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Hazel (1853 KP) rated The Care and Management of Lies in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
British author Jacqueline Winspear states in the letter from the author at the front of the book that the idea for this novel came from a second hand copy of a book titled <i>The Woman’s Book</i> by Florence B Jack (1911) containing an inscription revealing that it was presented as a gift to a woman on her wedding day in July 1914. The story within </i>The Care and Management of Lies</i> is Winspear’s imaginings about who that woman was and what her life was like.
The book focuses primarily on four characters, the main being Kezia Brissenden née Marchant who receives the gift <i>The Woman’s Book</i> from a close friend, Dorothy “Thea”, who so happens to be the older sister of her new husband, Tom. The book was not a particularly kind gift as it emphasized Kezia’s upbringing and who, due to her father being a reverend and employer of maids and cooks, had never produced her own meal in her life nor had any experience with running a household, let alone a farm – her new home.
Whilst Kezia determinedly throws herself into her new role, showing her love for Tom through the food she learns to cook, Thea, living in London, is drifting away from their friendship. With the possibility of war on the horizon, Thea joins a pacifist movement, which is somewhat ironic as she was once involved with the suffragettes. On the other hand, once war is declared, Tom decides to enlist in the army as does neighbour, Edmund Hawkes, a man who is rather envious of Tom and his lovely wife. The reader receives two different perspectives of the terrors of war from these characters, but then also another, surprisingly, from Thea who rejects pacifism and goes out to France to help in anyway she can. This leaves Kezia at home alone with the effects the war has on Britain.
The love between Kezia and Tom is emphasized through the letters they send each other. Both are lying about their situations by trying to convince the other that they are better off than they really are. The thing that keeps them both going are Kezia’s descriptions of her fictional meals that she prepares for Tom’s dinner, describing in great detail the preparation and taste of the food.
Each chapter begins with a quote from <i>The Woman’s Book</i> (and later <i>Infantry Training</i> and <i>Field Service Pocket Book</i>) that relate to the particular events occurring in the story at that time. This is a great way of underlining the significance of that wedding present to the storyline.
The narrative quickly changes from character to character which, although helping to keep the pace of the novel, can sometimes be a little confusing. It also made it difficult to get into the story at the beginning. Sometimes it took a lot of concentration to follow the text and those with minds that easily wander may constantly find themselves suddenly reading from a different point of view without having noticed the change over.
Winspear’s grandfather was a soldier in the trenches during the Great War and so it seems likely that some of the scenes may be based on his experiences. If that is the case then it can be believed that <i>The Care and Management of Lies</i> is as accurate as can be in terms of the war and life on the front lines. Winspear also does not attempt to gloss over any of the war horrors, therefore does not create the unlikely “and they all lived happily ever after” ending that other writers of war stories have done in the past.
Those interested in war themes may be particularly interested in this book, especially as this year (2014) is the anniversary of the Great War. <i>The Care and Management of Lies</i> is a piece of literature to add to the mountain of media coverage of the commemoration of the war.
British author Jacqueline Winspear states in the letter from the author at the front of the book that the idea for this novel came from a second hand copy of a book titled <i>The Woman’s Book</i> by Florence B Jack (1911) containing an inscription revealing that it was presented as a gift to a woman on her wedding day in July 1914. The story within </i>The Care and Management of Lies</i> is Winspear’s imaginings about who that woman was and what her life was like.
The book focuses primarily on four characters, the main being Kezia Brissenden née Marchant who receives the gift <i>The Woman’s Book</i> from a close friend, Dorothy “Thea”, who so happens to be the older sister of her new husband, Tom. The book was not a particularly kind gift as it emphasized Kezia’s upbringing and who, due to her father being a reverend and employer of maids and cooks, had never produced her own meal in her life nor had any experience with running a household, let alone a farm – her new home.
Whilst Kezia determinedly throws herself into her new role, showing her love for Tom through the food she learns to cook, Thea, living in London, is drifting away from their friendship. With the possibility of war on the horizon, Thea joins a pacifist movement, which is somewhat ironic as she was once involved with the suffragettes. On the other hand, once war is declared, Tom decides to enlist in the army as does neighbour, Edmund Hawkes, a man who is rather envious of Tom and his lovely wife. The reader receives two different perspectives of the terrors of war from these characters, but then also another, surprisingly, from Thea who rejects pacifism and goes out to France to help in anyway she can. This leaves Kezia at home alone with the effects the war has on Britain.
