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Movie Metropolis (309 KP) rated The Meg (2018) in Movies
Jun 10, 2019
Jurassic Shark
Ah the shark attack movie. A genre that has over the years changed itself from impactful horror suspense thriller to cheesy, throwaway popcorn entertainment. Apart from when Steven Spielberg changed cinema forever with his 1975 masterpiece, Jaws, audiences have been given few treats in the decades that followed.
Deep Blue Sea was a tasteful homage to its forbearer, but even that was riddled in cliché and was much more of a brain-numbing creature feature than Jaws was. And then came Sharknado and its raft of dreadfully titled sequels. Look back through cinema history and you’ll see that sharks are big business in Hollywood.
Now, as we enter the final stages of 2018, Jason Statham stars in perhaps the most preposterous shark movie yet, yes, even more preposterous than Sharknado 3: Oh Hell No! But sometimes preposterous can be fun. Is that the case here?
A massive creature attacks a deep-sea submersible, leaving it disabled and trapping the crew at the bottom of the Pacific Ocean. With time running out, rescue diver Jonas Taylor (Statham) must save the crew and the ocean itself from an unimaginable threat – a 75-foot-long prehistoric shark known as the Megalodon.
Jon Turteltaub, who directed delicacies like National Treasure and Cool Runnings takes to The Meg like, well a duck to water. It’s filled with tantalising action sequences and Jason Statham spouting marine biology jargon including a scene in which the Hollywood star is shirtless whilst spouting marine biology jargon. What more could you want?
Quite a bit as it happens. Despite a solid opening act that sets up the dark humour of the film nicely, The Meg is a bit of a bore. Populated by bland characters, uninspiring CGI and plot holes so big they’d make the Marianas trench blush. It’s all a bit of a mess to be honest.
The Meg is one of a new breed of Hollywood blockbusters that has been made to pander to the new Chinese audience and while this has worked well for other high-budget movies like Pacific Rim, it doesn’t work quite as well here. Li Bingbing stars as marine biologist Suyin Zhang and whilst she performs well in her native tongue, her English-spoken scenes are stilted and lack any depth of emotion whatsoever.
In fact, outside of Statham, the rest of the cast are complete non-entities. Rainn Wilson provides some comic relief as a financial investor, but it’s all very B-movie and clearly not in the way it was intended. You see, when you know you have a ridiculous premise, the best thing to do is run with it and create the most insanely bizarre film in existence. Unfortunately, The Meg takes itself far too seriously and this makes it feel much longer than its running time would suggest. They could’ve gotten away with calling it ‘Jason Statham Shark Movie’ as that’ pretty much the premise in a nutshell.
It’s occasionally fun and could have been smashing fun, but in reality, it’s a bit of a damp squib
At a cost just shy of $200million, you’d expect to have Jurassic World: Fallen Kingdom levels of special effects. They actually cost around the same to produce. In truth, The Meg can’t hold a candle to its land-based prehistoric cousin. The CGI is passable at best and really dreadful at worst and this is a real shame. When the main selling point of your film is a 75-foot shark, you really need to get it spot on.
Besides a couple of cool shots, one of which is the featured image for this particular review (see the image at the top of the header banner), the cinematography is absolutely uninspired.
When you have a film that features so much ocean, there are a multitude of amazing things you could achieve with the shot choices. Unfortunately, none of them have been realised here.
Elsewhere, there is something a little more sinister afoot. Sharks already get a seriously bad reputation and this film does nothing to quash that. With many species now unfortunately endangered, films like The Meg could do more harm than good. It portrays all sharks as merciless killers – proficient and deadly. If it did want to be a serious shark attack flick, it should have relied less on goofy comedy and more on raising awareness for the creatures.
