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Darren (1599 KP) rated American Beauty (1999) in Movies
Jun 20, 2019
Story: American Beauty starts narration from our lead Lester Burnham (Spacey) explaining his life and that he will be dead in a year. Lester lives through the same old routine and is overall tired of his life. Lester is married to Carolyn (Bening) a real estate agent and has a teenage daughter Jane (Birch) who is struggling with the typical teenage problems. Lester is being pressured by his new boss who he thinks has no experience in the field.
Lester & Carolyn decide to take more interest in their daughter’s life which includes going to watch her cheer leading performance where Lester starts getting an instant fascination with fellow cheerleader Angela Hayes (Suvari). The Burnham’s have just got new neighbours in the Fitts, Colonel (Cooper) and his son Ricky (Bentley) who has an obsession with filming his everyday life. What follows is a look into suburban life.
American Beauty manages to balance every character to end up telling a story of everyday life and how it can change because the people closest to you really don’t know what you are up too. We get to look closer are how the perception of a person can hide the reality that is going on in the life and we get to see the different things that could happen. It is hard to really discuss too much about this film because I have looked into the characters closer next and this film is very much character driven which helps the story shine through. (10/10)
Actor Review
Kevin Spacey: Lester Burnham is an average man who is tired of the same old routine and decides to break out, he gets himself fired, starts taking drugs all while obsessing over his daughters friend. Kevin gives a brilliant performance but as you would expect from him. (10/10)
lester
Annette Bening: Carolyn Burnham is a real estate agent who puts on a brave face all while struggling with her own problems leading to her having an affair as her relationship with Lester starts to get stretched. Annette shines here with mixed emotions about Lester through the film. (10/10)
caroluyn
Thora Birch: Jane Burnham is the moodiest cheerleader ever who doesn’t seem to get the attention a cheerleader gets from the guys, she is best friends most beautiful girl in school who gets all the attention, but Jane does attract the new neighbour who helps her come out of her shell. Thora gives a great performance showing that she was ready to break through in the role. (9/10)
jane
Wes Bentley: Ricky Fitts is the new neighbour that could be considered weird because of his obsession with filming everything in life, he also ends up being a drug dealer and the one that Lester uses, all while dealing with an over aggressive father. Wes shows all his talent here but it is a shame this is the highlight of his career to date. (9/10)
ricky
Mena Suvari: Angela Hayes is the beautiful girl from school that thinks all the guys want her but when Lester takes a shine to her we learn the truth about her nature. Mena comes away from her American Pie role with this much more adult role showing she didn’t need to just be a teen comedy star. (9/10)
angela
Chris Cooper: Colonel Fitts is the strict father of Ricky who hates everything that is different to his way of thinking, he is a generation behind but he really just wants to protect his son. Chris does a great job as the strict father because we just don’t know what his character will do next. (9/10)
Support Cast: American Beauty doesn’t have the biggest supporting cast with most just turning up in the odd scene while we focus on the main cast through the film.
Director Review: Sam Mendes – Sam burst onto the scene with this stunning piece of directing that will always be known as a classic. (10/10)
Drama: American Beauty shows the lives of these six people and manages to make us care about them all. (10/10)
Romance: American Beauty shows different levels of romance, we get a blossoming starting one, we have a long term one falling apart and we get to see the unavailable ones. (9/10)
Settings: American Beauty gives everything a realistic setting for the story being told through the film. (9/10)
Suggestion: American Beauty is absolute must watch for anyone, it will always go down as a classic in the history of film. (Must Watch)
Best Part: Lester getting fired.
Worst Part: While it is a brilliant drama, the casual fans will find this harder to find interesting.
Funniest Scene: Lester reacting to Angela spending the night.
Favourite Quote: Lester ‘Remember those posters that said, “Today is the first day of the rest of your life”? Well, that’s true of every day but one – the day you die.’
Believability: I do think this has plenty of realistic ideas of relationships but I do think the end wouldn’t happen. (8/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Won 5 Oscars including Best Picture, Best Actor, Dest Directing, Best Cinematography and Best Screenplay. It was also nominated for another 3.
Box Office: $356 Million
Budget: $15 Million
Runtime: 2 Hours 2 Minutes
Tagline: … look closer
Trivia: Both Oscar winners Kevin Spacey and Chris Cooper got their film career starts playing New York subway criminals. Spacey played an untitled mugger in Heartburn. Cooper played a pyromaniac in Money Train.
Overall: American Beauty is a classic that will always be remembered once you have seen it.
https://moviesreview101.com/2015/08/01/american-beauty-1999/
Lester & Carolyn decide to take more interest in their daughter’s life which includes going to watch her cheer leading performance where Lester starts getting an instant fascination with fellow cheerleader Angela Hayes (Suvari). The Burnham’s have just got new neighbours in the Fitts, Colonel (Cooper) and his son Ricky (Bentley) who has an obsession with filming his everyday life. What follows is a look into suburban life.
American Beauty manages to balance every character to end up telling a story of everyday life and how it can change because the people closest to you really don’t know what you are up too. We get to look closer are how the perception of a person can hide the reality that is going on in the life and we get to see the different things that could happen. It is hard to really discuss too much about this film because I have looked into the characters closer next and this film is very much character driven which helps the story shine through. (10/10)
Actor Review
Kevin Spacey: Lester Burnham is an average man who is tired of the same old routine and decides to break out, he gets himself fired, starts taking drugs all while obsessing over his daughters friend. Kevin gives a brilliant performance but as you would expect from him. (10/10)
lester
Annette Bening: Carolyn Burnham is a real estate agent who puts on a brave face all while struggling with her own problems leading to her having an affair as her relationship with Lester starts to get stretched. Annette shines here with mixed emotions about Lester through the film. (10/10)
caroluyn
Thora Birch: Jane Burnham is the moodiest cheerleader ever who doesn’t seem to get the attention a cheerleader gets from the guys, she is best friends most beautiful girl in school who gets all the attention, but Jane does attract the new neighbour who helps her come out of her shell. Thora gives a great performance showing that she was ready to break through in the role. (9/10)
jane
Wes Bentley: Ricky Fitts is the new neighbour that could be considered weird because of his obsession with filming everything in life, he also ends up being a drug dealer and the one that Lester uses, all while dealing with an over aggressive father. Wes shows all his talent here but it is a shame this is the highlight of his career to date. (9/10)
ricky
Mena Suvari: Angela Hayes is the beautiful girl from school that thinks all the guys want her but when Lester takes a shine to her we learn the truth about her nature. Mena comes away from her American Pie role with this much more adult role showing she didn’t need to just be a teen comedy star. (9/10)
angela
Chris Cooper: Colonel Fitts is the strict father of Ricky who hates everything that is different to his way of thinking, he is a generation behind but he really just wants to protect his son. Chris does a great job as the strict father because we just don’t know what his character will do next. (9/10)
Support Cast: American Beauty doesn’t have the biggest supporting cast with most just turning up in the odd scene while we focus on the main cast through the film.