The love between Kezia and Tom is emphasized through the letters they send each other. Both are lying about their situations by trying to convince the other that they are better off than they really are. The thing that keeps them both going are Kezia’s descriptions of her fictional meals that she prepares for Tom’s dinner, describing in great detail the preparation and taste of the food.
Each chapter begins with a quote from <i>The Woman’s Book</i> (and later <i>Infantry Training</i> and <i>Field Service Pocket Book</i>) that relate to the particular events occurring in the story at that time. This is a great way of underlining the significance of that wedding present to the storyline.
The narrative quickly changes from character to character which, although helping to keep the pace of the novel, can sometimes be a little confusing. It also made it difficult to get into the story at the beginning. Sometimes it took a lot of concentration to follow the text and those with minds that easily wander may constantly find themselves suddenly reading from a different point of view without having noticed the change over.
Winspear’s grandfather was a soldier in the trenches during the Great War and so it seems likely that some of the scenes may be based on his experiences. If that is the case then it can be believed that <i>The Care and Management of Lies</i> is as accurate as can be in terms of the war and life on the front lines. Winspear also does not attempt to gloss over any of the war horrors, therefore does not create the unlikely “and they all lived happily ever after” ending that other writers of war stories have done in the past.
Those interested in war themes may be particularly interested in this book, especially as this year (2014) is the anniversary of the Great War. <i>The Care and Management of Lies</i> is a piece of literature to add to the mountain of media coverage of the commemoration of the war.
Mayhawke (97 KP) rated The Durrells of Corfu in Books
Feb 13, 2018
Truth Without Disenchantment
I think the first thing to note is that there is probably no point in reading this book if you haven't at the very least watched one of the T.V. series. Indeed a lot of it will probably go right over your head if you are not well-versed in Durrell's tales of his childhood in Corfu.
I am, and have been since I first picked My Family And Other Animals when I was eleven - which is longer ago now than I would really like to think about! Age aside, my point is this: I have read and loved these books many times, and for several decades. Durrell was my first 'grown up' read as a child and the Corfu trilogy has long been ranked in my 'comfort reads' - those books you turn to again and again when you just want something familiar and easy. It was with some concern, then, that I picked up the ARC of Haag's book when it landed in our staff room. I didn't want my illusions destroyed, and whilst it goes largely without saying that there was going to be some massaging of the truth in Durrell's autobiographical stories I wasn't sure that I was ready for The Truth, The Whole Truth, and Nothing But.
Haag, it turns out, is also a little bit in love with the Durrells. As such I can think of few better people to write the bald truth about this family without destroying the charm and good humour of Gerald Durrell's books for those of us who want to hold on to the myth. This delicate unravelling begins on the very first page as Haag presents the reader with the brutal and tragic truth behind the Corfu sojourn - the sudden death of Durrell Snr at the age of just forty-four. In My Family Gerald Durrell manages to skim over this uncomfortable truth with such success that he imparts the information that his mother is a widow without ever giving the reader space to think or question more deeply into the effect on the family beyond their enforced to move back to cold, rainy England - a place from which they then escaped to Corfu, so legend has it, for no more pressing reason than to avoid colds.
And so Haag's biography continues, with a gentle but unrelenting quality, to pull scales from eyes. Using tracts from Durrell's books he often does little more than a simple but effective compare and contrast with reality: introducing characters who were completely written out of the Durrell legend, yet were significant members of the Durrell collective; opening up the more Bohemian aspects of their life, and the way they were perceived by other immigrant British at the time.
Haag also exposes the more complex relationships within the family. Lawrence, who is presented through young Gerry's eyes as probably his greatest critic it transpires is his greatest champion: directing and ensuring Gerry's education whilst keeping him free of the structure and strictures of school; the somewhat sadder story of belligerent and boisterous Leslie - so much larger-than-life in the Corfu books, who later seems to become estranged from the family; and perhaps most surprising of all - Margo, who had a life that rivals either of her famous brothers for interest and adventure, at least in her younger years.
All of these uncomfortable exposes Haag achieves, and I feel far better informed about the family now, than I ever have yet never once have I felt that I will not be able to return and pick up Gerry Durrell's books and read them with the same joy and pleasure that I have done for the last four decades.
