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Laura Doe (1350 KP) rated It's in His Kiss (Bridgertons, #7) in Books
Jan 10, 2022 (Updated Jan 10, 2022)
Another easy reading Bridgerton book, I actually read this in one sitting! I just couldn’t find myself putting it down or even wanting to put it down.
Hyacinth’s story is very much how you would expect it to be from meeting her character in the other books, straight forward and to the point. We meet Gareth St. Clair and find out his secret that he will carry through the rest of the book very quickly, and we understand the exact reason why him and his father are estranged.
The relationship between Hyacinth and Gareth isn’t quite as frustrating as the ones that have come before, again very much in keeping with Hyacinth’s character, she sets her mind to it quite quickly after meeting him properly and it is obvious that she will manage to get her own way. But it is still fun to read all the same.
Throughout the book, we also have the mystery of Gareth’s grandmother’s diary and the problem of it being written in Italian (which of course Hyacinth knows and is more than happy to help try to translate) which adds more to the mystery and quite possibly why I couldn’t put this book down.
I also enjoyed that rather than it be letters that started the chapters, it was like reading a book in a book about the actions of them. I can only presume that this idea came from the off handed comment from Lady Danbury when Hyacinth was reading to her one day, that they should in fact write their own book. It was quite clever and meant that some parts of the book could be quite neatly summed up with these parts and the story could be quickly moved on.
I am definitely enjoying this series, and although I want to read the final two books as soon as possible, I think I will be sad when I finally do finish them!
Hyacinth’s story is very much how you would expect it to be from meeting her character in the other books, straight forward and to the point. We meet Gareth St. Clair and find out his secret that he will carry through the rest of the book very quickly, and we understand the exact reason why him and his father are estranged.
The relationship between Hyacinth and Gareth isn’t quite as frustrating as the ones that have come before, again very much in keeping with Hyacinth’s character, she sets her mind to it quite quickly after meeting him properly and it is obvious that she will manage to get her own way. But it is still fun to read all the same.
Throughout the book, we also have the mystery of Gareth’s grandmother’s diary and the problem of it being written in Italian (which of course Hyacinth knows and is more than happy to help try to translate) which adds more to the mystery and quite possibly why I couldn’t put this book down.
I also enjoyed that rather than it be letters that started the chapters, it was like reading a book in a book about the actions of them. I can only presume that this idea came from the off handed comment from Lady Danbury when Hyacinth was reading to her one day, that they should in fact write their own book. It was quite clever and meant that some parts of the book could be quite neatly summed up with these parts and the story could be quickly moved on.
I am definitely enjoying this series, and although I want to read the final two books as soon as possible, I think I will be sad when I finally do finish them!
Wolves Always Bite (Willow Lake Supernaturals #2)
8.0
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What’s a simple human to do when he discovers supernatural beings are real? Ask many, many, many...
MM Paranormal Romance
ClareR (5874 KP) rated Vita and the Birds in Books
Jul 4, 2023
I was so excited when I got an email with the offer to read this. Mainly because despite the fact that I’m utterly rubbish at reading and reviewing on time, I had still been given a chance to read an ARC. Well, true to form, I’m late reviewing this - but I like to think that I’ll catch the prevaricators (we’re a great bunch really!) and tip them in to buying mode!
Vita and the Birds is set in a dual timeline: 1938 and 1997.
In 1938, Lady Vita Goldsborough lives a very constrained life. Her brother is extremely controlling even for 1938, I think. Vita meets the artist Dodie Blakeney whilst on a walk on the East Anglian coastal marshes, and a deep bond is formed between the women that will have lasting repercussions.
1997, and Eve Blakeney has returned to her grandmothers beach hut where she had lived alone up to her death. Eve is grieving the death of her mother, and going through her grandmothers belongings is supposed to be helping her to grieve. Eve seemed to be so vulnerable, sad and lost through much of this book. So when she finds some letters of her grandmother's written by another woman, they are something of a distraction. Clearly this is a relationship that ended before either woman wanted it to, which makes it all the more sad.
There is a tangible feeling of melancholy and sadness throughout each timeline. All of the characters experience loss.
I just loved this book. It made my heart ache for all three women. The windswept landscape of the coast and marshes were evocatively described and added to the desolation. I’m making this sound very depressing, aren’t I? Well, it is and it isn’t. I don’t like to wallow in depressing prose, and this had such beauty in it: the landscape, the birds, the love of the women and Eve’s family. Ultimately there is hope - and that’s what rounded this beautiful novel off perfectly.
Highly recommended.
Vita and the Birds is set in a dual timeline: 1938 and 1997.
