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Mark @ Carstairs Considers (2200 KP) rated Nacho Average Murder in Books

Jul 2, 2020  
Nacho Average Murder
Nacho Average Murder
Maddie Day | 2020 | Mystery
5
5.0 (1 Ratings)
Book Rating
Vacation with Murder
Robbie Jordan is taking a well-deserved vacation and heading back to Santa Barbara for her high school reunion. This is the first time she’s been back since her mother died, and it is definitely a struggle for her even before she hears a rumor that her mother might not have died from natural causes. When someone else dies under similar circumstances, Robbie can’t help but investigate. Will she learn the truth before she has to return home?

Vacation books can be tricky to pull off while satisfying fans. Unfortunately, this one didn’t quite work. I enjoyed seeing a different side of Robbie as she interacted with her old friends, and I did like the new characters. However, I missed the series regulars. The plot wasn’t as strong as it could have been, although things were wrapped up by the time we reached the end. I enjoyed spotting the parallels between where Robbie stayed and her own place back in Indiana. Instead of my normal breakfast food cravings while reading this book, I was left craving Mexican food, which I didn’t mind in the least. The recipes at the end will help everyone with that. As a fan of Sue Grafton’s Kinsey Millhone mysteries, I enjoyed the references to that series in this book. If you are a fan of the Country Store Mysteries, you’ll still want to pick up this book. But if you are new to the series, back up and read the earlier entries in the series.
  
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Michael Packner (32 KP) rated Strangers: Prey at Night (2018) in Movies

Jun 15, 2019 (Updated Jun 21, 2019)  
Strangers: Prey at Night (2018)
Strangers: Prey at Night (2018)
2018 | Horror
10
6.6 (23 Ratings)
Movie Rating Watch
The tone is surprisingly similar to the original given the change in director. (9 more)
The continued use of music as another character.
Turning the Strangers' truck into a 4th villain.
80s music.
The beautiful sets and cinematography.
The epic pool scene.
The evolution of the Strangers as characters while still respecting their mystery.
The 20 minute or so climax from the pool scene up until right before the final scene.
Damian Maffei's imposing performance as Man in the Mask, especially in his 3 big scenes.
Emma Bellomy's psychotic evolution of the Dollface killer.
The cut scenes we'll never get to see that should've been left in. (5 more)
The weak cop out ending.
Kinsey as a character.
The film's choice for a victor in the game of deadly cat and mouse.
The criminal underuse of Pinup Girl, although I know the unfortunate reason.
The runtime was way too short.
This film is truly a unique film, as while it is a polar opposite of the original Strangers, it is also awesomely familiar. Even with some of the glaring mistakes, I still give this film 5 ☆ because it takes it's own path and stands on its own in the franchise and doesn't try to mimic the first one, which could've been disastrous. Plus, I waited 10 freaking years for this film, and damnit I had a BLAST! While the original pays homage to 70s horror and the Hitchcock style as well as early Carpenter, Prey at Night chooses to pay straight homage to 80s slasher films and 80s Carpenter, and does a fantastic job. The film's 20 or so minute climax is more than worth the wait and contains the greatest pool scene in horror film history. The first film is dark and foreboding while the sequel is balls to the wall slasher fun. I can't wait to see what's in store next for my favorite horror franchise. ??
  
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Gareth von Kallenbach (980 KP) rated A Walk Among the Tombstones (2014) in Movies

Aug 6, 2019  
A Walk Among the Tombstones (2014)
A Walk Among the Tombstones (2014)
2014 | Action, Drama
6
6.4 (5 Ratings)
Movie Rating
A Walk Among the Tombstones stars Liam Neeson as former cop, and former alcoholic, Matthew Scudder in this adaptation of the tenth novel in Lawrence Block’s long-running series. Set in 1999, amid the Y2K scare, Scudder operates just outside of the law as an unlicensed private investigator. Approached by a fellow AA member, he is tasked with finding the men responsible for kidnapping and murdering the wife of a local drug trafficker. Along the way, he receives help from homeless teen T.J. (played, with admirable restraint in a role easy to overdo, by newcomer Brian ‘Astro’ Bradley) and discovers that the two men he is investigating have killed before, and will do so again.

 

This is exactly the type of movie that I find myself drawn to, a brooding, hard-edged film-noir, but what stops me from enjoying it more and rating it higher is that right from the opening frames, Tombstones, unlike last year’s Prisoners, which defied all my expectations, doesn’t strive to do anything more than to satisfy the requirements of its genre and lean heavily on the performance of its lead.

 

That being said, it is another fantastic performance from Neeson and, still sporting that questionable American accent, he brings real weight to the character of Scudder. Don’t expect to see a tour-de-force the likes of Denzel Washington battling alcoholism in Flight, but it is refreshing to see these types of characters humanized and played straight in roles that have previously been over-the-top and laughably romanticized.

 

Another highlight is the relationship between Scudder and T.J, something that from the outset seems a cliché and had the potential to detract from the plot, it is however surprisingly well-constructed. One scene in particular between them is a stand-out as we see Scudder’s reaction to finding out that T.J. has been carrying a presumably stolen firearm. I will refrain from ruining the punchline, but it is a rare piece of frank dialogue and is deservedly shocking in its delivery.

 

Where A Walk Among the Tombstones unfortunately falls short is in its lack of subtlety, through a heavy-handed score and, more importantly, a bloated running time. More times than I would have liked, I found myself asking, “Is this scene necessary, or relevant?” Less would have been so much more, especially in the case of the two antagonists, who are set up as being formidable psychopaths for our anti-hero, they are instantly deflated through a single moment that depicts the normality of what we assume is their morning routine. Though it’s not unheard of that the most violent of criminals lead ordinary lives, the tongue-in-cheek nature of the scene does nothing to intensify the fear and dread we are supposed to feel toward these men.

 

Fans of Liam Neeson should be pleased, but what we’re given here is a solid first act and dialogue that ranges from good to great, but ultimately a predictable, over-long, paint-by-numbers effort. Sure, it hits all the right notes atmospherically, but I can’t expect that it will be more or less memorable than any of the other recent thriller entries in Neeson’s oeuvre (anyone remember 2011’s Unknown?). Between this and knowing that a third Taken is on the way, I now find myself longing for another great dramatic turn from him along the lines of Five Minutes of Heaven, or Kinsey.