Director Review: Sam Mendes – Sam burst onto the scene with this stunning piece of directing that will always be known as a classic. (10/10)
Drama: American Beauty shows the lives of these six people and manages to make us care about them all. (10/10)
Romance: American Beauty shows different levels of romance, we get a blossoming starting one, we have a long term one falling apart and we get to see the unavailable ones. (9/10)
Settings: American Beauty gives everything a realistic setting for the story being told through the film. (9/10)
Suggestion: American Beauty is absolute must watch for anyone, it will always go down as a classic in the history of film. (Must Watch)
Best Part: Lester getting fired.
Worst Part: While it is a brilliant drama, the casual fans will find this harder to find interesting.
Funniest Scene: Lester reacting to Angela spending the night.
Favourite Quote: Lester ‘Remember those posters that said, “Today is the first day of the rest of your life”? Well, that’s true of every day but one – the day you die.’
Believability: I do think this has plenty of realistic ideas of relationships but I do think the end wouldn’t happen. (8/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Won 5 Oscars including Best Picture, Best Actor, Dest Directing, Best Cinematography and Best Screenplay. It was also nominated for another 3.
Box Office: $356 Million
Budget: $15 Million
Runtime: 2 Hours 2 Minutes
Tagline: … look closer
Trivia: Both Oscar winners Kevin Spacey and Chris Cooper got their film career starts playing New York subway criminals. Spacey played an untitled mugger in Heartburn. Cooper played a pyromaniac in Money Train.
Overall: American Beauty is a classic that will always be remembered once you have seen it.
https://moviesreview101.com/2015/08/01/american-beauty-1999/
Gareth von Kallenbach (965 KP) rated Horrible Bosses (2011) in Movies
Aug 7, 2019
We have all had them at some point in our life. You may even have one now. That’s right, I am talking about horrible bosses. So I was more than happy to go see Horrible Bosses, mostly to get suggestions on how to treat my subordinates. What? I never said that I was a great boss. But enough about me, the movie is about three friends whose superiors are making their lives unbearable, so they decide to murder their horrible bosses.
The three friends:
Nick Hendricks (Jason Bateman) has spent years being the dedicated, hard-working employee. He is the first to arrive at work and the last to leave. But for some reason his boss, the company president, Dave Harken (Kevin Spacey) feels the need to torment him on a daily basis. The one thing that has kept Nick going was the promotion to Vice President of Sales that his boss has been telling him that he would get. But when the day comes Dave decides that he will absorb the VP of Sales position within his own.
Dale Arbus (Charlie Day) is a caring dental hygienist who loves his job, with the one exception of his boss Dr. Julia Harris D.D.S. (Jennifer Aniston) who sexually harrasses him constantly. Now, personally, if I had a boss that looked like his boss she could sexually harass me all she wanted and I would be begging for overtime. However Dale is engaged to a wonderful woman, Stacy (Lindsay Sloane), and Dr. Harris demands that either Dale sleeps with her by the end of the week or else she will tell Stacy that Dale has been sleeping with her. Dr. Harris even has incriminating photos that she took of herself and Dale in questionable poses (of course he was unconscious during dental surgery when the pictures were taken but that’s beside the point).
Kurt Buckman (Jason Sudeikis) is an accountant at Pellit & Sons Chemical Plant. He’s dedicated, hard-working and actually loves his job and boss. But when his boss Jack Pellit (Donald Sutherland) suddenly passes away, Jack’s deranged coke-head son, Bobby (Colin Farrell) takes over and all he cares about is making as much money possible until he runs the company into the ground.
Now you may be asking “Why don’t they just quit their jobs?” They thought about that but then they bump into an old High School buddy of theirs, Kenny Sommerfeld (P.J. Byrne), and they see first-hand how hard it is to find a job.
The decision to murder:
Dale thought he had a fantastic plan on how to murder their bosses and it was rather inexpensive but that gets flushed down the toilet. Nick and Kurt were pissed at Dale for a while but luckily the GPS navigation system in Kurt’s car leads them to Dean ‘MF’ Jones (Jamie Foxx). Dean becomes their Murder Consultant and he gives them a wealth of information on how to go about getting away with murder, as well as the idea that they should murder each other’s bosses. Thus the three friends embark on an epic adventure to kill each other’s bosses and save the world.. well, at the very least, save their sanity.
The onscreen chemistry between Jason Bateman, Jason Sudeikis and Charlie Day was so amazing you would think they have been a comedy team for years and friends for even longer. It really seemed very genuine. Walking out of the theatre I overheard some people discussing who out of the three main actors did the better job and I have to agree with pretty much what they said. Though they all did great jobs Charlie Day rocked the screen just a little harder than either Jason did.
Kevin Spacey, Jennifer Aniston & Colin Farrell were phenomenal. They brought such unique flair and realism to their characters. Kevin Spacey will always be the worst boss ever, Colin Farrell will always be the guy I want to party with and Jennifer Aniston is the boss I would love to have. I will be honest, I was guilty of type casting Jennifer but after seeing her in this role, I can safely say I have learned my lesson and I will not make that mistake again. (Psst, film industry, you can learn this lesson too).
While the screen time for Donald Sutherland, Jamie Foxx, Julie Bowen, Wendell Pierce, Ron White and Bob Newhart may have been shorter than I would have preferred, those scenes were still great. There’s even a really short scene with Isaiah Mustafa (fun fact: he attended the Seattle Seahawks’ training camp in 2000) and even though he was fully clothed in the scene I swear I heard “Yum” whispered by most of audience.
There were a couple of things in the movie that I felt could have been done better unfortunately to list those parts would be a major spoiler. But overall, the movie delivered what I expected and more. It was consistently funny, relatable, highly enjoyable, clever with some twists I didn’t see coming and all the actors (regardless of screen time) shined brightly as the stars they are.
The three friends:
Nick Hendricks (Jason Bateman) has spent years being the dedicated, hard-working employee. He is the first to arrive at work and the last to leave. But for some reason his boss, the company president, Dave Harken (Kevin Spacey) feels the need to torment him on a daily basis. The one thing that has kept Nick going was the promotion to Vice President of Sales that his boss has been telling him that he would get. But when the day comes Dave decides that he will absorb the VP of Sales position within his own.
Dale Arbus (Charlie Day) is a caring dental hygienist who loves his job, with the one exception of his boss Dr. Julia Harris D.D.S. (Jennifer Aniston) who sexually harrasses him constantly. Now, personally, if I had a boss that looked like his boss she could sexually harass me all she wanted and I would be begging for overtime. However Dale is engaged to a wonderful woman, Stacy (Lindsay Sloane), and Dr. Harris demands that either Dale sleeps with her by the end of the week or else she will tell Stacy that Dale has been sleeping with her. Dr. Harris even has incriminating photos that she took of herself and Dale in questionable poses (of course he was unconscious during dental surgery when the pictures were taken but that’s beside the point).