In 1938, Lady Vita Goldsborough lives a very constrained life. Her brother is extremely controlling even for 1938, I think. Vita meets the artist Dodie Blakeney whilst on a walk on the East Anglian coastal marshes, and a deep bond is formed between the women that will have lasting repercussions.
1997, and Eve Blakeney has returned to her grandmothers beach hut where she had lived alone up to her death. Eve is grieving the death of her mother, and going through her grandmothers belongings is supposed to be helping her to grieve. Eve seemed to be so vulnerable, sad and lost through much of this book. So when she finds some letters of her grandmother's written by another woman, they are something of a distraction. Clearly this is a relationship that ended before either woman wanted it to, which makes it all the more sad.
There is a tangible feeling of melancholy and sadness throughout each timeline. All of the characters experience loss.
I just loved this book. It made my heart ache for all three women. The windswept landscape of the coast and marshes were evocatively described and added to the desolation. I’m making this sound very depressing, aren’t I? Well, it is and it isn’t. I don’t like to wallow in depressing prose, and this had such beauty in it: the landscape, the birds, the love of the women and Eve’s family. Ultimately there is hope - and that’s what rounded this beautiful novel off perfectly.
Highly recommended.
Evergreen Forevermore
10.0
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Evergreen Forevermore takes place in a quaint little town of Whitecap, Vermont. It sits on the...
Family Christian Fiction Christian Romance Mystery
Lucy Buglass (45 KP) rated A Star Is Born (2018) in Movies
Jun 20, 2019
A haunting look at fame, love and addiction
As a fan of both Lady Gaga and Bradley Cooper, I was intrigued when a new remake of A Star Is Born was announced. Despite not having seen either of its predecessors, I vaguely knew what the story was about and was interested by the chosen pairing, especially since this is Cooper’s directorial debut. I went into this film with an open heart and mind.
Whilst I rate both of their performances highly, it was Gaga who really stood out to me. Despite the fact she’s a very famous, very well-respected artist in real life, when I watched the film, I saw her character, Ally, and not Lady Gaga. She truly brought Ally to life on-screen, showing us the highs and lows of a former ‘average girl’ turned superstar. She was absolutely fantastic. I could really feel everything Ally was feeling, from elation to pain. I adored her performance and it kept me hooked throughout. Unsurprisingly, her vocals were stunning too, and listening to her performances on the big screen was a real treat. She is so utterly talented and has proven she can go far beyond her singing career, and into new territories.
A Star Is Born features some great cameos too; mainly RuPaul’s Drag Race stars Willam Belli and Shangela. It was really cool to see them in a feature film, and I loved what they brought to the story. Their relationship with Ally, especially, was really lovely and highlights the inclusivity most of us strive to achieve in modern society. Their characters meant a lot to me.
In terms of Cooper’s portrayal of Jackson, he was also very convincing as an aging star battling addiction. What I loved most about his character was the sheer complexity of it, and how you didn’t know whether to feel sorry for him or berate him. The opinion of Jackson is left entirely up to the viewer, and I really respected that about the film. It has opened a lot of debates about his character’s behaviour, and it’s wonderful when a film causes audiences to do that. He is clearly very troubled but that doesn’t always excuse some of his appalling behaviour, which is presented to us in a very raw and honest way. Because of this, the film is not an easy watch, but I believe it’s an important one all the same. It was also wonderful to hear him sing, as he has a stunning voice that complements Gaga’s throughout. Together, they’ve really made something special. I’ve been listening to the soundtrack a lot since seeing the film.
I also loved the contrast in visual style throughout A Star Is Born. The choice of set design, lighting and colours perfectly reflect what the characters are feeling in that moment in time. We go from glamorous performances on stage, to grittier, intense territories. I was certainly impressed by Cooper’s first film and look forward to seeing where his journey towards directing will take him next. He’s put so much work into this and it really has paid off, giving us an emotional, heartfelt and honest story. If you’re wondering if I cried at any point, the answer is yes. That final song though…
A Star Is Born gives us an honest look into the darker side of fame, the highs and lows, what goes on behind the scenes, all of it. Whilst most of us aren’t ignorant about the fact these issues go on, this film really presents them to us in a brilliant way. The songs themselves are a huge part of this, telling their own stories and adding to the characters’ mindset. The lyrics are fantastic, and bring so much to the film. Listen closely and it’ll be easy to see why. I would definitely recommend it even if you’re not usually a lover of musical film, based on the story alone. It’s a rollercoaster of emotions from start to finish.
https://lucygoestohollywood.com/2018/10/14/a-haunting-look-at-fame-love-and-addiction-my-thoughts-on-a-star-is-born/
Whilst I rate both of their performances highly, it was Gaga who really stood out to me. Despite the fact she’s a very famous, very well-respected artist in real life, when I watched the film, I saw her character, Ally, and not Lady Gaga. She truly brought Ally to life on-screen, showing us the highs and lows of a former ‘average girl’ turned superstar. She was absolutely fantastic. I could really feel everything Ally was feeling, from elation to pain. I adored her performance and it kept me hooked throughout. Unsurprisingly, her vocals were stunning too, and listening to her performances on the big screen was a real treat. She is so utterly talented and has proven she can go far beyond her singing career, and into new territories.