We’ve now had three ‘creature feature’ films thus far into 2018. Starting with Rampage earlier in the year, Jurassic World: Fallen Kingdom in June and now The Meg, and whilst each of them brings something unique to the table, The Meg sinks to the bottom of the seafloor. It’s occasionally fun and could have been smashing fun, but in reality, it’s a bit of a damp squib. The Meg is a shark movie without any bite.
https://moviemetropolis.net/2018/08/11/the-meg-review-jurassic-shark/
Deep Blue Sea was a tasteful homage to its forbearer, but even that was riddled in cliché and was much more of a brain-numbing creature feature than Jaws was. And then came Sharknado and its raft of dreadfully titled sequels. Look back through cinema history and you’ll see that sharks are big business in Hollywood.
Now, as we enter the final stages of 2018, Jason Statham stars in perhaps the most preposterous shark movie yet, yes, even more preposterous than Sharknado 3: Oh Hell No! But sometimes preposterous can be fun. Is that the case here?
A massive creature attacks a deep-sea submersible, leaving it disabled and trapping the crew at the bottom of the Pacific Ocean. With time running out, rescue diver Jonas Taylor (Statham) must save the crew and the ocean itself from an unimaginable threat – a 75-foot-long prehistoric shark known as the Megalodon.
Jon Turteltaub, who directed delicacies like National Treasure and Cool Runnings takes to The Meg like, well a duck to water. It’s filled with tantalising action sequences and Jason Statham spouting marine biology jargon including a scene in which the Hollywood star is shirtless whilst spouting marine biology jargon. What more could you want?
Quite a bit as it happens. Despite a solid opening act that sets up the dark humour of the film nicely, The Meg is a bit of a bore. Populated by bland characters, uninspiring CGI and plot holes so big they’d make the Marianas trench blush. It’s all a bit of a mess to be honest.
The Meg is one of a new breed of Hollywood blockbusters that has been made to pander to the new Chinese audience and while this has worked well for other high-budget movies like Pacific Rim, it doesn’t work quite as well here. Li Bingbing stars as marine biologist Suyin Zhang and whilst she performs well in her native tongue, her English-spoken scenes are stilted and lack any depth of emotion whatsoever.
In fact, outside of Statham, the rest of the cast are complete non-entities. Rainn Wilson provides some comic relief as a financial investor, but it’s all very B-movie and clearly not in the way it was intended. You see, when you know you have a ridiculous premise, the best thing to do is run with it and create the most insanely bizarre film in existence. Unfortunately, The Meg takes itself far too seriously and this makes it feel much longer than its running time would suggest. They could’ve gotten away with calling it ‘Jason Statham Shark Movie’ as that’ pretty much the premise in a nutshell.
It’s occasionally fun and could have been smashing fun, but in reality, it’s a bit of a damp squib
At a cost just shy of $200million, you’d expect to have Jurassic World: Fallen Kingdom levels of special effects. They actually cost around the same to produce. In truth, The Meg can’t hold a candle to its land-based prehistoric cousin. The CGI is passable at best and really dreadful at worst and this is a real shame. When the main selling point of your film is a 75-foot shark, you really need to get it spot on.
Besides a couple of cool shots, one of which is the featured image for this particular review (see the image at the top of the header banner), the cinematography is absolutely uninspired.
When you have a film that features so much ocean, there are a multitude of amazing things you could achieve with the shot choices. Unfortunately, none of them have been realised here.
Elsewhere, there is something a little more sinister afoot. Sharks already get a seriously bad reputation and this film does nothing to quash that. With many species now unfortunately endangered, films like The Meg could do more harm than good. It portrays all sharks as merciless killers – proficient and deadly. If it did want to be a serious shark attack flick, it should have relied less on goofy comedy and more on raising awareness for the creatures.