I am, and have been since I first picked My Family And Other Animals when I was eleven - which is longer ago now than I would really like to think about! Age aside, my point is this: I have read and loved these books many times, and for several decades. Durrell was my first 'grown up' read as a child and the Corfu trilogy has long been ranked in my 'comfort reads' - those books you turn to again and again when you just want something familiar and easy. It was with some concern, then, that I picked up the ARC of Haag's book when it landed in our staff room. I didn't want my illusions destroyed, and whilst it goes largely without saying that there was going to be some massaging of the truth in Durrell's autobiographical stories I wasn't sure that I was ready for The Truth, The Whole Truth, and Nothing But.
Haag, it turns out, is also a little bit in love with the Durrells. As such I can think of few better people to write the bald truth about this family without destroying the charm and good humour of Gerald Durrell's books for those of us who want to hold on to the myth. This delicate unravelling begins on the very first page as Haag presents the reader with the brutal and tragic truth behind the Corfu sojourn - the sudden death of Durrell Snr at the age of just forty-four. In My Family Gerald Durrell manages to skim over this uncomfortable truth with such success that he imparts the information that his mother is a widow without ever giving the reader space to think or question more deeply into the effect on the family beyond their enforced to move back to cold, rainy England - a place from which they then escaped to Corfu, so legend has it, for no more pressing reason than to avoid colds.
And so Haag's biography continues, with a gentle but unrelenting quality, to pull scales from eyes. Using tracts from Durrell's books he often does little more than a simple but effective compare and contrast with reality: introducing characters who were completely written out of the Durrell legend, yet were significant members of the Durrell collective; opening up the more Bohemian aspects of their life, and the way they were perceived by other immigrant British at the time.
Haag also exposes the more complex relationships within the family. Lawrence, who is presented through young Gerry's eyes as probably his greatest critic it transpires is his greatest champion: directing and ensuring Gerry's education whilst keeping him free of the structure and strictures of school; the somewhat sadder story of belligerent and boisterous Leslie - so much larger-than-life in the Corfu books, who later seems to become estranged from the family; and perhaps most surprising of all - Margo, who had a life that rivals either of her famous brothers for interest and adventure, at least in her younger years.
All of these uncomfortable exposes Haag achieves, and I feel far better informed about the family now, than I ever have yet never once have I felt that I will not be able to return and pick up Gerry Durrell's books and read them with the same joy and pleasure that I have done for the last four decades.
RəX Regent (349 KP) rated Duck Soup (1933) in Movies
Feb 18, 2019
“You’re a brave man. Go and break through the lines. And remember, while you’re out there risking your life and limb through shot and shell, we’ll be in be in here thinking what a sucker you are” Rufus T. Firefly
And the one liners just keep on coming…
Here we have before you one of the most famous entries form The Marx Brothers as they made their indelible mark on Hollywood(land) and the silver screen back in the 1930’s, moving away from their Vaudeville roots to new level of immortally on celluloid.
The fifth film to credit the “The Marx Brothers”, Duck Soup in on one hand a sharply written satire on the weakness of mob mentality to willingly promote unwelcome change to their society and their willingness to follow just about any lunatic as long as they like what they hear; as well as a straight forward slapstick comedy of the time, in keeping with its music hall roots.
It is the music hall aspect of this classic which can be harder for a modern audience to take to, unless you are already disposed to this sort of rather dated humour. But as a satire, it is brilliant and still very funny over seventy years on.
Groucho Marx steals the show as Rufus T. Firefly as he leads his unwitting and possibly dimwitted fictional country of Fredonia (geddit?) to war and ultimate destruction. He is a character, whilst not in any way taking off Adolf Hitler, who was of course rising to power in Germany at this very moment, was clearly a reflection on this type of reckless and charismatic leader and as the hilarious final act demonstrates, is all too common in history and even in our present.
And the fact that Fredonia is ultimately doomed, was a coincidental foreshadowing of Nazi Germany’s fate a decade later, as well as a clear demonstration of the savvy writing.
Witty, whether it is the physical trademark Marx Brothers comedy or the sharp screenplay by Bert Kalmar and Harry Ruby, based on the stage version of the same name, this a classic satire; whilst not being as hard hitting a s Chaplin’s works of the period, with The Great Dictator (1940) springing to mind, it still holds up and makes its point without hammering you over the head it.