A Star Is Born features some great cameos too; mainly RuPaul’s Drag Race stars Willam Belli and Shangela. It was really cool to see them in a feature film, and I loved what they brought to the story. Their relationship with Ally, especially, was really lovely and highlights the inclusivity most of us strive to achieve in modern society. Their characters meant a lot to me.
In terms of Cooper’s portrayal of Jackson, he was also very convincing as an aging star battling addiction. What I loved most about his character was the sheer complexity of it, and how you didn’t know whether to feel sorry for him or berate him. The opinion of Jackson is left entirely up to the viewer, and I really respected that about the film. It has opened a lot of debates about his character’s behaviour, and it’s wonderful when a film causes audiences to do that. He is clearly very troubled but that doesn’t always excuse some of his appalling behaviour, which is presented to us in a very raw and honest way. Because of this, the film is not an easy watch, but I believe it’s an important one all the same. It was also wonderful to hear him sing, as he has a stunning voice that complements Gaga’s throughout. Together, they’ve really made something special. I’ve been listening to the soundtrack a lot since seeing the film.
I also loved the contrast in visual style throughout A Star Is Born. The choice of set design, lighting and colours perfectly reflect what the characters are feeling in that moment in time. We go from glamorous performances on stage, to grittier, intense territories. I was certainly impressed by Cooper’s first film and look forward to seeing where his journey towards directing will take him next. He’s put so much work into this and it really has paid off, giving us an emotional, heartfelt and honest story. If you’re wondering if I cried at any point, the answer is yes. That final song though…
A Star Is Born gives us an honest look into the darker side of fame, the highs and lows, what goes on behind the scenes, all of it. Whilst most of us aren’t ignorant about the fact these issues go on, this film really presents them to us in a brilliant way. The songs themselves are a huge part of this, telling their own stories and adding to the characters’ mindset. The lyrics are fantastic, and bring so much to the film. Listen closely and it’ll be easy to see why. I would definitely recommend it even if you’re not usually a lover of musical film, based on the story alone. It’s a rollercoaster of emotions from start to finish.
https://lucygoestohollywood.com/2018/10/14/a-haunting-look-at-fame-love-and-addiction-my-thoughts-on-a-star-is-born/
Gareth von Kallenbach (980 KP) rated The Heartbreak Kid (2007) in Movies
Aug 14, 2019
It has been almost ten years since Ben Stiller teamed with the Farrelly brothers for the comedy classic “There’s Something About Mary”, which launched a series of highly successful films for Stiller who has championed the likeable loser role to the delight of audiences worldwide.
In the new film “The Heartbreak Kid”, Stiller is Eddie Cantrow, a successful owner of a San Francisco sporting goods, store who is at a crossroads in his life. At 40, Eddie is unmarried, not dating anyone, and about to attend the wedding of his former fiancé.
As if Eddie did not have enough to on his mind as he prepares for the wedding, his father (Jerry Stiller), constantly grills him on the need for him to sleep with more women and settle down. His best friend Mac (Rob Coddry) always touts the virtues of marriage and the need to do what the woman tells him to.
Shortly after the wedding, Eddie sees a lady being mugged and attempts to help her out. While things do not go as planned, he does form a connection with her and learns that her name is Lila (Malin Akerman), and despite his inability to muster the courage to ask for her number, she eventually shows up at his store looking for him.
The two begin to date and it looks like Eddie has finally found the perfect girl for him. She even shows old fashioned values by not wanting to have sex until later in their relationship, as she does not want to mess up a good thing.
The couple’s plans take an unexpected detour when Lila informs Eddie that her job plans to move her overseas for two years. When Eddie learns that her company will not transfer a married person, he musters up the courage and marries Lila after only 6 weeks of data.
The smitten couple plan to take three weeks to drive down to Cabo and stay at a resort, and enjoy their first weeks as husband and wife. Along the way, Eddie starts to see some annoying behavior arise in Lila, such as actively singing and acting along to every song on the radio, and some very acrobatic, dominate, and painful tendencies when they consummate their marriage.
