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Movie Metropolis (309 KP) rated War Horse (2011) in Movies
Jun 11, 2019
Steven Spielberg is undoubtedly one of the world’s most loved directors and is without question, the king of blockbuster cinema. He thrilled us with dinosaurs in 1993’s blockbuster Jurassic Park, had us in tears with E.T. and had our hearts pumping out of our chests with the Indiana Jones series.
However, here, the ‘king’ relaxes a little and delves into proper old fashioned story telling with the emotional rollercoaster that is War Horse. Teaming up with John Williams once again, the duo delivers a beautiful score to accompany a beautifully shot film.
Jeremy Irvine stars alongside a full roster of celebrities including Harry Potter’s David Thewlis and Thor’s Tom Hiddlestone in what can only be described as one of Spielberg’s greatest films.
The film opens with some awe inspiring shots of the Devon countryside, with Albert Narracott (Jeremy Irvine) staring, masterfully at two horses in a field. Fast forward a few years and his alcoholic father Ted, played wonderfully by Peter Mullen purchases one of them in an auction, hoping to turn it into a plough horse. This horse becomes the focus of the entire film and is nicknamed Joey by Irvine’s character.
After the usual, Spielberg sentimentality, Joey is summoned to help the English army in the First World War. Obviously, this doesn’t go down too well with Albert and he promises that one day, they will find each other. It’s hard to describe just how heart-breaking these scenes are, as Joey is led away by his new trainer (Tom Hiddlestone) and all Albert can do is watch.
After being defeated by the Germans in a deadly ambush, Albert is informed that Hiddlestone’s character, Captain Nicholls has been killed in battle. Assuming the worst, Albert starts to prepare to either reunite with his beloved steed, or discover whether or not he has perished.
Spielberg has created a shockingly beautiful film as Joey loses Captain Nicholls and roams the countryside unmanned trying to escape the clutches of the German army. Unfortunately, on occasion, he runs right into them and becomes an artillery horse, pulling canons and other weapons.
The shots of no-man’s land as the horse time and time again escapes are breath-taking and show the scale of the destruction like nothing I’ve ever seen. Spielberg has a knack for scale and in War Horse, this is exceptionally poignant; shots of a horse graveyard and the grey barren landscape are examples of fine film-making. To say you’ll be in tears is somewhat of an understatement as Joey, terrified from the ordeal he is being taken through loses comrades, crashes through barbed wire and nearly gives up on life.
This coupled with John Williams best score since Jurassic Park ensures that this is a subtle blockbuster to be enjoyed by all.
However, the film isn’t perfect. On occasion, it delves into unnecessary sentimentality and Spielberg must’ve had a book of movie clichés with him at some points during the shoot, like the cheesy sunset ending and the token pulling through in the face of adversity. These are, however, small points in a film which is a spectacle to behold.
The animals no doubt steal the show, but their human counterparts do well in their roles. Jeremy Irvine is fabulous and was an unusual but totally justified choice for the part. David Thewlis shows how versatile he really is as an actor, playing the heartless landlord, ready to ship the Narracott family out of their farm.
War Horse is a film which hits with a huge dose of emotion. John Williams and Steven Spielberg are an unstoppable combination and what the film does best is show off its directors prowess as an artist, not a film-maker. The special effects are sparse because the story doesn’t require them, but when they are there, such as in the battle scenes, they help the story along, instead of hindering it.
It may not quite match the dizzy heights of Schindler’s List and Jurassic Park as Spielberg’s best, but it fits in between excellent Spielberg and spectacular Spielberg. Take some tissues and prepare yourself and you’ll be all set.
https://moviemetropolis.net/2012/01/22/review-war-horse-2012/
However, here, the ‘king’ relaxes a little and delves into proper old fashioned story telling with the emotional rollercoaster that is War Horse. Teaming up with John Williams once again, the duo delivers a beautiful score to accompany a beautifully shot film.
Jeremy Irvine stars alongside a full roster of celebrities including Harry Potter’s David Thewlis and Thor’s Tom Hiddlestone in what can only be described as one of Spielberg’s greatest films.
The film opens with some awe inspiring shots of the Devon countryside, with Albert Narracott (Jeremy Irvine) staring, masterfully at two horses in a field. Fast forward a few years and his alcoholic father Ted, played wonderfully by Peter Mullen purchases one of them in an auction, hoping to turn it into a plough horse. This horse becomes the focus of the entire film and is nicknamed Joey by Irvine’s character.
After the usual, Spielberg sentimentality, Joey is summoned to help the English army in the First World War. Obviously, this doesn’t go down too well with Albert and he promises that one day, they will find each other. It’s hard to describe just how heart-breaking these scenes are, as Joey is led away by his new trainer (Tom Hiddlestone) and all Albert can do is watch.
