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Movie Metropolis (309 KP) rated Love, Simon (2018) in Movies
Jun 10, 2019
One of the most important films in a generation
I don’t think anyone will have any qualms in me saying that the LGBT community is one of the most vastly underrepresented parts of society when it comes to mainstream Hollywood movies.
Sure, we’ve had indie hits like Call Me by Your Name and Moonlight that have also performed well at the Oscars, but the closest we’ve ever gotten to a mass-market crowd pleaser has been Ang Lee’s 2005 flick Brokeback Mountain and if we’re being honest, that wasn’t marketed in a way that made it particularly mainstream.
Aiming to change all that is Love, Simon. Based on the novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli, Love, Simon is the first truly mainstream rom-com that features a lead gay character. But is the film a beacon of hope for a massively underrepresented LGBT community or a movie that daren’t go too far?
Everyone deserves a great love story, but for 17-year-old Simon Spier (Nick Robinson), it’s a little more complicated. He hasn’t told his family or friends that he’s gay, and he doesn’t know the identity of the anonymous classmate that he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing.
Love, Simon is one of the most important films in a generation. Aiming to please both everyday movie-goers and be sensitive to the issues that gay people face on a daily basis, it needs to tread a very careful line, and I’m pleased to say, it does so beautifully. From the exceptional performances of the entire cast, to the warming attempts at humour, it succeeds on almost every level.
Jurassic World’s Nick Robinson is outstanding as Simon. A 17-year-old who consistently struggles to accept who he truly is would be an incredibly difficult role for even the most seasoned actors to take on, but he really is wonderful to watch. As we journey across his troubled story, the audience feels fully immersed in his actions, even those that are, shall we say, questionable.
The supporting cast too, is excellent. Jennifer Garner and Josh Duhamel are a great, if slightly underused presence, as Simon’s parents and along with his sister Nora (played by Talitha Bateman), they make an entirely believable family unit and it’s lovely to see them rallying around him when the inevitable ‘outing’ occurs. One touching scene in particular featuring Garner speaking to her son is sure to turn on the waterworks for many.
Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson
Director Greg Berlanti is a relative newcomer to the world of romantic comedy, but he leads with a confidence that makes him appear seasoned at this game. Touching scenes of emotion are nicely interspersed with sequences of genuinely funny comedy – the sign of a great rom-com.
Special mention must go to Natasha Rothwell as drama teacher Ms. Albright, who manages to garner most of the laughs throughout. All of this culminates in a sweet finale that ties together everything that’s happened over the previous 110 minutes very well indeed.
If we’re to look at some of the flaws then it’s fair to say that the story outside of it featuring a gay lead is completely unoriginal. It’s been done before, but that’s kind of its charm. Flipping the classic rom-com story on its head by allowing audiences across the world to see that being gay really isn’t easy is a really nice thing to see.
In a nutshell, Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson. It’ll make you laugh and it’ll make you cry, but this is a touching romantic comedy that will absolutely go down in the history books of film. Like Brokeback Mountain did for the older gay man, Love, Simon can be a shining light for young men who are struggling to accept who they truly are.
Is this a turning point for Hollywood? Well, let’s hope so.
https://moviemetropolis.net/2018/04/07/love-simon-review-one-of-the-most-important-films-in-a-generation/
Sure, we’ve had indie hits like Call Me by Your Name and Moonlight that have also performed well at the Oscars, but the closest we’ve ever gotten to a mass-market crowd pleaser has been Ang Lee’s 2005 flick Brokeback Mountain and if we’re being honest, that wasn’t marketed in a way that made it particularly mainstream.
Aiming to change all that is Love, Simon. Based on the novel Simon vs. the Homo Sapiens Agenda by Becky Albertalli, Love, Simon is the first truly mainstream rom-com that features a lead gay character. But is the film a beacon of hope for a massively underrepresented LGBT community or a movie that daren’t go too far?
Everyone deserves a great love story, but for 17-year-old Simon Spier (Nick Robinson), it’s a little more complicated. He hasn’t told his family or friends that he’s gay, and he doesn’t know the identity of the anonymous classmate that he’s fallen for online. Resolving both issues proves hilarious, terrifying and life-changing.