We’ve now had three ‘creature feature’ films thus far into 2018. Starting with Rampage earlier in the year, Jurassic World: Fallen Kingdom in June and now The Meg, and whilst each of them brings something unique to the table, The Meg sinks to the bottom of the seafloor. It’s occasionally fun and could have been smashing fun, but in reality, it’s a bit of a damp squib. The Meg is a shark movie without any bite.
https://moviemetropolis.net/2018/08/11/the-meg-review-jurassic-shark/
Jamie (131 KP) rated Shimmer and Burn in Books
Jul 30, 2017
Unique magic concept (2 more)
Fast paced and engaging story
Dreamy male lead
Bland main character (1 more)
Details about the world and magic is mildly confusing
Threading blood magic in a dying world
Shimmer and Burn was much much darker than I expected and I LOVED it. A locked away kingdom ruled by a ruthless king, forbidden blood magic that is both beautiful and deadly, a power hungry princess, a dying world infested with diseased cannibals–this book had it all. That is, except for the main character, Faris.
This book was almost perfect for me, but I just wish that Faris wasn’t so bland. The book is carried by an extremely strong plot and well developed side characters but.. well the story just sort of happens to Faris. She is constantly made out to be a fighter but she ends up running or needing to be saved almost every time. She has one central motivation, her sister, and some heartbreak over Thaelan, but that’s really all her character really has going for her.
Thankfully the other characters help drive the plot forward. I’ve never been one to fawn over book boyfriends but that changed with North. I really like North and Faris together, even though their romance sort of shows up out of thin air in a mild case of instalove. I would expect characters to talk and have more interaction before they go falling “in love.” It’s not the worst thing in the world, I still liked the characters and their romance so I was willing to look past that.
My favorite part of the book is the absolutely incredible magic system which is unlike any other I’ve ever read. Magic is described as being beautiful like threads that can just as easily fray and destroy the magic wielder if not handled with care. It is treated as something alien, even for the humans with a natural born ability to wield it. I can’t overstate enough how much I love this concept. The intricate political relationships in this novel is also extremely well done and I’m so excited to read the next book.
A fair warning though, this book is definitely not for the faint of heart. While the romance may be clean, the violence definitely isn’t. This book isn’t the goriest I’ve ever read but it does not shy away from the gruesome details. If you can stomach the gritty content then I highly recommend this book, it’s one of the best YA books I’ve read in a while.
This book was almost perfect for me, but I just wish that Faris wasn’t so bland. The book is carried by an extremely strong plot and well developed side characters but.. well the story just sort of happens to Faris. She is constantly made out to be a fighter but she ends up running or needing to be saved almost every time. She has one central motivation, her sister, and some heartbreak over Thaelan, but that’s really all her character really has going for her.
Thankfully the other characters help drive the plot forward. I’ve never been one to fawn over book boyfriends but that changed with North. I really like North and Faris together, even though their romance sort of shows up out of thin air in a mild case of instalove. I would expect characters to talk and have more interaction before they go falling “in love.” It’s not the worst thing in the world, I still liked the characters and their romance so I was willing to look past that.
My favorite part of the book is the absolutely incredible magic system which is unlike any other I’ve ever read. Magic is described as being beautiful like threads that can just as easily fray and destroy the magic wielder if not handled with care. It is treated as something alien, even for the humans with a natural born ability to wield it. I can’t overstate enough how much I love this concept. The intricate political relationships in this novel is also extremely well done and I’m so excited to read the next book.
A fair warning though, this book is definitely not for the faint of heart. While the romance may be clean, the violence definitely isn’t. This book isn’t the goriest I’ve ever read but it does not shy away from the gruesome details. If you can stomach the gritty content then I highly recommend this book, it’s one of the best YA books I’ve read in a while.
Micky Barnard (542 KP) rated To Kill a Kingdom in Books
Dec 6, 2018
Scrappy siren
This is a thrilling debut from Alexandra Christo, taking a unique perspective on The Little Mermaid. It’s rather rudimentary to compare TO KILL A KINGDOM to The Little Mermaid because apart from some basics on characterisation, there really is little similarity.
