Search
Search results
Matthew Krueger (10051 KP) rated Hollow Man (2000) in Movies
May 13, 2021
For Old Times' Sake
Hollow Man- is a decent film. I perfer "The Invisible Man" and its remake over this. Kevin Bacon is good in this. Its more sci-fi than horror, but the horror in this is good. The sci-fi is good as well. It is slow for like the first hour. Than it starts getting good.
The plot: After years of experimentation, brilliant but arrogant scientist Sebastian Caine has discovered a way to make matter invisible. Determined to achieve the ultimate breakthrough, Caine pushes his team to move to the next phase - using himself as the subject. The test is a success, but when the process can't be reversed, Caine seems doomed to a future without flesh.
Its okay.
The plot: After years of experimentation, brilliant but arrogant scientist Sebastian Caine has discovered a way to make matter invisible. Determined to achieve the ultimate breakthrough, Caine pushes his team to move to the next phase - using himself as the subject. The test is a success, but when the process can't be reversed, Caine seems doomed to a future without flesh.
Its okay.
Matthew Krueger (10051 KP) rated A Few Good Men (1992) in Movies
Apr 7, 2020
You Can't Handle The Truth
I love this movie, its such a phenomenal movie, a epic dramaic movie. Lies, truth, justice and liberty. You have a excellent cast like- Tom Cruise, Demi Moore, Jack Nicholson, Kiefer Sutherland, Kevin Bacon, Kevin Pollack and Cuba Gooding Jr.
Also you have classic lines like.. "I am a lawyer and an officer in the United States Marine Corps...and you're under arrest, you son of a bitch.", "What do you wanna talk about now? My favorite color?", "Did you order the code red?", "I want the truth!" and of course "You Can't Handle The Truth".
The plot: Lt. Daniel Kaffee (Tom Cruise) is a military lawyer defending two U.S. Marines charged with killing a fellow Marine at the Guantanamo Bay Naval Base in Cuba. Although Kaffee is known for seeking plea bargains, a fellow lawyer, Lt. Cdr. JoAnne Galloway (Demi Moore), convinces him that the accused marines were most likely carrying out an order from a commanding officer. Kaffee takes a risk by calling Col. Nathan R. Jessep (Jack Nicholson) to the stand in an effort to uncover the conspiracy.
Such a classic excellent movie, to start the month of "Tom Cruise".
Also you have classic lines like.. "I am a lawyer and an officer in the United States Marine Corps...and you're under arrest, you son of a bitch.", "What do you wanna talk about now? My favorite color?", "Did you order the code red?", "I want the truth!" and of course "You Can't Handle The Truth".
The plot: Lt. Daniel Kaffee (Tom Cruise) is a military lawyer defending two U.S. Marines charged with killing a fellow Marine at the Guantanamo Bay Naval Base in Cuba. Although Kaffee is known for seeking plea bargains, a fellow lawyer, Lt. Cdr. JoAnne Galloway (Demi Moore), convinces him that the accused marines were most likely carrying out an order from a commanding officer. Kaffee takes a risk by calling Col. Nathan R. Jessep (Jack Nicholson) to the stand in an effort to uncover the conspiracy.
Such a classic excellent movie, to start the month of "Tom Cruise".
Jimmy Fallon recommended National Lampoon's Animal House (1978) in Movies (curated)
Gareth von Kallenbach (965 KP) rated Super (2011) in Movies
Aug 7, 2019
When I first heard about Super, written and directed by James Gunn, my first thought was “Dwight (from The Office) will be a superhero?” However what I saw on the screen was anything but Dwight, it was 75% awesome and 25% “I can’t believe they did that!”
The film begins with Frank (excellently played by Rainn Wilson) happily married to Sarah (Liv Tyler) who is a recovering drug addict. The happiness is shattered when Sarah begins using again, thanks to Jacques the drug dealer (Kevin Bacon) and then one day she disappears. Frank searches for Sarah and eventually finds her under the control of Jacques. Unable to get her away from Jacques, Frank goes to the police for help. Unfortunately because Sarah left on her own accord, no law has been broken (except for the drug stuff) so they are unable to help him.