So, you can just enjoy the show and/or take away the message, it is really up to you.
Here we have before you one of the most famous entries form The Marx Brothers as they made their indelible mark on Hollywood(land) and the silver screen back in the 1930’s, moving away from their Vaudeville roots to new level of immortally on celluloid.
The fifth film to credit the “The Marx Brothers”, Duck Soup in on one hand a sharply written satire on the weakness of mob mentality to willingly promote unwelcome change to their society and their willingness to follow just about any lunatic as long as they like what they hear; as well as a straight forward slapstick comedy of the time, in keeping with its music hall roots.
It is the music hall aspect of this classic which can be harder for a modern audience to take to, unless you are already disposed to this sort of rather dated humour. But as a satire, it is brilliant and still very funny over seventy years on.
Groucho Marx steals the show as Rufus T. Firefly as he leads his unwitting and possibly dimwitted fictional country of Fredonia (geddit?) to war and ultimate destruction. He is a character, whilst not in any way taking off Adolf Hitler, who was of course rising to power in Germany at this very moment, was clearly a reflection on this type of reckless and charismatic leader and as the hilarious final act demonstrates, is all too common in history and even in our present.
And the fact that Fredonia is ultimately doomed, was a coincidental foreshadowing of Nazi Germany’s fate a decade later, as well as a clear demonstration of the savvy writing.
Witty, whether it is the physical trademark Marx Brothers comedy or the sharp screenplay by Bert Kalmar and Harry Ruby, based on the stage version of the same name, this a classic satire; whilst not being as hard hitting a s Chaplin’s works of the period, with The Great Dictator (1940) springing to mind, it still holds up and makes its point without hammering you over the head it.
So, you can just enjoy the show and/or take away the message, it is really up to you.
Hazel (1853 KP) rated Nirvana (Nirvana #1) in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Imagine a world without any bees. That is the world that J. R. Stewart conjures up in this new dystopian series, <i>Nirvana</i>. Twenty years from now, the bees have become extinct. There are no more trees, flowers, fruits or vegetables; and more animals have become extinct as a result. Young adult, Larissa, is living in a world that seems unimaginable, but not only is she dealing with this new way of life, she is also grieving the loss of her husband, Andrew.
Andrew was a scientist, an occupation that earned himself and Larissa a place in the Barracks where he could continue with his important research. They both believed they were lucky to receive this opportunity, but then Andrew went out on a mission and never came back. No matter how hard people try to convince her, Larissa cannot accept that her husband is dead, especially as she has seen him in <i>Nirvana</i> – a virtual reality world. As she struggles to piece together what is real and what is not, secrets are being uncovered that blur the lines between reality and the cybernetic domain.
<i>Nirvana </i>is an interesting concept. Firstly, the issue with the extinction of the bees is a very real concern for scientists at the moment. If bees were to die out there would be no pollination of the vital plants that humans use daily. Humanity would be faced with a future not unlike Larissa’s. Secondly, with the advance in computer technology, virtual reality has become a popular phenomenon in contemporary society, and with more expansion it is likely that something similar to Nirvana will be produced.
As a story, however, nothing exciting really happened. There was no major build up to the ending. Characters were suspected of hiding the truth from the very beginning and therefore it was no surprise when certain facts came to light later in the novel. <i>Nirvana</i> is also a very short first installment of the series, which does not give the story much chance to develop at an adequate pace, thus it is difficult to get our heads around the virtual reality concept that Stewart writes about.
Despite these misgivings there is the chance that the following novels in this series will become more thrilling as the truth begins to unravel about Andrew’s disappearance or death.
Imagine a world without any bees. That is the world that J. R. Stewart conjures up in this new dystopian series, <i>Nirvana</i>. Twenty years from now, the bees have become extinct. There are no more trees, flowers, fruits or vegetables; and more animals have become extinct as a result. Young adult, Larissa, is living in a world that seems unimaginable, but not only is she dealing with this new way of life, she is also grieving the loss of her husband, Andrew.
