Search
Search results
Kim Pook (101 KP) rated The Prodigy (2019) in Movies
Sep 25, 2020
Contains spoilers, click to show
A woman is seen running away from something or someone and ends up being almost hit by an elderly driver, we discover the woman has had her hand cut off, how did this happen? Why did it happen?
Forward to the present day and a pregnant woman is going into early labour, in between scenes of her giving birth we see this guy who gets shot down by police, he is holding a severed hand (remember the lady at the beginning?)....
Within months of baby Miles being born, his mother starts to notice strange things such as not crying during his shots and even saying words. It is put down to him being a genius. However, he is not really a genius at all he noticeably quite evil. This is evident when he squashes a bug in his bare hands at 5 years old, harms his babysitter at age 8, and starts speaking a strange language in his sleep.
One day Miles end up receiving psychiatric help after beating a child in his class with a wrench. Nobody can understand what's going on though and it seems Miles is hearing voices in his head and reacting to what they tell him to do. Miles' mother Sarah is eventually informed that Miles has a spirit living inside of him and that spirit is dangerous, Sarah refuses to believe this at first but after a disturbing situation happens at home she begins to believe that it must be true and after a series of events, finally gets him help to try and rid him of the evil inside of him.
I do find it shocking sometimes what they get young children to say in movies, but especially in this one. Considering the type of movie it is though its understandable and the boy who plays Miles does a fantastic job, down to the facial expressions, so you always know when it is Miles and when it's the spirit.
The movie very much reminds me of 'orphan' - another film with an evil adult/child. The ending was quite a bummer though and makes everything that happened in the movie a complete waste of time. It was interesting watching it unfold though and the end does leave it open for a sequel.
Forward to the present day and a pregnant woman is going into early labour, in between scenes of her giving birth we see this guy who gets shot down by police, he is holding a severed hand (remember the lady at the beginning?)....
Within months of baby Miles being born, his mother starts to notice strange things such as not crying during his shots and even saying words. It is put down to him being a genius. However, he is not really a genius at all he noticeably quite evil. This is evident when he squashes a bug in his bare hands at 5 years old, harms his babysitter at age 8, and starts speaking a strange language in his sleep.
One day Miles end up receiving psychiatric help after beating a child in his class with a wrench. Nobody can understand what's going on though and it seems Miles is hearing voices in his head and reacting to what they tell him to do. Miles' mother Sarah is eventually informed that Miles has a spirit living inside of him and that spirit is dangerous, Sarah refuses to believe this at first but after a disturbing situation happens at home she begins to believe that it must be true and after a series of events, finally gets him help to try and rid him of the evil inside of him.
I do find it shocking sometimes what they get young children to say in movies, but especially in this one. Considering the type of movie it is though its understandable and the boy who plays Miles does a fantastic job, down to the facial expressions, so you always know when it is Miles and when it's the spirit.
The movie very much reminds me of 'orphan' - another film with an evil adult/child. The ending was quite a bummer though and makes everything that happened in the movie a complete waste of time. It was interesting watching it unfold though and the end does leave it open for a sequel.
LoganCrews (2861 KP) rated Dane Cook: Vicious Circle (2006) in Movies
Dec 5, 2020 (Updated Dec 6, 2020)
DANEgerous Edition
Less a stand-up show and more an event where you get to watch a manic cokehead scream at the top of his lungs and convulse around a small circular stage in front of a packed, sports-arena-esque crowd for nearly 2 hours and 15 minutes - one of the most breathless and impossible-to-look-away-from things I've ever seen. Say what you will about him, but he'll die before he loses your attention - it felt like *I* burned calories after watching him writhe, sweat, and shriek about for this long. Before Chappelle's similarly hit-or-miss đđ”đȘđ€đŹđŽ & đđ”đ°đŻđŠđŽ, this was arguably the most divisive stand-up special out there - most people either swore by it as one of the greats, or lambasted it as a stain on the legacy of comedy itself. It's hard to remember, but there was a time Cook was a megastar - the same year this special aired he was listed in TIME Magazine's "Top 100 Most Influential People In the World" alongside industry titans Meryl Streep and George Clooney. Outside of maybe Bam Margera I don't think any other sole entertainer represented the crass ode to reckless debauchery that was the mid-2000s quite like this guy; it's beguilingly bizarre almost solely as a piece of a pop culture time capsule alone. Though on its own merits this shockingly holds up a lot more than expected, not always funny (does some cringe 2006 shit like having two women make out on stage while Dane watches for no reason and a rather uncomfortable segment where he seemingly makes a young lady flash her breasts onstage) but home to a satiable amount of hearty chuckles and an exuberant energy that can't be denied even well past the two hour mark. Laden with dead-on observations, colossal vulgarity, intense (and super idiosyncratic) physicality, oddly cerebral camerawork + editing, and guttural cries unlike any other set I've seen... then after all that he comes back on the stage with an acoustic guitar to fucking *sing* - this is the human body being put to its endurance test as a comedic performer. A great time even if some of the jokes get drawn out way past the point of repair - what I can only describe as unforgettable, often really fucking funny, spastically aroused hyperspecificity. Nearly top-to-bottom infectious in spite of its whiffs.
