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Darren (1599 KP) rated The Dish (2001) in Movies
Sep 16, 2019
Characters – Cliff Buxton is the director of the facility, he remains calm for the additional pressure placed on him by this mission, he knows how to welcome a new member to the team and keep his loyal team showing the respect required, Cliff has been through his own personal tragedy which has given him extra motivation to be part of this moment in history. Mitch is the senior member of the team in Australia, he has worked with Cliff for years now and doesn’t take too keenly to Al, he must learn to accept his own mistakes and that everyone involved wants the same thing. Glenn is the youngest member of the team, he is nervous person in life and has a side story of whether he will ask a local woman out. Al is the representative from NASA, he is very much by the book figure and this does cause tension in places because he isn’t as laid back as the rest of the team, even though he does have the utmost respect for the team.
Performances – Sam Neill is brilliant in this film, he has always been one of the actors that can portray knowledge with ease and will always be engaging. Kevin Harrington, Tom Long and Patrick Warburton are all wonderful to watch, showing great chemistry throughout the film.
Story – The story here follows the small team of satellite team in Australia that have been selected to be the link in communication for NASA for the Apollo 11 mission to be the first man to walk on the moon, we see how they team had to overcome their own problems to make sure they are part of history. When it comes to the moon mission, it has to go down as one of the biggest moments in human history and over the years we have seen many stories about the people involved in making this moment in history happen. By seeing how a small crew has operated to make this event visible for the world is entertaining. Seeing how things didn’t go to plan shows how they had to show their skills to adapt to the situation is interesting and the side story of the Mayor seeing how proud he is to be selected for this. This is a complete story that shows us just how wonderful this event was for the people involved.
Comedy/History – The comedy involved in the film shows us just how the crew can make the events fee light-hearted with what happens, showing us how they can feel like they are can operate best with the laidback nature. This does circle around one of the biggest events in human history.
Settings – The film uses a couple of main locations, first and most importantly is the dish which shows how contained the operation was and how the town came together to be remembered in history.
Scene of the Movie – Rudy the security guard, he gets so many laughs it is brilliant.
That Moment That Annoyed Me – Nothing about this film.
Final Thoughts – This is easily one of the most underrated movies involving the moon landing, it is one that is easy to enjoy with laughs and historical moments blend effortlessly.
Overall: Wonderful drama.
Performances – Sam Neill is brilliant in this film, he has always been one of the actors that can portray knowledge with ease and will always be engaging. Kevin Harrington, Tom Long and Patrick Warburton are all wonderful to watch, showing great chemistry throughout the film.
Story – The story here follows the small team of satellite team in Australia that have been selected to be the link in communication for NASA for the Apollo 11 mission to be the first man to walk on the moon, we see how they team had to overcome their own problems to make sure they are part of history. When it comes to the moon mission, it has to go down as one of the biggest moments in human history and over the years we have seen many stories about the people involved in making this moment in history happen. By seeing how a small crew has operated to make this event visible for the world is entertaining. Seeing how things didn’t go to plan shows how they had to show their skills to adapt to the situation is interesting and the side story of the Mayor seeing how proud he is to be selected for this. This is a complete story that shows us just how wonderful this event was for the people involved.
Comedy/History – The comedy involved in the film shows us just how the crew can make the events fee light-hearted with what happens, showing us how they can feel like they are can operate best with the laidback nature. This does circle around one of the biggest events in human history.
Settings – The film uses a couple of main locations, first and most importantly is the dish which shows how contained the operation was and how the town came together to be remembered in history.
Scene of the Movie – Rudy the security guard, he gets so many laughs it is brilliant.
That Moment That Annoyed Me – Nothing about this film.
Final Thoughts – This is easily one of the most underrated movies involving the moon landing, it is one that is easy to enjoy with laughs and historical moments blend effortlessly.
Overall: Wonderful drama.
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365Flicks (235 KP) rated Pitching Tents (2017) in Movies
Nov 20, 2019
If you have ever taken the time to listen to our Podcast you will have figured out that I am a big fan of Kevin Smith, John Hughes, Cameron Crowe dialogue heavy story driven movies. Throw one of those coming of age end of summer type movies and ill eat them up like a bowl of Shreddies (Other cereals are available I just happen to be eating a bowl as I write this).
