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LeftSideCut (3776 KP) rated See No Evil 2 (2014) in Movies
Mar 22, 2021
This sequel to the average-at-best See No Evil is sadly a bottom of the barrel mess.
It's takes everything from the first film, and makes it so much worse - the characters are dumber and even more unlikable (although this time we're mercifully spared from the edgy mugshot introductions - it's the small victories), the story is less cohesive, the setting is somehow more boring, and it's less gory. I know that gore isn't the be all and end all of horror, but when you're making a run of the mill slasher, then it's expected. At least the first film packed a bit of a punch in that regard.
Glenn 'Kane' Jacobs is probably the best thing going here. His killer is still suitably intimidating, but he's stuck in a huge turd of a film unfortunately.
I'd still just about take this over Leprechaun Origins, but would rather just forget that WWE horror films are a thing at this point.
It's takes everything from the first film, and makes it so much worse - the characters are dumber and even more unlikable (although this time we're mercifully spared from the edgy mugshot introductions - it's the small victories), the story is less cohesive, the setting is somehow more boring, and it's less gory. I know that gore isn't the be all and end all of horror, but when you're making a run of the mill slasher, then it's expected. At least the first film packed a bit of a punch in that regard.
Glenn 'Kane' Jacobs is probably the best thing going here. His killer is still suitably intimidating, but he's stuck in a huge turd of a film unfortunately.
I'd still just about take this over Leprechaun Origins, but would rather just forget that WWE horror films are a thing at this point.
Emma @ The Movies (1786 KP) rated Three Billboards Outside Ebbing, Missouri (2017) in Movies
Sep 25, 2019
When the police have got nowhere trying to find her daughter's killer, she takes matters into her own hands. Renting out three billboards on a barely used road to town, she plasters her simple question for anyone to see. "How come?"
This was a wonderful start to my 2018 cinema going. It's not often that I say I agree with award winners (especially after La La Land) but this one really did deserve it's Golden Globes.
The star in this one for me was Woody Harrelson. He's aged like a fine wine. I wasn't a massive fan previously, but after War For The Planet Of The Apes, and now this, I can't wait to see what else is to come from him.
Three Billboards in an emotional journey, and captures the way a whole community is affected by what happens inside their borders. It expresses the pain, anger and sadness so well, it was a riveting watch.
This was a wonderful start to my 2018 cinema going. It's not often that I say I agree with award winners (especially after La La Land) but this one really did deserve it's Golden Globes.
The star in this one for me was Woody Harrelson. He's aged like a fine wine. I wasn't a massive fan previously, but after War For The Planet Of The Apes, and now this, I can't wait to see what else is to come from him.
Three Billboards in an emotional journey, and captures the way a whole community is affected by what happens inside their borders. It expresses the pain, anger and sadness so well, it was a riveting watch.
Ross (3284 KP) rated Extremely Wicked, Shockingly Evil and Vile (2019) in Movies
Jul 12, 2019
Manages to tell the story without glamorising it
When I heard about this film, and that it wasn't your normal horror type serial killer film, I was intrigued. I like the odd slasher film but feel guilty when I find out they had been inspired by horrific real life crimes.
"Extremely ... " manages to focus on the life and relationships around Bundy without gratuitously showing his crimes. While there was a chance this could be seen as demeaning the horror these young women went through, I think it manages to avoid this ... just.
Efron ticks the boxes for the public side of the psychopath, but the darker side is not explored. Some might see this as suggesting his innocence but I see it as allowing the film to focus on how others perceived him, and show why he got away with it for so long.
The rest of the cast are strong as well.
An enjoyable different take on a horrific man.
"Extremely ... " manages to focus on the life and relationships around Bundy without gratuitously showing his crimes. While there was a chance this could be seen as demeaning the horror these young women went through, I think it manages to avoid this ... just.
Efron ticks the boxes for the public side of the psychopath, but the darker side is not explored. Some might see this as suggesting his innocence but I see it as allowing the film to focus on how others perceived him, and show why he got away with it for so long.
The rest of the cast are strong as well.
An enjoyable different take on a horrific man.
Awix (3310 KP) rated Jaws (1975) in Movies
Aug 26, 2019 (Updated Aug 26, 2019)
Spielberg's exemplary suspense-fright machine remains the only killer shark movie you will ever need to watch. A two-course fish supper: the first half concerns police chief Roy Scheider's attempts to persuade the self-serving authorities of the danger posed by a marauding shark (post-Watergate subtext is fairly obvious); the second sees Scheider, bright young oceanographer Richard Dreyfuss, and salty sea dog Robert Shaw setting off on a primal quest to slay the monster, in a boat which may well prove to be of inadequate size.
Spielberg does an excellent job of hiding the pulpy horror-story origins of the tale, swathing it in plausible small-town Americana, low-key humour and excellent characterisation; John Williams' score is, needless to say, essential to the enterprise. The battle to the death in the second half is superbly constructed, paced and executed. Superb entertainment; I am happy to report that over forty years on, Jaws remains entirely capable of making cinema audiences squirm and scream.
Spielberg does an excellent job of hiding the pulpy horror-story origins of the tale, swathing it in plausible small-town Americana, low-key humour and excellent characterisation; John Williams' score is, needless to say, essential to the enterprise. The battle to the death in the second half is superbly constructed, paced and executed. Superb entertainment; I am happy to report that over forty years on, Jaws remains entirely capable of making cinema audiences squirm and scream.
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LeftSideCut (3776 KP) rated The Stuff (1985) in Movies
Oct 1, 2020
Here we have an 80s horror that looks cheap, has a crappy sound mix, involves questionable acting from all involved, a lot of shots that feel like corners were cut, and a ridiculous premise, and it's pretty damn glorious.
The Stuff is wonderful low budget horror. The practical effects are brilliant, and the dialogue is so damn stupid. It's vintage Larry Cohen in short.
The only actual criticisms I have involves Paul Sorvino's character. Even in an over the top cheese fest such as this, his character is severely out of place, and the general fun of the film takes a bit of a dive when he's introduced, casual racism and all. Also, the ending sort of appears from no where.
Any other criticisms are good-bad criticisms. For example, a lot of the dialogue seems improvised, and it's awkward as fuck, but kind of adds to the overall quirkiness of this insane killer dessert B-Movie.
The Stuff is great. Also looks legit tasty.
The Stuff is wonderful low budget horror. The practical effects are brilliant, and the dialogue is so damn stupid. It's vintage Larry Cohen in short.
The only actual criticisms I have involves Paul Sorvino's character. Even in an over the top cheese fest such as this, his character is severely out of place, and the general fun of the film takes a bit of a dive when he's introduced, casual racism and all. Also, the ending sort of appears from no where.
Any other criticisms are good-bad criticisms. For example, a lot of the dialogue seems improvised, and it's awkward as fuck, but kind of adds to the overall quirkiness of this insane killer dessert B-Movie.
The Stuff is great. Also looks legit tasty.