Frank tries to move on, but without Sarah life seems meaningless. Then in his darkest hour he has a vision of The Holy Avenger (Nathan Fillion). Heeding the vision, Frank becomes The Crimson Bolt, pledges to fight crime and to save Sarah. There is just one small problem – Frank has no idea how to be a superhero. Research is needed, so off to the comic book store he goes, of course, and there he meets Libby (Ellen Page). Libby advises him which comics to read that have superheroes who do not have powers. Armed with this knowledge, The Crimson Bolt officially begins fighting crime in the most unusual of ways and not too long after, Libby becomes Boltie, his trusted, sexy sidekick.
This very entertaining, action-filled, dark comedy has more twists and turns than a game of Chutes and Ladders, and it will keep you glued to the screen until the end. Will they save the city from villainy? Will they save Sarah’s bacon? (Sorry, with Kevin Bacon playing the bad guy I couldn’t resist.)
Super has a different take on the superhero genre than what I’ve seen in past movies. Only Rainn Wilson could have properly portrayed the uniqueness that is Frank/Crimson Bolt and the same goes for Ellen Page in regards to Libby/Boltie (possibly the best sidekick ever). To make a long review short, let me sum up this way, everyone in the movie no matter the length of their part did an amazing job in their role. With that said, my only wish was that the story would have allowed for more screen time for Gregg Henry (Detective John Felkner) and a musical number for Fillion’s Holy Avenger. if you liked Fillion as Captain Hammer in Dr. Horrible’s Singalong Blog, then you’ll love him in this role. But those things would have most likely thrown off the perfect balance of action, humor and character interaction that made this movie so enjoyable.
The film begins with Frank (excellently played by Rainn Wilson) happily married to Sarah (Liv Tyler) who is a recovering drug addict. The happiness is shattered when Sarah begins using again, thanks to Jacques the drug dealer (Kevin Bacon) and then one day she disappears. Frank searches for Sarah and eventually finds her under the control of Jacques. Unable to get her away from Jacques, Frank goes to the police for help. Unfortunately because Sarah left on her own accord, no law has been broken (except for the drug stuff) so they are unable to help him.
Frank tries to move on, but without Sarah life seems meaningless. Then in his darkest hour he has a vision of The Holy Avenger (Nathan Fillion). Heeding the vision, Frank becomes The Crimson Bolt, pledges to fight crime and to save Sarah. There is just one small problem – Frank has no idea how to be a superhero. Research is needed, so off to the comic book store he goes, of course, and there he meets Libby (Ellen Page). Libby advises him which comics to read that have superheroes who do not have powers. Armed with this knowledge, The Crimson Bolt officially begins fighting crime in the most unusual of ways and not too long after, Libby becomes Boltie, his trusted, sexy sidekick.
This very entertaining, action-filled, dark comedy has more twists and turns than a game of Chutes and Ladders, and it will keep you glued to the screen until the end. Will they save the city from villainy? Will they save Sarah’s bacon? (Sorry, with Kevin Bacon playing the bad guy I couldn’t resist.)
Super has a different take on the superhero genre than what I’ve seen in past movies. Only Rainn Wilson could have properly portrayed the uniqueness that is Frank/Crimson Bolt and the same goes for Ellen Page in regards to Libby/Boltie (possibly the best sidekick ever). To make a long review short, let me sum up this way, everyone in the movie no matter the length of their part did an amazing job in their role. With that said, my only wish was that the story would have allowed for more screen time for Gregg Henry (Detective John Felkner) and a musical number for Fillion’s Holy Avenger. if you liked Fillion as Captain Hammer in Dr. Horrible’s Singalong Blog, then you’ll love him in this role. But those things would have most likely thrown off the perfect balance of action, humor and character interaction that made this movie so enjoyable.
Matthew Krueger (10051 KP) rated Friday the 13th (1980) in Movies
Dec 13, 2019 (Updated Dec 14, 2019)
Sleepaway Camp 1980
Since its Friday the 13th today, im going to review the oringal Friday the 13th film. The one that started it all. The one that started the franchise. This one started teenagers being teenagers. The one without Jason as the villian, wait what? I think everyone knows by now that Jason is not the villian in this one and its Jason's Mom, so i dont think thats a spoil, because most to everyone knows that by now.
The Plot: Crystal Lake's history of murder doesn't deter counselors from setting up a summer camp in the woodsy area. Superstitious locals warn against it, but the fresh-faced young people -- Jack (Kevin Bacon), Alice (Adrienne King), Bill (Harry Crosby), Marcie (Jeannine Taylor) and Ned (Mark Nelson) -- pay little heed to the old-timers. Then they find themselves stalked by a brutal killer. As they're slashed, shot and stabbed, the counselors struggle to stay alive against a merciless opponent.
