Search
Search results
Dutch Video Dictionary - Translate, Learn and Speak with Video Phrasebook
Travel and Reference
App
Do you ever wish when traveling that you could have someone who could teach you their local language...
Attack the Light - Steven Universe Light RPG
Games and Entertainment
App
**Destructoid’s Best Mobile Game of 2015 Nominee** **Paste Magazine 10 Best Mobile Games of...
Healthy Food Recipes & Home Recipe For Christmas
Food & Drink and Health & Fitness
App
*** Download the App and Win Gifts at NewYear **** **Best Smart Nutrition Food Recipes App...
Sound Touch
Education and Entertainment
App
OVER 600,000 DOWNLOADS! JOIN THE FUN! YOUR KIDS ARE GOING TO LOVE IT! Trumpets, Harmonicas, Trains,...
BlindSquare
Navigation and Social Networking
App
BlindSquare is pioneering accessible navigation both indoors and outdoors. Know where you are, know...
Adventure Time Game Wizard - Draw Your Own Adventure Time Games
Games and Entertainment
App
"Truly innovative and potentially infinite, Adventure Time Game Wizard is an essential purchase for...
Phillip McSween (751 KP) rated Gran Torino (2009) in Movies
Mar 25, 2018
Original
A racist Korean War veteran has to deal with his own prejudice when a Hmong teenager tries to steal his car.
Acting: 8
Clint Eastwood comes out of the gates swinging in playing racist Walt Kowalski. I thought it was a daring role seeing as, even though the character had a strong prejudices, you were still supposed to somehow like and respect him. Clint walks that line finely and pulls the role off with that smooth ease I've seen in a number of his previous roles.
Special love to a strong supporting role from Chee Thao who plays the angry Grandma of the Hmong family. She hates Clint as much as he hates her and their chemistry makes for some hilarious scenes. She captures the role perfectly.
Beginning: 1
Characters: 10
Gran Torino features a rich array of characters with meaning and depth. Walt is a man set in his ways after the war hardened him, but you find his walls slowly tearing down as the movie progresses. He reluctantly lets in the people that he wouldn't normally and finds himself becoming closer to them than his own family. While his heart may have changed, I appreciated the fact that his mouth didn't. Walt, with his brutal honesty, always spoke what was on his mind at all times which was funny and refreshing at the same time.
Thao (Bee Vang) has his own internal struggle as he deals with getting his education while trying to take care of his family and still fit in with the men in his family. He wants to be different than his thug cousins but he's too much of a softy to stand up for himself. Thao and Walt end up on a collision course towards each other surrounded by a number of characters that have their own stories worth paying attention to.
Cinematography/Visuals: 10
A lot of scenes stuck out in my head when considering Gran Torino. From family dinners to one-off scenes with Walt and Thao, the film provides believable insight into Walt becoming closer to his "enemies" than his own family. The dinners were shot in a claustrophobic type of way. Thao's house was littered with people and you find a surrounded Walt trying to navigate his way through while steering clear of being social. The film as a whole was shot in a dark style indicative of looming danger. It's unnerving in a way, but effective at the same time.
Conflict: 10
Genre: 7
Memorability: 10
The hard dramatic shift in the film is like a gut punch, both jarring and unexpected. I appreciate when a film can change tones and still be effective. I also appreciate when films show racism from both sides of the fence. There's a refreshing sense of realism you get with Gran Torino that may be sacrificed in other films for the sake of getting a point across. In Torino, no one is innocent. No one is exempt.
I can't even count the number of one-liners that Walt provides throughout the span of the movie. My personal favorite: "Good day, puss cake." I have often considered how hilarious it would be to randomly say that to someone. There's still time...
Pace: 6
Definitely could have been improvement in the pacing department. The beginning starts off extremely slow before moving at a shaky pace. It finally levels out at about the half hour mark, but the damage had already been done for me at this point.
Plot: 10
Solid storyline from beginning to end that is both intriguing and unique. We are provided with an insight into a different culture in an endearing way that makes you smile.
Resolution: 5
Overall: 77
Gran Torino is an original film that succeeds with gritty realism and strong characters. A few tweaks, particularly a stronger ending, would have put the movie into a higher tier for me. Still a solid watch.
Acting: 8
Clint Eastwood comes out of the gates swinging in playing racist Walt Kowalski. I thought it was a daring role seeing as, even though the character had a strong prejudices, you were still supposed to somehow like and respect him. Clint walks that line finely and pulls the role off with that smooth ease I've seen in a number of his previous roles.