Love, Simon is one of the most important films in a generation. Aiming to please both everyday movie-goers and be sensitive to the issues that gay people face on a daily basis, it needs to tread a very careful line, and I’m pleased to say, it does so beautifully. From the exceptional performances of the entire cast, to the warming attempts at humour, it succeeds on almost every level.
Jurassic World’s Nick Robinson is outstanding as Simon. A 17-year-old who consistently struggles to accept who he truly is would be an incredibly difficult role for even the most seasoned actors to take on, but he really is wonderful to watch. As we journey across his troubled story, the audience feels fully immersed in his actions, even those that are, shall we say, questionable.
The supporting cast too, is excellent. Jennifer Garner and Josh Duhamel are a great, if slightly underused presence, as Simon’s parents and along with his sister Nora (played by Talitha Bateman), they make an entirely believable family unit and it’s lovely to see them rallying around him when the inevitable ‘outing’ occurs. One touching scene in particular featuring Garner speaking to her son is sure to turn on the waterworks for many.
Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson
Director Greg Berlanti is a relative newcomer to the world of romantic comedy, but he leads with a confidence that makes him appear seasoned at this game. Touching scenes of emotion are nicely interspersed with sequences of genuinely funny comedy – the sign of a great rom-com.
Special mention must go to Natasha Rothwell as drama teacher Ms. Albright, who manages to garner most of the laughs throughout. All of this culminates in a sweet finale that ties together everything that’s happened over the previous 110 minutes very well indeed.
If we’re to look at some of the flaws then it’s fair to say that the story outside of it featuring a gay lead is completely unoriginal. It’s been done before, but that’s kind of its charm. Flipping the classic rom-com story on its head by allowing audiences across the world to see that being gay really isn’t easy is a really nice thing to see.
In a nutshell, Love, Simon is a film with a massive heart anchored by a beautifully raw performance by Nick Robinson. It’ll make you laugh and it’ll make you cry, but this is a touching romantic comedy that will absolutely go down in the history books of film. Like Brokeback Mountain did for the older gay man, Love, Simon can be a shining light for young men who are struggling to accept who they truly are.
Is this a turning point for Hollywood? Well, let’s hope so.
https://moviemetropolis.net/2018/04/07/love-simon-review-one-of-the-most-important-films-in-a-generation/
Goddess in the Stacks (553 KP) rated A Blade So Black in Books
Mar 21, 2019
I've seen the point brought up that so many fantasy protagonists have really neglectful parents. Who lets their kid be gone for an unknown amount of time doing something "important" that their kid refuses to tell them about because it's a "secret"? This book makes a point of how NOT neglectful Alice's mother is. The blurb calls her overprotective, but really it's just normal protective. Alice's mom just wants to know her daughter hasn't been shot by the police when she's gone for 24 hours and not answering her phone, that seems normal to me! I actually enjoyed how that was different than a lot of fantasy YA, even if it's really a small sideplot.
In the main plot, Alice is a Dreamwalker, wielding Figment Blades and her own Muchness to kill the Nightmares that try to cross from Wonderland to our world. Her mentor is Addison Hatta, an exile from Wonderland who's been charged to guard his Gateway and train new Dreamwalkers. Along the way we meet two more Dreamwalkers, more exiled Wonderlanders, and learn a bit about the war in Wonderland and why they're exiled but still charged with such an important mission as guiding the Gateways between our world and theirs.
About the only thing I didn't like about this book was how it left so many questions unanswered at the end. We got a cliffhanger to lead us into the sequel, A Dream So Dark, but it isn't due out until September! I'm also wondering where the Cheshire Cat is - he's too instrumental a character to leave out, I would think - but I have a few possible ideas about where the author is going with that, so I'm anxious for the sequel, to see if I'm right.
