. Don’t get me wrong, the character was amazing and Knightley did an admirable job
portraying her. I just felt that she seemed to accept things that most people would question a little too
quickly, and without any reservation.
Other than that, the movie rocked. The action scenes were gripping and the actual story-line was
intelligent. The best thing is that story was plausible. It was not over the top or wildly impossible in the
real world. The scary part is just that. The plot of this movie could actually happen. I would definitely
recommend checking it out in theaters, and it most certainly made my “gotta buy it on bluray” list.
Chris Pine stars as the famed Jack Ryan in this reboot of the character. We open the movie with Ryan
attending school in London on the day many won’t soon forget: September 11, 2001. The events
this day push Ryan into enlisting in the Marines and we join him 3 years later where we see Ryan in
a helicopter with some brothers-in-arms. It doesn’t take long for the helo to be shot down, but not
without Ryan becoming a hero. After extensive rehab from a broken spine, Mr. Ryan is approached by
Thomas Harper (Kevin Costner) to join the CIA as an analyst.
This intro to the movie was short. But what lacks in length it makes up for in the eloquence in which
it delivers the back story for Jack Ryan, thus setting up a whole new franchise and getting new viewers
ready for the ride. After this intro, we flash forward 10 years later to find Ryan working on Wall Street,
but he’s undercover and is an analyst for the CIA. He is with his one-time physical therapist, Cathy
Muller (Keira Knightley), and he discovers the details of a planned economic attack against the USA.
It isn’t long before he is whisked away to Russia to do some wet work, and he bumbles into the life
of a field agent facing off against the mastermind of the villainy in the film, Viktor Cherevin (Kenneth
Branagh).
Some may find that the movie lacks the quick-paced, non-stop action that we have seen from spy
movies these days (including the famous 007), but it does keep a good pace and puts an intelligent story
line on the screen and actually entices the audience to think, all the while including some action for the
adrenaline-junkies.
Pine plays a very believable Jack Ryan. He portrays a character that is more closely linked to Tom
Clancy’s original stories and vision for the character than even Harrison Ford did in Patriot Games (which
I thought was an excellent movie). He nailed the bumbling analyst-turned-field-agent in such a way that
you’d believe it was really his personality. They explain his ability to handle himself with the military
background so expertly set up at the beginning of the movie. Adding Costner to the cast was a stroke
of genius as he plays the mentor/superior part extremely well, but he wasn’t in the film so much as
to distract from the focus of Ryan. Branagh (who also directed the film) played an excellent Russian
adversary to Ryan, who was nothing short of a genius in the way he delivered his character’s stoic
responses and reactions.
If I had to name one gripe with the movie, which believe me was no small feat, it was the Cathy
Muller character. Don’t get me wrong, the character was amazing and Knightley did an admirable job
portraying her. I just felt that she seemed to accept things that most people would question a little too
quickly, and without any reservation.
Other than that, the movie rocked. The action scenes were gripping and the actual story-line was
intelligent. The best thing is that story was plausible. It was not over the top or wildly impossible in the
real world. The scary part is just that. The plot of this movie could actually happen. I would definitely
recommend checking it out in theaters, and it most certainly made my “gotta buy it on bluray” list.
James P. Sumner (65 KP) rated Official Secrets (2019) in Movies
Oct 16, 2019
Should this tense, dramatic thriller remain a Secret?
I was lucky enough to be invited to an advanced screening of this film, ahead of it's general release.
"Official Secrets (2019)" is a tense and clever thriller based on real events that occurred during the beginning of the Iraq War in 2003. Keira Knightley plays Katherine Gun, a British spy-turned-whistleblower who worked for GCHQ at the time. She leaked confidential information to the press, exposing illegal activities at the highest levels of government intended to falsely justify the invasion of Iraq. Backed by a high-calibre support cast, which includes Matt Smith and Ralph Fiennes, this film serves to show you the true story of what happened during this shadowy and questionable chapter in our history.
The film uses actual news footage from the time to great effect, making you feel as if you're watching a biographical documentary on the History Channel. Knightley is captivating as the Robin Hood-esque lead, delivering a truly believable and heartfelt performance throughout. It wasn't until the credits began to roll and they showed you footage of the real Katherine Gun from news reels at the time that you realise just how good Knightley's performance really was. From the way she dressed to the tone in which she spoke and the small mannerisms of her personality, it was a very, very good portrayal.
As with most films like this, I imagine certain events and aspects of the story were dramatised or exaggerated for the purposes of cinema, but at no point did it ever feel like it. Any changes to real events were subtle enough that you couldn't spot them without detailed knowledge of what really happened at the time - something, it turns out, very few people actually had.