Less a stand-up show and more an event where you get to watch a manic cokehead scream at the top of his lungs and convulse around a small circular stage in front of a packed, sports-arena-esque crowd for nearly 2 hours and 15 minutes - one of the most breathless and impossible-to-look-away-from things I've ever seen. Say what you will about him, but he'll die before he loses your attention - it felt like *I* burned calories after watching him writhe, sweat, and shriek about for this long. Before Chappelle's similarly hit-or-miss đđ”đȘđ€đŹđŽ & đđ”đ°đŻđŠđŽ, this was arguably the most divisive stand-up special out there - most people either swore by it as one of the greats, or lambasted it as a stain on the legacy of comedy itself. It's hard to remember, but there was a time Cook was a megastar - the same year this special aired he was listed in TIME Magazine's "Top 100 Most Influential People In the World" alongside industry titans Meryl Streep and George Clooney. Outside of maybe Bam Margera I don't think any other sole entertainer represented the crass ode to reckless debauchery that was the mid-2000s quite like this guy; it's beguilingly bizarre almost solely as a piece of a pop culture time capsule alone. Though on its own merits this shockingly holds up a lot more than expected, not always funny (does some cringe 2006 shit like having two women make out on stage while Dane watches for no reason and a rather uncomfortable segment where he seemingly makes a young lady flash her breasts onstage) but home to a satiable amount of hearty chuckles and an exuberant energy that can't be denied even well past the two hour mark. Laden with dead-on observations, colossal vulgarity, intense (and super idiosyncratic) physicality, oddly cerebral camerawork + editing, and guttural cries unlike any other set I've seen... then after all that he comes back on the stage with an acoustic guitar to fucking *sing* - this is the human body being put to its endurance test as a comedic performer. A great time even if some of the jokes get drawn out way past the point of repair - what I can only describe as unforgettable, often really fucking funny, spastically aroused hyperspecificity. Nearly top-to-bottom infectious in spite of its whiffs.
LeftSideCut (3776 KP) rated The Thing (2011) in Movies
Jan 10, 2021
This one is pretty straightforward - The Thing (2011) is an ok film that is completely dwarfed by The Thing (1982) - honestly, fuck knows why it doesn't have a different title.
This prequel to the iconic John Carpenter movie does have some decent aspects to it - it has a mostly agreeable cast and a good screenplay that's engaging, although a vast majority of the characters are hugely forgettable, and not a patch on the crew of protagonists from the 82 film. Mary Elizabeth Winstead is a perfectly likable leading lady, but everyone else is just kind of there. Even Joel Edgerton blends in with the furniture.
I also think it has good pacing for the most part - the opening third builds things up nicely, and when things finally kick off, it feels earned.
The attention to detail is admirable as well, with various objects and hints of past chaos found by Kurt Russell and co in the 82 film being placed perfectly.
Unfortunately, the end project suffers from a couple of things. Most infamously, the CGI is ropey, and is an ill advised addition considering the 82 film boasts some of the best practical effects in cinema history. This is made even worse by the fact that practical effects and animatronics were initially used before being smothered in digital effects to the point where it actively makes the whole movie less enjoyable. The narrative also apes the Carpenter classic a little too often for my taste, and serves more of a reminder of that film, rather than feeling like a homage.
The final act is just silly as well. After a strong build up, the climax snowballs into uninteresting bad-Predator-sequel-esque nonsense, and even saves the most laughable digital effects for last, just for good measure.
I did like the very last scene though, which genuinely ties nicely into the start of the 82 film.
Messing with such an iconic horror heavyweight comes with huge risks, and ultimately, The Thing (still really hate that they didn't use a different title) isn't the car crash that it easily could have been, but it does fall flat on really important aspects, resulting in a film that is average to the casual movie goer, and is thoroughly underwhelming for fans of its far superior predecessor.
This prequel to the iconic John Carpenter movie does have some decent aspects to it - it has a mostly agreeable cast and a good screenplay that's engaging, although a vast majority of the characters are hugely forgettable, and not a patch on the crew of protagonists from the 82 film. Mary Elizabeth Winstead is a perfectly likable leading lady, but everyone else is just kind of there. Even Joel Edgerton blends in with the furniture.
I also think it has good pacing for the most part - the opening third builds things up nicely, and when things finally kick off, it feels earned.
The attention to detail is admirable as well, with various objects and hints of past chaos found by Kurt Russell and co in the 82 film being placed perfectly.
Unfortunately, the end project suffers from a couple of things. Most infamously, the CGI is ropey, and is an ill advised addition considering the 82 film boasts some of the best practical effects in cinema history. This is made even worse by the fact that practical effects and animatronics were initially used before being smothered in digital effects to the point where it actively makes the whole movie less enjoyable. The narrative also apes the Carpenter classic a little too often for my taste, and serves more of a reminder of that film, rather than feeling like a homage.
The final act is just silly as well. After a strong build up, the climax snowballs into uninteresting bad-Predator-sequel-esque nonsense, and even saves the most laughable digital effects for last, just for good measure.
I did like the very last scene though, which genuinely ties nicely into the start of the 82 film.
Messing with such an iconic horror heavyweight comes with huge risks, and ultimately, The Thing (still really hate that they didn't use a different title) isn't the car crash that it easily could have been, but it does fall flat on really important aspects, resulting in a film that is average to the casual movie goer, and is thoroughly underwhelming for fans of its far superior predecessor.