Special love to a strong supporting role from Chee Thao who plays the angry Grandma of the Hmong family. She hates Clint as much as he hates her and their chemistry makes for some hilarious scenes. She captures the role perfectly.
Beginning: 1
Characters: 10
Gran Torino features a rich array of characters with meaning and depth. Walt is a man set in his ways after the war hardened him, but you find his walls slowly tearing down as the movie progresses. He reluctantly lets in the people that he wouldn't normally and finds himself becoming closer to them than his own family. While his heart may have changed, I appreciated the fact that his mouth didn't. Walt, with his brutal honesty, always spoke what was on his mind at all times which was funny and refreshing at the same time.
Thao (Bee Vang) has his own internal struggle as he deals with getting his education while trying to take care of his family and still fit in with the men in his family. He wants to be different than his thug cousins but he's too much of a softy to stand up for himself. Thao and Walt end up on a collision course towards each other surrounded by a number of characters that have their own stories worth paying attention to.
Cinematography/Visuals: 10
A lot of scenes stuck out in my head when considering Gran Torino. From family dinners to one-off scenes with Walt and Thao, the film provides believable insight into Walt becoming closer to his "enemies" than his own family. The dinners were shot in a claustrophobic type of way. Thao's house was littered with people and you find a surrounded Walt trying to navigate his way through while steering clear of being social. The film as a whole was shot in a dark style indicative of looming danger. It's unnerving in a way, but effective at the same time.
Conflict: 10
Genre: 7
Memorability: 10
The hard dramatic shift in the film is like a gut punch, both jarring and unexpected. I appreciate when a film can change tones and still be effective. I also appreciate when films show racism from both sides of the fence. There's a refreshing sense of realism you get with Gran Torino that may be sacrificed in other films for the sake of getting a point across. In Torino, no one is innocent. No one is exempt.
I can't even count the number of one-liners that Walt provides throughout the span of the movie. My personal favorite: "Good day, puss cake." I have often considered how hilarious it would be to randomly say that to someone. There's still time...
Pace: 6
Definitely could have been improvement in the pacing department. The beginning starts off extremely slow before moving at a shaky pace. It finally levels out at about the half hour mark, but the damage had already been done for me at this point.
Plot: 10
Solid storyline from beginning to end that is both intriguing and unique. We are provided with an insight into a different culture in an endearing way that makes you smile.
Resolution: 5
Overall: 77
Gran Torino is an original film that succeeds with gritty realism and strong characters. A few tweaks, particularly a stronger ending, would have put the movie into a higher tier for me. Still a solid watch.
Gareth von Kallenbach (962 KP) rated Team America: World Police (2004) in Movies
Aug 14, 2019
With world tensions at an all time high with the very real threat of terrorism, the creators of South Park, Trey Parker and Matt Stone, have rushed to the rescue with a biting political and social satire named “Team America: World Police”.
The film is a puppet movie based upon the old Thunderbirds television show about a team of specialists who fight to save the world from all manner of threats both real and imagined. The story is told entirely by puppets and miniatures which allows Stone and Parker to push the boundaries much further than they would be allowed to with live actors and in doing so, give the audience some of the deepest albeit raunchiest laughs seen in a long time.
The story opens with Team America battling the terrorists in Paris. Ever quick on the trigger, the team is able to stop the deployment of a weapon of mass destruction but in the process much of the cities famed landmarks fall from collateral damage.
Forced to find a new team member, the leader of Team America, Spottswoode recruits a stage actor named Gary Johnston to join the team and infiltrate the terrorist organization to learn what new attacks are being planned.
While this is seen as a good move by the team, there are parts of the team that are unsure of this as one in particular does not trust actors and thinks that he will escalate an already volatile situation. Undaunted, the team sets off for Cairo Egypt and eventually leaves a trail of mayhem and destruction in their path.
It is at this point that the real story of the films kicks into gear. It is learned that North Korean leader Kim Jong Il is working with the terrorists to plot the ultimate attack and have convinced a cadre of Hollywood actors to attend a peace conference with other world leaders in an attempt to undermine Team America.
In between battles, Team America has plenty of time to take on other concerns such as love, self-doubt, personal issues, and suspicions, some of which result in a side-splitting sex scene that will soon become legend, as even though it involved puppets, it has to be severely edited in order to avoid an NC-17 rating. As it stands, it is one of the funniest moments in cinematic history and worth the price of admission alone.