A Blade So Black is a very unique take on Wonderland by a POC author, starring a POC heroine. There's also an adorable lesbian couple as side characters. With minority racial representation, a fairy tale base, and a splash of LGBT+ rep, this book checked a lot of the boxes I look for in my fantasy. It wasn't the best YA fantasy that I've read in the last year, but it was definitely fun!
You can read all my reviews at http://goddessinthestacks.com
In the main plot, Alice is a Dreamwalker, wielding Figment Blades and her own Muchness to kill the Nightmares that try to cross from Wonderland to our world. Her mentor is Addison Hatta, an exile from Wonderland who's been charged to guard his Gateway and train new Dreamwalkers. Along the way we meet two more Dreamwalkers, more exiled Wonderlanders, and learn a bit about the war in Wonderland and why they're exiled but still charged with such an important mission as guiding the Gateways between our world and theirs.
About the only thing I didn't like about this book was how it left so many questions unanswered at the end. We got a cliffhanger to lead us into the sequel, A Dream So Dark, but it isn't due out until September! I'm also wondering where the Cheshire Cat is - he's too instrumental a character to leave out, I would think - but I have a few possible ideas about where the author is going with that, so I'm anxious for the sequel, to see if I'm right.
A Blade So Black is a very unique take on Wonderland by a POC author, starring a POC heroine. There's also an adorable lesbian couple as side characters. With minority racial representation, a fairy tale base, and a splash of LGBT+ rep, this book checked a lot of the boxes I look for in my fantasy. It wasn't the best YA fantasy that I've read in the last year, but it was definitely fun!
You can read all my reviews at http://goddessinthestacks.com
BookInspector (124 KP) rated The Other Twin in Books
Sep 24, 2020
More reviews at https://bbookinspector.wordpress.com
I had a chance to read many great reviews about this book, so I was very excited to receive it from publisher. After reading it, I noticed, that even though this book is not very long, it carries a very important message, and I am very glad the author shared it with the world.
The main character in this book was Poppy, a sister of a girl who killed herself by jumping from the bridge. She has to come back to Brighton, and is trying to figure out ,why India jumped from that bridge. I really enjoyed, that this story was sister’s investigation and no detectives were participating. I found this novel really realistic and believable, just a sister trying to find out the truth. Nevertheless, all characters in this book where very realistic, just like ordinary people you would meet in the street, with their flaws and strengths. I found the characters really well thought through and interesting. They had really mysterious personalities, and I loved the way Poppy was trying to figure everything out.
The narrative of this book was very smartly created, jumping between two different stories, the one of Poppy’s investigation and the other one, mysterious one, which kept me guessing and very intrigued, and I will admit, that outcome really surprised me. I really enjoyed the way L.V. Hay described Brighton in this book, I loved the details and the described spirit of this great place. Even though it is a crime novel, I admired the way L.V. Hay incorporated her message, by showing what struggles some LGBT communities people are facing. I would love to talk more about it, but it would spoil the reading experience.
The writing style of this book is easy to read and those lovely short chapters makes this book a quick and pleasant read for those naughty rainy summer days. Every chapter opened up a new clue and made this book really fast paced read. There were plenty of turns and twists and very unexpected climax. So, to conclude, I would strongly recommend this intense crime thriller, full of difficult family relations, unforgotten love and surprising outcome.
Was given this book by publisher for honest review.
I had a chance to read many great reviews about this book, so I was very excited to receive it from publisher. After reading it, I noticed, that even though this book is not very long, it carries a very important message, and I am very glad the author shared it with the world.
The main character in this book was Poppy, a sister of a girl who killed herself by jumping from the bridge. She has to come back to Brighton, and is trying to figure out ,why India jumped from that bridge. I really enjoyed, that this story was sister’s investigation and no detectives were participating. I found this novel really realistic and believable, just a sister trying to find out the truth. Nevertheless, all characters in this book where very realistic, just like ordinary people you would meet in the street, with their flaws and strengths. I found the characters really well thought through and interesting. They had really mysterious personalities, and I loved the way Poppy was trying to figure everything out.