LeftSideCut (3776 KP) rated Frank Miller's Sin City: A Dame to Kill For (2014) in Movies
Jan 17, 2021
I think that I actually prefer A Dame to Kill For over the first Sin City...
Once again, it's a visual feast, and once again, has a damn fine cast.
Two of the stories here are (unless I'm mistaken) written for this film, rather than being adapted. One of them concentrates on Johnny (Joseph Gordon-Levitt) and his incredible luck at gambling. This story serves as nothing more than to further highlight just how much of an asshole Senator Rourke (Powers Boothe) is, once again, acting as the films main big bad. It's effective enough and does what it sets out to do. The other story concentrates on Nancy (Jessica Alba) torn up and struggling with alcohol after what Rourke did to Hartigan (Bruce Willis) in the first movie, before enlisting the help of Marv (Mickey Rourke) to exact revenge. This one is a little more high stakes. By this point, you really want Rourke to face some really unfriendly justice, and it's fitting that Nancy be the one to dish it out.
However, the titular story is what holds everything together.
A Dame to Kill For, which is indeed adapted from the comics is fantastic. It takes up the majority of runtime, and follows pre Clive Owen looking Dwight (Josh Brolin) going toe to toe with the seductively powerful and dangerous Ava (Eva Green). Here is where we're in full blown prequel territory, learning how Dwight comes to look how he does in the original, his connections the the girls of Old Town, and how Manute (Dennis Haysbert) ends up with his fetching golden eyeball. The best character interactions happen here. Green and Brolin are both great, and easily steal the show. It also boasts some great action when Gail (Rosario Dawson) and Miho (Jamie Chung) return to fuck shit up, and is just an all round enjoyable segment that easily dwarfs the other two stories.
The cast also includes Ray Liota, Christopher Meloni, Jaime King, Jeremy Piven, Christopher Lloyd, Juno Temple, Julia Garner, and Lady Gaga, so yeah, pretty solid ensemble all in all!
Its a damn shame that ADTKF took as long as it did to materialise. The Sin City hype train had gone a bit quiet by the time it released, and it didn't get the credit it deserves, and is frequently discarded as an inferior film to it's predecessor when personally, I think there's a lot to love.
Once again, it's a visual feast, and once again, has a damn fine cast.
Two of the stories here are (unless I'm mistaken) written for this film, rather than being adapted. One of them concentrates on Johnny (Joseph Gordon-Levitt) and his incredible luck at gambling. This story serves as nothing more than to further highlight just how much of an asshole Senator Rourke (Powers Boothe) is, once again, acting as the films main big bad. It's effective enough and does what it sets out to do. The other story concentrates on Nancy (Jessica Alba) torn up and struggling with alcohol after what Rourke did to Hartigan (Bruce Willis) in the first movie, before enlisting the help of Marv (Mickey Rourke) to exact revenge. This one is a little more high stakes. By this point, you really want Rourke to face some really unfriendly justice, and it's fitting that Nancy be the one to dish it out.
However, the titular story is what holds everything together.
A Dame to Kill For, which is indeed adapted from the comics is fantastic. It takes up the majority of runtime, and follows pre Clive Owen looking Dwight (Josh Brolin) going toe to toe with the seductively powerful and dangerous Ava (Eva Green). Here is where we're in full blown prequel territory, learning how Dwight comes to look how he does in the original, his connections the the girls of Old Town, and how Manute (Dennis Haysbert) ends up with his fetching golden eyeball. The best character interactions happen here. Green and Brolin are both great, and easily steal the show. It also boasts some great action when Gail (Rosario Dawson) and Miho (Jamie Chung) return to fuck shit up, and is just an all round enjoyable segment that easily dwarfs the other two stories.
The cast also includes Ray Liota, Christopher Meloni, Jaime King, Jeremy Piven, Christopher Lloyd, Juno Temple, Julia Garner, and Lady Gaga, so yeah, pretty solid ensemble all in all!
Its a damn shame that ADTKF took as long as it did to materialise. The Sin City hype train had gone a bit quiet by the time it released, and it didn't get the credit it deserves, and is frequently discarded as an inferior film to it's predecessor when personally, I think there's a lot to love.
LeftSideCut (3776 KP) rated It: Chapter Two (2019) in Movies
Sep 15, 2019 (Updated Oct 25, 2019)
If it ain't broke
The second chapter of the extremely popular reboot of Stephen King's It is more of the same...and that's a good thing.
The first film feels like a ghost train, with creepy imagery, and well crafted jump scares that don't feel too cheap.
Chapter Two takes the same formula, and if anything, actually does more with it. Pennywise seams more brutal and unforgiving in his ways this time around.
Bill SkarsgÄrd once again is great as Pennywise, sinister, whilst remaining weirdly charming, and sometimes sympathetic.
The fantastic child actors from the first film are present once again via flashbacks, and are just as likable, but as the bulk of Chapter Two is set 27 years later, these characters are now grown up and played by a whole host of incredibly well casted adults.
Bill Hader in particular is a highlight throughout. I always have time for James McAvoy as well, the guy is an hugely underrated actor.
The scares arrive thick and fast after a slow start where we're reintroduced to everyone - and they are mixed...some are genuinely unsettling (as is the tone for a lot of Chapter Two). The Paul Bunyun statue is a memorable moment, as is the creepy old lady scene from the trailers.