Matt Smith is both charming and uncompromising as the stubborn reporter who champions Gun's crusade for the truth, giving her support and a platform to get her message out to the world. Similarly, Ralph Fiennes looks right at home as the lawyer who defends her in the public eye.
I admit that certain aspects and legalities within the plot felt, at times, a little far-fetched, but honestly, the film did such a good job of telling this story, I'm inclined to think that's still how things actually happened.
Spoilers aren't as much of an issue for films like this, as you already know the outcome. But this film isn't about the destination, it's about the journey. It shines a spotlight on the down-and-dirty world of global politics, as well as how difficult it can sometimes be to choose to do the right thing.
The film moves along at a slow yet perfect pace. It doesn't look or feel like a Hollywood movie, which I think is a very good thing. Instead, it feels like a BBC drama, similar to Line of Duty or Luther or Spooks, and that's exactly the kind of approach this film needed to work.
I went into this admittedly understanding very little of what went on back in 2003. I was much younger and wasn't interested in geopolitics, or even the news in general. But seeing this film piqued my interest, and after a few hours of Googling the events depicted in the film, I'm even more in awe of just how well made this was. Kudos to everyone involved.
My only criticism, if I had to give one, would be the number of times people had to say "Official Secrets Act"... I get that's what the film is about, but it seemed like every character had a quota for the number of times they had to mention it! But that's just nit-picking for nit-picking's sake. This truly is a cracking film. One of the gems of the year that's not to be missed!
"Official Secrets (2019)" is a tense and clever thriller based on real events that occurred during the beginning of the Iraq War in 2003. Keira Knightley plays Katherine Gun, a British spy-turned-whistleblower who worked for GCHQ at the time. She leaked confidential information to the press, exposing illegal activities at the highest levels of government intended to falsely justify the invasion of Iraq. Backed by a high-calibre support cast, which includes Matt Smith and Ralph Fiennes, this film serves to show you the true story of what happened during this shadowy and questionable chapter in our history.
The film uses actual news footage from the time to great effect, making you feel as if you're watching a biographical documentary on the History Channel. Knightley is captivating as the Robin Hood-esque lead, delivering a truly believable and heartfelt performance throughout. It wasn't until the credits began to roll and they showed you footage of the real Katherine Gun from news reels at the time that you realise just how good Knightley's performance really was. From the way she dressed to the tone in which she spoke and the small mannerisms of her personality, it was a very, very good portrayal.
As with most films like this, I imagine certain events and aspects of the story were dramatised or exaggerated for the purposes of cinema, but at no point did it ever feel like it. Any changes to real events were subtle enough that you couldn't spot them without detailed knowledge of what really happened at the time - something, it turns out, very few people actually had.
Matt Smith is both charming and uncompromising as the stubborn reporter who champions Gun's crusade for the truth, giving her support and a platform to get her message out to the world. Similarly, Ralph Fiennes looks right at home as the lawyer who defends her in the public eye.
I admit that certain aspects and legalities within the plot felt, at times, a little far-fetched, but honestly, the film did such a good job of telling this story, I'm inclined to think that's still how things actually happened.
Spoilers aren't as much of an issue for films like this, as you already know the outcome. But this film isn't about the destination, it's about the journey. It shines a spotlight on the down-and-dirty world of global politics, as well as how difficult it can sometimes be to choose to do the right thing.
The film moves along at a slow yet perfect pace. It doesn't look or feel like a Hollywood movie, which I think is a very good thing. Instead, it feels like a BBC drama, similar to Line of Duty or Luther or Spooks, and that's exactly the kind of approach this film needed to work.
I went into this admittedly understanding very little of what went on back in 2003. I was much younger and wasn't interested in geopolitics, or even the news in general. But seeing this film piqued my interest, and after a few hours of Googling the events depicted in the film, I'm even more in awe of just how well made this was. Kudos to everyone involved.
My only criticism, if I had to give one, would be the number of times people had to say "Official Secrets Act"... I get that's what the film is about, but it seemed like every character had a quota for the number of times they had to mention it! But that's just nit-picking for nit-picking's sake. This truly is a cracking film. One of the gems of the year that's not to be missed!
Sarah (7798 KP) rated Misbehaviour (2020) in Movies
Jan 11, 2021
Watchable but a little misdirected
Misbehaviour is a 2020 drama directed by Philippa Lowthorpe based on a true story, that follows a group of women from the Women’s Liberation Movement as they attempt to disrupt the 1970 Miss World pageant being held in London.