Pitching Tents is exactly this type of movie. Its 1984 its the end of the school year and Danny (Micheal Grant) has very little clue what he is going to do with his life past High School, before he has to really worry about any of that he is having one last weekend at Trout Camp with his buddies. However before his weekend can really begin he is cornered by over zealous guidance counselor Mr. Mulligan (Jim Norton) who has pretty much guaranteed Danny a place at a good college. Obviously though things are never that simple because Danny’s dad (Eric Allan Kramer) has gone to the liberty of securing him a job at the local factory.
Torn between his passion for Art and his desire to please his father, Danny has a tough life choice ahead of him. Of course that can wait because a weekend of smoking weed, contemplating life, trying to get laid lies ahead of Danny and his closest friends. You know standard Dazed and Confused territory.
You could argue that there is not really anything original here and you would right, we have seen these movies before and often done better. However I personally felt the Tug of War between Danny, his father and the Counselor is an interesting spin of the teen coming of age drama. Add to this the supporting cast of friends all hugely believable and relate-able with good turns from Disney alumni BooBoo Stewart (Descendants) as Todd and everyone’s favorite child star Jonathan Lipnicki (who is all growed up nowadays) as Scott. Then there is the final third of the movie in which Danny is to make his choice and the movie shows a level of maturity rarely seen in this type of Flick. Props to director Jacob Cooney on this count.
This is a recommend if these movies take your fancy, I know they are not for everyone but personally it ticked a lot of my boxes, and its always good to see what Lipnicki is doing these days. Oh then theres the soundtrack, typical 80s movie soundtrack, but hey who doesnt love that.
Pitching Tents is exactly this type of movie. Its 1984 its the end of the school year and Danny (Micheal Grant) has very little clue what he is going to do with his life past High School, before he has to really worry about any of that he is having one last weekend at Trout Camp with his buddies. However before his weekend can really begin he is cornered by over zealous guidance counselor Mr. Mulligan (Jim Norton) who has pretty much guaranteed Danny a place at a good college. Obviously though things are never that simple because Danny’s dad (Eric Allan Kramer) has gone to the liberty of securing him a job at the local factory.
Torn between his passion for Art and his desire to please his father, Danny has a tough life choice ahead of him. Of course that can wait because a weekend of smoking weed, contemplating life, trying to get laid lies ahead of Danny and his closest friends. You know standard Dazed and Confused territory.
You could argue that there is not really anything original here and you would right, we have seen these movies before and often done better. However I personally felt the Tug of War between Danny, his father and the Counselor is an interesting spin of the teen coming of age drama. Add to this the supporting cast of friends all hugely believable and relate-able with good turns from Disney alumni BooBoo Stewart (Descendants) as Todd and everyone’s favorite child star Jonathan Lipnicki (who is all growed up nowadays) as Scott. Then there is the final third of the movie in which Danny is to make his choice and the movie shows a level of maturity rarely seen in this type of Flick. Props to director Jacob Cooney on this count.
This is a recommend if these movies take your fancy, I know they are not for everyone but personally it ticked a lot of my boxes, and its always good to see what Lipnicki is doing these days. Oh then theres the soundtrack, typical 80s movie soundtrack, but hey who doesnt love that.