As the honeymoon unfolds, Eddie becomes trapped in a nightmare, as it seems that Lila has become a crazy freak, and is not the person he though he married. Unsure what to do next, Eddie meets a lady named Miranda (Michelle Monaghan), while Lila is recovering from severe sunburn.
Intrigued by Miranda, Eddie starts to spend time with her, and soon falls for her which forces Eddie to figure out how to break the news of his marriage to Miranda, and how to get away from Lila.
In true Farrelly brother’s style, a series of outrageous and over the top events follows punctuated by some very crude and at times funny jokes and situations that push Eddie to the limits to find true love.
The film is a remake of the 1972 Neil Simon film of the same name, and while updated with more off color humor, the basic premise of the film has remained unchanged. There are some funny moments in the film and Stiller once again gets the job done as the likeable Eddie.
The problem is that for me, the film was two long, as many times there were gaps of almost twenty minutes between some of the good jokes, and I was left watching fairly dull stuff waiting for the next funny moment to arrive.
The performances in the film were eager, and the brothers did a workmanlike job of direction, as none of the cast was really challenged by the material. Even fine supporting work by Carlos Mencia as Uncle Tito did not get the chance to reach the potential his character showed. In the end, the film just had too many moments that did not work, as the jokes were too few and far between to truly be effective.
In the new film “The Heartbreak Kid”, Stiller is Eddie Cantrow, a successful owner of a San Francisco sporting goods, store who is at a crossroads in his life. At 40, Eddie is unmarried, not dating anyone, and about to attend the wedding of his former fiancé.
As if Eddie did not have enough to on his mind as he prepares for the wedding, his father (Jerry Stiller), constantly grills him on the need for him to sleep with more women and settle down. His best friend Mac (Rob Coddry) always touts the virtues of marriage and the need to do what the woman tells him to.
Shortly after the wedding, Eddie sees a lady being mugged and attempts to help her out. While things do not go as planned, he does form a connection with her and learns that her name is Lila (Malin Akerman), and despite his inability to muster the courage to ask for her number, she eventually shows up at his store looking for him.
The two begin to date and it looks like Eddie has finally found the perfect girl for him. She even shows old fashioned values by not wanting to have sex until later in their relationship, as she does not want to mess up a good thing.
The couple’s plans take an unexpected detour when Lila informs Eddie that her job plans to move her overseas for two years. When Eddie learns that her company will not transfer a married person, he musters up the courage and marries Lila after only 6 weeks of data.
The smitten couple plan to take three weeks to drive down to Cabo and stay at a resort, and enjoy their first weeks as husband and wife. Along the way, Eddie starts to see some annoying behavior arise in Lila, such as actively singing and acting along to every song on the radio, and some very acrobatic, dominate, and painful tendencies when they consummate their marriage.
As the honeymoon unfolds, Eddie becomes trapped in a nightmare, as it seems that Lila has become a crazy freak, and is not the person he though he married. Unsure what to do next, Eddie meets a lady named Miranda (Michelle Monaghan), while Lila is recovering from severe sunburn.
Intrigued by Miranda, Eddie starts to spend time with her, and soon falls for her which forces Eddie to figure out how to break the news of his marriage to Miranda, and how to get away from Lila.
In true Farrelly brother’s style, a series of outrageous and over the top events follows punctuated by some very crude and at times funny jokes and situations that push Eddie to the limits to find true love.
The film is a remake of the 1972 Neil Simon film of the same name, and while updated with more off color humor, the basic premise of the film has remained unchanged. There are some funny moments in the film and Stiller once again gets the job done as the likeable Eddie.
The problem is that for me, the film was two long, as many times there were gaps of almost twenty minutes between some of the good jokes, and I was left watching fairly dull stuff waiting for the next funny moment to arrive.
The performances in the film were eager, and the brothers did a workmanlike job of direction, as none of the cast was really challenged by the material. Even fine supporting work by Carlos Mencia as Uncle Tito did not get the chance to reach the potential his character showed. In the end, the film just had too many moments that did not work, as the jokes were too few and far between to truly be effective.
Ivana A. | Diary of Difference (1171 KP) rated What Happens Now? in Books
Feb 3, 2020
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2019/08/WhatHappensNow_BTB.jpg?w=1600&ssl=1"/>;
<b><i>I am so excited to be part of the Blog Tour for What Happens Now by Sophia Money-Coutts! Thank you to the team at HQ, for being so kind to send me a copy of this book!
Without further delays, let’s see what I thought…</i></b>
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2019/08/Book-Review-Banner-12.png?resize=1024%2C576&ssl=1"/>;
What Happens Now by Sophia Money-Coutts is a wonderful story that features Lil, who is a normal lady, living a normal life. She thought she has found ”the one”, but after so many years, this fellow dumps her for a twenty-year old blonde girl.