Firstly, in a sea of YA fantasy series, I want to shout from the rooftops that this is a full and rounded standalone. Yes, I said standalone and I felt complete by the end, so it does what it says on the tin.
Sirens are the name of the game in this book and Lira is a scrappy, fierce and murderous siren princess known across the world as The Princes Bane. Her mother, the Sea Queen is her nemesis but she is bent to her mother’s will. The Sea Queen is a rather frightening, violent dictator without ethics or scruples. Lira, initially with little to recommend her, undertakes a change about which I don’t want to say more. The character development was superb.
“The crew said her hair was as red as hellfire.”
“The Princes’ Bane is the greatest monster I’ve ever known, and the only one who’s escaped death once I’ve set my sights on her."
Elian is more pirate than Prince of Midas, on a self-inflicted crusade to rid the world of sirens. There’s a lot more to like about Elian and he cuts a swarthy, heroic figure. The ship the prince operates from, holds a crew of friends, protectors and loyal sailors, they made for good reading. When Elian and Lira eventually cross paths, it’s not pretty but it’s explosive, violent and hateful.
“It’s you.”
“Look at you. My monster, come to find me.”
The story took hold of me from the first chapter and was a thrilling voyage across oceans and into unusual lands. I was interested throughout and dying to see what would happen. The romance is subtle but still kicks a punch, nevertheless, it doesn’t overwhelm the story.
"Me, my ship, and a girl with oceans in her eyes."
I had a little niggle in this book regarding how the dialogue was written, my problem being that it is consistently unclear when the dialogue character changes, which stops your flow while you work out who’s talking. However, this is just a niggle and wasn’t a major issue.
I am truly excited about this debut, it’s uniqueness and strong writing of characters and story direction. YA fantasy lovers are going to rave over this, I’m sure.
I voluntarily read an early copy of this book.
Firstly, in a sea of YA fantasy series, I want to shout from the rooftops that this is a full and rounded standalone. Yes, I said standalone and I felt complete by the end, so it does what it says on the tin.
Sirens are the name of the game in this book and Lira is a scrappy, fierce and murderous siren princess known across the world as The Princes Bane. Her mother, the Sea Queen is her nemesis but she is bent to her mother’s will. The Sea Queen is a rather frightening, violent dictator without ethics or scruples. Lira, initially with little to recommend her, undertakes a change about which I don’t want to say more. The character development was superb.
“The crew said her hair was as red as hellfire.”
“The Princes’ Bane is the greatest monster I’ve ever known, and the only one who’s escaped death once I’ve set my sights on her."
Elian is more pirate than Prince of Midas, on a self-inflicted crusade to rid the world of sirens. There’s a lot more to like about Elian and he cuts a swarthy, heroic figure. The ship the prince operates from, holds a crew of friends, protectors and loyal sailors, they made for good reading. When Elian and Lira eventually cross paths, it’s not pretty but it’s explosive, violent and hateful.
“It’s you.”
“Look at you. My monster, come to find me.”
The story took hold of me from the first chapter and was a thrilling voyage across oceans and into unusual lands. I was interested throughout and dying to see what would happen. The romance is subtle but still kicks a punch, nevertheless, it doesn’t overwhelm the story.
"Me, my ship, and a girl with oceans in her eyes."
I had a little niggle in this book regarding how the dialogue was written, my problem being that it is consistently unclear when the dialogue character changes, which stops your flow while you work out who’s talking. However, this is just a niggle and wasn’t a major issue.
I am truly excited about this debut, it’s uniqueness and strong writing of characters and story direction. YA fantasy lovers are going to rave over this, I’m sure.
I voluntarily read an early copy of this book.
LeftSideCut (3776 KP) rated Jurassic World: Fallen Kingdom (2018) in Movies
Jun 21, 2019
Please stop now
Contains spoilers, click to show
Where to begin...
Fallen Kingdom is full to the brim with stupid.
It sort of imitates The Lost World - first half set on an island, second half set within human population - but it just falls on its face, especially in that second half.
