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Andy K (10821 KP) created a video about An Evening with Kevin Smith (2002) in Movies
Feb 12, 2018
Matthew Krueger (10051 KP) rated Wrong Turn (2003) in Movies
May 13, 2021
Survive in the Wild
Wrong Turn- was a good horror film, the kills were intresting in it. The plot was good.
The plot: Friends Jessie (Eliza Dushku) and Carly (Emmanuelle Chriqui) are traveling with pals Scott (Jeremy Sisto), Evan (Kevin Zegers) and Francine (Lindy Booth) when they have car trouble in West Virginia. Moments later, motorist Chris (Desmond Harrington) crashes into their disabled vehicle. Stranded, the friends discover that they're being stalked by a horde of backwoods cannibals. The woodsmen are hungry and fierce, and they'll be eating well unless Jessie and pals can outsmart them.
Its a good film.
The plot: Friends Jessie (Eliza Dushku) and Carly (Emmanuelle Chriqui) are traveling with pals Scott (Jeremy Sisto), Evan (Kevin Zegers) and Francine (Lindy Booth) when they have car trouble in West Virginia. Moments later, motorist Chris (Desmond Harrington) crashes into their disabled vehicle. Stranded, the friends discover that they're being stalked by a horde of backwoods cannibals. The woodsmen are hungry and fierce, and they'll be eating well unless Jessie and pals can outsmart them.
Its a good film.
Awix (3310 KP) rated All the Money in the World (2017) in Movies
Feb 12, 2018 (Updated Feb 12, 2018)
Ear today, gone tomorrow
Classy true-crime drama formerly starring Kevin Spacey. Grandchild of insanely wealthy oil tycoon is kidnapped and held to ransom; tycoon refuses to pay up on principle (said principle being 'I never give money away if I don't have to'); everything gets a bit stressful between tycoon and his ex-daughter-in-law. Body parts end up being put in the post.
Ridley Scott does a very good job of bringing an outlandishly grotesque true story to the screen, although the usual liberties are taken with the chronology of what actually happened. Fine performances from Christopher Plummer and Michelle Williams, amusingly unflattering depiction of Italy in the 70s; laudable general message of how having money can really screw you up and you're better off without it (Scott has an estimated net worth of $140 million, in case you were wondering). A solidly entertaining movie.
Ridley Scott does a very good job of bringing an outlandishly grotesque true story to the screen, although the usual liberties are taken with the chronology of what actually happened. Fine performances from Christopher Plummer and Michelle Williams, amusingly unflattering depiction of Italy in the 70s; laudable general message of how having money can really screw you up and you're better off without it (Scott has an estimated net worth of $140 million, in case you were wondering). A solidly entertaining movie.
Andy K (10821 KP) rated Baby Driver (2017) in Movies
Jan 21, 2018
When I first began watching this, I was not convinced it was going to be good.
I have to say, the fast pace, stylized action/music score scenes and the witty screenplay had enough to win me over. Very entertaining throughout other than maybe the ending was a little far-fetched I guess.
If Kevin Spacey is never going to act again (seems almost certain at this point) this film is a fitting swan song for him and his memorable list of acting credits.
Director Edgar Wright continues his streak of entertaining quirky hits like his previous films Shaun of the Dead and Scott Pilgrim vs. the World.
Going to iTunes now to download some songs!
I have to say, the fast pace, stylized action/music score scenes and the witty screenplay had enough to win me over. Very entertaining throughout other than maybe the ending was a little far-fetched I guess.
If Kevin Spacey is never going to act again (seems almost certain at this point) this film is a fitting swan song for him and his memorable list of acting credits.
Director Edgar Wright continues his streak of entertaining quirky hits like his previous films Shaun of the Dead and Scott Pilgrim vs. the World.
Going to iTunes now to download some songs!
Matthew Krueger (10051 KP) rated Lord of Illusions (1995) in Movies
Sep 23, 2020
The Illusion
Lords of Illusions- is Clive Barker's last film he directed. He only producted movies and was a writer for movied afterwards. And wow what a good movie. Im not the hugest fan of hellraiser and didnt see nightbreeds yet. So i went into this film blind. I have heard of this film and wanted to see it for couple of years now. And it turns out that i liked it.
