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Rebecca Zlotowski recommended Hanussen (1988) in Movies (curated)

 
Hanussen (1988)
Hanussen (1988)
1988 | International, Drama
(0 Ratings)
Movie Favorite

"The true and unbelievable story of a mentalist in the 1930s in Berlin, who became Hitler’s private astrologist… First appearance of Klaus Kinski as a sublime and disturbing 20 year-old Nazi."

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Baz Luhrmann recommended Fitzcarraldo (1982) in Movies (curated)

 
Fitzcarraldo (1982)
Fitzcarraldo (1982)
1982 | Action, Drama, International

"I kind of think Fitzcarraldo. Cinephiles know it, but the new generation don’t really know that picture. It’s a flawed film but if you watch that and the companion making-of [Burden of Dreams]… there’s a great Criterion of it; it’s the one with Mick Jagger in it, when he started the film and had to pull out. What I love about this film is that it represents what I love about film making: The film is about a person who has an insane passion for art, to the extent that they drag a boat over a small isthmus to make money, but he’s making money to bring Caruso, the great Italian Opera singer, to build an opera house. But the backstory, with Klaus [Kinski], and the relationship between Klaus and [director] Werner [Herzog], is so fantastic a backstory. I mean, they try and kill each other. And I think the intense passion between actor and director is in the film. To me it’s kind of a package deal, this film. You have to involve yourself in the movie, but it’s really worth going beneath the film, up the jungle and into the psyche of the drama itself. Its companion film is one of my favorites of all-time, Apocalypse Now — and you can go on the same journey with that film."

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Nosferatu (Eine Symphonie Des Grauens) (1922)
Nosferatu (Eine Symphonie Des Grauens) (1922)
1922 | Horror, International

"I’ll just start with the Werner Herzog’s Nosferatu. That’s one of my top fives, primarily because I love the Dracula story, of course. And I’m a huge fan of the 1922 [F.W.] Murnau film and I love that Herzog took the time to go to the actual locations where the original was shot. It’s just so simple and it is such a slow, deliberate mood throughout the film that borders on taking too much time — to the point where it’s almost a meditative state as a viewer that you get into. And that’s not even counting Klaus Kinski‘s portrayal of the vampire which, to me, rivals the [Max] Schreck 1922 portrayal. But I’m such a Kinski fan, and knowing — having insight as to how out of his mind he was in real life — portraying the vampire really lends a lot of layers to viewing it. It’s one of those few cases in which knowing the actor that portrays the role actually creates more depth in the role itself. Where normally you would want to avoid that kind of influence, in this case it really works. Because Klaus Kinski’s so unpredictable as a human being. I would imagine, based on what I’ve heard, much like Max Schreck was in 1922, it’s really a lot of interesting parallel there. For a color adaptation, it’s almost camp, in a way, but… it hasn’t crossed that line — but it almost is. I think the portrayal of Jonathan, and frankly, the girl in it [Isabelle Adjani as Lucy Harker] is probably one of the most beautiful women I’ve ever seen in my life. If you haven’t seen it in a while, revisit it… she’s just insane."

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Matthew Krueger (10051 KP) rated Nosferatu the Vampyre (1979) in Movies

Oct 28, 2020 (Updated Oct 28, 2020)  
Nosferatu the Vampyre (1979)
Nosferatu the Vampyre (1979)
1979 | Horror
6
7.7 (6 Ratings)
Movie Rating
Klaus Kinski (0 more)
Slow (0 more)
The Vampire Among Them
Nosferatu The Vampyre- is a very slow movie. Very slow, for 90% of the time nothing happens and when some does happens its only for three minutes max. I always wanted to watch the oringal, never got a chance to, hopefully soon i will. As for this remake its so-so.

The plot: Jonathan Harker is sent away to Count Dracula's castle to sell him a house in Virna, where he lives. But Count Dracula is a vampire, an undead ghoul living off men's blood. Inspired by a photograph of Lucy Harker, Jonathan's wife, Dracula moves to Virna, bringing with him death and plague... An unusually contemplative version of Dracula, in which the vampire bears the cross of not being able to get old and die.

There are two different versions of the film, one in which the actors speak English, and one in which they speak German.

Herzog's production of Nosferatu was very well received by critics and enjoyed a comfortable degree of commercial success.

The film also marks the second of five collaborations between director Herzog and actor Kinski.

While the basic story is derived from Bram Stoker's novel Dracula, director Herzog made the 1979 film primarily as an homage remake of F. W. Murnau's silent film Nosferatu (1922), which differs somewhat from Stoker's original work. The makers of the earlier film could not obtain the rights for a film adaptation of Dracula, so they changed a number of minor details and character names in an unsuccessful attempt to avoid copyright infringement on the intellectual property owned (at the time) by Stoker's widow Florence. A lawsuit was filed, resulting in an order for the destruction of all prints of the film. Some prints survived, and were restored after Florence Stoker had died and the copyright had expired.

By the 1960s and early 1970s the original silent returned to circulation, and was enjoyed by a new generation of moviegoers.

In 1979, by the very day the copyright for Dracula had entered the public domain, Herzog proceeded with his updated version of the classic German film, which could now include the original character names.

Herzog saw his film as a parable about the fragility of order in a staid, bourgeois town. "It is more than a horror film", he says. "Nosferatu is not a monster, but an ambivalent, masterful force of change. When the plague threatens, people throw their property into the streets, they discard their bourgeois trappings. A re‐evaluation
of life and its meaning takes place."

Like i said its a decent movie.