Some others are more tame, and some occasionally cartoony CGI take away from the scares themselves.
The climax of the film is pretty fun, as The Losers once again prepare to battle Pennywise, and it's once again, a truly memorable sequence.
The overall ending suffers slightly from Return of the King syndrome, and feels unessecarily drawn out at the end of an already lengthy film.
Another thing that didn't quite sit well with me was the opening scene - I understand that said scene is in the original novel, and it's a way of reintroducing us to Pennywise, but it felt out of place. Homophobia is still a huge issue in 2019, and there is nothing wrong with shouting about it. But the scene is cruel, and ultimately has no connection to the larger narrative.
Nevertheless, it's a very chilling and effective opening to the film.
The duo of new It films is modern horror done pretty well - unnerving and at times scary, whilst still being accessible to a wider audience.
Certainly worth watching them!
The first film feels like a ghost train, with creepy imagery, and well crafted jump scares that don't feel too cheap.
Chapter Two takes the same formula, and if anything, actually does more with it. Pennywise seams more brutal and unforgiving in his ways this time around.
Bill SkarsgÄrd once again is great as Pennywise, sinister, whilst remaining weirdly charming, and sometimes sympathetic.
The fantastic child actors from the first film are present once again via flashbacks, and are just as likable, but as the bulk of Chapter Two is set 27 years later, these characters are now grown up and played by a whole host of incredibly well casted adults.
Bill Hader in particular is a highlight throughout. I always have time for James McAvoy as well, the guy is an hugely underrated actor.
The scares arrive thick and fast after a slow start where we're reintroduced to everyone - and they are mixed...some are genuinely unsettling (as is the tone for a lot of Chapter Two). The Paul Bunyun statue is a memorable moment, as is the creepy old lady scene from the trailers.
Some others are more tame, and some occasionally cartoony CGI take away from the scares themselves.
The climax of the film is pretty fun, as The Losers once again prepare to battle Pennywise, and it's once again, a truly memorable sequence.
The overall ending suffers slightly from Return of the King syndrome, and feels unessecarily drawn out at the end of an already lengthy film.
Another thing that didn't quite sit well with me was the opening scene - I understand that said scene is in the original novel, and it's a way of reintroducing us to Pennywise, but it felt out of place. Homophobia is still a huge issue in 2019, and there is nothing wrong with shouting about it. But the scene is cruel, and ultimately has no connection to the larger narrative.
Nevertheless, it's a very chilling and effective opening to the film.
The duo of new It films is modern horror done pretty well - unnerving and at times scary, whilst still being accessible to a wider audience.
Certainly worth watching them!
Gareth von Kallenbach (980 KP) rated Downton Abbey (2019) in Movies
Sep 16, 2019
The King and Queen, His Royal Highness, King George V and Queen Mary are visiting Downton Abbey! This is the premise set for the grand cinematic conclusion of the very popular BBC/PBS series that has told the saga of the Crawley family.
Robert Crawley, the Earl of Grantham (Hugh Bonneville) will host the King and Queen for one night as they tour the country. This starts the frenzy of preparation at Downton Abbey. The entire cast from the television series returns to wrap up the epic tale of the family led by the Dowager Countess of Grantham (Dame Maggie Smith as the stoic, protective and acid tongued head of the Crawley Family). We get to view the intrigue and subterfuge that has been built upon the ages as the players in the game, maneuver their way through the challenges of royal protocol.
The daily run of Downton has been passed down to Lady Mary Talbot (Michelle Dockery), who now needs to insure that the house is in order and passes the inspection of the Royal Servants of the King. The kitchen is all a twitter with plans and preparation for shopping and meals. Come to find that the King and Queen has their own travelling butler and ladies maid that arrive beforehand to establish the household in order to provide the crown with the comforts that they are accustomed.
This film has been eagerly anticipated since the last season had aired. Fans all around the world have been waiting for this to wrap up the loose ends from the closing season of the television series. The film does exactly that. Taking each thread and weaving a complete conclusion of the stories that compelled millions around the world to stay tuned.
For those who have not seen the series but are wrangled to watch the movie, you will find the charm, elegance, humour and wit applied to the story. One is not required to have watched any, if all of the episodes of Downton in order to enjoy the storyline. The film is perfectly entertaining as a standalone film. Each character so well crafted and beautifully acted by the ensemble.
I recommend taking your favorite Downton fan to the cinema for an evening of grand proportions, romantic notions, charm and the glamour of 1927 England. Thoroughly enjoyable with or without previous show knowledge.
5 out of 5 for fans
4 out of 5 for non fans
Robert Crawley, the Earl of Grantham (Hugh Bonneville) will host the King and Queen for one night as they tour the country. This starts the frenzy of preparation at Downton Abbey. The entire cast from the television series returns to wrap up the epic tale of the family led by the Dowager Countess of Grantham (Dame Maggie Smith as the stoic, protective and acid tongued head of the Crawley Family). We get to view the intrigue and subterfuge that has been built upon the ages as the players in the game, maneuver their way through the challenges of royal protocol.
The daily run of Downton has been passed down to Lady Mary Talbot (Michelle Dockery), who now needs to insure that the house is in order and passes the inspection of the Royal Servants of the King. The kitchen is all a twitter with plans and preparation for shopping and meals. Come to find that the King and Queen has their own travelling butler and ladies maid that arrive beforehand to establish the household in order to provide the crown with the comforts that they are accustomed.