The Plot: Private eye Harry D'Amour (Scott Bakula) travels to Los Angeles and meets with a new client, Dorothea Swann (Famke Janssen). Swann reveals that she and her husband -- famed magician Philip Swann (Kevin J. O'Connor) -- have been targeted by a religious cult experimenting with reincarnation. After Philip dies on stage in the midst of a dangerous trick, D'Amour must struggle to protect Dorothea from the ruthless cult members and their newly reanimated religious leader, Nix (Daniel Von Bargen).
Its a good psychological film cause it does mess with your mind alot and in the end it is a good horror flick. I do recordmend it to others.
The Plot: Private eye Harry D'Amour (Scott Bakula) travels to Los Angeles and meets with a new client, Dorothea Swann (Famke Janssen). Swann reveals that she and her husband -- famed magician Philip Swann (Kevin J. O'Connor) -- have been targeted by a religious cult experimenting with reincarnation. After Philip dies on stage in the midst of a dangerous trick, D'Amour must struggle to protect Dorothea from the ruthless cult members and their newly reanimated religious leader, Nix (Daniel Von Bargen).
Its a good psychological film cause it does mess with your mind alot and in the end it is a good horror flick. I do recordmend it to others.
JT (287 KP) rated The Upside (2019) in Movies
Mar 10, 2020
Neil Burger’s remake of 2011 French original The Intouchables pairs Kevin Hart and Bryan Cranston in a heartwarming bromance. Ex-con Dell Scott (Hart) is looking to get back on the straight and narrow after a stint behind bars. Needing to prove to his parole officer that he is actively job hunting, he steps off the tough New York streets and accidentally into the penthouse of Philip Lacasse (Cranston), a quadriplegic in need of round the clock care.
It’s not the type of job that Dell is qualified to interview for. His dry sense of humour, however, strikes a chord with Phillip – but not his frosty assistant Yvonne Pendleton (Nicole Kidman).
Hart leaves the majority of his wise-cracking antics at the door and handles the dramatic role to great effect. One or two jokes slip through the net but they feel delivered at the right times – at least we know how a catheter is put in place.
The pair work out each other’s personalities and over time Dell discovers a love for opera while Phillip enjoys the effects of marijuana and Aretha Franklin. It rarely drifts from the storyline of the original, but it doesn’t need to do anything new to make it enjoyable.
It’s not the type of job that Dell is qualified to interview for. His dry sense of humour, however, strikes a chord with Phillip – but not his frosty assistant Yvonne Pendleton (Nicole Kidman).
Hart leaves the majority of his wise-cracking antics at the door and handles the dramatic role to great effect. One or two jokes slip through the net but they feel delivered at the right times – at least we know how a catheter is put in place.
The pair work out each other’s personalities and over time Dell discovers a love for opera while Phillip enjoys the effects of marijuana and Aretha Franklin. It rarely drifts from the storyline of the original, but it doesn’t need to do anything new to make it enjoyable.
Chris Sawin (602 KP) rated Cop Out (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Jimmy Monroe (Bruce Willis) and Paul Hodges (Tracy Morgan) have been working as partners at the NYPD for the past nine years. They have a reputation at the precinct for doing things their own sporadic and wreckful way that isn't normal procedure and usually winds up getting them into hot water with the captain. A suspect is brought in for interrogation and when he finally spills the beans on a drug deal happening that afternoon, Jimmy and Paul think it's best to act on it right then and there. After their plan fails, their suspect is killed and months of work is flushed down the drain. Jimmy and Paul are suspended for 30 days without pay, which isn't good news for Jimmy since his daughter is getting married and has the typical expensive wedding of her dreams in mind. Jimmy plans on selling a collectible baseball card that could pay for his daughter's wedding and then some, but the card is stolen by some crackheads before he can get the chance. Now Jimmy's just trying to get the card back to pay for his daughter's wedding, but him and Paul, who's too distracted with his wife's possible infidelity to really concentrate on the task at hand, are thrown into something much deeper.
To tell the truth, I wasn't looking forward to this film at all. I'm a pretty big fan of most of Kevin Smith's work, but he didn't write the film. It could be argued that he did write Jersey Girl and that could be considered a bomb, but his films usually average about $25-$30 million anyway. A Kevin Smith film isn't really about bringing in a large amount of money at the box office. His charm is in his writing, especially the dialogue and interaction between characters. There's a very specific audience his films will appeal to and none of them have really branched away from that. But him not writing this one made me think, "Eh. Not sure what that'll be like since he didn't write it." When it comes to Bruce Willis, I've never talked to anyone who dislikes him entirely. There always seems to be at least one of his films everybody enjoys. Die Hard, The Fifth Element, and Sin City are just a few off the top of my head. The real buzz-killer for me though was Tracy Morgan. He's just never been funny to me. He was beyond lame on Saturday Night Live and 30 Rock has never been able to hold my attention for very long. Not to mention all the trailers for Cop Out didn't make me laugh. Thankfully though, first impressions can be so very wrong.