Neon's Nerd Nexus (360 KP) rated Jumanji: The Next Level (2019) in Movies
Dec 9, 2019
Half baked
jumanji next level is like an uninteresting game cutscene thats also unskippable its dull, frustrating, overlong and makes you wish you were doing something else. I actualy quite enjoyed the first instalment I it had some genuinely good ideas, great set pieces and some really fun action so i find it sad to say the sequel is not worth your time at all. Starting in the real world here lies its fist problem: not only are all the teens really boring and generic characters they are all also played by people that just cant act which absolutely kills any attachment to the characters and makes them seem more like one dimensional npcs in a cheap videogame. This would all be fine if the film jumped quickly into the game and the action but instead we get stuck with them for so long that i was begining to get restless way before we even begin to enter the jumanji. Once we do enter the game things do pick up but not by much as what we get is essentially a long drawn out re-skin of the first movie stuffed full of repetative humour and references. Its also contains some of the worst shot/lazy action scenes i have seen this year with not only poor cgi that offers no sense of weight but also no sense of thrill or excitement either. Long unnecessary scenes also plague the film too adding nothing to the story or character development and some jokes even go on for way to long even though they muster no laughs at all. Theres definitely some fun in watching the rock, kevin heart, jack black and karen gilinham act like thier in movie real world counterparts as they do a really impressive job of imitating the teen characters better than the teen actors do them selves. Another huge problem comes from each game character having only three lives as this immediately removes all threat/peril from the movie and again kills all tension too. If i had to sum up this sequel i would say its a movie made for people that talk through movies and i garantee if you go and see it at the cinema i bet thats what people will do because it lacks anything to keep even casual movie goers engaged and focused. More like disappointing dlc that you paid for upfront than 'next level' this movie really isnt worth your time. If you own the previous movies id stay home in the warm and watch them instead save yourself an over two hour slog of bad jokes and poor action.
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Movie Metropolis (309 KP) rated Glass (2019) in Movies
Jun 10, 2019
An ambitious but flawed finale
M. Night Shyamalan is back behind the camera! Quick, run! Joking aside, Shyamalan’s career is as convoluted as his signature third-act twists. Starting off with the fabulous The Sixth Sense and then almost derailing his career with catastrophic failures like The Happening, After Earth and dare I mention it, The Last Airbender, it appeared we had all but lost that once promising directorial flair.
Thankfully in 2016’s Split, Shyamalan returned to form somewhat with a nicely paced, tense thriller starring James McAvoy as Kevin, a guy with multiple personality disorder. Of course, the infamous twist, possibly Shyamalan’s best, that this film was set in the same universe as the fabulous Unbreakable was almost too much to handle.
Fast-forward three years and Glass is the film that rounds out the surprise trilogy, bringing together McAvoy, Bruce Willis and Samuel L Jackson for the mother of all showdowns. Or that’s what the trailers would have you believe. But what’s the finished product like?
Three weeks after the conclusion of Split, Glass finds Bruce Willis’ David Dunn pursuing James McAvoy’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Elijah Price (Samuel L Jackson) emerges as an orchestrator who holds secrets critical to both men. Sandwiched in between this is Sarah Paulson’s Dr Ellie Staple who desperately wants to prove that these men simply hold delusions of grandeur.
As a rule, trilogy closers generally tend to the weakest of the three films with Spider-Man 3, Return of the Jedi and X-Men: Apocalypse cementing my point and Glass unfortunately follows a similar pattern. While by no means a bad film, Shyamalan desperately tries to add too many plot threads into the mix at the end resulting in a messy climax that trips all over itself.
Thankfully, the first act, and the majority of the second live up to expectations. James McAvoy is absolutely exceptional as Kevin and his multiple personalities. Switching between them at the flash of a light, he is staggering to watch and is the highlight in a film that for the most part, gets the best out of its stars. Samuel L Jackson and Sarah Paulson are great with the former looking like he’s having an absolute blast reprising a role that’s been dormant for 19 years.
The less said about Bruce Willis the better. He seems to be sleepwalking through the entire film, so it’s probably for the best that he appears fleetingly every now and then as this is very much McAvoy’s film.
Glass is a film that is both longer and weaker than its two predecessors but can still get by on its own merits thanks to a stunning performance by James McAvoy
The script is typical Shyamalan. It’s clunky, filled with overly expositional dialogue and sometimes downright jarring, but the intriguing premise allows you to overlook this more often than not. There are some nice touches as Sarah Paulson’s character tries to explain away the powers of the main trio, making them and us as the audience doubt their superhuman abilities.
Those expecting a film packed with action will be disappointed. Glass is very much a character piece. The action that is there is well-filmed and realistic considering the film’s incredibly small budget, but it’s limited to the beginning and end of the movie, though the finale is such a mess that it’s really not worth mentioning.