We have a typical evil guy, with a ludicrous plan to use dinosaurs in modern war scenarios (again - for some absurd reason), we have a new "crazy" hybrid lab created dinosaur on the rampage (again!), And to top it all off, the writers decided to throw in a side plot about a little girl who actually a clone? What? Why?
There's also a bit with a velociraptor diving through a window, away from an explosion, like a dinosaur John McClane - we are so far away from the first movie now, is there any point in carrying on?
The first half of the film fairs slightly better, (the opening scene is a highlight for me) and the CGI is pretty solid throughout, but as soon as they leave the island, it's nosedives in spectacular fashion.
Bruce Dallas-Howard and Chris Pratt - again, both fine actors, bit here they are just there, not really adding or taking away from the whole experience.
And just like Jurassic World, it's full of silly plot points that I try not to think too hard about, bit in the end can't help myself such as:
Why is Claire not incarcerated for the events of the first film - she's definitely responsible for a lot of civilians being mailed by rampant dinosaurs.
How does the old guy have absolutely no idea that there is a massive lab/dinosaur prison below his house.
How did they get the T-Rex onto the boat into containment in the few minutes between the main characters jumping into the ocean to getting to the boat themselves?
Why does the Indoraptor happily eat everyone in sight, but then sneak up on the little girl... It's a kind of cool shit but still.
When the film reaches it's conclusion with dinosaurs roaming our everyday lives, you realise that most of the trailer is in the last minute of the film, and this was maybe all filler to reach the inevitable sequel, but to be honest, my interest is low at this point.
On a final note, I love Jeff Goldblum but what was the point of his appearance here? He literally says the name of the film out loud, and that's it. Jesus.
Fallen Kingdom is full to the brim with stupid.
It sort of imitates The Lost World - first half set on an island, second half set within human population - but it just falls on its face, especially in that second half.
We have a typical evil guy, with a ludicrous plan to use dinosaurs in modern war scenarios (again - for some absurd reason), we have a new "crazy" hybrid lab created dinosaur on the rampage (again!), And to top it all off, the writers decided to throw in a side plot about a little girl who actually a clone? What? Why?
There's also a bit with a velociraptor diving through a window, away from an explosion, like a dinosaur John McClane - we are so far away from the first movie now, is there any point in carrying on?
The first half of the film fairs slightly better, (the opening scene is a highlight for me) and the CGI is pretty solid throughout, but as soon as they leave the island, it's nosedives in spectacular fashion.
Bruce Dallas-Howard and Chris Pratt - again, both fine actors, bit here they are just there, not really adding or taking away from the whole experience.
And just like Jurassic World, it's full of silly plot points that I try not to think too hard about, bit in the end can't help myself such as:
Why is Claire not incarcerated for the events of the first film - she's definitely responsible for a lot of civilians being mailed by rampant dinosaurs.
How does the old guy have absolutely no idea that there is a massive lab/dinosaur prison below his house.
How did they get the T-Rex onto the boat into containment in the few minutes between the main characters jumping into the ocean to getting to the boat themselves?
Why does the Indoraptor happily eat everyone in sight, but then sneak up on the little girl... It's a kind of cool shit but still.
When the film reaches it's conclusion with dinosaurs roaming our everyday lives, you realise that most of the trailer is in the last minute of the film, and this was maybe all filler to reach the inevitable sequel, but to be honest, my interest is low at this point.
On a final note, I love Jeff Goldblum but what was the point of his appearance here? He literally says the name of the film out loud, and that's it. Jesus.