Its suspenseful, horrorfying, terrorfying, love the kills in this one and overall a fantastic phenomenal classic movie.
The Plot: Crystal Lake's history of murder doesn't deter counselors from setting up a summer camp in the woodsy area. Superstitious locals warn against it, but the fresh-faced young people -- Jack (Kevin Bacon), Alice (Adrienne King), Bill (Harry Crosby), Marcie (Jeannine Taylor) and Ned (Mark Nelson) -- pay little heed to the old-timers. Then they find themselves stalked by a brutal killer. As they're slashed, shot and stabbed, the counselors struggle to stay alive against a merciless opponent.
Its suspenseful, horrorfying, terrorfying, love the kills in this one and overall a fantastic phenomenal classic movie.
Sarah (7798 KP) rated Hollow Man (2000) in Movies
Aug 3, 2020
Dated
Back when this was originally released, I recall it being quite gory and having some pretty impressive special effects. However I'm afraid to say it's now looking very dated.
You can tell without a doubt when this film was made. It's got a cliched and predictable story line with lots of ridiculous and obvious actions from characters that are really rather dull. The most irritating one is by far the most overused in most horror films - oh he's dead but we won't check... 5 minutes later, he's alive & still trying to kill me! Urgh. So cheesy and there is a lot like this in here that really made me cringe. Especially the pretty poor dialogue and misogynistic Kevin Bacon. The effects whilst good at the time now seem a little dodgy and outdated which is a shame but it's made more obvious by the fact that everything is CGI.
Overall it's not a great film and I've seen much better films based on the idea of the invisible man, but it's probably not the worst film you'll ever see.
You can tell without a doubt when this film was made. It's got a cliched and predictable story line with lots of ridiculous and obvious actions from characters that are really rather dull. The most irritating one is by far the most overused in most horror films - oh he's dead but we won't check... 5 minutes later, he's alive & still trying to kill me! Urgh. So cheesy and there is a lot like this in here that really made me cringe. Especially the pretty poor dialogue and misogynistic Kevin Bacon. The effects whilst good at the time now seem a little dodgy and outdated which is a shame but it's made more obvious by the fact that everything is CGI.
Overall it's not a great film and I've seen much better films based on the idea of the invisible man, but it's probably not the worst film you'll ever see.
Gareth von Kallenbach (965 KP) rated Footloose (2011) in Movies
Aug 7, 2019
Public dancing is against the law in the small religious town of Bomont. But Boston-raised teenager, Ren McCormack and the Reverend’s daughter Ariel have other ideas in this remake of the 1984 classic.
The original “Footloose” requires a 1980s mindset and was successful partially due the disjointed storytelling of teen films during that era. Up until now it could be said that there is no “Footloose” without Kevin Bacon. But surprise! The remake is so good that you may need to step back.
The cast is more polished than the original, particularly in lead female role of Ariel Moore brought back to the screen by Julianne Hough. Hough’s performance is more engaging than that of the original portrayal by Lori Singer. Taking the reigns of the role that made Kevin Bacon famous is Kenny Wormald as city boy Ren. Wormald wears the role with charm and the required “Footloose” too-cool-for-school style.
Reverend Shaw Moore, now played by Dennis Quaid, is far more emotional than the original depiction of the character first played by a John Lithgow. However, the same cannot be said for his wife, Vi Moore, with a disappointing performance from Andy McDowell. This is balanced however by the truly enjoyable portrayal of Ren’s best friend Willard by the well-timed comedy of Miles Teller.
Yes, there were cheesy moments. There was even a sunset so over the top that it may remind you Star Wars buffs of a certain lengthy romance scene in Episode Two. And yes, more than one of the reanimated lines from the classic film was forced. But the flubs were few and far between as this “Footloose” remake manages to succeed in many places where the original could have been improved.
The explanation of tragedy that originally befell Bomont has been extended, giving the town’s anti-dance perspective a little more sway. And this time around “Footloose” directly addresses a number of the small town versus big city stereotypes with strong dual sided humor.
The new “Footloose” still has less dancing then you want from a film entirely about dance, but when it does occur the style is much more diverse, ranging from hip hop to that famous “Footloose” country. There were things missed from the original; particularly the precision of Bacon’s solo dance scene, but this remake honors the impact of the original while standing on its own.
