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Suswatibasu (1701 KP) rated Rings (2017) in Movies
Oct 30, 2017 (Updated Oct 30, 2017)
Done to death (excuse the pun)
(Rant) The American Ring series is a franchise that should never have been given the go-ahead in the first place, mostly because it's a massacre of the original Japanese film, as Hollywood has never heard of the term "less is more". And this pretty much tops the entire collection as the most pointless film that was made. Lessons were clearly not learnt from the initial two movies.
For one, assume that Samara is evil. There are no two ways about that. So why these do-gooders continually attempt to save her is beyond me. Do they never learn? And two, after seeing what Samara can do to a person's face in the previous films, this seems to be less frightening in the third and hopefully final film in the trilogy. Hence the above the qualm - less is more.
The Japanese films diverge massively, and the best part of it is the fact that they don't need to be over-dramatic to create pure fear. Japanese and Korean subtlety does not translate well in the US film industry and its uniqueness is why the movies were exemplary. Not worth your time.
For one, assume that Samara is evil. There are no two ways about that. So why these do-gooders continually attempt to save her is beyond me. Do they never learn? And two, after seeing what Samara can do to a person's face in the previous films, this seems to be less frightening in the third and hopefully final film in the trilogy. Hence the above the qualm - less is more.
The Japanese films diverge massively, and the best part of it is the fact that they don't need to be over-dramatic to create pure fear. Japanese and Korean subtlety does not translate well in the US film industry and its uniqueness is why the movies were exemplary. Not worth your time.
Nick Beaty (70 KP) rated The Mule (2018) in Movies
Dec 6, 2019 (Updated Dec 6, 2019)
Clint still going strong...
To see Clint Eastwood still going strong at the age of 89 is simply incredible, sadly this film is not some of his best work.
From the start the movie feels a little bit disjointed and a bit all over the place but if you can get past that and the blatant plot holes in the script, there is a half decent movie in there somewhere.
Clint Eastwood is solid as always as the 90 year old, politically incorrect Korean war veteran. However the very talented supporting cast including Bradley Cooper & Laurence Fishburne feel very restricted and underused, I can't actually believe Laurence Fishburne took this role if I'm being honest, as his screen time is very limited to say the least.
To sum it up if you are a Clint Eastwood fan like myself then on the whole, The Mule is a watchable and at times enjoyable movie. Although admittedly not his greatest piece of work, if this does indeed turn out to be his last movie then I think we can all safely say it has been one hell of a career for a true Hollywood legend.
From the start the movie feels a little bit disjointed and a bit all over the place but if you can get past that and the blatant plot holes in the script, there is a half decent movie in there somewhere.
Clint Eastwood is solid as always as the 90 year old, politically incorrect Korean war veteran. However the very talented supporting cast including Bradley Cooper & Laurence Fishburne feel very restricted and underused, I can't actually believe Laurence Fishburne took this role if I'm being honest, as his screen time is very limited to say the least.
To sum it up if you are a Clint Eastwood fan like myself then on the whole, The Mule is a watchable and at times enjoyable movie. Although admittedly not his greatest piece of work, if this does indeed turn out to be his last movie then I think we can all safely say it has been one hell of a career for a true Hollywood legend.
Awix (3310 KP) rated Parasite (2019) in Movies
Feb 14, 2020
Dazzling Korean jet-black comedy-thriller lives up to the hype. A clan of Seoul low-lives insert themselves with ruthless ingenuity into the comfortable lives of a wealthy family. Soon they are living much larger than they could ever have dreamt - what could possibly go wrong? (Well, plenty, of course.)
Obviously this is a film about issues of wealth and class and all the tensions and resentments that come with them, and as such it has a universal resonance regardless of whether or not it has those little words at the bottom of the screen. However, it is also an exhilarating piece of pure cinema, written and directed with great skill and creativity and well-played by the ensemble cast. At first you are drawn into rooting for the hangers-on despite their dubious enterprises, but slowly the story becomes more and more ambiguous and fraught. (Possibly the only Oscar and Palme D'Or winning film where body odour is a key plot point.) Gripping, symbolically powerful (the invisibility of the poor to their wealthier compatriots is another central theme), tremendously entertaining: pretty much everything you want from a movie.
Obviously this is a film about issues of wealth and class and all the tensions and resentments that come with them, and as such it has a universal resonance regardless of whether or not it has those little words at the bottom of the screen. However, it is also an exhilarating piece of pure cinema, written and directed with great skill and creativity and well-played by the ensemble cast. At first you are drawn into rooting for the hangers-on despite their dubious enterprises, but slowly the story becomes more and more ambiguous and fraught. (Possibly the only Oscar and Palme D'Or winning film where body odour is a key plot point.) Gripping, symbolically powerful (the invisibility of the poor to their wealthier compatriots is another central theme), tremendously entertaining: pretty much everything you want from a movie.