One of Cop Out's biggest charms is that it feels like a buddy cop comedy you've seen before, but have forgotten how much you enjoy it. The film feels similar to a 48 Hrs or Beverly Hills Cop film. Bulletproof is also a good example. Cop Out is pretty much what you expect when it comes to roles Bruce Willis chooses as it's pretty much no different than his role as John McClane on the surface, but he's a lot funnier this time around. As far as Tracy Morgan goes, the funniest thing I could remember him saying was his one line in Jay and Silent Bob Strike Back ("Man... I don't know what the f--- you just said, Little Kid, but you're special man, you reached out, and you touched a brother's heart.") until this film. He was downright hilarious at times. The only person who was funnier than Morgan was Seann William Scott who stole every scene he was in. Even though Kevin Smith didn't pen the script this time around, it still feels like a Kevin Smith film. It could be due to the fact that Jason Lee has a small role in the film, but I like to think it's because Cop Out offers the same kind of comedy you'd find in a Kevin Smith film with a bit more action. It also took me forever to place Scarface from Half Baked as Poh Boy.
Cop Out is surprisingly funny and incredibly entertaining. Give this film a chance even if the trailers may not be doing anything for you. I felt the same way and wound up thoroughly enjoying the film. After a long, stressful day at work, an R-rated comedy with a lot of laughs is one of the best ways to relax and this film offers just that. It's a great film to go into with no expectations other than to just have a good time.
To tell the truth, I wasn't looking forward to this film at all. I'm a pretty big fan of most of Kevin Smith's work, but he didn't write the film. It could be argued that he did write Jersey Girl and that could be considered a bomb, but his films usually average about $25-$30 million anyway. A Kevin Smith film isn't really about bringing in a large amount of money at the box office. His charm is in his writing, especially the dialogue and interaction between characters. There's a very specific audience his films will appeal to and none of them have really branched away from that. But him not writing this one made me think, "Eh. Not sure what that'll be like since he didn't write it." When it comes to Bruce Willis, I've never talked to anyone who dislikes him entirely. There always seems to be at least one of his films everybody enjoys. Die Hard, The Fifth Element, and Sin City are just a few off the top of my head. The real buzz-killer for me though was Tracy Morgan. He's just never been funny to me. He was beyond lame on Saturday Night Live and 30 Rock has never been able to hold my attention for very long. Not to mention all the trailers for Cop Out didn't make me laugh. Thankfully though, first impressions can be so very wrong.
One of Cop Out's biggest charms is that it feels like a buddy cop comedy you've seen before, but have forgotten how much you enjoy it. The film feels similar to a 48 Hrs or Beverly Hills Cop film. Bulletproof is also a good example. Cop Out is pretty much what you expect when it comes to roles Bruce Willis chooses as it's pretty much no different than his role as John McClane on the surface, but he's a lot funnier this time around. As far as Tracy Morgan goes, the funniest thing I could remember him saying was his one line in Jay and Silent Bob Strike Back ("Man... I don't know what the f--- you just said, Little Kid, but you're special man, you reached out, and you touched a brother's heart.") until this film. He was downright hilarious at times. The only person who was funnier than Morgan was Seann William Scott who stole every scene he was in. Even though Kevin Smith didn't pen the script this time around, it still feels like a Kevin Smith film. It could be due to the fact that Jason Lee has a small role in the film, but I like to think it's because Cop Out offers the same kind of comedy you'd find in a Kevin Smith film with a bit more action. It also took me forever to place Scarface from Half Baked as Poh Boy.
Cop Out is surprisingly funny and incredibly entertaining. Give this film a chance even if the trailers may not be doing anything for you. I felt the same way and wound up thoroughly enjoying the film. After a long, stressful day at work, an R-rated comedy with a lot of laughs is one of the best ways to relax and this film offers just that. It's a great film to go into with no expectations other than to just have a good time.
Bob Mann (459 KP) rated All the Money in the World (2017) in Movies
Sep 29, 2021
You can’t take it with you.