Much of Glass takes place within the Raven Hill Memorial Hospital and follows Paulson’s daily studies of the trio and while this does dampen the pacing somewhat, it’s a refreshing change to the action-packed blockbusters that we have become accustomed to in the genre.
When it comes to cinematography, again, it’s typical Shyamalan. Long-tracking shots, super close-ups and peculiar camera angles are all present and correct. In Split, the impact of his unusual camerawork wasn’t too grating, but here it creates quite the distraction. There’s also another Shyamalan staple: the director’s cameo. The one in Glass is overly long and completely unnecessary, but it’s something we’ve come to expect over the last couple of decades.
Overall, Glass is a film that is both longer and weaker than its two predecessors but can still get by on its own merits thanks to a stunning performance by James McAvoy, the class brought by Samuel L Jackson and Sarah Paulson and a great sense of ambition. Unfortunately, budgetary restraints have resulted in a film that is subtle to the point of being dull and while praise should be given for effort, Glass proves to be just a little underwhelming.
https://moviemetropolis.net/2019/01/19/glass-review-an-ambitious-but-flawed-finale/
Thankfully in 2016’s Split, Shyamalan returned to form somewhat with a nicely paced, tense thriller starring James McAvoy as Kevin, a guy with multiple personality disorder. Of course, the infamous twist, possibly Shyamalan’s best, that this film was set in the same universe as the fabulous Unbreakable was almost too much to handle.
Fast-forward three years and Glass is the film that rounds out the surprise trilogy, bringing together McAvoy, Bruce Willis and Samuel L Jackson for the mother of all showdowns. Or that’s what the trailers would have you believe. But what’s the finished product like?
Three weeks after the conclusion of Split, Glass finds Bruce Willis’ David Dunn pursuing James McAvoy’s superhuman figure of The Beast in a series of escalating encounters, while the shadowy presence of Elijah Price (Samuel L Jackson) emerges as an orchestrator who holds secrets critical to both men. Sandwiched in between this is Sarah Paulson’s Dr Ellie Staple who desperately wants to prove that these men simply hold delusions of grandeur.
As a rule, trilogy closers generally tend to the weakest of the three films with Spider-Man 3, Return of the Jedi and X-Men: Apocalypse cementing my point and Glass unfortunately follows a similar pattern. While by no means a bad film, Shyamalan desperately tries to add too many plot threads into the mix at the end resulting in a messy climax that trips all over itself.
Thankfully, the first act, and the majority of the second live up to expectations. James McAvoy is absolutely exceptional as Kevin and his multiple personalities. Switching between them at the flash of a light, he is staggering to watch and is the highlight in a film that for the most part, gets the best out of its stars. Samuel L Jackson and Sarah Paulson are great with the former looking like he’s having an absolute blast reprising a role that’s been dormant for 19 years.
The less said about Bruce Willis the better. He seems to be sleepwalking through the entire film, so it’s probably for the best that he appears fleetingly every now and then as this is very much McAvoy’s film.
Glass is a film that is both longer and weaker than its two predecessors but can still get by on its own merits thanks to a stunning performance by James McAvoy
The script is typical Shyamalan. It’s clunky, filled with overly expositional dialogue and sometimes downright jarring, but the intriguing premise allows you to overlook this more often than not. There are some nice touches as Sarah Paulson’s character tries to explain away the powers of the main trio, making them and us as the audience doubt their superhuman abilities.
Those expecting a film packed with action will be disappointed. Glass is very much a character piece. The action that is there is well-filmed and realistic considering the film’s incredibly small budget, but it’s limited to the beginning and end of the movie, though the finale is such a mess that it’s really not worth mentioning.
Much of Glass takes place within the Raven Hill Memorial Hospital and follows Paulson’s daily studies of the trio and while this does dampen the pacing somewhat, it’s a refreshing change to the action-packed blockbusters that we have become accustomed to in the genre.
When it comes to cinematography, again, it’s typical Shyamalan. Long-tracking shots, super close-ups and peculiar camera angles are all present and correct. In Split, the impact of his unusual camerawork wasn’t too grating, but here it creates quite the distraction. There’s also another Shyamalan staple: the director’s cameo. The one in Glass is overly long and completely unnecessary, but it’s something we’ve come to expect over the last couple of decades.