Andrew was a scientist, an occupation that earned himself and Larissa a place in the Barracks where he could continue with his important research. They both believed they were lucky to receive this opportunity, but then Andrew went out on a mission and never came back. No matter how hard people try to convince her, Larissa cannot accept that her husband is dead, especially as she has seen him in <i>Nirvana</i> – a virtual reality world. As she struggles to piece together what is real and what is not, secrets are being uncovered that blur the lines between reality and the cybernetic domain.
<i>Nirvana </i>is an interesting concept. Firstly, the issue with the extinction of the bees is a very real concern for scientists at the moment. If bees were to die out there would be no pollination of the vital plants that humans use daily. Humanity would be faced with a future not unlike Larissa’s. Secondly, with the advance in computer technology, virtual reality has become a popular phenomenon in contemporary society, and with more expansion it is likely that something similar to Nirvana will be produced.
As a story, however, nothing exciting really happened. There was no major build up to the ending. Characters were suspected of hiding the truth from the very beginning and therefore it was no surprise when certain facts came to light later in the novel. <i>Nirvana</i> is also a very short first installment of the series, which does not give the story much chance to develop at an adequate pace, thus it is difficult to get our heads around the virtual reality concept that Stewart writes about.
Despite these misgivings there is the chance that the following novels in this series will become more thrilling as the truth begins to unravel about Andrew’s disappearance or death.
Carma (21 KP) rated Beauty and the Greek Billionaire in Books
Jun 17, 2019
Marianna is crossing things off her bucket list and one of those things is to lose her virginity finally. While in Greece with her brother she thinks now is the perfect time to explore the possibility. She makes up a fake name and goes in search of a one night stand. Never would she imagine her ideal man would be a purse snatcher (of sorts).
Nico has his eye on the beautiful sister of the man trying to lure him into investing in his company. She was leaving the café with her brother when a purse thief grabbed at her bag. Nico leaned in to help and got a nose full of her fist, in the scuffle she realized she had struck the wrong man and invited him for drinks. Introducing herself in a different name than hed known her by he wondered what her game was. Did her brother send her in to spy on him?
Marianna has no idea Nico knows exactly who she is but she sleeps with him all the same. When he kicks her out of his house at the end of a beautiful day she is more confused than ever. She goes back to Australia broken but not beaten until about 2 months later when she fails a test.
Nico doesnt let anyone in, not into his life, heart or house and yet somehow Marianna got into all 3 quickly. He feels bad for sending her away and when she returns he thinks it is a sign to try and make it work for the sake of parenting anyway. He is a jerk, cold, stubborn and rude but he takes care of what he feels he should without question.
Marianna and Nico struggle through getting to know one another while trying to make their brief relationship look lengthy. Nico does not bend to the give and take relationships take however and fights every step forward Marianna tries to take. In the end she leaves him because he doesnt trust her. Nico has to make the ultimate choice of what means more to him, Marianna and his future or the past and their mistakes.
I enjoyed the traveling porcelain cat and what it symbolized. I received a copy without expectation for review, any and all opinions expressed are my own. While this didn't grab me fully, I still enjoyed the bones of the story. 3 3/4 stars for this read.
Nico has his eye on the beautiful sister of the man trying to lure him into investing in his company. She was leaving the café with her brother when a purse thief grabbed at her bag. Nico leaned in to help and got a nose full of her fist, in the scuffle she realized she had struck the wrong man and invited him for drinks. Introducing herself in a different name than hed known her by he wondered what her game was. Did her brother send her in to spy on him?
Marianna has no idea Nico knows exactly who she is but she sleeps with him all the same. When he kicks her out of his house at the end of a beautiful day she is more confused than ever. She goes back to Australia broken but not beaten until about 2 months later when she fails a test.
Nico doesnt let anyone in, not into his life, heart or house and yet somehow Marianna got into all 3 quickly. He feels bad for sending her away and when she returns he thinks it is a sign to try and make it work for the sake of parenting anyway. He is a jerk, cold, stubborn and rude but he takes care of what he feels he should without question.
Marianna and Nico struggle through getting to know one another while trying to make their brief relationship look lengthy. Nico does not bend to the give and take relationships take however and fights every step forward Marianna tries to take. In the end she leaves him because he doesnt trust her. Nico has to make the ultimate choice of what means more to him, Marianna and his future or the past and their mistakes.