The film does a good job of mixing comedy and commentary without ever drawing a line and saying this is how it is. We see Team America as a gun happy bunch, but we are also shown that they are true patriots who are willing to do what it takes to keep the country safe. Such is the genius of Parker and Stone as they are able to create a biting social commentary that makes you aware of issues without pounding the audience over their heads with the creator’s viewpoints. Instead the audience is given a situation and watch things taken to highly comical levels in an effort to entertain. People are free to draw their own conclusions and interpretations of the messages in the film as despite your beliefs or political leanings, we all laugh. There will be those that take umbrage to the crude humor and language, and others will not like what they may call a right-wing message. Instead I looked at the film as a very funny comedy with solid social commentary.
The only fault I had with the film is that it does drag a bit about ¾ in before getting to the final confrontations but those are well worth the wait. The film also parodies many action films and it is fun to try to try to uncover which film is being parodied. The puppets themselves are very impressive as their movements and facial expressions are easily the best ever captured on film.
The film is a puppet movie based upon the old Thunderbirds television show about a team of specialists who fight to save the world from all manner of threats both real and imagined. The story is told entirely by puppets and miniatures which allows Stone and Parker to push the boundaries much further than they would be allowed to with live actors and in doing so, give the audience some of the deepest albeit raunchiest laughs seen in a long time.
The story opens with Team America battling the terrorists in Paris. Ever quick on the trigger, the team is able to stop the deployment of a weapon of mass destruction but in the process much of the cities famed landmarks fall from collateral damage.
Forced to find a new team member, the leader of Team America, Spottswoode recruits a stage actor named Gary Johnston to join the team and infiltrate the terrorist organization to learn what new attacks are being planned.
While this is seen as a good move by the team, there are parts of the team that are unsure of this as one in particular does not trust actors and thinks that he will escalate an already volatile situation. Undaunted, the team sets off for Cairo Egypt and eventually leaves a trail of mayhem and destruction in their path.
It is at this point that the real story of the films kicks into gear. It is learned that North Korean leader Kim Jong Il is working with the terrorists to plot the ultimate attack and have convinced a cadre of Hollywood actors to attend a peace conference with other world leaders in an attempt to undermine Team America.
In between battles, Team America has plenty of time to take on other concerns such as love, self-doubt, personal issues, and suspicions, some of which result in a side-splitting sex scene that will soon become legend, as even though it involved puppets, it has to be severely edited in order to avoid an NC-17 rating. As it stands, it is one of the funniest moments in cinematic history and worth the price of admission alone.
The film does a good job of mixing comedy and commentary without ever drawing a line and saying this is how it is. We see Team America as a gun happy bunch, but we are also shown that they are true patriots who are willing to do what it takes to keep the country safe. Such is the genius of Parker and Stone as they are able to create a biting social commentary that makes you aware of issues without pounding the audience over their heads with the creator’s viewpoints. Instead the audience is given a situation and watch things taken to highly comical levels in an effort to entertain. People are free to draw their own conclusions and interpretations of the messages in the film as despite your beliefs or political leanings, we all laugh. There will be those that take umbrage to the crude humor and language, and others will not like what they may call a right-wing message. Instead I looked at the film as a very funny comedy with solid social commentary.
The only fault I had with the film is that it does drag a bit about ¾ in before getting to the final confrontations but those are well worth the wait. The film also parodies many action films and it is fun to try to try to uncover which film is being parodied. The puppets themselves are very impressive as their movements and facial expressions are easily the best ever captured on film.
Gareth von Kallenbach (962 KP) rated Lady in the Water (2006) in Movies
Aug 14, 2019
M. Night Shyamalan has crafted a true modern day Fairy Tale with his surprisingly delightful film Lady in the Water.
The film stars Paul Giamatti as Cleveland Heep, a property manager at a Philadelphia apartment complex known as “The Cove”. Cleveland spends his days maintaining the complex as well as interacting with the guests who reside there.
Cleveland is a very unassuming man who has a stutter that often causes him embarrassment when he is trying to hold a conversation. Life is busy but not very social for Cleveland who spends the majority of his free time in his apartment alone, and seems to have no social connections beyond his tenants.
All this changes when he discovers a young woman swimming in the pool after hours Cleveland is concerned what the tenants might think, but takes the young lady into his apartment as he suspects that she may be in trouble.
The lady is names Story (Bryce Dallas Howard), and she seems to possess an almost innocent naivety about her that belies her gentle nature. When Cleveland attempts to take the sleeping Story outside to rest on a lawn chair, he is confronted by a creature whose very nature exudes menace and danger which forces the duo to make a hasty retreat into his apartment.