This film has been eagerly anticipated since the last season had aired. Fans all around the world have been waiting for this to wrap up the loose ends from the closing season of the television series. The film does exactly that. Taking each thread and weaving a complete conclusion of the stories that compelled millions around the world to stay tuned.
For those who have not seen the series but are wrangled to watch the movie, you will find the charm, elegance, humour and wit applied to the story. One is not required to have watched any, if all of the episodes of Downton in order to enjoy the storyline. The film is perfectly entertaining as a standalone film. Each character so well crafted and beautifully acted by the ensemble.
I recommend taking your favorite Downton fan to the cinema for an evening of grand proportions, romantic notions, charm and the glamour of 1927 England. Thoroughly enjoyable with or without previous show knowledge.
5 out of 5 for fans
4 out of 5 for non fans
Merissa (12906 KP) rated Lady Silver (Warlock Chronicles #1) in Books
Sep 23, 2021
LADY SILVER is the first book in the Warlock Chronicles and we enter a futuristic world that has been split between humans and warlocks, with obvious mistrust and antagonism on both sides. Bryanna and T'Laan have lived their lives on the edge under no one's control but that changes when they are captured by Devon Bastion and taken aboard his ship, Maelstrom.
There is a lot that goes on in this book that isn't explained. I hope it will become clearer in future books but, for this one, it left me wondering what was going on. We have a prologue with someone who has been captured, who drops names like breadcrumbs, and as a reader, I had no idea if I was supposed to remember these names as someone to be important. Then we skip to someone new, and then something new again. It became mostly conjoined as the story went on, but there were still parts that were fragmented and confusing.
T'Laan is the best character here, followed by Glynda. Bryanna gets away with a lot due to her naivete, but Devon? Well, he's certainly a character but I really can't say I like him. Apparently, he has reasons for everything he does, but he is just arrogant and dislikeable most of the time. He is aware that Bryanna has feelings for him, talks about possibly having feelings for her, and then treads all over them with no reason given apart from the obvious "I'm not good enough. It's for her benefit..." He lies and hides the truth, only sharing when it suits him.
I definitely wanted to know more about the Flow and how it works. Yes, I know there are different Elements, but how? What do they do? Are there limits? And the Big Bad? Just what is going on there?
I read this book and enjoyed it but I'm left with more questions than when I started and a healthy dislike of the main male character. Overall, I think this book is good and has the potential to be part of a great series.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
There is a lot that goes on in this book that isn't explained. I hope it will become clearer in future books but, for this one, it left me wondering what was going on. We have a prologue with someone who has been captured, who drops names like breadcrumbs, and as a reader, I had no idea if I was supposed to remember these names as someone to be important. Then we skip to someone new, and then something new again. It became mostly conjoined as the story went on, but there were still parts that were fragmented and confusing.
T'Laan is the best character here, followed by Glynda. Bryanna gets away with a lot due to her naivete, but Devon? Well, he's certainly a character but I really can't say I like him. Apparently, he has reasons for everything he does, but he is just arrogant and dislikeable most of the time. He is aware that Bryanna has feelings for him, talks about possibly having feelings for her, and then treads all over them with no reason given apart from the obvious "I'm not good enough. It's for her benefit..." He lies and hides the truth, only sharing when it suits him.
I definitely wanted to know more about the Flow and how it works. Yes, I know there are different Elements, but how? What do they do? Are there limits? And the Big Bad? Just what is going on there?
I read this book and enjoyed it but I'm left with more questions than when I started and a healthy dislike of the main male character. Overall, I think this book is good and has the potential to be part of a great series.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Laura Doe (1350 KP) rated When He Was Wicked (Bridgertons, #6) in Books
Jan 9, 2022
I was surprised with how different this book was from all the others, but in a good way. It meant that I didnât get bored as the others are fairly similar looking back on them.
We start 2 years into Francescaâs marriage, which is completely different to the other books as we follow them as they are looking for their future spouse. Then rather unfortunately, her beloved husband - John dies, leaving her widowed only 2 years into their marriage.
His cousin, and both Francesca and Johnâs best friend, Michael is also shocked to the core at his death and at his newfound Earldom. Michael has also been in love with Francesca since he met her, but out of loyalty to his cousin has never told anyone of this. In previous books, I would have guessed that Michael would have pursued Francesca straight away, but I was glad that I was wrong and it made it a much better read that he didnât.
This book deals with a few different medical issues, which at the end Julia Quinn does explain more about and confirmed my suspicions as to why John died. It was definitely such a different pace to this book and it was nice to change up the style slightly. I enjoyed the excerpts of letters at the start of each chapter (although still not quite as good as Lady Whistledownâs comments!) and it definitely gave more of an insight into what they were thinking, especially as it included letters that werenât sent at all.
Before this book, we didnât know too much about Francesca, other than sheâd married an Earl and spent a lot of time in Scotland, but this book made her more than just a mention and you realised that she is a bit different from her siblings and probably quite enjoys being away from everyone. I also liked how it brought together the events in both Colinâs story and Eloiseâs story as they happen so close together, I think it ties the stories up quite neatly as you sometimes forget during this book that Francesca was a Bridgerton since she doesnât spend a lot of time with them in this book.