Overall, Glass is a film that is both longer and weaker than its two predecessors but can still get by on its own merits thanks to a stunning performance by James McAvoy, the class brought by Samuel L Jackson and Sarah Paulson and a great sense of ambition. Unfortunately, budgetary restraints have resulted in a film that is subtle to the point of being dull and while praise should be given for effort, Glass proves to be just a little underwhelming.
https://moviemetropolis.net/2019/01/19/glass-review-an-ambitious-but-flawed-finale/
Bob Mann (459 KP) rated Peaks and Valleys (2020) in Movies
Apr 29, 2021
Acting of the two leads (2 more)
Cinematography of the beautiful Alaskan wilderness
Script and direction both good
Two strangers forced to over-winter in Alaskan wilderness
In “Peaks and Valleys”, Jack (Kevin T. Bennett) is living as a recluse in a remote cabin in Alaska. His solitude is rudely interrupted by a plane which drops a naked, trussed-up and drugged-up girl into his lake. Traumatised by her experiences, the girl (Bailey, played by Kitty Mahoney) is unwilling to trust the man. But trust him she must, since they are in the Alaskan wilderness and Jack tells her that the supply plane might not come for a couple of months.
How and why was Bailey dumped from the plane? Why is Jack living all alone in the wilderness, and why is he packing a hand-gun? As tempers fray, can the pair survive each other’s company? All intriguing questions that demand answers.
Positives:
- Although it’s only a low-budget Indie-film, it has an intriguing premise that packs a punch above its weight. Since although the story is told in a linear way, the script includes ‘asides’ – told either through imagined conversations or dreams – that create a jigsaw of questions for the viewer. And the dynamic between Jack and Bailey develops in an interesting way. Overall, I was intrigued to see how the questions raised would pan out.
- I’m often disappointed that the acting in these types of Indie films is below par. To a large degree, this is not the case here. Kevin Bennett is very believable as the crusty old backwoodsman. And Kitty Mahoney, in her movie debut, delivers a smashing performance. She has real screen-presence. I’m not sure if this was a “one off” for her, or if she intends to pursue an acting career: but I really hope it’s the latter.
- Another star of the show is the dramatic Alaskan landscapes, lovingly photographed by cinematographer Bryan Pentecostes. Some of the shots are just “double-WOW”! The movie is a wonderful piece of PR for the Alaskan Tourist Board, for sure.
- Michael Dillon’s script avoids clichés and lazy wins. It would be an easy plot point to see the vulnerable young Bailey sexually exploited by the older man. But very much on topic, following the debate around “Promising Young Woman” and earning the film a welcome #notallmen hashtag, Jack makes it abundantly clear that this is not a route we’re going to go down.
- The clever script also has some nice lines that resonate: “We can’t change the wrong that’s been done to us.” growls Jack, “But we’re damned if we don’t let it change us”. But amongst the philosophical sound-bytes, the script also finds time to have some light-hearted fun at times. A nice scene to emphasise the growing relationship and mutual respect between the pair is when Jack teaches Bailey to ice-fish. Jack examines Bailey’s amateurish efforts. “It ain’t the prettiest hole, but I’d stick my pole in it” he says. “I bet you say that to all the girls” quips back Bailey.
- I enjoyed the music by Evan Evans very much too. There’s also a nice song over the end credits by Gregory Alan Isakov as well.
- Finally, a special shout-out to Garrett Martin for some very well done and quease-inducing injury make-up.
Negatives:
- For all the good aspects about the script, there are a few times, particularly early on in Jack and Bailey’s relationship, where I found the exchanges between them forced and unconvincing. This was sometimes down to the script, and sometimes down to over-stretching the acting abilities of the cast.
- The dramatic finale – although surprising and satisfying – relies on some rather unbelievable timing.