Doing what everyone should do, she moves on, and tries to find a new match, choosing a dating app and swiping right. She finds a handsome man that seems to like her and arranges a date. She gets ready, meets this guy, has a few drinks and spends the night at his apartment.
<b><i>What is the worse thing that can happen?</i></b>
Well – firstly, he doesn’t seem to respond to her messages at all. And then, she discovers that he is, in fact, the famous mountaineer Max, who is currently out there somewhere, climbing a mountain and can’t actually see her messages, the Max who is possibly Prince William’s best friend. But on top of it all, after weeing on a stick, she discovers she is pregnant with his baby.
So now Lil is single, thirty-one and living in a small flat in London, and this is not how she expected to become a mum. But our lady Lil here is probably the bravest woman I have ever encountered in my books, and she decides to do this whole motherhood thing on her own. Yes – she really likes Max, and it would be amazing if he gets involved too, but she doesn’t need him really. She can do this!
Throughout this book I felt so empowered to read about Lil’s daily challenges and I was cheering for her all the way through. She, and all women in the world that had the courage to give birth to and raise a child on their own should be praised, and I can’t think of any words to describe how brave these people are and how much I admire them!
Lucky for Lil, she has her mother and her stepdad along her way throughout the whole journey, and these two people are the friendliest and kindest people in the world.
And then there’s Jess – Lil’s best friend, who is, by the way, THE BEST FRIEND anyone wants. She was EVERYTHING and I loved her so much! She was always there for Lil, giving the best advises in the world. We all need a Jess in our lives!
And to be honest, given my low opinion on Sophia’s first book, The Plus One, I didn’t have high expectations on this one, but I think she outdid herself and created a masterpiece! The writing style has improved so much, that you wouldn’t notice these two books have been written by the same author.
I loved reading about Lil’s journey – I truly did. The writing was gorgeous and I couldn’t put the book down. Very empowering, but at the same time a very light summer read. I recommend it to all of you – read What Happens Now? this summer, and I hope you enjoy it as much as I did.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2019/08/WhatHappensNow_BTB.jpg?w=1600&ssl=1"/>;
<b><i>I am so excited to be part of the Blog Tour for What Happens Now by Sophia Money-Coutts! Thank you to the team at HQ, for being so kind to send me a copy of this book!
Without further delays, let’s see what I thought…</i></b>
<img src="https://i0.wp.com/diaryofdifference.com/wp-content/uploads/2019/08/Book-Review-Banner-12.png?resize=1024%2C576&ssl=1"/>;
What Happens Now by Sophia Money-Coutts is a wonderful story that features Lil, who is a normal lady, living a normal life. She thought she has found ”the one”, but after so many years, this fellow dumps her for a twenty-year old blonde girl.
Doing what everyone should do, she moves on, and tries to find a new match, choosing a dating app and swiping right. She finds a handsome man that seems to like her and arranges a date. She gets ready, meets this guy, has a few drinks and spends the night at his apartment.
<b><i>What is the worse thing that can happen?</i></b>
Well – firstly, he doesn’t seem to respond to her messages at all. And then, she discovers that he is, in fact, the famous mountaineer Max, who is currently out there somewhere, climbing a mountain and can’t actually see her messages, the Max who is possibly Prince William’s best friend. But on top of it all, after weeing on a stick, she discovers she is pregnant with his baby.
So now Lil is single, thirty-one and living in a small flat in London, and this is not how she expected to become a mum. But our lady Lil here is probably the bravest woman I have ever encountered in my books, and she decides to do this whole motherhood thing on her own. Yes – she really likes Max, and it would be amazing if he gets involved too, but she doesn’t need him really. She can do this!
Throughout this book I felt so empowered to read about Lil’s daily challenges and I was cheering for her all the way through. She, and all women in the world that had the courage to give birth to and raise a child on their own should be praised, and I can’t think of any words to describe how brave these people are and how much I admire them!
Lucky for Lil, she has her mother and her stepdad along her way throughout the whole journey, and these two people are the friendliest and kindest people in the world.
And then there’s Jess – Lil’s best friend, who is, by the way, THE BEST FRIEND anyone wants. She was EVERYTHING and I loved her so much! She was always there for Lil, giving the best advises in the world. We all need a Jess in our lives!
And to be honest, given my low opinion on Sophia’s first book, The Plus One, I didn’t have high expectations on this one, but I think she outdid herself and created a masterpiece! The writing style has improved so much, that you wouldn’t notice these two books have been written by the same author.
I loved reading about Lil’s journey – I truly did. The writing was gorgeous and I couldn’t put the book down. Very empowering, but at the same time a very light summer read. I recommend it to all of you – read What Happens Now? this summer, and I hope you enjoy it as much as I did.