Colin Trevorrow recommended The Manchurian Candidate (1962) in Movies (curated)
pecotter (3 KP) rated Train to Busan (2016) in Movies
Sep 19, 2017
A gripping Korean zombie film
I was excited to watch Train to Busan the moment I saw the trailer for it. I am a huge fan of horror and zombie films and this one looked different.
I was pretty into it as soon as I started to watch it, I was pulled in and couldn't take my eyes from the screen from the moment the characters first board the train.
There were little details here and there that I loved including the fact that one character has a brand new Nintendo Ds (I love Nintendo).
Most zombie movies bore me after a while and I don't care too much for the characters, but in Train to Busan I was rooting for several of them.
I also loved the fact they were on a train, that was ont of the reasons I wanted to watch this film, I wanted to see exactly how they were gonna survive in such a small space.
I highly recommend this film, give it a try even if you don't like the look of it and it might surprise you.
I was pretty into it as soon as I started to watch it, I was pulled in and couldn't take my eyes from the screen from the moment the characters first board the train.
There were little details here and there that I loved including the fact that one character has a brand new Nintendo Ds (I love Nintendo).
Most zombie movies bore me after a while and I don't care too much for the characters, but in Train to Busan I was rooting for several of them.
I also loved the fact they were on a train, that was ont of the reasons I wanted to watch this film, I wanted to see exactly how they were gonna survive in such a small space.
I highly recommend this film, give it a try even if you don't like the look of it and it might surprise you.
Neon's Nerd Nexus (360 KP) rated A Bittersweet Life (2006) in Movies
May 13, 2019
Sweet as
Number 2 in my #top10 favourite films of all time is 'A Bittersweet Life'
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Without a doubt the greatest revenge #film ever made #abittersweetlife is a jaw dropping, beautifully shot, meticulously choreographed & accompanied by one of the most alluring soundtracks I've ever heard in a film. To look at this film as simply a #revenge film is missing out on why its so great, its a film about #freedom, innocence, loyalty & power with so much intricacy/depth to each if your willing to open your mind & delve deeper into its characters/themes. There's also so many absolutely stunningly #crafted, memorable, creative & tense set pieces here too that make almost every #action film look sub par in comparison. #Leebyunghun gives the performance of his career here , he's just so #cool, #stylish, dedicated & #charming that theres not one point your not #emotionally attached to him & engaged in the film. If you #love foreign films you can not miss out on this one its utter perfection & for me nothing will ever come close to how flawless it is. Make sure you watch the directors cut as the theatrical misses out a few extreamly important plot points.
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#jeewoonkim #buddist #korea #korean #revenge #blood #violence #thursdaythoughts #martialarts #fighting #gangster #mob #fight #beauty #art #filmbuff #filmcritic #artsy
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Without a doubt the greatest revenge #film ever made #abittersweetlife is a jaw dropping, beautifully shot, meticulously choreographed & accompanied by one of the most alluring soundtracks I've ever heard in a film. To look at this film as simply a #revenge film is missing out on why its so great, its a film about #freedom, innocence, loyalty & power with so much intricacy/depth to each if your willing to open your mind & delve deeper into its characters/themes. There's also so many absolutely stunningly #crafted, memorable, creative & tense set pieces here too that make almost every #action film look sub par in comparison. #Leebyunghun gives the performance of his career here , he's just so #cool, #stylish, dedicated & #charming that theres not one point your not #emotionally attached to him & engaged in the film. If you #love foreign films you can not miss out on this one its utter perfection & for me nothing will ever come close to how flawless it is. Make sure you watch the directors cut as the theatrical misses out a few extreamly important plot points.
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#jeewoonkim #buddist #korea #korean #revenge #blood #violence #thursdaythoughts #martialarts #fighting #gangster #mob #fight #beauty #art #filmbuff #filmcritic #artsy
Anne (15117 KP) rated Frankly in Love (Frankly in Love, #1) in Books
Nov 4, 2019
Thanks to Libro.fm and Penguin Random House Audio for letting me listen and review this book. I was curious about this book since everyone was talking about it so I decided to check it out and I'm glad I listened to the audio because I don't think I would have done as well reading it. It was a little challenging for me to finish it even with the audio as it was.