Misbehaviour has made a decision to follow four separate stories as they eventually intersect at the Miss World pageant, and I think this is to it’s detriment as it seemed to dilute the main issue about women’s inequality. It follows Sally (Keira Knightley), a history student wanting her place at the table, as she joins forces with Jo Robinson (Jessie Buckley), a radical feminist from the Women’s Liberation Movement who believes in taking physical action as the plot to disrupt the pageant. It also follows 3 other storylines centred around the pageant itself: Eric (Rhys Ifans) and Julia Morley (Keeley Hawes), the creators of the Miss World Pageant as they attempt to respond to controversies surrounding it; Miss Grenada Jennifer Hosten (Gugu Mbatha-Raw) as she takes part in the contest and; Bob Hope (Greg Kinnear) who is hosting the pageant. All of these stories together, whilst interesting, mean that not enough time and detail is given to each individual storyline, especially with an under two hour run time.
The film begins with some fairly shocking male behaviour from Sally’s university interviewers and Bob Hope, but sadly it doesn’t carry on in this vein throughout. Had the entire film focused on the behaviour and attitudes women had really experienced during the 70s, it would’ve been a lot more hard hitting and engaging. Instead it comes across as a little too light hearted. The most disturbing scenes were those involving Bob Hope and his clearly inappropriate behaviour, and Greg Kinnear plays him very well although the prosthetic nose is a tad distracting. However the problem with Hope is that his scenes, whilst good, are entirely unnecessary when linked to the main plot and are a big contributor to the dilution of the story.
Misbehaviour looks good, the costume and sets are very in keeping with the time period and so is the music. It also has a rather stellar cast, all of whom put in performances that are very good and not to be criticised – Rhys Ifans provides some much needed comic relief as pageant creator Eric Morley. The standout of all of these is Gugu Mbatha-Raw as Jennifer, who brings poise and intrigue to a character with barely any lines and leaves us wanting more. And sadly due to the intersecting storylines, we don’t see enough of her until right at the end, which was far too late. It was also nice to see the real women that inspired this film featured before the credits and find out how they moved forward with their lives.
Overall Misbehaviour is a decent film with good performances with an important message and story to promote. I just wish that instead of trying to tell this story from the point of every key player involved, they had focused on the central subject of the inequality women experienced at the time as this would’ve made Misbehaviour a lot more memorable.
Misbehaviour has made a decision to follow four separate stories as they eventually intersect at the Miss World pageant, and I think this is to it’s detriment as it seemed to dilute the main issue about women’s inequality. It follows Sally (Keira Knightley), a history student wanting her place at the table, as she joins forces with Jo Robinson (Jessie Buckley), a radical feminist from the Women’s Liberation Movement who believes in taking physical action as the plot to disrupt the pageant. It also follows 3 other storylines centred around the pageant itself: Eric (Rhys Ifans) and Julia Morley (Keeley Hawes), the creators of the Miss World Pageant as they attempt to respond to controversies surrounding it; Miss Grenada Jennifer Hosten (Gugu Mbatha-Raw) as she takes part in the contest and; Bob Hope (Greg Kinnear) who is hosting the pageant. All of these stories together, whilst interesting, mean that not enough time and detail is given to each individual storyline, especially with an under two hour run time.
The film begins with some fairly shocking male behaviour from Sally’s university interviewers and Bob Hope, but sadly it doesn’t carry on in this vein throughout. Had the entire film focused on the behaviour and attitudes women had really experienced during the 70s, it would’ve been a lot more hard hitting and engaging. Instead it comes across as a little too light hearted. The most disturbing scenes were those involving Bob Hope and his clearly inappropriate behaviour, and Greg Kinnear plays him very well although the prosthetic nose is a tad distracting. However the problem with Hope is that his scenes, whilst good, are entirely unnecessary when linked to the main plot and are a big contributor to the dilution of the story.
Misbehaviour looks good, the costume and sets are very in keeping with the time period and so is the music. It also has a rather stellar cast, all of whom put in performances that are very good and not to be criticised – Rhys Ifans provides some much needed comic relief as pageant creator Eric Morley. The standout of all of these is Gugu Mbatha-Raw as Jennifer, who brings poise and intrigue to a character with barely any lines and leaves us wanting more. And sadly due to the intersecting storylines, we don’t see enough of her until right at the end, which was far too late. It was also nice to see the real women that inspired this film featured before the credits and find out how they moved forward with their lives.
Overall Misbehaviour is a decent film with good performances with an important message and story to promote. I just wish that instead of trying to tell this story from the point of every key player involved, they had focused on the central subject of the inequality women experienced at the time as this would’ve made Misbehaviour a lot more memorable.