Kurt Buckman (Jason Sudeikis) is an accountant at Pellit & Sons Chemical Plant. He’s dedicated, hard-working and actually loves his job and boss. But when his boss Jack Pellit (Donald Sutherland) suddenly passes away, Jack’s deranged coke-head son, Bobby (Colin Farrell) takes over and all he cares about is making as much money possible until he runs the company into the ground.
Now you may be asking “Why don’t they just quit their jobs?” They thought about that but then they bump into an old High School buddy of theirs, Kenny Sommerfeld (P.J. Byrne), and they see first-hand how hard it is to find a job.
The decision to murder:
Dale thought he had a fantastic plan on how to murder their bosses and it was rather inexpensive but that gets flushed down the toilet. Nick and Kurt were pissed at Dale for a while but luckily the GPS navigation system in Kurt’s car leads them to Dean ‘MF’ Jones (Jamie Foxx). Dean becomes their Murder Consultant and he gives them a wealth of information on how to go about getting away with murder, as well as the idea that they should murder each other’s bosses. Thus the three friends embark on an epic adventure to kill each other’s bosses and save the world.. well, at the very least, save their sanity.
The onscreen chemistry between Jason Bateman, Jason Sudeikis and Charlie Day was so amazing you would think they have been a comedy team for years and friends for even longer. It really seemed very genuine. Walking out of the theatre I overheard some people discussing who out of the three main actors did the better job and I have to agree with pretty much what they said. Though they all did great jobs Charlie Day rocked the screen just a little harder than either Jason did.
Kevin Spacey, Jennifer Aniston & Colin Farrell were phenomenal. They brought such unique flair and realism to their characters. Kevin Spacey will always be the worst boss ever, Colin Farrell will always be the guy I want to party with and Jennifer Aniston is the boss I would love to have. I will be honest, I was guilty of type casting Jennifer but after seeing her in this role, I can safely say I have learned my lesson and I will not make that mistake again. (Psst, film industry, you can learn this lesson too).
While the screen time for Donald Sutherland, Jamie Foxx, Julie Bowen, Wendell Pierce, Ron White and Bob Newhart may have been shorter than I would have preferred, those scenes were still great. There’s even a really short scene with Isaiah Mustafa (fun fact: he attended the Seattle Seahawks’ training camp in 2000) and even though he was fully clothed in the scene I swear I heard “Yum” whispered by most of audience.
There were a couple of things in the movie that I felt could have been done better unfortunately to list those parts would be a major spoiler. But overall, the movie delivered what I expected and more. It was consistently funny, relatable, highly enjoyable, clever with some twists I didn’t see coming and all the actors (regardless of screen time) shined brightly as the stars they are.
JT (287 KP) rated Moon (2009) in Movies
Mar 10, 2020
The first few shots of Moon feel like any normal run of the mill sci-fi. There’s shots of the space station with the earth off in the distance, shots of computers and consoles and of course shots of a lone astronaut.
Shot in just 33 days Moon is one of the more eye opening sci-fi films for 2009. It has a Space Odyssey feel about it as the camera pans its way through white crisp interiors and what are seemingly chunky and dated equipment.
Even though this is set in 2024 you’d be forgiven it might have been set years earlier.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet’s power problems.
What starts out as seemingly inauspicious hallucinations, after Sam is involved in a crash in his rover turn into something much more. As we don’t ask ourselves what might be wrong with Sam but who the hell he is?
The script is tight and seeing as Sam is really the only major star alongside talking computer GERTY (voiced by Kevin Spacey) director Duncan Jones does well to build dramatic, emotional and thought provoking moments.
If a 33 day shoot seems small then it has a budget too match as it only cost around $5 million to make, and when you see the shots of the space rover trundling over the Moon’s rough surface you can see exactly what that money might have been used for.
It might not have been up there with many of the biggest blockbusters in 2009 but one thing is for sure, Moon is an enjoyable trip into the unknown.
Shot in just 33 days Moon is one of the more eye opening sci-fi films for 2009. It has a Space Odyssey feel about it as the camera pans its way through white crisp interiors and what are seemingly chunky and dated equipment.
Even though this is set in 2024 you’d be forgiven it might have been set years earlier.
Astronaut Sam Bell has a quintessentially personal encounter toward the end of his three-year stint on the Moon, where he, working alongside his computer, GERTY, sends back to Earth parcels of a resource that has helped diminish our planet’s power problems.
What starts out as seemingly inauspicious hallucinations, after Sam is involved in a crash in his rover turn into something much more. As we don’t ask ourselves what might be wrong with Sam but who the hell he is?
The script is tight and seeing as Sam is really the only major star alongside talking computer GERTY (voiced by Kevin Spacey) director Duncan Jones does well to build dramatic, emotional and thought provoking moments.
If a 33 day shoot seems small then it has a budget too match as it only cost around $5 million to make, and when you see the shots of the space rover trundling over the Moon’s rough surface you can see exactly what that money might have been used for.
It might not have been up there with many of the biggest blockbusters in 2009 but one thing is for sure, Moon is an enjoyable trip into the unknown.
Bob Mann (459 KP) rated All the Money in the World (2017) in Movies
Sep 29, 2021
You can’t take it with you.
The big talking point of this Ridley Scott film is not of course the film itself but the fact that the disgraced Kevin Spacey (“Baby Driver“) was ‘airbrushed’ out of the movie, replaced by the legend that is Christopher Plummer. With that background, and the fact that the re-shoot only took 9 days (NINE DAYS!!!!), I must admit to having been a tad scornful when Plummer was nominated for a Best Supporting Actor Oscar. “Oh” I thought “…it’s Judi Dench’s minimalistic performance in ‘Shakespeare In Love’ all over again”.
But actually on watching the film I take it all back. Plummer’s role is not, like Dench’s, a mere eight minutes of screen time, but extensive and pivotal. Not only was his nomination richly deserved (his performance is cold, eerie and magnificent!) but Ridley Scott deserved an award for getting so much great footage in the can in such a short space of time.
The film tells the true story of the feckless John Paul Getty III (Charlie Plummer, no relation), grandson to the richest man in the world John Paul Getty I. While in the Piazza Farnese in Rome, JPGIII is kidnapped and a $17 million reward is sought for his release. Whilst claiming to love his offspring, the tycoon is basically a ‘tight git’ and the film concerns the battle of the young heir’s mother Gail (Michelle Williams, “Manchester By The Sea”; “The Greatest Showman”) to persuade JPG1 and his right-hand negotiator Fletcher Chase (Mark Wahlberg, “Patriot’s Day”, “Deep Water Horizon“) to shake the money tree* and get JPGIII released.
*To be fair, JPGIII hasn’t exactly helped his case as it emerges he had previously joked about getting himself kidnapped to get his grandfather’s ransom money!
As I didn’t remember the historical outcome of this, I was in a suitable amount of suspense as to where it would go. It is clear though, from the wiki version of the story, that the ending was significantly ‘sexed-up’ for the movie.
Ridley Scott sensibly balances the views of the Getty’s with the views of the kidnappers, with a semi-sympathetic Italian (Romain Duris) being the focus of those scenes in rural Calabria.