The big talking point of this Ridley Scott film is not of course the film itself but the fact that the disgraced Kevin Spacey (“Baby Driver“) was ‘airbrushed’ out of the movie, replaced by the legend that is Christopher Plummer. With that background, and the fact that the re-shoot only took 9 days (NINE DAYS!!!!), I must admit to having been a tad scornful when Plummer was nominated for a Best Supporting Actor Oscar. “Oh” I thought “…it’s Judi Dench’s minimalistic performance in ‘Shakespeare In Love’ all over again”.
But actually on watching the film I take it all back. Plummer’s role is not, like Dench’s, a mere eight minutes of screen time, but extensive and pivotal. Not only was his nomination richly deserved (his performance is cold, eerie and magnificent!) but Ridley Scott deserved an award for getting so much great footage in the can in such a short space of time.
The film tells the true story of the feckless John Paul Getty III (Charlie Plummer, no relation), grandson to the richest man in the world John Paul Getty I. While in the Piazza Farnese in Rome, JPGIII is kidnapped and a $17 million reward is sought for his release. Whilst claiming to love his offspring, the tycoon is basically a ‘tight git’ and the film concerns the battle of the young heir’s mother Gail (Michelle Williams, “Manchester By The Sea”; “The Greatest Showman”) to persuade JPG1 and his right-hand negotiator Fletcher Chase (Mark Wahlberg, “Patriot’s Day”, “Deep Water Horizon“) to shake the money tree* and get JPGIII released.
*To be fair, JPGIII hasn’t exactly helped his case as it emerges he had previously joked about getting himself kidnapped to get his grandfather’s ransom money!
As I didn’t remember the historical outcome of this, I was in a suitable amount of suspense as to where it would go. It is clear though, from the wiki version of the story, that the ending was significantly ‘sexed-up’ for the movie.
Ridley Scott sensibly balances the views of the Getty’s with the views of the kidnappers, with a semi-sympathetic Italian (Romain Duris) being the focus of those scenes in rural Calabria.
But it’s the scenes with Plummer that really engage. The man as portrayed is an enigma, eccentrically washing his own clothes to save a few pennies and always (ALWAYS) trying to get 20% more on even the most personal of decisions. It makes me really intrigued to see Spacey’s portrayal now… I wonder if the alternate cut might make it onto the Blu-ray? I actually think though that Plummer was the better choice for this: I could see Spacey bringing far too much of Frank Underwood to the role.
Elsewhere in the cast, I think Michelle Williams and Mark Wahlberg are both solid without ever being spectacular and it’s nice to see the talented Andrew Buchan (“The Mercy“; “Broadchurch”) in a more memorable big screen outing as JPG2: his drug-addled son (and JPG3’s father).
Overall, it’s an interesting watch and had me sufficiently engaged to want to watch it again. But without Plummer’s role it wouldn’t really amount to nearly as much.
But actually on watching the film I take it all back. Plummer’s role is not, like Dench’s, a mere eight minutes of screen time, but extensive and pivotal. Not only was his nomination richly deserved (his performance is cold, eerie and magnificent!) but Ridley Scott deserved an award for getting so much great footage in the can in such a short space of time.
The film tells the true story of the feckless John Paul Getty III (Charlie Plummer, no relation), grandson to the richest man in the world John Paul Getty I. While in the Piazza Farnese in Rome, JPGIII is kidnapped and a $17 million reward is sought for his release. Whilst claiming to love his offspring, the tycoon is basically a ‘tight git’ and the film concerns the battle of the young heir’s mother Gail (Michelle Williams, “Manchester By The Sea”; “The Greatest Showman”) to persuade JPG1 and his right-hand negotiator Fletcher Chase (Mark Wahlberg, “Patriot’s Day”, “Deep Water Horizon“) to shake the money tree* and get JPGIII released.
*To be fair, JPGIII hasn’t exactly helped his case as it emerges he had previously joked about getting himself kidnapped to get his grandfather’s ransom money!
As I didn’t remember the historical outcome of this, I was in a suitable amount of suspense as to where it would go. It is clear though, from the wiki version of the story, that the ending was significantly ‘sexed-up’ for the movie.
Ridley Scott sensibly balances the views of the Getty’s with the views of the kidnappers, with a semi-sympathetic Italian (Romain Duris) being the focus of those scenes in rural Calabria.
But it’s the scenes with Plummer that really engage. The man as portrayed is an enigma, eccentrically washing his own clothes to save a few pennies and always (ALWAYS) trying to get 20% more on even the most personal of decisions. It makes me really intrigued to see Spacey’s portrayal now… I wonder if the alternate cut might make it onto the Blu-ray? I actually think though that Plummer was the better choice for this: I could see Spacey bringing far too much of Frank Underwood to the role.
