"I have an older sister and she was into things like Bros, New Kids On The Block and Kylie Minogue, and I think she ended up buying a few Cardigans records. We used to listen to them a lot. I remember being aware that the drums sounded really different to other bands. The production was incredibly good, it was catchy pop music. One of the guys involved, Peter Svensson went on to become Hollywood and write for Ariana Grande. I think it was probably the first of a few times when I realised that you didn’t have to be into production or catchy songs, you can be into both. All of their records are very good, I think."

"I think everyone has a complicated relationship with Michael Jackson, but if you listen back to his stuff it’s insanely unique. Nothing sounds like it, people might have a similar voice, but in terms of the kind of music, it’s very particular. It’s the first record I remember singing along with. I remember having a seven inch of ‘Another Part Of Me’ which had an instrumental on the other side and I realised it was just a karaoke opportunity. It was a huge pop record from when I was young, and very influential in a way; the same way that The Beatles teach you about music, Michael Jackson was like the first pop person I was aware of, and Kylie Minogue in our house was the female equivalent. An insanely successful guy who isn’t a macho guy, but is captivating in some way. Then you’ve got the ‘pinnacle’ of Paul McCartney and Michael Jackson together!"

"When Nick Cave is at his most theatrical the level of interest most people have in him is just elevated. You can feel what they were drinking, you can taste it in the air, you understand what drugs they're on and it's just from sound. It takes a lot to put the other senses into music, and he does it better than anyone else I've ever heard. He's great at every aspect of being Nick Cave, but I think when he's fully involved in story telling he's quite probably the best frontman there is. He really becomes those characters, he's able to live and breathe those people in the way only an author can; he understands them on a different level. This record has some of my favourite lyrics of all time. It's got 'Where The Wild Roses Grow' with Kylie Minogue which is a beautiful ballad, this amazing moment between one of the greatest pop stars of all time and one of the greatest songwriters of all time. It's this mashup that should never have happened, but the world's definitely a better place that it did. I got into Nick Cave late, later than I'd like to admit, when I was in my late 20s. I knew about him before, I'd heard things, but I heard this record when I was living in New York. I wasn't in Gallows any more, I was just painting, and I went record shopping one day. I was buying some Daniel Johnston records but the guy in the shop had a copy of Murder Ballads and I, like a fucking idiot, casually asked 'is this good?' He just said, 'Are you joking? Of course it's good!' So I went back home, listened to my Daniel Johnston records, made some food, then later that night put it on and was like 'holy shit!' and bought every other Nick Cave record they had."