But it’s the scenes with Plummer that really engage. The man as portrayed is an enigma, eccentrically washing his own clothes to save a few pennies and always (ALWAYS) trying to get 20% more on even the most personal of decisions. It makes me really intrigued to see Spacey’s portrayal now… I wonder if the alternate cut might make it onto the Blu-ray? I actually think though that Plummer was the better choice for this: I could see Spacey bringing far too much of Frank Underwood to the role.
Elsewhere in the cast, I think Michelle Williams and Mark Wahlberg are both solid without ever being spectacular and it’s nice to see the talented Andrew Buchan (“The Mercy“; “Broadchurch”) in a more memorable big screen outing as JPG2: his drug-addled son (and JPG3’s father).
Overall, it’s an interesting watch and had me sufficiently engaged to want to watch it again. But without Plummer’s role it wouldn’t really amount to nearly as much.
But actually on watching the film I take it all back. Plummer’s role is not, like Dench’s, a mere eight minutes of screen time, but extensive and pivotal. Not only was his nomination richly deserved (his performance is cold, eerie and magnificent!) but Ridley Scott deserved an award for getting so much great footage in the can in such a short space of time.
The film tells the true story of the feckless John Paul Getty III (Charlie Plummer, no relation), grandson to the richest man in the world John Paul Getty I. While in the Piazza Farnese in Rome, JPGIII is kidnapped and a $17 million reward is sought for his release. Whilst claiming to love his offspring, the tycoon is basically a ‘tight git’ and the film concerns the battle of the young heir’s mother Gail (Michelle Williams, “Manchester By The Sea”; “The Greatest Showman”) to persuade JPG1 and his right-hand negotiator Fletcher Chase (Mark Wahlberg, “Patriot’s Day”, “Deep Water Horizon“) to shake the money tree* and get JPGIII released.
*To be fair, JPGIII hasn’t exactly helped his case as it emerges he had previously joked about getting himself kidnapped to get his grandfather’s ransom money!
As I didn’t remember the historical outcome of this, I was in a suitable amount of suspense as to where it would go. It is clear though, from the wiki version of the story, that the ending was significantly ‘sexed-up’ for the movie.
Ridley Scott sensibly balances the views of the Getty’s with the views of the kidnappers, with a semi-sympathetic Italian (Romain Duris) being the focus of those scenes in rural Calabria.
But it’s the scenes with Plummer that really engage. The man as portrayed is an enigma, eccentrically washing his own clothes to save a few pennies and always (ALWAYS) trying to get 20% more on even the most personal of decisions. It makes me really intrigued to see Spacey’s portrayal now… I wonder if the alternate cut might make it onto the Blu-ray? I actually think though that Plummer was the better choice for this: I could see Spacey bringing far too much of Frank Underwood to the role.
Elsewhere in the cast, I think Michelle Williams and Mark Wahlberg are both solid without ever being spectacular and it’s nice to see the talented Andrew Buchan (“The Mercy“; “Broadchurch”) in a more memorable big screen outing as JPG2: his drug-addled son (and JPG3’s father).
Overall, it’s an interesting watch and had me sufficiently engaged to want to watch it again. But without Plummer’s role it wouldn’t really amount to nearly as much.
Gareth von Kallenbach (965 KP) rated Superman Returns (2006) in Movies
Aug 14, 2019
It has been nearly twenty years since Superman graced the silver screen. This fact is outstanding when you consider that numerous attempts to revive the franchise and two successful television series have occurred in the nearly two decades since 1987’s “Superman IV: The Quest for Peace”.
Amidst much speculation and rumors of a soaring budget that is reported to be over $250 Million, Superman Returns has arrived.
Under the direction of Bryan Singer, who successfully launched the first two films in the “X-Men” series, Brandon Routh dons the tights and capes of the late Christopher Reeve, as the man of steel and his mild mannered alter ego Clark Kent.
As the films opens, it is explained that Superman has been gone five years as he has traveled to what astronomers believe are the remains of his home planet Krypton which was destroyed when he was an infant.
Soon after his return, Clark visits his adopted mother in his hometown of Smallville before returning to Metropolis and his job at the Daily Planet. His happy homecoming is short-lived when Clark realizes that his beloved Lois Lane (Kate Bosworth) is now a single mom with a fiancée named Richard (James Marsden).
As if this is not enough, Superman is shortly thereafter called into action to save Lois and the passengers of a plane and space shuttle encounter a deadly situation when a press conference goes awry.
In a spectacle of action and visual brilliance Superman not only saves the day, but makes a highly visible and triumphant return that signals to the world that he is back.
As happy as the majority of the world is to have their champion back, Lois is very conflicted about his return. She believes he abandoned humanity and left her without even saying goodbye. Such is the extent of Lois’s anger toward Superman; she has written a story entitled “Why the World Doesn’t Need Superman” for which she was awarded a Pulitzer Prize.
As upset as Lois is about the return of Superman, there is one individual who is seething mad over his return and that is Lex Luthor (Kevin Spacey) who plans to use his recently acquired wealth to hatch his latest plot and end the threat of Superman once and for all.
Lex plans to use the crystals and knowledge he has pilfered from Superman’s arctic Fortress of Solitude to craft a new landmass, where he will rule supreme. The fact that billions of innocents will be killed in the process is of no consequence to the power mad Luthor, setting the stage for several high tech action sequences and daring adventures as Superman sets out to save the day.
Despite numerous concerns I had over the film, I am happy to say that the series is in great hands, and the combination of Spacey, Bosworth, Routh, and Singer have not only produced the best film of Summer 2006, but have paved the way for what looks to be a series of films that, while true to the source materials, is not afraid to push the envelope to modernize Superman.
Routh was solid, not only looked the part perfectly, but handled the dual roles of Clark and Superman with and easygoing charm and manner that is highly effective. His ability to portray Superman as a being with deep emotions as well as power is key to the film as the audience is given a chance to see more than just the man with the muscles. Bosworth is also to be commended for her portrayal of a strong and capable Lois who is anything but the stock damsel in distress. The chemistry between Routh and Bosworth is good which is vital, as this is much more than effects and action.
The humanity and compassion that drives the film is an unexpected bonus. Despite the amazing action sequences, this is a story with deep emotional and psychological themes that are rarely seen in films of this nature.
If I had to find fault in the film, it would be that Spacey was not allowed to really let Lex be truly evil. Sure he talks a good fight, and in a few sequences is not above getting his hands dirty. But, for a film as grand as this, the diabolic plot Luthor is trying to hatch just does not seem diabolic enough.
One could also say that at a running time of nearly two hours and forty minutes that perhaps 20 minutes or so could have been trimmed towards the end to help the pacing of the final segments of the film.
That being said, the impressive mix of action, humor, romance, and cast gives Superman Returns a highly winning formula.
Amidst much speculation and rumors of a soaring budget that is reported to be over $250 Million, Superman Returns has arrived.