This has definitely firmly cemented its place in my top 3 of this series and Iâm hoping that the next book is just as good to read.
We start 2 years into Francescaâs marriage, which is completely different to the other books as we follow them as they are looking for their future spouse. Then rather unfortunately, her beloved husband - John dies, leaving her widowed only 2 years into their marriage.
His cousin, and both Francesca and Johnâs best friend, Michael is also shocked to the core at his death and at his newfound Earldom. Michael has also been in love with Francesca since he met her, but out of loyalty to his cousin has never told anyone of this. In previous books, I would have guessed that Michael would have pursued Francesca straight away, but I was glad that I was wrong and it made it a much better read that he didnât.
This book deals with a few different medical issues, which at the end Julia Quinn does explain more about and confirmed my suspicions as to why John died. It was definitely such a different pace to this book and it was nice to change up the style slightly. I enjoyed the excerpts of letters at the start of each chapter (although still not quite as good as Lady Whistledownâs comments!) and it definitely gave more of an insight into what they were thinking, especially as it included letters that werenât sent at all.
Before this book, we didnât know too much about Francesca, other than sheâd married an Earl and spent a lot of time in Scotland, but this book made her more than just a mention and you realised that she is a bit different from her siblings and probably quite enjoys being away from everyone. I also liked how it brought together the events in both Colinâs story and Eloiseâs story as they happen so close together, I think it ties the stories up quite neatly as you sometimes forget during this book that Francesca was a Bridgerton since she doesnât spend a lot of time with them in this book.
This has definitely firmly cemented its place in my top 3 of this series and Iâm hoping that the next book is just as good to read.
Darren (1599 KP) rated Midsommar (2019) in Movies
Jul 4, 2019
Director: Ari Aster
Writer: Ari Aster (Screenplay)
Starring: Florence Pugh, Will Poulter, Jack Reynor, William Jackson Harper, Liv Mjones, Anna Astrom, Julia Ragnarsson
Plot: A couple travels to Sweden to visit a rural hometown's fabled mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.
Runtime: 2 Hours 20 Minutes
There may be spoilers in the rest of the review
Verdict: The Wicker Man on Acid
Story: Midsommar starts when young lady Dani (Pugh) has her family die suddenly, turning to the only person left in her life, her boyfriend Christian (Reynor) who has started to move away from their relationship. Christian and his friends Josh (Harper), Mark (Poulter) and Pelle (Blomgren) are planning a trip to Pelleâs home in Sweden for a special mid-summer festival.
Christian trying to do the right thing for Dani, invites her along, but it isnât long before the festival turns into a cultural nightmare for the outsiders who have never seen the customs before.
Thoughts on Midsommar
Characters â Dani is a young lady that has suffered a heart-breaking tragedy in her life, leaving her along in the world, struggle to get over the loss of her family, she is unsure about her relationship with her boyfriend and agrees to go with him on the trip to Sweden. Dani is trying her best to get on with her life, which is seeing her have the good and bad days, while on the commune she starts to relax more in life. Christian is the student boyfriend of Dani, he is starting to question the relationship about to end it before the tragedy strikes, he invites her believing she wonât go, while also hoping to find out whether they should stay together. Josh is a student friend of Christian, who has been working on his paper on different cultures, he sees this event a major part of his studies, only he doesnât seem to respect enough cultures. Mark is the comic relief, he wants to go to Sweden to meet women, he is quick to turn to drink or drugs, while always putting his foot in it.
Performances â Florence Pugh is the star of the show, she does show the grief required in her role, which shows us how hard to is finding life. Jack Reynor has finished turning his career around after Transformers, with one that must make people take him seriously now. Will Poulter will make you laugh with nearly everything he says, while William Jackson Harper will make you dislike his characters arrogance quickly.
Story â The story here follows a young woman dealing with grief of losing her family, trying to get away from her past by getting away from the world with the festival which soon sees her trapped with her friends with a cult that has strict rules. Much like Hereditary, we are tackling grief on a personal level, unlike Hereditary we find ourselves not seeing a timeline to make us understand the recover process that Dani is trying to go through. The story does have a huge problem for me though, is that this is a story which the people should just walk or run away after seeing the first major incident, not just calmly say âsure this is a different culture we should see what happens nextâ this is easily one of the biggest let down in any horror. We also do spend way too much time just turning to drugs as an excuse rather than trying to solve the real problems and the students just being arrogant not seemingly wanting to do anything with their lives.
Horror/Mystery â The horror in this film comes from graphic imaginary that we see from the injuries, we do have tension growing and the make up team should be praised for just how real everything looks. The mystery comes from just what is happening with this cult and what they will do next.
Settings â The film is set in the Swedish countryside away from the world, the only type of place a cult could operate in around the modern day. The sets are the best thing about this film because they are crafted which such love and you canât help but think everything you see is a clue to what is happening.
Special Effects â The effects in the film do bring us the graphic images of the injuries that people are going through. The make up team work wonders on this film.
Scene of the Movie â Dancing.
That Moment That Annoyed Me â Just using drugs to explain why these people are friends.
Final Thoughts â This is a horror that is set and created wonderfully on the outside, only to fall short on the story which only drags along without reaching any levels of scares.