I enjoyed the traveling porcelain cat and what it symbolized. I received a copy without expectation for review, any and all opinions expressed are my own. While this didn't grab me fully, I still enjoyed the bones of the story. 3 3/4 stars for this read.
Hazel (1853 KP) rated The Poisoning Angel in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Some people may already know of the prolific French serial killer of the 1800s. Hélène Jégado, over a lengthy period of forty years, is thought to have murdered at least thirty-six people, most likely more, in the region of Brittany. By being hired as a cook in a wide range of establishments throughout her life gave her the opportunity to poison people through their meals, predominantly with arsenic. Jean Teulé, a French novelist, combines his own imagination with the historical statistics in order to create an insight to the tale of this infamous poisoner.
The tale begins at the beginning of the nineteenth century, when Hélène is only seven years old, in the small hamlet town Kerhordevin, Plouhinec. Nicknamed Thunderflower by her mother, a name that she is often referred as throughout the narrative, she becomes fascinated with superstitious stories about Death’s henchman, Ankou. In order to extinguish her fears of this formidable character – something she later claims – she decides to become Ankou beginning with the poisoning of her own mother. Soon after she sets off on her first of many journeys to work as a cook, where her killing spree begins.
It may seem surprising that she were not caught earlier on in her murderous career, especially with entire households succumbing to their deaths, but - at least in Teulé’s telling - the Breton’s still held strong belief in their old Celtic superstitions and altered between worshipping Hélène as a saint for not dying herself, or accusing her of witchcraft and bringing misfortune wherever she went. It is not until Hélène is approaching the age of fifty that the police begin to investigate, arrest and finally send her to the guillotine.
Each chapter begins with a map, detailing Hélène’s journey through Brittany so that the reader can see just how many places she went doing Ankou’s work. Teulé also turns this disturbing historical novel into a black comedy with the inclusion of two wig makers from Normandy who happen to go where Hélène goes, although are completely unconnected to, to whom bizarre misfortunes constantly fall.
<i>The Poisoning Angel</i> is an interesting tale and absurdly fascinating at times. From time to time it could fall a bit dull with the repetitiveness, but in a way it could not be helped, as it remains a fact that Hélène Jégado poisoned a large number of people. Melanie Florence must be commended for her translation from the original French, something that is by no means an easy feat.
Some people may already know of the prolific French serial killer of the 1800s. Hélène Jégado, over a lengthy period of forty years, is thought to have murdered at least thirty-six people, most likely more, in the region of Brittany. By being hired as a cook in a wide range of establishments throughout her life gave her the opportunity to poison people through their meals, predominantly with arsenic. Jean Teulé, a French novelist, combines his own imagination with the historical statistics in order to create an insight to the tale of this infamous poisoner.
The tale begins at the beginning of the nineteenth century, when Hélène is only seven years old, in the small hamlet town Kerhordevin, Plouhinec. Nicknamed Thunderflower by her mother, a name that she is often referred as throughout the narrative, she becomes fascinated with superstitious stories about Death’s henchman, Ankou. In order to extinguish her fears of this formidable character – something she later claims – she decides to become Ankou beginning with the poisoning of her own mother. Soon after she sets off on her first of many journeys to work as a cook, where her killing spree begins.
It may seem surprising that she were not caught earlier on in her murderous career, especially with entire households succumbing to their deaths, but - at least in Teulé’s telling - the Breton’s still held strong belief in their old Celtic superstitions and altered between worshipping Hélène as a saint for not dying herself, or accusing her of witchcraft and bringing misfortune wherever she went. It is not until Hélène is approaching the age of fifty that the police begin to investigate, arrest and finally send her to the guillotine.
Each chapter begins with a map, detailing Hélène’s journey through Brittany so that the reader can see just how many places she went doing Ankou’s work. Teulé also turns this disturbing historical novel into a black comedy with the inclusion of two wig makers from Normandy who happen to go where Hélène goes, although are completely unconnected to, to whom bizarre misfortunes constantly fall.
<i>The Poisoning Angel</i> is an interesting tale and absurdly fascinating at times. From time to time it could fall a bit dull with the repetitiveness, but in a way it could not be helped, as it remains a fact that Hélène Jégado poisoned a large number of people. Melanie Florence must be commended for her translation from the original French, something that is by no means an easy feat.