The narrative of this book was very smartly created, jumping between two different stories, the one of Poppy’s investigation and the other one, mysterious one, which kept me guessing and very intrigued, and I will admit, that outcome really surprised me. I really enjoyed the way L.V. Hay described Brighton in this book, I loved the details and the described spirit of this great place. Even though it is a crime novel, I admired the way L.V. Hay incorporated her message, by showing what struggles some LGBT communities people are facing. I would love to talk more about it, but it would spoil the reading experience.
The writing style of this book is easy to read and those lovely short chapters makes this book a quick and pleasant read for those naughty rainy summer days. Every chapter opened up a new clue and made this book really fast paced read. There were plenty of turns and twists and very unexpected climax. So, to conclude, I would strongly recommend this intense crime thriller, full of difficult family relations, unforgotten love and surprising outcome.
Was given this book by publisher for honest review.
Green Hills and Daffodils (The Green Hills #1)
6.0
Rate It
Book
The Green Hills Series: Nestled within the green sheep-covered hills of Wales is a tiny town that...
Fantasy LGBT+ Romance
Kristy H (1252 KP) rated Live and Love Again in Books
Feb 13, 2018
Three years ago, Sarah lost her partner, Cheryl, in a terrible accident. A former Colonel in the military, Sarah remains shattered by Cheryl's death and closed off to those around her. She focuses on her furniture business and her dog, Benny. But on a flight to Chicago, she meets Jessica Whitney, a beautiful, successful, businesswoman. The two hit it off immediately and feel an instant connection. The sudden sparks force Sarah to re-think everything - is she ready to move one? Can she really imagine herself with a wealthy and strong woman?
This book is admittedly, a fairly stereotypical cheesy romance. But if the New Adult genre can write them so prolifically, then I think it's refreshing to find a novel that actually offers lesbian characters. True, I probably overlooked a few flaws in this book because I'm completely starved for books with lesbian protagonists and romance, but it was still an enjoyable story. The book engages you early on, when Jessica and Sarah meet. I read the first 150 pages rapidly - it drew me in immediately. Sarah is a likable character; as is Jessica, really. You can imagine knowing either of them in your lesbian circles (beyond Jessica's money, perhaps).
Speaking of the money, the book hammers home that point a bit much: Sarah has no money, Jessica has plenty of it. That gets a bit repetitive and the book stalls a little in the middle. That stall is helped by the cliche of the "wounded character hurt by a death in a previous relationship who can't move on." However, that cliche is found in plenty of genres, not just LGBT. Still, Gayle maneuvers her characters around all their issues fairly deftly. You're pretty sure you know how Jessica and Sarah will wind up, but it's still fun watching them get there. The book is sexy (especially early on - maybe that's the real lesbian cliche - ha!), fun, and, as always, refreshing to see some lesbian characters portrayed as real people. Points for the sweet and loyal supporting character of Jimmy the Driver, too. Definitely a fun, quick read.
I received an ARC of this novel from Netgalley (thank you!); it is available for publication on 1/19. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
This book is admittedly, a fairly stereotypical cheesy romance. But if the New Adult genre can write them so prolifically, then I think it's refreshing to find a novel that actually offers lesbian characters. True, I probably overlooked a few flaws in this book because I'm completely starved for books with lesbian protagonists and romance, but it was still an enjoyable story. The book engages you early on, when Jessica and Sarah meet. I read the first 150 pages rapidly - it drew me in immediately. Sarah is a likable character; as is Jessica, really. You can imagine knowing either of them in your lesbian circles (beyond Jessica's money, perhaps).
Speaking of the money, the book hammers home that point a bit much: Sarah has no money, Jessica has plenty of it. That gets a bit repetitive and the book stalls a little in the middle. That stall is helped by the cliche of the "wounded character hurt by a death in a previous relationship who can't move on." However, that cliche is found in plenty of genres, not just LGBT. Still, Gayle maneuvers her characters around all their issues fairly deftly. You're pretty sure you know how Jessica and Sarah will wind up, but it's still fun watching them get there. The book is sexy (especially early on - maybe that's the real lesbian cliche - ha!), fun, and, as always, refreshing to see some lesbian characters portrayed as real people. Points for the sweet and loyal supporting character of Jimmy the Driver, too. Definitely a fun, quick read.