Under the direction of Bryan Singer, who successfully launched the first two films in the “X-Men” series, Brandon Routh dons the tights and capes of the late Christopher Reeve, as the man of steel and his mild mannered alter ego Clark Kent.
As the films opens, it is explained that Superman has been gone five years as he has traveled to what astronomers believe are the remains of his home planet Krypton which was destroyed when he was an infant.
Soon after his return, Clark visits his adopted mother in his hometown of Smallville before returning to Metropolis and his job at the Daily Planet. His happy homecoming is short-lived when Clark realizes that his beloved Lois Lane (Kate Bosworth) is now a single mom with a fiancée named Richard (James Marsden).
As if this is not enough, Superman is shortly thereafter called into action to save Lois and the passengers of a plane and space shuttle encounter a deadly situation when a press conference goes awry.
In a spectacle of action and visual brilliance Superman not only saves the day, but makes a highly visible and triumphant return that signals to the world that he is back.
As happy as the majority of the world is to have their champion back, Lois is very conflicted about his return. She believes he abandoned humanity and left her without even saying goodbye. Such is the extent of Lois’s anger toward Superman; she has written a story entitled “Why the World Doesn’t Need Superman” for which she was awarded a Pulitzer Prize.
As upset as Lois is about the return of Superman, there is one individual who is seething mad over his return and that is Lex Luthor (Kevin Spacey) who plans to use his recently acquired wealth to hatch his latest plot and end the threat of Superman once and for all.
Lex plans to use the crystals and knowledge he has pilfered from Superman’s arctic Fortress of Solitude to craft a new landmass, where he will rule supreme. The fact that billions of innocents will be killed in the process is of no consequence to the power mad Luthor, setting the stage for several high tech action sequences and daring adventures as Superman sets out to save the day.
Despite numerous concerns I had over the film, I am happy to say that the series is in great hands, and the combination of Spacey, Bosworth, Routh, and Singer have not only produced the best film of Summer 2006, but have paved the way for what looks to be a series of films that, while true to the source materials, is not afraid to push the envelope to modernize Superman.
Routh was solid, not only looked the part perfectly, but handled the dual roles of Clark and Superman with and easygoing charm and manner that is highly effective. His ability to portray Superman as a being with deep emotions as well as power is key to the film as the audience is given a chance to see more than just the man with the muscles. Bosworth is also to be commended for her portrayal of a strong and capable Lois who is anything but the stock damsel in distress. The chemistry between Routh and Bosworth is good which is vital, as this is much more than effects and action.
The humanity and compassion that drives the film is an unexpected bonus. Despite the amazing action sequences, this is a story with deep emotional and psychological themes that are rarely seen in films of this nature.
If I had to find fault in the film, it would be that Spacey was not allowed to really let Lex be truly evil. Sure he talks a good fight, and in a few sequences is not above getting his hands dirty. But, for a film as grand as this, the diabolic plot Luthor is trying to hatch just does not seem diabolic enough.
One could also say that at a running time of nearly two hours and forty minutes that perhaps 20 minutes or so could have been trimmed towards the end to help the pacing of the final segments of the film.
That being said, the impressive mix of action, humor, romance, and cast gives Superman Returns a highly winning formula.
Gareth von Kallenbach (965 KP) rated Horrible Bosses 2 (2014) in Movies
Aug 6, 2019
Kurt, Nick and Dale are back, and with them comes all the rest in Horrible Bosses 2. This time around, we see our would-be criminals (Jason Sudekis, Jason Bateman and Charlie Dale, respectively) as their own bosses.
Horrible Bosses 2 opens on the trio as a guest on a cheesy day-time talk show. They are there to show off their new invention, the Shower Buddy. This spot gets them some notice from the head of a big time, SkyMall-esque, corporation who wants to place a large order. But when the deal goes south, our boys have to figure out a way to save their own skin, and get back at the corporation.
The greatest thing about this sequel? It was not just a rehashing of the first movie. Yes, there are a lot of the elements there, but the plot was different enough that it could have been a movie of its own and not a prequel. Of course, there were some great call backs to the first movie during the film and the closing credits. But there were new things introduced, and not just the same old re-hashing.
Sudekis, Bateman and Day have such a great chemistry together, too. They played very well off each other, and had near perfect timing through the whole movie. Add to this the returning cast from the first film (Jennifer Aniston, Kevin Spacey, and Jamie Foxx), and introduce Chris Pine and Christoph Waltz to the mix, and it only increases the fun. Our newcomers blew me away too, because I am not used to seeing them in roles such as this.
There is not a lot bad that I can say about this movie. Great performances by main and supporting cast, a well-rounded plot, with the exception of one part of the wrap-up in the end (I won’t spoil it for you), and a very complimentary soundtrack makes this one of the best comedies I have seen in a while. Thumbs up to these guys! I’m hoping they might be able to find the same magic for a third film!
4.5 Stars out of 5
Horrible Bosses 2 opens on the trio as a guest on a cheesy day-time talk show. They are there to show off their new invention, the Shower Buddy. This spot gets them some notice from the head of a big time, SkyMall-esque, corporation who wants to place a large order. But when the deal goes south, our boys have to figure out a way to save their own skin, and get back at the corporation.
The greatest thing about this sequel? It was not just a rehashing of the first movie. Yes, there are a lot of the elements there, but the plot was different enough that it could have been a movie of its own and not a prequel. Of course, there were some great call backs to the first movie during the film and the closing credits. But there were new things introduced, and not just the same old re-hashing.
Sudekis, Bateman and Day have such a great chemistry together, too. They played very well off each other, and had near perfect timing through the whole movie. Add to this the returning cast from the first film (Jennifer Aniston, Kevin Spacey, and Jamie Foxx), and introduce Chris Pine and Christoph Waltz to the mix, and it only increases the fun. Our newcomers blew me away too, because I am not used to seeing them in roles such as this.
There is not a lot bad that I can say about this movie. Great performances by main and supporting cast, a well-rounded plot, with the exception of one part of the wrap-up in the end (I won’t spoil it for you), and a very complimentary soundtrack makes this one of the best comedies I have seen in a while. Thumbs up to these guys! I’m hoping they might be able to find the same magic for a third film!
4.5 Stars out of 5
Darren (1599 KP) rated A Time to Kill (1996) in Movies
Jun 20, 2019
Story: A Time to Kill starts a we see 10-year-old Tonya beaten and raped by Billy Ray Cobb (Katt) and James Louis Willard (Hutchison) and with the case taken to court it looks like they will get off the charge, her father Carl Lee Hailey (Jackson) takes matters into his own hands.
Carl Lee facing a double murder charge Jake Tyler Brigance (McConaughey) takes the case having to go up against powerful DA Rufus Buckley (Spacey) in what is a case fuelled with racial tension.
When the case brings the Ku Klux Klan back from grave Jake puts his own family in danger but thanks to young law student Ellen Roark (Bullock) and his mentor Lucien Wilbanks (D.Sutherland) to help him keep his business a float and win this case.