After being defeated by the Germans in a deadly ambush, Albert is informed that Hiddlestone’s character, Captain Nicholls has been killed in battle. Assuming the worst, Albert starts to prepare to either reunite with his beloved steed, or discover whether or not he has perished.
Spielberg has created a shockingly beautiful film as Joey loses Captain Nicholls and roams the countryside unmanned trying to escape the clutches of the German army. Unfortunately, on occasion, he runs right into them and becomes an artillery horse, pulling canons and other weapons.
The shots of no-man’s land as the horse time and time again escapes are breath-taking and show the scale of the destruction like nothing I’ve ever seen. Spielberg has a knack for scale and in War Horse, this is exceptionally poignant; shots of a horse graveyard and the grey barren landscape are examples of fine film-making. To say you’ll be in tears is somewhat of an understatement as Joey, terrified from the ordeal he is being taken through loses comrades, crashes through barbed wire and nearly gives up on life.
This coupled with John Williams best score since Jurassic Park ensures that this is a subtle blockbuster to be enjoyed by all.
However, the film isn’t perfect. On occasion, it delves into unnecessary sentimentality and Spielberg must’ve had a book of movie clichés with him at some points during the shoot, like the cheesy sunset ending and the token pulling through in the face of adversity. These are, however, small points in a film which is a spectacle to behold.
The animals no doubt steal the show, but their human counterparts do well in their roles. Jeremy Irvine is fabulous and was an unusual but totally justified choice for the part. David Thewlis shows how versatile he really is as an actor, playing the heartless landlord, ready to ship the Narracott family out of their farm.
War Horse is a film which hits with a huge dose of emotion. John Williams and Steven Spielberg are an unstoppable combination and what the film does best is show off its directors prowess as an artist, not a film-maker. The special effects are sparse because the story doesn’t require them, but when they are there, such as in the battle scenes, they help the story along, instead of hindering it.
It may not quite match the dizzy heights of Schindler’s List and Jurassic Park as Spielberg’s best, but it fits in between excellent Spielberg and spectacular Spielberg. Take some tissues and prepare yourself and you’ll be all set.
https://moviemetropolis.net/2012/01/22/review-war-horse-2012/
Rachel King (13 KP) rated Between Two Kingdoms in Books
Feb 11, 2019
This book was such a unique read for me that I can't recall reading anything of this nature, with the one exception of The Pilgrim's Progress by John Bunyan, which is also allegorical in nature. The story in Between Two Kingdoms is told as a story that I think young children could appreciate just as well as adults because of the simplistic nature of the text. What intrigued me about this book was trying to figure out what each element of the story represented in reference to the Bible. Some things were obvious, such as the King being God, the Good Prince being Jesus Christ, and the River being the Holy Spirit. The interpretation of many elements though are biased according to how the author, Joe Boyd, interprets Bibical scripture, such as making the River female in nature, which would indicate Boyd's interpretation that the Holy Spirit is also female, which I do not agree with. Another interpretation that I found questionable was the Dark Prince and his true name, Adam. I could be wrong, but that tells me that the author interprets the origin of the Devil as the first man, Adam. I was completely baffled by the language that the Phantom Messengers spoke and what it was supposed to represent.
Many elements of the story were quite imaginative and fascinating, such as the behavior of the River, which was as playful and joyous as it could be peaceful and comforting. I love how the children could use such a simple thing as mirrors to destroy the Phantom Messengers by showing them their true selves. The Long Night was rife with metaphor, and I love good metaphors.
On the whole, I think this story is a great conversation piece for anyone interested in puzzling out the meanings behind the allegory.
Many elements of the story were quite imaginative and fascinating, such as the behavior of the River, which was as playful and joyous as it could be peaceful and comforting. I love how the children could use such a simple thing as mirrors to destroy the Phantom Messengers by showing them their true selves. The Long Night was rife with metaphor, and I love good metaphors.
On the whole, I think this story is a great conversation piece for anyone interested in puzzling out the meanings behind the allegory.
BookwormMama14 (18 KP) rated Dauntless (Valiant Hearts, #1) in Books
Jan 2, 2019
Medieval England, the ruthless King John sits on the throne. And Lady Merry Ellison has but one mission: To see to the safety of her “men”.
Set in the year 1216, England is in ruin. The nation is divided, scores of outlaws live in the forest and they do what they must to survive. Lady Merry will do anything to protect the orphans that make up their band known as “The Ghosts of Farthingale Forest”. Timothy Grey longs to become someone of power and authority. So he sets out to capture the ghosts, not knowing who their leader is. Will he turn in the ghosts and earn approval from his master? Or will he follow his heart and the leading of God?