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
Nail Art Games for Girls: Top Star Manicure Salon
Lifestyle and Games
4.0
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*** Create fantastic nail designs with this amazing new nail art game! *** ** Are you searching for...
Erika (17789 KP) rated The Green Knight (2020) in Movies
Aug 2, 2021
Green Knight, based upon the poem, Sir Gawain and the Green Knight, does the poem justice. We join our relatively pure-hearted Sir Gawain (Dev Patel) on Christmas morning, as he wakes up in what appears to be a brothel. He rushes home to his Mother (Sarita Choudhury), to change for the Christmas Day feast with the aged King (Sean Harris). Mother is left behind as Gawain goes to the feast, and conjures the appearance of the Green Knight.
Gawain agrees to the Christmas game proposed by the Green Knight, so he can be knighted himself. The game is the same as the poem, a knight gives a blow to the Green Knight, and a year from that date, the knight will visit the Green Chapel so he can return the favor.
The year passes, and Gawain sets out on his quest. Mother gives him the gift of a green sash, that will protect him as he faces the journey and the Green Knight. He sets off on his trippy journey, encountering a scavenger (Barry Keoghan) along the way and is quickly delayed in his quest and left for dead, losing his green sash. After freeing himself, he sets out on his allegory-filled quest again, encountering St. Winifred (Erin Kellyman), giants, and is led by a fox to a castle near the Green Chapel.
The castle is where the film gets back on track with the poem. The Lord (Joel Egerton) shows kindness and hospitality, while his wife (Alicia Vikander), takes the role as temptress. Alicia Vikander plays both the Lady, and the prostitute that Gawain is in love with back home. It’s understandably confusing for Gawain. The same deal is struck between the Lord and Gawain, while the Lord is away on the hunt, he will give Gawain everything he catches, while Gawain promises to give the Lord anything he receives at the castle. Gawain does not end up keeping the agreement as he’s seduced by the Lady and gets the green sash back. He escapes the castle and goes to the Green Chapel to finish the Christmas game. The end was very interesting, would Gawain choose to be courageous and maintain his honor, accepting death? Or would he be a coward, running away to be knighted, then subsequently become King? The ending was scary good.
My first thought after the film ended was that we finally got a film that did an Arthurian legend justice. I happened to be really into Arthuriana, so this film was such a treat. Though, I am left with some questions. I’m not sure which sister Mother was supposed to be. Was Mother Morgaine or Morgause? I assume it was Morgause, but Mother was a little more witchy, so maybe Morgaine? I also don’t know if in the film, the Green Knight was the Lord. The characters were played by two different actors, but the Lord is definitely supposed to be the Green Knight.
Another thing I did like is that I don’t believe they ever called the King by his name, Arthur. This was a smart move, as the story was centralized on Sir Gawain, and not about Arthur and his Knights of the Round Table.
The one sore thumb for me was Alicia Vikander. Her accent when she was the prostitute, Essel, was horrid. I also think that character wasn’t really needed at all because she was just annoying. The whole brothel situation itself was kind of lame because Gawain was supposed to be pure and innocent. The innocence being lost at the Castle was a major part of the poem.
Dev Patel was excellent as Gawain; I was entranced by him, and he kept my attention the entire film. I know there were grumblings about his casting, but seriously, this is a fantasy story. It also is not impossible for people of a different race to be present all over Europe. There once was this empire called Rome, that encompassed a very large area, and enabled people to travel around and settle in areas.
I had been looking forward to this film since March of 2020, and it completely delivered. I hope we get more films like this, rather than the barrage of big dumb action and comic book films. I can’t wait to go see this film again!
Gawain agrees to the Christmas game proposed by the Green Knight, so he can be knighted himself. The game is the same as the poem, a knight gives a blow to the Green Knight, and a year from that date, the knight will visit the Green Chapel so he can return the favor.
The year passes, and Gawain sets out on his quest. Mother gives him the gift of a green sash, that will protect him as he faces the journey and the Green Knight. He sets off on his trippy journey, encountering a scavenger (Barry Keoghan) along the way and is quickly delayed in his quest and left for dead, losing his green sash. After freeing himself, he sets out on his allegory-filled quest again, encountering St. Winifred (Erin Kellyman), giants, and is led by a fox to a castle near the Green Chapel.