Elsewhere in the cast, I think Michelle Williams and Mark Wahlberg are both solid without ever being spectacular and it’s nice to see the talented Andrew Buchan (“The Mercy“; “Broadchurch”) in a more memorable big screen outing as JPG2: his drug-addled son (and JPG3’s father).
Overall, it’s an interesting watch and had me sufficiently engaged to want to watch it again. But without Plummer’s role it wouldn’t really amount to nearly as much.
Gareth von Kallenbach (968 KP) rated Here Comes the Boom (2012) in Movies
Aug 7, 2019
In Here Comes the Boom, Kevin James takes on an all-too-familiar role, once again capitalizing on his fame as a fat funnyman. This new comedy succeeds at being heartwarming and entertaining, but not much else.
The film starts out by introducing our hero, Scott Voss (James), as a former high school wrestler who settled into a career as a high school Biology teacher. It’s clear he was once a highly motivated, recognized, and celebrated teacher, based on the awards he received, and the way he talks about the old days.
As the story unfolds, we find out the music teacher, Marty Streb (played by Henry Winkler), is in danger of losing his job. There are financial cutbacks at the school, and of course the music department is the first to go.
In an effort to gather the funds needed to save his mentor, Voss decides to get into UFC-style cage fighting, because even the losers get paid ten grand! The story continues in a very predictable and formulaic fashion. From the sexy and supportive single nurse (played by Salma Hayek), to the hard-assed principle (Greg Germann), the movie is filled with archetypal roles played by recognizable actors.
Here Comes the Boom is done well enough to get a good laugh out of you, and it has a few heartwarming moments, but don’t expect anything special. The cinematography is done well. The dialog (co-written by Kevin James) is clever enough to generate a few chuckles, but it won’t inspire awe.
The threat of music and art programs being cut from a school’s curriculum over budget concerns is a familiar issue across the country. This movie comes at a good time, benefiting from the debate currently happening in so many places.
I would watch anything with Henry Winkler in it, as I have a love-affair-from-afar with that man, and he definitely adds to the ensemble. However, the film smacks of UFC product placement. I suspect many of you will reach the same conclusion I did: that the UFC was clearly bankrolling this in some fashion. Even Joe Rogan makes a noteworthy appearance.
The film is not without its positive aspects. I was impressed at how well the humor and drama blended together. All the right things in all the right places. Here Comes the Boom is a good movie for a few chuckles, and for briefly melting a some of the ice surrounding your bitter, frozen heart.
The film starts out by introducing our hero, Scott Voss (James), as a former high school wrestler who settled into a career as a high school Biology teacher. It’s clear he was once a highly motivated, recognized, and celebrated teacher, based on the awards he received, and the way he talks about the old days.
As the story unfolds, we find out the music teacher, Marty Streb (played by Henry Winkler), is in danger of losing his job. There are financial cutbacks at the school, and of course the music department is the first to go.
In an effort to gather the funds needed to save his mentor, Voss decides to get into UFC-style cage fighting, because even the losers get paid ten grand! The story continues in a very predictable and formulaic fashion. From the sexy and supportive single nurse (played by Salma Hayek), to the hard-assed principle (Greg Germann), the movie is filled with archetypal roles played by recognizable actors.
Here Comes the Boom is done well enough to get a good laugh out of you, and it has a few heartwarming moments, but don’t expect anything special. The cinematography is done well. The dialog (co-written by Kevin James) is clever enough to generate a few chuckles, but it won’t inspire awe.
The threat of music and art programs being cut from a school’s curriculum over budget concerns is a familiar issue across the country. This movie comes at a good time, benefiting from the debate currently happening in so many places.
I would watch anything with Henry Winkler in it, as I have a love-affair-from-afar with that man, and he definitely adds to the ensemble. However, the film smacks of UFC product placement. I suspect many of you will reach the same conclusion I did: that the UFC was clearly bankrolling this in some fashion. Even Joe Rogan makes a noteworthy appearance.
The film is not without its positive aspects. I was impressed at how well the humor and drama blended together. All the right things in all the right places. Here Comes the Boom is a good movie for a few chuckles, and for briefly melting a some of the ice surrounding your bitter, frozen heart.