Summary Thoughts: When I start watching a low-budget Indie film, I tend to set my expectations accordingly. Often the acting is naff; the script will be hand-gnawingly awful; and/or the production values are found wanting. I was really pleasantly surprised that this movie ticked the “none of the above” box. And yes, there were a few rough edges here and there, but I’ve seen multi-million pound Hollywood blockbusters that were far worse. Michael Burns has delivered a tight and intriguing movie that sensibly sticks to a 96 minute run time, such that I was never bored.
I really enjoyed this one and recommend it. And you only need to fork out a few quid to rent it on Amazon. If you do, I’d be interested in your views.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/29/peaks-and-valleys-two-strangers-forced-to-over-winter-in-the-alaskan-wilderness/. Thanks).
How and why was Bailey dumped from the plane? Why is Jack living all alone in the wilderness, and why is he packing a hand-gun? As tempers fray, can the pair survive each other’s company? All intriguing questions that demand answers.
Positives:
- Although it’s only a low-budget Indie-film, it has an intriguing premise that packs a punch above its weight. Since although the story is told in a linear way, the script includes ‘asides’ – told either through imagined conversations or dreams – that create a jigsaw of questions for the viewer. And the dynamic between Jack and Bailey develops in an interesting way. Overall, I was intrigued to see how the questions raised would pan out.
- I’m often disappointed that the acting in these types of Indie films is below par. To a large degree, this is not the case here. Kevin Bennett is very believable as the crusty old backwoodsman. And Kitty Mahoney, in her movie debut, delivers a smashing performance. She has real screen-presence. I’m not sure if this was a “one off” for her, or if she intends to pursue an acting career: but I really hope it’s the latter.
- Another star of the show is the dramatic Alaskan landscapes, lovingly photographed by cinematographer Bryan Pentecostes. Some of the shots are just “double-WOW”! The movie is a wonderful piece of PR for the Alaskan Tourist Board, for sure.
- Michael Dillon’s script avoids clichés and lazy wins. It would be an easy plot point to see the vulnerable young Bailey sexually exploited by the older man. But very much on topic, following the debate around “Promising Young Woman” and earning the film a welcome #notallmen hashtag, Jack makes it abundantly clear that this is not a route we’re going to go down.
- The clever script also has some nice lines that resonate: “We can’t change the wrong that’s been done to us.” growls Jack, “But we’re damned if we don’t let it change us”. But amongst the philosophical sound-bytes, the script also finds time to have some light-hearted fun at times. A nice scene to emphasise the growing relationship and mutual respect between the pair is when Jack teaches Bailey to ice-fish. Jack examines Bailey’s amateurish efforts. “It ain’t the prettiest hole, but I’d stick my pole in it” he says. “I bet you say that to all the girls” quips back Bailey.
- I enjoyed the music by Evan Evans very much too. There’s also a nice song over the end credits by Gregory Alan Isakov as well.
- Finally, a special shout-out to Garrett Martin for some very well done and quease-inducing injury make-up.
Negatives:
- For all the good aspects about the script, there are a few times, particularly early on in Jack and Bailey’s relationship, where I found the exchanges between them forced and unconvincing. This was sometimes down to the script, and sometimes down to over-stretching the acting abilities of the cast.
- The dramatic finale – although surprising and satisfying – relies on some rather unbelievable timing.
Summary Thoughts: When I start watching a low-budget Indie film, I tend to set my expectations accordingly. Often the acting is naff; the script will be hand-gnawingly awful; and/or the production values are found wanting. I was really pleasantly surprised that this movie ticked the “none of the above” box. And yes, there were a few rough edges here and there, but I’ve seen multi-million pound Hollywood blockbusters that were far worse. Michael Burns has delivered a tight and intriguing movie that sensibly sticks to a 96 minute run time, such that I was never bored.
I really enjoyed this one and recommend it. And you only need to fork out a few quid to rent it on Amazon. If you do, I’d be interested in your views.
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/04/29/peaks-and-valleys-two-strangers-forced-to-over-winter-in-the-alaskan-wilderness/. Thanks).
BankofMarquis (1832 KP) rated Uncut Gems (2019) in Movies
Jan 5, 2020
Sandler deserves an Oscar Nomination
Adam Sandler deserves and Oscar nomination.