A Time to Kill is a racial driven courtroom crime thriller that touches on everything with the nice amount of time. We get left to question what you would do if you were in any of the position between the case which is a huge plus for the film. The idea that we get the racial tension going on because of how the case could be treated differently depending on the skin colour of a character also helps drive the story. when it comes to courtroom drama this is by fair one of the best out there.
Actor Review
Matthew McConaughey: Jake Tyler Brigance is a young lawyer who has taken over a small law firm from his mentor who struggles to keep the business afloat. When this case comes his way he wants to do the right thing because he knows how this can be a difficult decision and believe he can win the case against the odds. Matthew shows early on in his career he could handle the serious films in leading role.
Sandra Bullock: Ellen Roark is a young law student who has helped on many murder cases and wants to help Jake with this case to help clear Carl Lee from the charges. She has different political beliefs to him which they do class on but their passion together can drive the case. Sandra shines in this role in her early career showing how she can pull of the serious roles too.
Samuel L Jackson: Carl Lee Hailey is the man that finds his daughter beaten and raped and decides to take justice into his own hands by killing the men involved. He doesn’t care what happens to him just as long as he makes these men pay but not faces a double murder charge. Samuel is great in this role as a man who got pushed to his limits.
Kevin Spacey: D A Rufus Buckley is the cocky DA who thinks this case is a slam dunk as he knows he can get the white man’s vote on the jury and questions Jake ability in a courtroom. Kevin while playing a standard character for the villain of the courtroom hit it ot the park in every scene.
Support Cast: A Time to Kill has a supporting cast which is filled with stars in nearly every scene and each one gives a brilliant performance throughout the film.
Director Review: Joel Schumacher – Joel gives us one of his best films that balance the racial tension with the crime case perfectly.
Crime: A Time to Kill leaves us in the middle of a court case handle a sensitive subject which poses us questions on where you would stand on such a case.
Thriller: A Time to Kill does keep us one edge wondering where the next twist will come in the story be it in the courtroom or the tension building outside the courts.
Settings: A Time to Kill keeps nearly all the settings within the Louisiana town where racial tension is still strong and you can see the difference in both sides even with the same struggles.
Suggestion: A Time to Kill is one of the most must watch courtroom dramas out there with such a sensitive subject. (Must Watch)
Best Part: Closing speech.
Worst Part: Slightly long if you are being picky.
Believability: Parts could be.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $40 Million
Runtime: 2 Hours 29 Minutes
Tagline: A lawyer and his assistant fighting to save a father on trial for murder. A time to question what they believe. A time to doubt what they trust. And no time for mistakes.
Overall: One of the all-time best courtroom drams out there
https://moviesreview101.com/2016/11/06/matthew-mcconaughey-weekend-a-time-to-kill-1996/
Carl Lee facing a double murder charge Jake Tyler Brigance (McConaughey) takes the case having to go up against powerful DA Rufus Buckley (Spacey) in what is a case fuelled with racial tension.
When the case brings the Ku Klux Klan back from grave Jake puts his own family in danger but thanks to young law student Ellen Roark (Bullock) and his mentor Lucien Wilbanks (D.Sutherland) to help him keep his business a float and win this case.
A Time to Kill is a racial driven courtroom crime thriller that touches on everything with the nice amount of time. We get left to question what you would do if you were in any of the position between the case which is a huge plus for the film. The idea that we get the racial tension going on because of how the case could be treated differently depending on the skin colour of a character also helps drive the story. when it comes to courtroom drama this is by fair one of the best out there.
Actor Review
Matthew McConaughey: Jake Tyler Brigance is a young lawyer who has taken over a small law firm from his mentor who struggles to keep the business afloat. When this case comes his way he wants to do the right thing because he knows how this can be a difficult decision and believe he can win the case against the odds. Matthew shows early on in his career he could handle the serious films in leading role.
Sandra Bullock: Ellen Roark is a young law student who has helped on many murder cases and wants to help Jake with this case to help clear Carl Lee from the charges. She has different political beliefs to him which they do class on but their passion together can drive the case. Sandra shines in this role in her early career showing how she can pull of the serious roles too.
Samuel L Jackson: Carl Lee Hailey is the man that finds his daughter beaten and raped and decides to take justice into his own hands by killing the men involved. He doesn’t care what happens to him just as long as he makes these men pay but not faces a double murder charge. Samuel is great in this role as a man who got pushed to his limits.
Kevin Spacey: D A Rufus Buckley is the cocky DA who thinks this case is a slam dunk as he knows he can get the white man’s vote on the jury and questions Jake ability in a courtroom. Kevin while playing a standard character for the villain of the courtroom hit it ot the park in every scene.
Support Cast: A Time to Kill has a supporting cast which is filled with stars in nearly every scene and each one gives a brilliant performance throughout the film.
Director Review: Joel Schumacher – Joel gives us one of his best films that balance the racial tension with the crime case perfectly.
Crime: A Time to Kill leaves us in the middle of a court case handle a sensitive subject which poses us questions on where you would stand on such a case.
Thriller: A Time to Kill does keep us one edge wondering where the next twist will come in the story be it in the courtroom or the tension building outside the courts.
Settings: A Time to Kill keeps nearly all the settings within the Louisiana town where racial tension is still strong and you can see the difference in both sides even with the same struggles.
Suggestion: A Time to Kill is one of the most must watch courtroom dramas out there with such a sensitive subject. (Must Watch)
Best Part: Closing speech.
Worst Part: Slightly long if you are being picky.
Believability: Parts could be.
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Budget: $40 Million
Runtime: 2 Hours 29 Minutes
Tagline: A lawyer and his assistant fighting to save a father on trial for murder. A time to question what they believe. A time to doubt what they trust. And no time for mistakes.
Overall: One of the all-time best courtroom drams out there
https://moviesreview101.com/2016/11/06/matthew-mcconaughey-weekend-a-time-to-kill-1996/
Sarah (7798 KP) rated Seven (1995) in Movies
Nov 18, 2020
A timeless crime thriller
Film #2 on the 100 Movies Bucket List: Se7en
Se7en (1995) is directed by David Fincher and stars Brad Pitt and Morgan Freeman, as two detectives investigating a serial killer murdering people according to the seven deadly sins. From the very beginning we are plunged into the dark, gritty and nameless city home to almost retired Detective Somerset (Freeman) and new transfer Detective Mills (Pitt). It’s a grim and grey landscape with seemingly never ending rain and some rather dark and disturbing murders to match. The cinematography in this is superb. Fincher has created an almost film noir style crime thriller with an edgy yet stylish look and feel that completely encompasses the subject matter perfectly. It’s the bizarre incongruences, like Somerset using a typewriter while the rest of the precinct use computers, or the almost complete lack of cultural references, that give this a timeless stylised feel.