Overall: Not reaching the potential.
Rating
Writer: Ari Aster (Screenplay)
Starring: Florence Pugh, Will Poulter, Jack Reynor, William Jackson Harper, Liv Mjones, Anna Astrom, Julia Ragnarsson
Plot: A couple travels to Sweden to visit a rural hometown's fabled mid-summer festival. What begins as an idyllic retreat quickly devolves into an increasingly violent and bizarre competition at the hands of a pagan cult.
Runtime: 2 Hours 20 Minutes
There may be spoilers in the rest of the review
Verdict: The Wicker Man on Acid
Story: Midsommar starts when young lady Dani (Pugh) has her family die suddenly, turning to the only person left in her life, her boyfriend Christian (Reynor) who has started to move away from their relationship. Christian and his friends Josh (Harper), Mark (Poulter) and Pelle (Blomgren) are planning a trip to Pelleâs home in Sweden for a special mid-summer festival.
Christian trying to do the right thing for Dani, invites her along, but it isnât long before the festival turns into a cultural nightmare for the outsiders who have never seen the customs before.
Thoughts on Midsommar
Characters â Dani is a young lady that has suffered a heart-breaking tragedy in her life, leaving her along in the world, struggle to get over the loss of her family, she is unsure about her relationship with her boyfriend and agrees to go with him on the trip to Sweden. Dani is trying her best to get on with her life, which is seeing her have the good and bad days, while on the commune she starts to relax more in life. Christian is the student boyfriend of Dani, he is starting to question the relationship about to end it before the tragedy strikes, he invites her believing she wonât go, while also hoping to find out whether they should stay together. Josh is a student friend of Christian, who has been working on his paper on different cultures, he sees this event a major part of his studies, only he doesnât seem to respect enough cultures. Mark is the comic relief, he wants to go to Sweden to meet women, he is quick to turn to drink or drugs, while always putting his foot in it.
Performances â Florence Pugh is the star of the show, she does show the grief required in her role, which shows us how hard to is finding life. Jack Reynor has finished turning his career around after Transformers, with one that must make people take him seriously now. Will Poulter will make you laugh with nearly everything he says, while William Jackson Harper will make you dislike his characters arrogance quickly.
Story â The story here follows a young woman dealing with grief of losing her family, trying to get away from her past by getting away from the world with the festival which soon sees her trapped with her friends with a cult that has strict rules. Much like Hereditary, we are tackling grief on a personal level, unlike Hereditary we find ourselves not seeing a timeline to make us understand the recover process that Dani is trying to go through. The story does have a huge problem for me though, is that this is a story which the people should just walk or run away after seeing the first major incident, not just calmly say âsure this is a different culture we should see what happens nextâ this is easily one of the biggest let down in any horror. We also do spend way too much time just turning to drugs as an excuse rather than trying to solve the real problems and the students just being arrogant not seemingly wanting to do anything with their lives.
Horror/Mystery â The horror in this film comes from graphic imaginary that we see from the injuries, we do have tension growing and the make up team should be praised for just how real everything looks. The mystery comes from just what is happening with this cult and what they will do next.
Settings â The film is set in the Swedish countryside away from the world, the only type of place a cult could operate in around the modern day. The sets are the best thing about this film because they are crafted which such love and you canât help but think everything you see is a clue to what is happening.
Special Effects â The effects in the film do bring us the graphic images of the injuries that people are going through. The make up team work wonders on this film.
Scene of the Movie â Dancing.
That Moment That Annoyed Me â Just using drugs to explain why these people are friends.
Final Thoughts â This is a horror that is set and created wonderfully on the outside, only to fall short on the story which only drags along without reaching any levels of scares.
Overall: Not reaching the potential.
Rating
Debbiereadsbook (1441 KP) rated Val (The Hawks #2) in Books
May 12, 2021
I can't wait for what comes next, because I'm not seeing the whole picture yet!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book. I also won a signed copy!
OK SO! This is book 2 in The Hawks series, and you really REALLY MUST read Tristan, book 1, before this one. This book picks up immediately after that one, and you need, you really NEED that book to get the full picture of what's happened before. You get the most of it recapped, but personally, I don't think it ALL comes across.
Lanval was rescued, along with his sister Nim and Keeley, the Queen's maid. The Queen, however, was not and Val needs to rescue Alanna before her despot of a husband hangs her for treason she did not commit. But Val is broken, inside and out, and his Hawk friends hate him for what they thought he did. Lanni is glad Val is free, she can die knowing he is safe. Then, he's there, rescuing her and whisking her away! Ballinor won't stop though, and with a new chancellor at his side, things get mighty difficult for everyone.
In case you missed it, when you read my review for Tristan, I LOVED that book. And I wanted to love this one as much as that one, but I can't, as much as it pains me, I really can't.
Why?? Cos I LOVED THIS ONE MORE!!
OH my freaking gosh, this book! Full of so much! So much pain, for both Lanni and Val. So much love between them, even if it takes them such a long time to finally, FINALLY come together fully. So much discovered, by The hawks, about what happened before, and so much guilt from everyone!
I cried, a lot in this book. Val and Lanni are perfect for each other, but they know they can never be free to be together, while the King listens to his newest Chancellor. Oh I did NOT like him. The last one was just trying to get his hands on Lanni, but this one?? He's after so much more than that. What exactly, I'm not entirely sure yet, but I'm sure all will be revealed, eventually! I love being kept in the dark!