BankofMarquis (1832 KP) rated All the Money in the World (2017) in Movies
Feb 14, 2018
Bland with the exception of Christopher Plummer
By now, almost everyone knows about the last minute switch of Christopher Plummer in place of current-pariah Kevin Spacey as pivotal Billionaire J. Paul Getty in Ridley Scott's ALL THE MONEY IN THE WORLD, so when I checked out Plummer's Oscar nominated turn, I couldn't but help see if I could tell when Scott put in a new scene and where he just "augmented" his scenes with Plummer. And then, a funny thing happened...
I stopped looking at this for I was captivated by Plummer's performance.
A 3 time Oscar nominee (he is the oldest person to win an Academy Award - at the age of 82 - for his Supporting Role in BEGINNERS in 2010), the 88 year old Plummer shows that he can still command a movie for anytime he is on screen this film crackles and becomes interesting.
Unfortunately, the same cannot be said for the rest of the film.
Telling the story of the kidnapping of Getty's grandson, and the "richest man in the world's" refusal to pay the ransom, ALL THE MONEY IN THE WORLD stars Charlie Plummer (no relation) as John Paul Getty III (the kidnapped grandson), Mark Wahlberg as "fixer" Fletcher Chase, who was told by Getty to get his grandson back for "the lowest possible cost", Romain Duris as one of the kidnappers and the great Michelle Williams as the mother of the kidnapped boy - and the daughter-in-law of Getty, Gail Harris. Each one of these performances are good, but not great. Doing what needs to be done in what they are given to do but nothing more.
I think the problem with this film is one of focus. It spends about 50% of the time with William's character - and this is fine, but then it jumps to the kidnapped son, to "the fixer", to "the kidnapper", to the grandson and back to the mother, so no real through-line, continuity or strong character development can occur, with the exception of Christopher Plummer's J. Paul Getty. To be fair to Williams, C. Plummer has the showier role and she is just asked to be the center of this tale, the world in which all else revolves and that, ultimately, makes her character somewhat bland.
I place the blame for this on Screenwriter David Scarpa (based on the book by John Pearson) and Director Scott. I think their reach exceeded their grasp on this one. If they could have focused more on one of the characters - instead of spreading things out - perhaps this film would have become more interesting and less bland. It stays on one note - despite jumping to different people in vastly different situations - throughout it's 2 hour and 15 minute time frame.
All in all, a missed opportunity. It is a decent film that had the potential to be VERY good. The only one who was VERY good was Christopher Plummer - and certainly his performance is worth the price of admission.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank (OfMarquis)
I stopped looking at this for I was captivated by Plummer's performance.
A 3 time Oscar nominee (he is the oldest person to win an Academy Award - at the age of 82 - for his Supporting Role in BEGINNERS in 2010), the 88 year old Plummer shows that he can still command a movie for anytime he is on screen this film crackles and becomes interesting.
Unfortunately, the same cannot be said for the rest of the film.
Telling the story of the kidnapping of Getty's grandson, and the "richest man in the world's" refusal to pay the ransom, ALL THE MONEY IN THE WORLD stars Charlie Plummer (no relation) as John Paul Getty III (the kidnapped grandson), Mark Wahlberg as "fixer" Fletcher Chase, who was told by Getty to get his grandson back for "the lowest possible cost", Romain Duris as one of the kidnappers and the great Michelle Williams as the mother of the kidnapped boy - and the daughter-in-law of Getty, Gail Harris. Each one of these performances are good, but not great. Doing what needs to be done in what they are given to do but nothing more.
I think the problem with this film is one of focus. It spends about 50% of the time with William's character - and this is fine, but then it jumps to the kidnapped son, to "the fixer", to "the kidnapper", to the grandson and back to the mother, so no real through-line, continuity or strong character development can occur, with the exception of Christopher Plummer's J. Paul Getty. To be fair to Williams, C. Plummer has the showier role and she is just asked to be the center of this tale, the world in which all else revolves and that, ultimately, makes her character somewhat bland.
I place the blame for this on Screenwriter David Scarpa (based on the book by John Pearson) and Director Scott. I think their reach exceeded their grasp on this one. If they could have focused more on one of the characters - instead of spreading things out - perhaps this film would have become more interesting and less bland. It stays on one note - despite jumping to different people in vastly different situations - throughout it's 2 hour and 15 minute time frame.
All in all, a missed opportunity. It is a decent film that had the potential to be VERY good. The only one who was VERY good was Christopher Plummer - and certainly his performance is worth the price of admission.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank (OfMarquis)