The castle is where the film gets back on track with the poem. The Lord (Joel Egerton) shows kindness and hospitality, while his wife (Alicia Vikander), takes the role as temptress. Alicia Vikander plays both the Lady, and the prostitute that Gawain is in love with back home. It’s understandably confusing for Gawain. The same deal is struck between the Lord and Gawain, while the Lord is away on the hunt, he will give Gawain everything he catches, while Gawain promises to give the Lord anything he receives at the castle. Gawain does not end up keeping the agreement as he’s seduced by the Lady and gets the green sash back. He escapes the castle and goes to the Green Chapel to finish the Christmas game. The end was very interesting, would Gawain choose to be courageous and maintain his honor, accepting death? Or would he be a coward, running away to be knighted, then subsequently become King? The ending was scary good.
My first thought after the film ended was that we finally got a film that did an Arthurian legend justice. I happened to be really into Arthuriana, so this film was such a treat. Though, I am left with some questions. I’m not sure which sister Mother was supposed to be. Was Mother Morgaine or Morgause? I assume it was Morgause, but Mother was a little more witchy, so maybe Morgaine? I also don’t know if in the film, the Green Knight was the Lord. The characters were played by two different actors, but the Lord is definitely supposed to be the Green Knight.
Another thing I did like is that I don’t believe they ever called the King by his name, Arthur. This was a smart move, as the story was centralized on Sir Gawain, and not about Arthur and his Knights of the Round Table.
The one sore thumb for me was Alicia Vikander. Her accent when she was the prostitute, Essel, was horrid. I also think that character wasn’t really needed at all because she was just annoying. The whole brothel situation itself was kind of lame because Gawain was supposed to be pure and innocent. The innocence being lost at the Castle was a major part of the poem.
Dev Patel was excellent as Gawain; I was entranced by him, and he kept my attention the entire film. I know there were grumblings about his casting, but seriously, this is a fantasy story. It also is not impossible for people of a different race to be present all over Europe. There once was this empire called Rome, that encompassed a very large area, and enabled people to travel around and settle in areas.
I had been looking forward to this film since March of 2020, and it completely delivered. I hope we get more films like this, rather than the barrage of big dumb action and comic book films. I can’t wait to go see this film again!
Bob Mann (459 KP) rated Viceroy's House (2017) in Movies
Sep 29, 2021
The 80:20 Rule.
India, 1947. Churchill’s government has sent Lord Grantham – – sorry — Lord Louis Mountbatten of Burma (Hugh Bonneville, “The Monuments Men“) as the new Viceroy. His mission is to make sure he is the last ever Viceroy, for India is to be returned to independence. But racial tensions between the Hindu and minority Muslim populations are brittle and deteriorating fast. Can India survive as a single country, or will Mountbatten be forced to partition the country along religious lines to avoid civil-war and countless deaths?
Of course, there is little tension in this plot line since we know Pakistan was indeed founded by Muhammad Ali Jinnah (played by Denzil Smith) on August 14th 1947. (In reality, Jinnah’s victory was short lived as he died of TB the following year). The rest of India went on to be ruled by Jawaharlal Nehru (played by Tanveer Ghani). What the film does remind this generation of is the extreme cost of that partition, with riots, mass abductions and rapes, over a million estimated deaths and one of the biggest migrations of populations ever seen. (All of this is largely shown through original newsreel footage, which is effectively inter-weaved with the film).
So as an educational documentary it is useful. However, as an entertaining movie night out? Not so much. After coming out of the film we needed to buy some milk at Tesco and I was put on the spot by the checkout lady to sum-up the film: “Worthy but dull” was what I came up with, which with further time to reflect still seems a good summary.
This shouldn’t have been the case, since the film is directed by the well-respected Gurinder Chadha (“Bend it like Beckham) and boasts a stellar cast, with Bonneville supported by Gillian Anderson (“The X Files”) as Lady Mountbatten; Michael Gambon (“Harry Potter”) as General Ismay (Mountbatten’s chief of staff); Simon Callow (“Four Weddings and a Funeral”) as Radcliffe (the drawer of ‘the new map’); and Om Puri (“The Hundred Foot Journey“) as former political prisoner Ali Rahim Noor. Playing Mountbatten’s daughter is Lily Travers (“Kingsman: The Secret Service“): Virginia McKenna’s granddaughter.
But unfortunately, for me at least, the film lumbers from scene to scene, seldom engaging with me. Bonneville’s Mountbatten, whilst perfectly sound, was just a re-tread of Downton with added humidity and curry; Anderson’s (probably extremely accurate) crystal-glass English accent quickly becomes tiresome; and elsewhere a lot of the acting of the broader Indian cast is, I’m sorry to comment, rather sub-par. For me, only Om Puri, who sadly died in January, delivers an effective and moving performance as the blind father (literally) unable to see that the arranged marriage for his daughter Aalia (Huma Qureshi) is heading for trouble thanks to Mountbatten’s man-servant. And no, that isn’t a euphemism…. I’m talking about his real manservant, Jeet Kumar (Manish Dayal)!!