Dauntless is the first book that I have read by Dina Sleiman, and I thoroughly enjoyed it. It was very engaging and quite the page turner. I loved how she used older English, but not so “olde” that I couldn’t understand the book. The “Historical Notes” were very informative and helpful to read. I wish I would have read it first, even thought there are a few spoilers in it. Her portrayal of the supernatural was very vivid. I liked it a lot! This story was a good reminder that things happen in our lives that we don’t always understand. But we must remember that God has a purpose for everything. Although we may never know why, we must trust Him and know that He truly knows best. Yes, I know, easier said than done. But in this story, the journey of reestablishing faith in God was amazing to behold and I pray that it brings you hope.
I received a free digital edition of Dauntless from Bethany House Publishers through NetGalley in exchange for my honest review.
Set in the year 1216, England is in ruin. The nation is divided, scores of outlaws live in the forest and they do what they must to survive. Lady Merry will do anything to protect the orphans that make up their band known as “The Ghosts of Farthingale Forest”. Timothy Grey longs to become someone of power and authority. So he sets out to capture the ghosts, not knowing who their leader is. Will he turn in the ghosts and earn approval from his master? Or will he follow his heart and the leading of God?
Dauntless is the first book that I have read by Dina Sleiman, and I thoroughly enjoyed it. It was very engaging and quite the page turner. I loved how she used older English, but not so “olde” that I couldn’t understand the book. The “Historical Notes” were very informative and helpful to read. I wish I would have read it first, even thought there are a few spoilers in it. Her portrayal of the supernatural was very vivid. I liked it a lot! This story was a good reminder that things happen in our lives that we don’t always understand. But we must remember that God has a purpose for everything. Although we may never know why, we must trust Him and know that He truly knows best. Yes, I know, easier said than done. But in this story, the journey of reestablishing faith in God was amazing to behold and I pray that it brings you hope.
I received a free digital edition of Dauntless from Bethany House Publishers through NetGalley in exchange for my honest review.
Gareth von Kallenbach (980 KP) rated The Bag Man (2014) in Movies
Aug 6, 2019
Sometimes it sucks to be a delivery guy when you don’t know what you are
carrying in a tightly sealed leather bag. Anything can happen when too many
people are interested in what The Bag Man is carrying when it gets a
limited theatrical run starting Feb 28th.
When Jack (John Cusack) is a fixer/hitman under the employ of Dragna
(Robert De Niro), a crime lord — tasked to bring a leather bag to a seedy
hotel — the people he runs into are more shadier than he is. All he has to
do is to wait for the arrival of this gangster and not look at what’s
inside.
Both the movie and night is long while Jack fends for himself. His dealings
with the motel manager (beautifully played by Crispin Glover) is far more
interesting than the lady of the night, Rivka (Rebecca Da Costa), he meets.
Together what they end up in is a cat and mouse game of nearly everybody
from this sleepy hole-in-the-wall after them. Everyone is interested in
what the bag contains, and this Macguffin never strays far from the plot.
Even though the concept of what’s in the bag is hardly original, this
narrative device will keep some people — characters included — invested
in wondering what’s so important about it. When the contents are revealed,
will what’s revealed be King Midas’ gold or the evils from Pandora’s Box?
This loose thriller has its moments where viewers will be glued to the
suspense but ultimately, it’s this movie’s pacing that slows the action
down. Losing 10-15 minutes might help in keeping the tale tight.
That can help everyone, audience included, from not losing interest. Sooner
or later, the cat has to be let out of the bag.
carrying in a tightly sealed leather bag. Anything can happen when too many
people are interested in what The Bag Man is carrying when it gets a
limited theatrical run starting Feb 28th.
When Jack (John Cusack) is a fixer/hitman under the employ of Dragna
(Robert De Niro), a crime lord — tasked to bring a leather bag to a seedy
hotel — the people he runs into are more shadier than he is. All he has to
do is to wait for the arrival of this gangster and not look at what’s
inside.
Both the movie and night is long while Jack fends for himself. His dealings
with the motel manager (beautifully played by Crispin Glover) is far more
interesting than the lady of the night, Rivka (Rebecca Da Costa), he meets.
Together what they end up in is a cat and mouse game of nearly everybody
from this sleepy hole-in-the-wall after them. Everyone is interested in
what the bag contains, and this Macguffin never strays far from the plot.
Even though the concept of what’s in the bag is hardly original, this
narrative device will keep some people — characters included — invested
in wondering what’s so important about it. When the contents are revealed,
will what’s revealed be King Midas’ gold or the evils from Pandora’s Box?
This loose thriller has its moments where viewers will be glued to the
suspense but ultimately, it’s this movie’s pacing that slows the action
down. Losing 10-15 minutes might help in keeping the tale tight.
That can help everyone, audience included, from not losing interest. Sooner
or later, the cat has to be let out of the bag.
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