I received an ARC of this novel from Netgalley (thank you!); it is available for publication on 1/19. You can check out a review of this novel and many others on my <a href="http://justacatandabookatherside.blogspot.com/">blog</a>;.
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Goddess in the Stacks (553 KP) rated Six of Crows in Books
Jan 11, 2018
Amazing duology
Six of Crows and Crooked Kingdom are a duology set in Leigh Bardugo's Grishaverse. Grisha being the magic users in her world. I haven't read the rest of the Grishaverse (Shadow and Bone, Siege and Storm, and Ruin and Rising) - but I will definitely be doing so, because Crows and Crooked Kingdom are AMAZING.
I was pretty surprised - normally books rotating between several viewpoints are confusing, but Bardugo handles the transitions seamlessly and unmistakably. I was never unsure of what character I was reading - each one really had their own unique voice. I also loved that she worked in an LGBT romance without it being in any way odd. No one in the novel found non-heterosexuality weird at all. It was treated just as matter of factly as opposite-sex romances, and I loved that.
Six of Crows opens on a gang being blackmailed into a job they don't want to do. I can totally see the gang has a D&D group - and the books definitely feel a bit like a D&D campaign, albeit one with a mostly experienced group and a very experienced DM.
You've got Kaz, the ringleader, who's an all-around great thief but a superb tactician.
Inej, the acrobat assassin.
Jesper, the marksman hiding his magic ability.
Wylan, the rich merchant's son on the outs with his father and fallen in with a bad crowd, and talented with demolitions.
Nina, the sexpot who wields magic, and has a love/hate relationship with Mathias, the barbarian who's spent his life hunting magic users but is irresistibly attracted to Nina. (I can see the DM telling these two to hash out a background that will let them co-exist, which they obviously did.)
Each character has a complex back story that influences most of their actions, and different relationships with other members of the gang that also affects how they react. Their back stories don't just explain their actions in the books, people and events from their backgrounds also show up to complicate matters in the present. The wheels-within-wheels of the plotline is EXACTLY what I love about good political fantasies. The world-building is superb, and Bardugo has given just as much thought to the seedy underbelly of her world as she has the magic and politics.
I really, really loved this duology, and I see now why people rave about this universe. It is VERY well deserved.
You can find all my reviews at http://goddessinthestacks.wordpress.com
I was pretty surprised - normally books rotating between several viewpoints are confusing, but Bardugo handles the transitions seamlessly and unmistakably. I was never unsure of what character I was reading - each one really had their own unique voice. I also loved that she worked in an LGBT romance without it being in any way odd. No one in the novel found non-heterosexuality weird at all. It was treated just as matter of factly as opposite-sex romances, and I loved that.
Six of Crows opens on a gang being blackmailed into a job they don't want to do. I can totally see the gang has a D&D group - and the books definitely feel a bit like a D&D campaign, albeit one with a mostly experienced group and a very experienced DM.
You've got Kaz, the ringleader, who's an all-around great thief but a superb tactician.
Inej, the acrobat assassin.
Jesper, the marksman hiding his magic ability.
Wylan, the rich merchant's son on the outs with his father and fallen in with a bad crowd, and talented with demolitions.
Nina, the sexpot who wields magic, and has a love/hate relationship with Mathias, the barbarian who's spent his life hunting magic users but is irresistibly attracted to Nina. (I can see the DM telling these two to hash out a background that will let them co-exist, which they obviously did.)
Each character has a complex back story that influences most of their actions, and different relationships with other members of the gang that also affects how they react. Their back stories don't just explain their actions in the books, people and events from their backgrounds also show up to complicate matters in the present. The wheels-within-wheels of the plotline is EXACTLY what I love about good political fantasies. The world-building is superb, and Bardugo has given just as much thought to the seedy underbelly of her world as she has the magic and politics.
I really, really loved this duology, and I see now why people rave about this universe. It is VERY well deserved.
You can find all my reviews at http://goddessinthestacks.wordpress.com