Now where do you buy a pair of red cowboy boots?!
The original “Footloose” requires a 1980s mindset and was successful partially due the disjointed storytelling of teen films during that era. Up until now it could be said that there is no “Footloose” without Kevin Bacon. But surprise! The remake is so good that you may need to step back.
The cast is more polished than the original, particularly in lead female role of Ariel Moore brought back to the screen by Julianne Hough. Hough’s performance is more engaging than that of the original portrayal by Lori Singer. Taking the reigns of the role that made Kevin Bacon famous is Kenny Wormald as city boy Ren. Wormald wears the role with charm and the required “Footloose” too-cool-for-school style.
Reverend Shaw Moore, now played by Dennis Quaid, is far more emotional than the original depiction of the character first played by a John Lithgow. However, the same cannot be said for his wife, Vi Moore, with a disappointing performance from Andy McDowell. This is balanced however by the truly enjoyable portrayal of Ren’s best friend Willard by the well-timed comedy of Miles Teller.
Yes, there were cheesy moments. There was even a sunset so over the top that it may remind you Star Wars buffs of a certain lengthy romance scene in Episode Two. And yes, more than one of the reanimated lines from the classic film was forced. But the flubs were few and far between as this “Footloose” remake manages to succeed in many places where the original could have been improved.
The explanation of tragedy that originally befell Bomont has been extended, giving the town’s anti-dance perspective a little more sway. And this time around “Footloose” directly addresses a number of the small town versus big city stereotypes with strong dual sided humor.
The new “Footloose” still has less dancing then you want from a film entirely about dance, but when it does occur the style is much more diverse, ranging from hip hop to that famous “Footloose” country. There were things missed from the original; particularly the precision of Bacon’s solo dance scene, but this remake honors the impact of the original while standing on its own.
Now where do you buy a pair of red cowboy boots?!
LeftSideCut (3778 KP) rated Tremors (1990) in Movies
Jan 15, 2021
As far as practical effects driven monster movies go, you can't get much better than Tremors.
It has a wonderful cast for a start - lead by Kevin Bacon and Fred Ward, and featuring the likes of Finn Carter, Michael Gross, and Reba McEntire, every character is likable (apart from that little shit Melvin) and you want them all to survive their ordeal, usually a rarity in this genre!
The chemistry between all of the actors is great, and makes for a frequently funny adventure. It has its fair share of bloodier moments that push into horror territory, and in that regards, the mostly daylit Nevada desert setting is something different to enjoy. The practical effects are extremely B-Movie, but it works so well with the overall tone.
The narrative takes a little while to set everything up, but when things get moving, it doesn't stop, moving from set piece to set piece, that are all memorable as hell, from pole vaulting from boulder to boulder, to fishing with homemade bombs, to a over the top l, laughable amount of guns being fired when a Graboid breaches an underground bunker.
Tremors is fucking great and deserves so much praise for what it is - it's own little pocket of comedy horror, with its own rules. Long live Tremors.
It has a wonderful cast for a start - lead by Kevin Bacon and Fred Ward, and featuring the likes of Finn Carter, Michael Gross, and Reba McEntire, every character is likable (apart from that little shit Melvin) and you want them all to survive their ordeal, usually a rarity in this genre!
The chemistry between all of the actors is great, and makes for a frequently funny adventure. It has its fair share of bloodier moments that push into horror territory, and in that regards, the mostly daylit Nevada desert setting is something different to enjoy. The practical effects are extremely B-Movie, but it works so well with the overall tone.
The narrative takes a little while to set everything up, but when things get moving, it doesn't stop, moving from set piece to set piece, that are all memorable as hell, from pole vaulting from boulder to boulder, to fishing with homemade bombs, to a over the top l, laughable amount of guns being fired when a Graboid breaches an underground bunker.
Tremors is fucking great and deserves so much praise for what it is - it's own little pocket of comedy horror, with its own rules. Long live Tremors.
Sarah (7798 KP) rated R.I.P.D. (2013) in Movies
Oct 24, 2018
So bad it’s actually vaguely enjoyable
I remember watching this when it first came out at the cinema and I wasn’t particularly impressed, however on watching it again recently I can admit that this is definitely one of those films that’s so bad it’s actually quite entertaining. Mostly due to Jeff Bridges.