I never thought I'd ever write that sentence, but after seeing his performance in the Safdie brothers film, UNCUT GEMS, I can make that statement with solid confidence.
Following the constant hustle of NYC jewelry dealer (and degenerate gambler), Howard Ratner (Sandler), UNCUT GEMS is an unrelenting look at a person who is never satisfied with where he is - he's always looking for the next "big score".
As portrayed by Sandler, Ratner is charming, charismatic, a BS artist of the highest order and quick with a joke and a scheme in every situation. This is a tour-de-force performance by Sandler who is in virtually every moment of this film. His character is ruthless and relentless - never giving up or losing energy - and it was the constant rat-a-tat-tat of this character/performance that caused great angst in me - as well as great appreciation for the fine performance I was witnessing.
The film was written and directed by the Safdie Brothers (Benny and Josh) who are known in the Independent film world, but who are new to me. I was intrigued by the story, the world and the logistics of this film. It is a smart - and fast paced - film that doesn't try to "dumb it down" for the audience. I applaud them for their work here - and I look forward to what they do next.
A performance like Sandler's is only good if he has good actors to play off of - and he does (in spades) here. From veteran actor Judd Hirsch, to Broadway Superstar Idina Menzel to the great (and underused, in my opinion) Eric Brogosian to the always watchable Lakeith Stanfield, Sandler was able to spar and parry with these performers at a breakneck pace that was intriguing, fascinating and hard to watch.
But the biggest surprise (besides Sandler's dramatic acting chops) was the performance of NBA Superstar Kevin Garnett. Playing a fictionalized and younger (this film is set in 2011) version of himself, Garnett brought the same authority to the screen that he brought to the court.
This is a VERY adult film (according to reports, this film has the 7th most "F-Bombs" of any film in history) with adult subjects and adult situations - all swirling around Sandler's character at a breakneck pace that will be simultaneously satisfying - and hard to watch. Are you watching a person spiraling out of control - or are you watching a very smart person weaving his way in and out of precarious situations?
Watch UNCUT GEMS - and you be the judge.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
I never thought I'd ever write that sentence, but after seeing his performance in the Safdie brothers film, UNCUT GEMS, I can make that statement with solid confidence.
Following the constant hustle of NYC jewelry dealer (and degenerate gambler), Howard Ratner (Sandler), UNCUT GEMS is an unrelenting look at a person who is never satisfied with where he is - he's always looking for the next "big score".
As portrayed by Sandler, Ratner is charming, charismatic, a BS artist of the highest order and quick with a joke and a scheme in every situation. This is a tour-de-force performance by Sandler who is in virtually every moment of this film. His character is ruthless and relentless - never giving up or losing energy - and it was the constant rat-a-tat-tat of this character/performance that caused great angst in me - as well as great appreciation for the fine performance I was witnessing.
The film was written and directed by the Safdie Brothers (Benny and Josh) who are known in the Independent film world, but who are new to me. I was intrigued by the story, the world and the logistics of this film. It is a smart - and fast paced - film that doesn't try to "dumb it down" for the audience. I applaud them for their work here - and I look forward to what they do next.
A performance like Sandler's is only good if he has good actors to play off of - and he does (in spades) here. From veteran actor Judd Hirsch, to Broadway Superstar Idina Menzel to the great (and underused, in my opinion) Eric Brogosian to the always watchable Lakeith Stanfield, Sandler was able to spar and parry with these performers at a breakneck pace that was intriguing, fascinating and hard to watch.
But the biggest surprise (besides Sandler's dramatic acting chops) was the performance of NBA Superstar Kevin Garnett. Playing a fictionalized and younger (this film is set in 2011) version of himself, Garnett brought the same authority to the screen that he brought to the court.
This is a VERY adult film (according to reports, this film has the 7th most "F-Bombs" of any film in history) with adult subjects and adult situations - all swirling around Sandler's character at a breakneck pace that will be simultaneously satisfying - and hard to watch. Are you watching a person spiraling out of control - or are you watching a very smart person weaving his way in and out of precarious situations?
Watch UNCUT GEMS - and you be the judge.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)