And the subject matter itself sounds, on the surface, like a by the book detective story. But Se7en is much more than your average run of the mill thriller. Yes the two lead characters Mills and Somerset are the typical cops you’d find in any police movie: headstrong impulsive young gun versus wizened sensible and rational senior. But the performances from Freeman and Pitt are top notch, I’d even go so far as saying career best, and this paired with a clever script and a fairly horrifying plot that being this into the territory of one of the best detective movies ever made. The amount of quotable lines in the movie is surprising – any crime film that can include the line “Just because the fucker’s got a library card doesn’t make him Yoda” is on to a winner.
The central focus on the seven deadly sins simply adds to the intrigue and general intelligence of this as well. Regardless of your beliefs or background, it’s unlikely that there are many who haven’t heard of the seven deadly sins, and using these to murder people in rather horrific ways really enhances the threat and tension. Especially as the killer begins to leave hidden clues and hints in the hopes the detectives are smart enough to find them, which takes us as the viewer along for a rather interesting ride.
This is, without a doubt, very dark and fairly graphic with it’s crime scene depictions but it never feels like it goes too far. It’s gruesome and bloody but without that feeling of horror and disgust that comes from films that go over the top (i.e. the Saw franchise). And it isn’t all doom and gloom either as Fincher easily works in some rather heartwarming scenes between Somerset, Mills and Mill’s wife Tracey (Gwyneth Paltrow), as well as some well placed laugh out loud moments that further enhance the realistic tone that the film is trying to betray.
However the standout and most memorable moment for Se7en comes during the last half an hour. For those that haven’t seen the film and don’t want spoilers, shame on you and you may want to read no further…. It’s the final scenes when John Doe hands himself in to the detectives and takes them on a road trip into the wilderness to reveal his last two victims. Kevin Spacey, who wasn’t credited in the films opening sequence, puts in a stellar performance as the unnerving and downright creepy serial killer, whose motives are deeply disturbing. You can’t take your eyes off him in this final act. Pair this with a (literally) killer twist that no-one, let alone the detectives who have been one step behind Doe this entire movie, sees coming and a chilling denouement that perfectly wraps up the final two sins.
Se7en is by far one of the best detective thrillers ever made. It’s a masterpiece in filmmaking from David Fincher and some of the best work Freeman, Spacey and Pitt have ever done. 25 years on and this film is a timeless classic.
Se7en (1995) is directed by David Fincher and stars Brad Pitt and Morgan Freeman, as two detectives investigating a serial killer murdering people according to the seven deadly sins. From the very beginning we are plunged into the dark, gritty and nameless city home to almost retired Detective Somerset (Freeman) and new transfer Detective Mills (Pitt). It’s a grim and grey landscape with seemingly never ending rain and some rather dark and disturbing murders to match. The cinematography in this is superb. Fincher has created an almost film noir style crime thriller with an edgy yet stylish look and feel that completely encompasses the subject matter perfectly. It’s the bizarre incongruences, like Somerset using a typewriter while the rest of the precinct use computers, or the almost complete lack of cultural references, that give this a timeless stylised feel.
And the subject matter itself sounds, on the surface, like a by the book detective story. But Se7en is much more than your average run of the mill thriller. Yes the two lead characters Mills and Somerset are the typical cops you’d find in any police movie: headstrong impulsive young gun versus wizened sensible and rational senior. But the performances from Freeman and Pitt are top notch, I’d even go so far as saying career best, and this paired with a clever script and a fairly horrifying plot that being this into the territory of one of the best detective movies ever made. The amount of quotable lines in the movie is surprising – any crime film that can include the line “Just because the fucker’s got a library card doesn’t make him Yoda” is on to a winner.
The central focus on the seven deadly sins simply adds to the intrigue and general intelligence of this as well. Regardless of your beliefs or background, it’s unlikely that there are many who haven’t heard of the seven deadly sins, and using these to murder people in rather horrific ways really enhances the threat and tension. Especially as the killer begins to leave hidden clues and hints in the hopes the detectives are smart enough to find them, which takes us as the viewer along for a rather interesting ride.
This is, without a doubt, very dark and fairly graphic with it’s crime scene depictions but it never feels like it goes too far. It’s gruesome and bloody but without that feeling of horror and disgust that comes from films that go over the top (i.e. the Saw franchise). And it isn’t all doom and gloom either as Fincher easily works in some rather heartwarming scenes between Somerset, Mills and Mill’s wife Tracey (Gwyneth Paltrow), as well as some well placed laugh out loud moments that further enhance the realistic tone that the film is trying to betray.
However the standout and most memorable moment for Se7en comes during the last half an hour. For those that haven’t seen the film and don’t want spoilers, shame on you and you may want to read no further…. It’s the final scenes when John Doe hands himself in to the detectives and takes them on a road trip into the wilderness to reveal his last two victims. Kevin Spacey, who wasn’t credited in the films opening sequence, puts in a stellar performance as the unnerving and downright creepy serial killer, whose motives are deeply disturbing. You can’t take your eyes off him in this final act. Pair this with a (literally) killer twist that no-one, let alone the detectives who have been one step behind Doe this entire movie, sees coming and a chilling denouement that perfectly wraps up the final two sins.
Se7en is by far one of the best detective thrillers ever made. It’s a masterpiece in filmmaking from David Fincher and some of the best work Freeman, Spacey and Pitt have ever done. 25 years on and this film is a timeless classic.
Phillip McSween (751 KP) rated Baby Driver (2017) in Movies
Feb 1, 2020
Will Baby Get Out of the Game?
A young getaway driver finds himself in over his head when he tries to get out of the crime game.
Acting: 10
Beginning: 10
Characters: 10
It’s really hard not to love main character Baby (Ansel Elgort). Sure he’s helping criminals do criminal things but he has a great story and a solid motive. From the minute he shows up on screen beating his steering wheel to the music, you immediately want to root for this guy. Baby answers to Doc played by Kevin Spacey who reads the role with a controlled seriousness that forces you to focus on his every word. Doc along with an interesting gang of thugs make for a solid supporting cast.
Cinematography/Visuals: 10
Whether it’s two lovebirds in a diner talking or a death-defying car chase, I really appreciate the way Edgar Wright uses different angles to capture the perfect moment. I don’t know how he did it, but the movie has an 80’s feel to it even though it takes place in modern day. The action sequences play out in amazing fashion on screen and keep the story moving.
Conflict: 10
So many angles to consider here. Will Baby get out of the game? Does he get the girl? Will the next heist be a success? Something seems to always be happening whether at the forefront or in the background. This is a movie where you can get up to grab a drink and totally miss something you wish you hadn’t. Not to mention Baby Driver seriously has some of the best car chases in film period.
Entertainment Value: 10
It’s a movie that makes The French Connection car chase look like amateur night. There is so much going on, so many layers, that you will be hardpressed to be bored. It has the feel of an indie with blockbuster moments.
Memorability: 10
Pace: 10
Moves at an extremely high clip. Even the dialogue scenes can feel action-driven at times due to the intensity of the conversation. It’s a movie that never really lets you get too comfortable, but rather continues to hit you repeatedly with more.