Let’s start with this obvious: I know this is based on a comic, but this is such a blatant rip off of Men in Black, it’s just a shame it comes off as a much poorer relation. Everything about this from the plot progression to the deados just echoes MIB, and that’s high expectations to live up to.
The main humour from this film comes from how the characters look normally versus how they appear in the real world, which admittedly is pretty hilarious but this is the only decent attempt at humour. The plot is completely dull and the Kevin Bacon as the villain is uninteresting too. The special effects are surprisingly good in parts, but then ruined by the downright terrible effects used on the deados. The true saviours of this film are Jeff Bridges and Ryan Reynolds. The relationship and communication between their characters is the most entertaining thing about this film and Jeff Bridges is in fine form hamming it up to the max as Roy. He may be going a little over the top, but it’s damn funny to watch. Just a shame they couldn’t have put more effort into the rest of the story.
Let’s start with this obvious: I know this is based on a comic, but this is such a blatant rip off of Men in Black, it’s just a shame it comes off as a much poorer relation. Everything about this from the plot progression to the deados just echoes MIB, and that’s high expectations to live up to.
The main humour from this film comes from how the characters look normally versus how they appear in the real world, which admittedly is pretty hilarious but this is the only decent attempt at humour. The plot is completely dull and the Kevin Bacon as the villain is uninteresting too. The special effects are surprisingly good in parts, but then ruined by the downright terrible effects used on the deados. The true saviours of this film are Jeff Bridges and Ryan Reynolds. The relationship and communication between their characters is the most entertaining thing about this film and Jeff Bridges is in fine form hamming it up to the max as Roy. He may be going a little over the top, but it’s damn funny to watch. Just a shame they couldn’t have put more effort into the rest of the story.
JT (287 KP) rated Frost/Nixon (2008) in Movies
Mar 10, 2020
"Hello, Good Evening and Welcome”, David Frost’s suave and debonair talk show host, up against Richard Nixon a President draped in controversy while all the while standing firm in his beliefs.
It’s a political boxing match, and quite literally a no holds barred, gloves off interview that pushed the images and personalities of both men to breaking point.
Michael Sheen is fast becoming the go to guy for character transformations, having already stepped into the shoes of such iconic characters like Brian Clough, Tony Blair and Kenneth Williams. Here though it’s his David Frost that he nails without so much as a shake of his perfectly styled hair.
Not to be out done, Frank Langella portrays Nixon to almost perfection. Nixon was a man seemingly on his knees after the Watergate scandal all but ended his reign as President of the United States. He quickly resigned and was pardoned by new President Gerald Ford.
A lucky escape one might say, but Nixon felt he’d still done nothing wrong and was prepared to go on national TV to prove it, although he never expected anyone quite like David Frost.
Director Ron Howard acts like an off screen promoter as he builds the characters up from the beginning, looking at each sides battle plan as they tried to second guess questions and topics that might arise during four separate interviews to be blended into one.
The supporting cast are brilliant also, with Kevin Bacon, Matthew Macfadyen, Sam Rockwell and Oliver Platt all giving assured performances.
It’s a very well scripted and expertly directed film that will be easy for all to follow.
It’s a political boxing match, and quite literally a no holds barred, gloves off interview that pushed the images and personalities of both men to breaking point.
Michael Sheen is fast becoming the go to guy for character transformations, having already stepped into the shoes of such iconic characters like Brian Clough, Tony Blair and Kenneth Williams. Here though it’s his David Frost that he nails without so much as a shake of his perfectly styled hair.
Not to be out done, Frank Langella portrays Nixon to almost perfection. Nixon was a man seemingly on his knees after the Watergate scandal all but ended his reign as President of the United States. He quickly resigned and was pardoned by new President Gerald Ford.
A lucky escape one might say, but Nixon felt he’d still done nothing wrong and was prepared to go on national TV to prove it, although he never expected anyone quite like David Frost.
Director Ron Howard acts like an off screen promoter as he builds the characters up from the beginning, looking at each sides battle plan as they tried to second guess questions and topics that might arise during four separate interviews to be blended into one.
The supporting cast are brilliant also, with Kevin Bacon, Matthew Macfadyen, Sam Rockwell and Oliver Platt all giving assured performances.
It’s a very well scripted and expertly directed film that will be easy for all to follow.