EmersonRose (320 KP) rated Alfred: The Boy Who Would Be King in Books
Nov 20, 2019
Alfred is a mostly ordinary boy, going to school, playing video games, and reading books about medieval history. His mother is a bit eccentric but all in all, he is living the regular life of an 11-year-old. That is until a mysterious man shows up one night and Alfred suddenly finds himself in a fantastical, medieval kingdom. What is even more strange, Alfred soon discovers he has families ties to this strange land and is the only heir left to the kingdom’s throne. Thrust in the middle of a country cursed by a witch, a dark lord, terrible creatures, and famine, Alfred has his work cut out for him. But thanks to the help of a few new friends, his medieval video game, and book knowledge, he is up for the challenge.
Alfred is a determined, hopeful, excited kid living out a child’s fantasy. He manages to stay strong through horrible circumstances and uses his knowledge of the period along with that of his own time to try and make things better for his people. The mashing together of periods offers plenty of hilarious moments as Alfred tries to explain things like TV and pro-wrestlers. His knowledge of things like agriculture and battle defenses quickly become lifesavers for the peasants who have accepted the return of the king.
This fantastical adventure is a beautiful story that balances the dark, harsh realities of 6997428survival against both enemies and natural, the struggle of the weight thrust upon Alfred’s shoulders, while also remaining lighthearted, funny, and fun. The story unfolds like a puzzle before the reader, much like it does for Alfred, as you discover more about his family, magic, and the politics of this magical world. Author Ron Smorynski has done an incredible job of creating an extraordinary world and characters that you can become invested it. The story captures the pure adventure and action so longed for in fantasy adventures while also tackling growing up, history, and family struggles. To me, it brings to mind such classics as Narnia and The Castle in the Attic.
The book is an excellent beginning. While the story itself is well rounded in itself, the real magic is in the story that it has left to tell. Throughout the book, we get the beginnings of magical rules, political struggle, villains powers, and the complicated history of Alfred’s family and those that knew them. The book leaves you with as many secrets as it answers and simply begs for a sequel. I am excited to see more from this author and continue my journey with Alfred and his friends, hopefully soon!
Alfred is a determined, hopeful, excited kid living out a child’s fantasy. He manages to stay strong through horrible circumstances and uses his knowledge of the period along with that of his own time to try and make things better for his people. The mashing together of periods offers plenty of hilarious moments as Alfred tries to explain things like TV and pro-wrestlers. His knowledge of things like agriculture and battle defenses quickly become lifesavers for the peasants who have accepted the return of the king.
This fantastical adventure is a beautiful story that balances the dark, harsh realities of 6997428survival against both enemies and natural, the struggle of the weight thrust upon Alfred’s shoulders, while also remaining lighthearted, funny, and fun. The story unfolds like a puzzle before the reader, much like it does for Alfred, as you discover more about his family, magic, and the politics of this magical world. Author Ron Smorynski has done an incredible job of creating an extraordinary world and characters that you can become invested it. The story captures the pure adventure and action so longed for in fantasy adventures while also tackling growing up, history, and family struggles. To me, it brings to mind such classics as Narnia and The Castle in the Attic.
The book is an excellent beginning. While the story itself is well rounded in itself, the real magic is in the story that it has left to tell. Throughout the book, we get the beginnings of magical rules, political struggle, villains powers, and the complicated history of Alfred’s family and those that knew them. The book leaves you with as many secrets as it answers and simply begs for a sequel. I am excited to see more from this author and continue my journey with Alfred and his friends, hopefully soon!
Gareth von Kallenbach (980 KP) rated Maleficent (2014) in Movies
Aug 6, 2019
I was quite apprehensive headed into the new Disney movie ‘Maleficent’
(Starring Angelina Jolie, Elle Fanning, Sharlto Copley, and Sam Riley), because all the ‘official’ reviews said it wasn’t any good.
I thoroughly disagree.
Maleficent made me laugh, it made me cry and it had me holding my breath in anticipation in some parts.
It takes a ‘Wicked’ type look at the age old story of Sleeping Beauty.
While the narration is from the point of view of a much older Aurora, the story focuses on the point of view of Maleficent.