I liked the story idea and premise to the story with the fake dating trope and the insight into Korean culture and family and culture issues and differences. It was a good portrayal of YA/teen years and crushes and romances and other things. There were a few things that caught me off guard, but for the most part, it seemed to be pretty straight forward.
This isn't my usual reading genre, but I thought it was alright although my biggest things were 1-it seemed a bit long, which is one of the reasons why audio helped and 2 - the language - there was so much profanity and language that I didn't enjoy, so that's my two cents on that.
If you like romance, fake dating tropes and such then you'll probably like this.
I liked the story idea and premise to the story with the fake dating trope and the insight into Korean culture and family and culture issues and differences. It was a good portrayal of YA/teen years and crushes and romances and other things. There were a few things that caught me off guard, but for the most part, it seemed to be pretty straight forward.
This isn't my usual reading genre, but I thought it was alright although my biggest things were 1-it seemed a bit long, which is one of the reasons why audio helped and 2 - the language - there was so much profanity and language that I didn't enjoy, so that's my two cents on that.
If you like romance, fake dating tropes and such then you'll probably like this.
Jesters_folly (230 KP) rated Bring it on, Ghost in TV
Jul 17, 2020
Park Bong-pal can see ghosts, he uses this ability to make money as an exorcist. On one of his jobs he meets Kim Hyeon-ji, a ghost who can't remember her own death. Park Bong- pal agrees to help Kim Hyeon-ji find out about her past if she helps him exorcise the evil ghost but Kim Hyeon-ji isn't the only one with a mysterious past and Park Bong-pal's might just kill both of them.
Bring it on, Ghost is a Korean, horror, romance, comedy romance series on Netflix. Each episode is a 'Monster of the week' type of story with also builds up the story of Park Bong-pal and how he gained the ability to see ghosts and what it means to his future.
The horror aspect of the series is quite tame, some of the ghosts are creepy but the show focus's on Park Bong-pal and Kim Hyeon-ji's relationship and works on building up the over aching series story line.
Being about ghosts there are the occasional episodes that touch on suicide and child abuse but these are handled well and manly focus on the effect such actions have on the survives and are not glorified or used for shock value.
Bring it on, Ghost is a Korean, horror, romance, comedy romance series on Netflix. Each episode is a 'Monster of the week' type of story with also builds up the story of Park Bong-pal and how he gained the ability to see ghosts and what it means to his future.
The horror aspect of the series is quite tame, some of the ghosts are creepy but the show focus's on Park Bong-pal and Kim Hyeon-ji's relationship and works on building up the over aching series story line.
Being about ghosts there are the occasional episodes that touch on suicide and child abuse but these are handled well and manly focus on the effect such actions have on the survives and are not glorified or used for shock value.
Suswatibasu (1701 KP) rated Creepy (Kuripi: Itsuwari no rinjin) (2016) in Movies
Nov 29, 2017 (Updated Nov 29, 2017)
The title spells it out to a tee
This absolutely stomach-wrenching film from the masters of Japanese cinema, literally blows your socks off. It is understatedly creepy, no dramatic background music and a deeply horrifying body count. For fans of psychological thrillers such as @Sympathy for Lady Vengeance (2014) and @Oldboy (2013) (Korean version) this is another expertly crafted movie that leaves you in knots.
It begins with a detective interviewing a psychopathic suspect, who then manages to escape the police interview room and hold a woman hostage. In the process, the detective is badly injured and as a result leaves the force to pursue an academic career in criminal psychology. Shaken by his time as a detective, he and his wife move to a leafy suburb of Japan with incredibly unsocial neighbours. Soon after moving, he is approached by a former colleague asking for help in a particular case, in which three members of a family mysteriously disappeared six years ago, leaving only a daughter behind. The case was never solved as the daughter's constantly changing statements were seen as inadmissible evidence. And soon after he realises that the case is much closer to home than expected.
Sharp storytelling despite a few plot holes which is left to your imagination. Totally recommended for followers of Eastern cinema.
It begins with a detective interviewing a psychopathic suspect, who then manages to escape the police interview room and hold a woman hostage. In the process, the detective is badly injured and as a result leaves the force to pursue an academic career in criminal psychology. Shaken by his time as a detective, he and his wife move to a leafy suburb of Japan with incredibly unsocial neighbours. Soon after moving, he is approached by a former colleague asking for help in a particular case, in which three members of a family mysteriously disappeared six years ago, leaving only a daughter behind. The case was never solved as the daughter's constantly changing statements were seen as inadmissible evidence. And soon after he realises that the case is much closer to home than expected.
Sharp storytelling despite a few plot holes which is left to your imagination. Totally recommended for followers of Eastern cinema.