Cleveland learns in time, that Story is a being from a fable that is here to contact an important figure in order to inspire them. Such inspiration is said to be a catalyst for events that will improve the future for mankind.
Naturally there are evil forces that wish to stop her from doing this and will take any opportunity they can to harm the frail Story and keep her from completing her task and returning home. This is a shock to Story, who thought she has completed her mission, and as such, under rules established by her people and the evil powers, is exempt from attacks and allowed to return home once a task has been completed. When this is not the case, and story is attacked as she prepares for her magical return, Cleveland draws upon the compassion of fellow tenants to protect Story.
Cleveland learns from a Korean tenant and her daughter about a legend that seems to underscore Story and her mission, and becomes eager to know more about the legend all the while keeping Story a secret as well as out of harms way.
In time it is learned what her true mission is and that a series of people are required in order to fully protect Story from the evil and allow her to accomplish what she is there to do, which in turn allows Story to connect with them and help many of them address the fears and concerns that they have thus inspiring and healing them with her magical abilities.
With a deadline rapidly approaching, Cleveland and the tenants must band together in order to help story complete her mission, and to determine which role each of them is supposed to play in order to keep her from harm and return her to her people.
While the film does have some scary moments, it is at its very core a fantasy film. The performances of Howard and Giamatti are strong and underscore that both are talents on the rise with bright futures ahead of them.
Shyamalan keeps the film moving at a nice pace that results in a tight film that does not drag on unnecessarily. Shyamalan is also plays a key part in the film and does solid work in front of the camera as well as behind it.
While the film may have a few plot holes and at times requires leaps of faith from the audience, it is a very warm film that blends humor and drama to create a very effective and enjoyable film.
The film stars Paul Giamatti as Cleveland Heep, a property manager at a Philadelphia apartment complex known as “The Cove”. Cleveland spends his days maintaining the complex as well as interacting with the guests who reside there.
Cleveland is a very unassuming man who has a stutter that often causes him embarrassment when he is trying to hold a conversation. Life is busy but not very social for Cleveland who spends the majority of his free time in his apartment alone, and seems to have no social connections beyond his tenants.
All this changes when he discovers a young woman swimming in the pool after hours Cleveland is concerned what the tenants might think, but takes the young lady into his apartment as he suspects that she may be in trouble.
The lady is names Story (Bryce Dallas Howard), and she seems to possess an almost innocent naivety about her that belies her gentle nature. When Cleveland attempts to take the sleeping Story outside to rest on a lawn chair, he is confronted by a creature whose very nature exudes menace and danger which forces the duo to make a hasty retreat into his apartment.
Cleveland learns in time, that Story is a being from a fable that is here to contact an important figure in order to inspire them. Such inspiration is said to be a catalyst for events that will improve the future for mankind.
Naturally there are evil forces that wish to stop her from doing this and will take any opportunity they can to harm the frail Story and keep her from completing her task and returning home. This is a shock to Story, who thought she has completed her mission, and as such, under rules established by her people and the evil powers, is exempt from attacks and allowed to return home once a task has been completed. When this is not the case, and story is attacked as she prepares for her magical return, Cleveland draws upon the compassion of fellow tenants to protect Story.
Cleveland learns from a Korean tenant and her daughter about a legend that seems to underscore Story and her mission, and becomes eager to know more about the legend all the while keeping Story a secret as well as out of harms way.
In time it is learned what her true mission is and that a series of people are required in order to fully protect Story from the evil and allow her to accomplish what she is there to do, which in turn allows Story to connect with them and help many of them address the fears and concerns that they have thus inspiring and healing them with her magical abilities.
With a deadline rapidly approaching, Cleveland and the tenants must band together in order to help story complete her mission, and to determine which role each of them is supposed to play in order to keep her from harm and return her to her people.
While the film does have some scary moments, it is at its very core a fantasy film. The performances of Howard and Giamatti are strong and underscore that both are talents on the rise with bright futures ahead of them.
Shyamalan keeps the film moving at a nice pace that results in a tight film that does not drag on unnecessarily. Shyamalan is also plays a key part in the film and does solid work in front of the camera as well as behind it.
While the film may have a few plot holes and at times requires leaps of faith from the audience, it is a very warm film that blends humor and drama to create a very effective and enjoyable film.
Interactive Telling Time Pro
Education and Games
App
- Selected by Apple as iPhone App of the Week in Germany, Switzerland, Austria, Overall New &...