Connor Sheffield (293 KP) rated Pirates of the Caribbean: On Stranger Tides (2011) in Movies
May 31, 2017
Blackbeard (Ian McShane) (2 more)
New cast members relieve us of the same old faces
It's not the usual PotC film, but still recognizable
New lore and a Great cast
This is actually one of my favourite installments of the franchise. I loved the first film for its humour and charm, the second was awesome with good action and a sense of fantasy, the third had great action but not enough charm in my opinion, and this fourth installment is able to mix all three of those films, but not quite to the full extent as I'd hoped.
When I heard Blackbeard was coming into the franchise I was happy but cautious. Then when I heard that Ian McShane was to portray the role, I was happier because he is a great actor! He did not disappoint either. His portrayal of Blackbeard was menacing, with the looks alone, you could believe that this was Blackbeard, the most feared pirate during his time. Then there was the fantasy element of his power to control ships with his sword, or his dabbling in voodoo magic as well as being able to capture ships and place them into bottles, which includes Jack's beloved Black Pearl.
Whilst Will (Orlando Bloom) and Elizabeth (Keira Knightley) do not make an appearance in this film (due to not being paid enough I believe) the film does not lack in replacing them with other great actors and characters. The character of Angelica replaces Elizabeth and honestly, I prefer Angelica. She's strong, keeps Jack on his toes, and is as fearsome as Blackbeard herself when she needs to be. It would have been nice to have seen her in Salazar's Revenge after what happens in this film's finale, which I won't spoil here.
Philip (Sam Claflin) seems to replace Will in this film, but as a more innocent character who falls in love with a mermaid.....did I mention this film has mermaids? This film has mermaids!
I should warn you though, these mermaid don't wish to sing jolly songs for pleasure, they sing to lure sailors to their death. These are the mermaids of legend, also known as sirens, who sing beautiful songs and lure sailors over the side of the ship, before dragging them to the depths for reasons often debated. Some say to mate with before eating them, others just say to eat them, but either way, being dragged to the bottom of the sea is not something you'd want either way. I loved this aspect as we had never seen mermaids in this franchise until now and it was great to see more and more historical lore being brought into the franchise with the fantasy aspect of the film.
The film doesn't quite make it to the top of my favourite films lists, but it's certainly in my top favourite pirate media lists. (I've not seen enough films to just make it a film list so I include film, TV, books and games). I would recommend this to any Pirate fan, and to anyone who has not yet seen it due to it's lesser reviews by critics.
Here's a tip for any film....don't listen to critics. If their is a film you want to see, but it's got a low rating by critics on Rotten Tomatoes or in the film magazines, then by all means read them, but do it after you see the film, because if you read it before, you're going to pick the film apart and it ruins the experience in my opinion.
When I heard Blackbeard was coming into the franchise I was happy but cautious. Then when I heard that Ian McShane was to portray the role, I was happier because he is a great actor! He did not disappoint either. His portrayal of Blackbeard was menacing, with the looks alone, you could believe that this was Blackbeard, the most feared pirate during his time. Then there was the fantasy element of his power to control ships with his sword, or his dabbling in voodoo magic as well as being able to capture ships and place them into bottles, which includes Jack's beloved Black Pearl.
Whilst Will (Orlando Bloom) and Elizabeth (Keira Knightley) do not make an appearance in this film (due to not being paid enough I believe) the film does not lack in replacing them with other great actors and characters. The character of Angelica replaces Elizabeth and honestly, I prefer Angelica. She's strong, keeps Jack on his toes, and is as fearsome as Blackbeard herself when she needs to be. It would have been nice to have seen her in Salazar's Revenge after what happens in this film's finale, which I won't spoil here.
Philip (Sam Claflin) seems to replace Will in this film, but as a more innocent character who falls in love with a mermaid.....did I mention this film has mermaids? This film has mermaids!
I should warn you though, these mermaid don't wish to sing jolly songs for pleasure, they sing to lure sailors to their death. These are the mermaids of legend, also known as sirens, who sing beautiful songs and lure sailors over the side of the ship, before dragging them to the depths for reasons often debated. Some say to mate with before eating them, others just say to eat them, but either way, being dragged to the bottom of the sea is not something you'd want either way. I loved this aspect as we had never seen mermaids in this franchise until now and it was great to see more and more historical lore being brought into the franchise with the fantasy aspect of the film.
The film doesn't quite make it to the top of my favourite films lists, but it's certainly in my top favourite pirate media lists. (I've not seen enough films to just make it a film list so I include film, TV, books and games). I would recommend this to any Pirate fan, and to anyone who has not yet seen it due to it's lesser reviews by critics.
Here's a tip for any film....don't listen to critics. If their is a film you want to see, but it's got a low rating by critics on Rotten Tomatoes or in the film magazines, then by all means read them, but do it after you see the film, because if you read it before, you're going to pick the film apart and it ruins the experience in my opinion.