As an aside, the late Puri (probably most famous in western cinema for “East is East”) has made over 270 feature films in his prolific career, over and above his many appearances on Indian TV. And he still has another 6 films to be released! May he rest in peace.
Probably realising that the historical plot is not enough to sustain the film, the screenwriters Paul Mayeda Berges (“Bend it like Beckham”), Moira Buffini (“Tamara Drewe”) and Gurinder Chadha try to add more substance with the illicit romance between the Hindu Jeet and the Muslim Aalia. Unfortunately this is clunky at best, with an incessant 30 minutes-worth of longing looks before anything of substance happens. Even the “Lion“-style denouement (also with a railway train connection) is unconvincing.
After that, the film just tends to peter out, with a ‘real-life photograph’ segue delivering a rather tenuous connection between a character not even featured in the film and the director!
Mrs. Chadha has clearly corralled an army of extras to deliver some of the scenes in the film, in the hope of delivering a historical epic of the scale of Attenborough’s “Gandhi”. For me, she misses by a considerable margin. But that’s just my view….. if you like historical dramas, its a film you might enjoy: as the great man himself said “Honest disagreement is often a good sign of progress”.
Of course, there is little tension in this plot line since we know Pakistan was indeed founded by Muhammad Ali Jinnah (played by Denzil Smith) on August 14th 1947. (In reality, Jinnah’s victory was short lived as he died of TB the following year). The rest of India went on to be ruled by Jawaharlal Nehru (played by Tanveer Ghani). What the film does remind this generation of is the extreme cost of that partition, with riots, mass abductions and rapes, over a million estimated deaths and one of the biggest migrations of populations ever seen. (All of this is largely shown through original newsreel footage, which is effectively inter-weaved with the film).
So as an educational documentary it is useful. However, as an entertaining movie night out? Not so much. After coming out of the film we needed to buy some milk at Tesco and I was put on the spot by the checkout lady to sum-up the film: “Worthy but dull” was what I came up with, which with further time to reflect still seems a good summary.
This shouldn’t have been the case, since the film is directed by the well-respected Gurinder Chadha (“Bend it like Beckham) and boasts a stellar cast, with Bonneville supported by Gillian Anderson (“The X Files”) as Lady Mountbatten; Michael Gambon (“Harry Potter”) as General Ismay (Mountbatten’s chief of staff); Simon Callow (“Four Weddings and a Funeral”) as Radcliffe (the drawer of ‘the new map’); and Om Puri (“The Hundred Foot Journey“) as former political prisoner Ali Rahim Noor. Playing Mountbatten’s daughter is Lily Travers (“Kingsman: The Secret Service“): Virginia McKenna’s granddaughter.
But unfortunately, for me at least, the film lumbers from scene to scene, seldom engaging with me. Bonneville’s Mountbatten, whilst perfectly sound, was just a re-tread of Downton with added humidity and curry; Anderson’s (probably extremely accurate) crystal-glass English accent quickly becomes tiresome; and elsewhere a lot of the acting of the broader Indian cast is, I’m sorry to comment, rather sub-par. For me, only Om Puri, who sadly died in January, delivers an effective and moving performance as the blind father (literally) unable to see that the arranged marriage for his daughter Aalia (Huma Qureshi) is heading for trouble thanks to Mountbatten’s man-servant. And no, that isn’t a euphemism…. I’m talking about his real manservant, Jeet Kumar (Manish Dayal)!!
As an aside, the late Puri (probably most famous in western cinema for “East is East”) has made over 270 feature films in his prolific career, over and above his many appearances on Indian TV. And he still has another 6 films to be released! May he rest in peace.
Probably realising that the historical plot is not enough to sustain the film, the screenwriters Paul Mayeda Berges (“Bend it like Beckham”), Moira Buffini (“Tamara Drewe”) and Gurinder Chadha try to add more substance with the illicit romance between the Hindu Jeet and the Muslim Aalia. Unfortunately this is clunky at best, with an incessant 30 minutes-worth of longing looks before anything of substance happens. Even the “Lion“-style denouement (also with a railway train connection) is unconvincing.
After that, the film just tends to peter out, with a ‘real-life photograph’ segue delivering a rather tenuous connection between a character not even featured in the film and the director!
Mrs. Chadha has clearly corralled an army of extras to deliver some of the scenes in the film, in the hope of delivering a historical epic of the scale of Attenborough’s “Gandhi”. For me, she misses by a considerable margin. But that’s just my view….. if you like historical dramas, its a film you might enjoy: as the great man himself said “Honest disagreement is often a good sign of progress”.