The young Maleficent (played by Isobelle Molloy) meets a young orphaned peasant boy with aspirations to live in the neighboring kingdoms castle.
Through the years they bond and grow close and share what is supposed to be ‘true loves kiss’.
Time moves on. The king in the adjoining kingdom is greedy and wants the lands that are ruled over by Maleficent. There is a battle, he is soundly defeated, and the King is injured mortally in battle. He pronounces that he will make whoever avenges him and kills Maleficent the next ruler.
Stefan, still being ambitious, finds Maleficent, and while pretending to still be her friend, drugs her. He can’t bring himself to actually kill her and steals her wings instead, to present to the king as proof of her demise.
Stefan is crowned king. Time passes.
Maleficent’s pain and anger and betrayal do not dissipate. They grow and coalesce to the point that at the celebration to celebrate the birth of King Stefan’s daughter Aurora, she curses the child, sealing her fate that naught but ‘true loves kiss’ will break the curse.
The story follows the child’s growth, with Maleficent watching her every move, and getting closer and closer to her with every passing year.
Maleficent dubs Aurora ‘Beastie’, and Aurora calls Maleficent ‘Godmother’.
As Aurora’s 16th birthday draws near, Maleficent grows desperate to break the very curse that she had cast many years before.
It does not work.
I won’t ruin it by telling the ending, but it was action packed, and heart wrenching, and (at least to me) marginally unpredictable…. (I thought one person would break it, but another did…. I did figure it out before it happened, but mostly because I’ve been watching Once Upon A Time).
I really enjoyed the film, I loved the 3D of it, and I would most assuredly see it again. I wouldn’t recommend it for very young children, and I don’t feel like I can bring my almost 6 year old to it, but I would consider letting him see it by age 8 or 9.
(Starring Angelina Jolie, Elle Fanning, Sharlto Copley, and Sam Riley), because all the ‘official’ reviews said it wasn’t any good.
I thoroughly disagree.
Maleficent made me laugh, it made me cry and it had me holding my breath in anticipation in some parts.
It takes a ‘Wicked’ type look at the age old story of Sleeping Beauty.
While the narration is from the point of view of a much older Aurora, the story focuses on the point of view of Maleficent.
The young Maleficent (played by Isobelle Molloy) meets a young orphaned peasant boy with aspirations to live in the neighboring kingdoms castle.
Through the years they bond and grow close and share what is supposed to be ‘true loves kiss’.
Time moves on. The king in the adjoining kingdom is greedy and wants the lands that are ruled over by Maleficent. There is a battle, he is soundly defeated, and the King is injured mortally in battle. He pronounces that he will make whoever avenges him and kills Maleficent the next ruler.
Stefan, still being ambitious, finds Maleficent, and while pretending to still be her friend, drugs her. He can’t bring himself to actually kill her and steals her wings instead, to present to the king as proof of her demise.
Stefan is crowned king. Time passes.
Maleficent’s pain and anger and betrayal do not dissipate. They grow and coalesce to the point that at the celebration to celebrate the birth of King Stefan’s daughter Aurora, she curses the child, sealing her fate that naught but ‘true loves kiss’ will break the curse.
The story follows the child’s growth, with Maleficent watching her every move, and getting closer and closer to her with every passing year.
Maleficent dubs Aurora ‘Beastie’, and Aurora calls Maleficent ‘Godmother’.
As Aurora’s 16th birthday draws near, Maleficent grows desperate to break the very curse that she had cast many years before.
It does not work.
I won’t ruin it by telling the ending, but it was action packed, and heart wrenching, and (at least to me) marginally unpredictable…. (I thought one person would break it, but another did…. I did figure it out before it happened, but mostly because I’ve been watching Once Upon A Time).
I really enjoyed the film, I loved the 3D of it, and I would most assuredly see it again. I wouldn’t recommend it for very young children, and I don’t feel like I can bring my almost 6 year old to it, but I would consider letting him see it by age 8 or 9.