Plot: 10
Resolution: 8
While the ending is the weakest point of the movie, it doesn’t detract from the overall greatness of Baby Driver. I wasn’t blown away by the resolution, but it was complete enough to get a pass from me. Good, but not lifechanging.
Overall: 98
In addition to having great action, Baby Driver’s love story helps drive the movie (pun intended) as a whole. It’s movies like these I wish would get more love from the Academy as they help to keep the population in love with film. Proud to call this movie a classic.
Acting: 10
Beginning: 10
Characters: 10
It’s really hard not to love main character Baby (Ansel Elgort). Sure he’s helping criminals do criminal things but he has a great story and a solid motive. From the minute he shows up on screen beating his steering wheel to the music, you immediately want to root for this guy. Baby answers to Doc played by Kevin Spacey who reads the role with a controlled seriousness that forces you to focus on his every word. Doc along with an interesting gang of thugs make for a solid supporting cast.
Cinematography/Visuals: 10
Whether it’s two lovebirds in a diner talking or a death-defying car chase, I really appreciate the way Edgar Wright uses different angles to capture the perfect moment. I don’t know how he did it, but the movie has an 80’s feel to it even though it takes place in modern day. The action sequences play out in amazing fashion on screen and keep the story moving.
Conflict: 10
So many angles to consider here. Will Baby get out of the game? Does he get the girl? Will the next heist be a success? Something seems to always be happening whether at the forefront or in the background. This is a movie where you can get up to grab a drink and totally miss something you wish you hadn’t. Not to mention Baby Driver seriously has some of the best car chases in film period.
Entertainment Value: 10
It’s a movie that makes The French Connection car chase look like amateur night. There is so much going on, so many layers, that you will be hardpressed to be bored. It has the feel of an indie with blockbuster moments.
Memorability: 10
Pace: 10
Moves at an extremely high clip. Even the dialogue scenes can feel action-driven at times due to the intensity of the conversation. It’s a movie that never really lets you get too comfortable, but rather continues to hit you repeatedly with more.
Plot: 10
Resolution: 8
While the ending is the weakest point of the movie, it doesn’t detract from the overall greatness of Baby Driver. I wasn’t blown away by the resolution, but it was complete enough to get a pass from me. Good, but not lifechanging.
Overall: 98
In addition to having great action, Baby Driver’s love story helps drive the movie (pun intended) as a whole. It’s movies like these I wish would get more love from the Academy as they help to keep the population in love with film. Proud to call this movie a classic.
BankofMarquis (1832 KP) rated All the Money in the World (2017) in Movies
Feb 14, 2018
Bland with the exception of Christopher Plummer
By now, almost everyone knows about the last minute switch of Christopher Plummer in place of current-pariah Kevin Spacey as pivotal Billionaire J. Paul Getty in Ridley Scott's ALL THE MONEY IN THE WORLD, so when I checked out Plummer's Oscar nominated turn, I couldn't but help see if I could tell when Scott put in a new scene and where he just "augmented" his scenes with Plummer. And then, a funny thing happened...
I stopped looking at this for I was captivated by Plummer's performance.
A 3 time Oscar nominee (he is the oldest person to win an Academy Award - at the age of 82 - for his Supporting Role in BEGINNERS in 2010), the 88 year old Plummer shows that he can still command a movie for anytime he is on screen this film crackles and becomes interesting.
Unfortunately, the same cannot be said for the rest of the film.
Telling the story of the kidnapping of Getty's grandson, and the "richest man in the world's" refusal to pay the ransom, ALL THE MONEY IN THE WORLD stars Charlie Plummer (no relation) as John Paul Getty III (the kidnapped grandson), Mark Wahlberg as "fixer" Fletcher Chase, who was told by Getty to get his grandson back for "the lowest possible cost", Romain Duris as one of the kidnappers and the great Michelle Williams as the mother of the kidnapped boy - and the daughter-in-law of Getty, Gail Harris. Each one of these performances are good, but not great. Doing what needs to be done in what they are given to do but nothing more.
I think the problem with this film is one of focus. It spends about 50% of the time with William's character - and this is fine, but then it jumps to the kidnapped son, to "the fixer", to "the kidnapper", to the grandson and back to the mother, so no real through-line, continuity or strong character development can occur, with the exception of Christopher Plummer's J. Paul Getty. To be fair to Williams, C. Plummer has the showier role and she is just asked to be the center of this tale, the world in which all else revolves and that, ultimately, makes her character somewhat bland.
I place the blame for this on Screenwriter David Scarpa (based on the book by John Pearson) and Director Scott. I think their reach exceeded their grasp on this one. If they could have focused more on one of the characters - instead of spreading things out - perhaps this film would have become more interesting and less bland. It stays on one note - despite jumping to different people in vastly different situations - throughout it's 2 hour and 15 minute time frame.
All in all, a missed opportunity. It is a decent film that had the potential to be VERY good. The only one who was VERY good was Christopher Plummer - and certainly his performance is worth the price of admission.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank (OfMarquis)
I stopped looking at this for I was captivated by Plummer's performance.
A 3 time Oscar nominee (he is the oldest person to win an Academy Award - at the age of 82 - for his Supporting Role in BEGINNERS in 2010), the 88 year old Plummer shows that he can still command a movie for anytime he is on screen this film crackles and becomes interesting.
Unfortunately, the same cannot be said for the rest of the film.
Telling the story of the kidnapping of Getty's grandson, and the "richest man in the world's" refusal to pay the ransom, ALL THE MONEY IN THE WORLD stars Charlie Plummer (no relation) as John Paul Getty III (the kidnapped grandson), Mark Wahlberg as "fixer" Fletcher Chase, who was told by Getty to get his grandson back for "the lowest possible cost", Romain Duris as one of the kidnappers and the great Michelle Williams as the mother of the kidnapped boy - and the daughter-in-law of Getty, Gail Harris. Each one of these performances are good, but not great. Doing what needs to be done in what they are given to do but nothing more.
I think the problem with this film is one of focus. It spends about 50% of the time with William's character - and this is fine, but then it jumps to the kidnapped son, to "the fixer", to "the kidnapper", to the grandson and back to the mother, so no real through-line, continuity or strong character development can occur, with the exception of Christopher Plummer's J. Paul Getty. To be fair to Williams, C. Plummer has the showier role and she is just asked to be the center of this tale, the world in which all else revolves and that, ultimately, makes her character somewhat bland.
I place the blame for this on Screenwriter David Scarpa (based on the book by John Pearson) and Director Scott. I think their reach exceeded their grasp on this one. If they could have focused more on one of the characters - instead of spreading things out - perhaps this film would have become more interesting and less bland. It stays on one note - despite jumping to different people in vastly different situations - throughout it's 2 hour and 15 minute time frame.
All in all, a missed opportunity. It is a decent film that had the potential to be VERY good. The only one who was VERY good was Christopher Plummer - and certainly his performance is worth the price of admission.
Letter Grade: B
7 (out of 10) stars and you can take that to the Bank (OfMarquis)