I shouted a lot too! Lanni has a lot of ideas about honour, as does Val, but some of it is misplaced. I swore, a few choice words a sailor would be proud of, or rather, words a soldier in the barracks would be proud of! These men, this group, right? They love hard, they fight hard, and they *think* they mess up hard, but actually, THEY don't! Reece, oh he needs such a hug. He thinks he caused most of the group to be captured, but he didn't. Even the Chancellor says so, but Reece feels he did. His book is gonna be painful reading, I reckon!
Both Lanni and Val get a say, along with Mathos, who has his book next. I did see him with someone else, to be honest, but given what was discovered here, then reading what it says at the end of this one, I was made to see my error. Mathos is not Mabin, like Val and Nim, but something else. Something with a beast inside him. With scales. Dragon-type beast? Not 100% certain, I may have missed all the clues, but Mathos the man is a bit of a player. He thinks he won't fall like Tristan and Val, so when he meets his lady in the next book, there is sure to be fireworks.
Said lady also gets the epilogue. When she was revealed in this book, I wasn't expecting her, and she has quite a tale to tell, I'm sure. How she will react to Mathos should be amusing, given these men have protective streaks a canyon wide, and she has been where she has all her life.
I said in my review for Tristan that I thought this would be a much darker read than that one, and it is, it really is. The level of violence Ballinor steps up to is given in great detail, and you can feel every lash given, every punch taken and every injury to Lanni at the hands of her husband. Val too, but it's mostly Lanni who suffers here.
I can't wait for what comes next, because I'm not seeing the whole picture yet. I can't see where this is all going and I love that! Mostly, though, because I'm loving these guys, watching them fall one by one, and meeting the strong women who take their hearts.
Write quicker, Ms Roberts.
Write.
Quicker!
5 stars, but more if I could!
**same worded review will appear elsewhere**
OK SO! This is book 2 in The Hawks series, and you really REALLY MUST read Tristan, book 1, before this one. This book picks up immediately after that one, and you need, you really NEED that book to get the full picture of what's happened before. You get the most of it recapped, but personally, I don't think it ALL comes across.
Lanval was rescued, along with his sister Nim and Keeley, the Queen's maid. The Queen, however, was not and Val needs to rescue Alanna before her despot of a husband hangs her for treason she did not commit. But Val is broken, inside and out, and his Hawk friends hate him for what they thought he did. Lanni is glad Val is free, she can die knowing he is safe. Then, he's there, rescuing her and whisking her away! Ballinor won't stop though, and with a new chancellor at his side, things get mighty difficult for everyone.
In case you missed it, when you read my review for Tristan, I LOVED that book. And I wanted to love this one as much as that one, but I can't, as much as it pains me, I really can't.
Why?? Cos I LOVED THIS ONE MORE!!
OH my freaking gosh, this book! Full of so much! So much pain, for both Lanni and Val. So much love between them, even if it takes them such a long time to finally, FINALLY come together fully. So much discovered, by The hawks, about what happened before, and so much guilt from everyone!
I cried, a lot in this book. Val and Lanni are perfect for each other, but they know they can never be free to be together, while the King listens to his newest Chancellor. Oh I did NOT like him. The last one was just trying to get his hands on Lanni, but this one?? He's after so much more than that. What exactly, I'm not entirely sure yet, but I'm sure all will be revealed, eventually! I love being kept in the dark!
I shouted a lot too! Lanni has a lot of ideas about honour, as does Val, but some of it is misplaced. I swore, a few choice words a sailor would be proud of, or rather, words a soldier in the barracks would be proud of! These men, this group, right? They love hard, they fight hard, and they *think* they mess up hard, but actually, THEY don't! Reece, oh he needs such a hug. He thinks he caused most of the group to be captured, but he didn't. Even the Chancellor says so, but Reece feels he did. His book is gonna be painful reading, I reckon!
Both Lanni and Val get a say, along with Mathos, who has his book next. I did see him with someone else, to be honest, but given what was discovered here, then reading what it says at the end of this one, I was made to see my error. Mathos is not Mabin, like Val and Nim, but something else. Something with a beast inside him. With scales. Dragon-type beast? Not 100% certain, I may have missed all the clues, but Mathos the man is a bit of a player. He thinks he won't fall like Tristan and Val, so when he meets his lady in the next book, there is sure to be fireworks.
Said lady also gets the epilogue. When she was revealed in this book, I wasn't expecting her, and she has quite a tale to tell, I'm sure. How she will react to Mathos should be amusing, given these men have protective streaks a canyon wide, and she has been where she has all her life.
I said in my review for Tristan that I thought this would be a much darker read than that one, and it is, it really is. The level of violence Ballinor steps up to is given in great detail, and you can feel every lash given, every punch taken and every injury to Lanni at the hands of her husband. Val too, but it's mostly Lanni who suffers here.
I can't wait for what comes next, because I'm not seeing the whole picture yet. I can't see where this is all going and I love that! Mostly, though, because I'm loving these guys, watching them fall one by one, and meeting the strong women who take their hearts.
Write quicker, Ms Roberts.
Write.
Quicker!
5 stars, but more if I could!
**same worded review will appear elsewhere**