Phil Leader (619 KP) rated Storm Clouds Rolling In (Bregdan Chronicles #1) in Books
Nov 26, 2019
Describing this book makes it sound like it could be a tale of Southern romance set before the American Civil War; Carrie Cromwell is the teenage daughter of a plantation owner in Virginia and falls for the son of another plantation owner as the political and social storm of the events of the Civil War brew around them.
In reality however this is a far more complex work - yes the romance is there but it is very much overshadowed by the situation and events of the time. Firstly Carrie is not a Southern Belle happy to sit on the verandah and look after her hard working man - she wants to make something of herself and doesn't think that she will be happy running her father's plantation in later life. Secondly she has grave doubts about slavery, an institution that has become the basis of the plantation owner's very existence.
This novel then is far more an exploration of the confict the slave issue creates as well as the lack of opportunity for a bright woman to better herself in the nineteenth century.
The author does well with the slavery issue in presenting someone from the whole spectrum, from reactionary pro-slavery plantation owners to equally abhorrent abolitionlists who are in many ways just as bad. Carrie is very much undecided throughout the book and that is a good thing, we are essentially treated to a novel length essay on the causes of the civil war and the justifications for slavery that caused a lot of the friction, along with the North failing to take account of the depth of the pride of those in the South.
The characters are very well drawn, and although each more-or-less repesents one particular facet of the debate none are mere ciphers and indeed many of them evolve over time and change their outlook and opinions, not lease Carrie but also of note the slaves Rose and Moses, both young but who really grow during the course of the story. The author has necessarily put some perjorative terms for slaves in the mouths of some of her characters - for which she apologises in a brief forward - but this not only lends realism but underlines those characters attitudes towards the slaves.
The book does move at a relatively slow pace, and there are plenty of discussions around politics, society and slavery but it is quite immersive and acts to let each character become far more solid.
Overall a book I enjoyed and it provides a lot of insight into the state of America at the outbreak of war and why it happened
In reality however this is a far more complex work - yes the romance is there but it is very much overshadowed by the situation and events of the time. Firstly Carrie is not a Southern Belle happy to sit on the verandah and look after her hard working man - she wants to make something of herself and doesn't think that she will be happy running her father's plantation in later life. Secondly she has grave doubts about slavery, an institution that has become the basis of the plantation owner's very existence.
This novel then is far more an exploration of the confict the slave issue creates as well as the lack of opportunity for a bright woman to better herself in the nineteenth century.
The author does well with the slavery issue in presenting someone from the whole spectrum, from reactionary pro-slavery plantation owners to equally abhorrent abolitionlists who are in many ways just as bad. Carrie is very much undecided throughout the book and that is a good thing, we are essentially treated to a novel length essay on the causes of the civil war and the justifications for slavery that caused a lot of the friction, along with the North failing to take account of the depth of the pride of those in the South.
The characters are very well drawn, and although each more-or-less repesents one particular facet of the debate none are mere ciphers and indeed many of them evolve over time and change their outlook and opinions, not lease Carrie but also of note the slaves Rose and Moses, both young but who really grow during the course of the story. The author has necessarily put some perjorative terms for slaves in the mouths of some of her characters - for which she apologises in a brief forward - but this not only lends realism but underlines those characters attitudes towards the slaves.
The book does move at a relatively slow pace, and there are plenty of discussions around politics, society and slavery but it is quite immersive and acts to let each character become far more solid.
Overall a book I enjoyed and it provides a lot of insight into the state of America at the outbreak of war and why it happened
Whatchareadin (174 KP) rated A Highlander Walks Into a Bar in Books
Aug 5, 2019
Isabel and Rose Buchanan are mother and daughter who live on a lovely Scottish estate in Highland, GA. Every year, they are in charge of a festival highlighting their Scottish heritage. Izzy as she is called by her friends is surprised when she picks her mom up from the airport and she is not alone. Gareth Connors in all of the Scottish glory is with her and Izzy has quite a few mixed emotions about this arrangement. To top that off, a few days later a friend of Gareth's invades their space as well, Alasdair. Izzy is very wary of these two. What are their intentions? Will she and her mother make it through the festival without any issues?
Thank you to NetGalley and St. Martin's Press for the opportunity to read and review this book.
I was really excited to read this book when I first received it. I have been reading a lot of really steamy romance this summer and I was sure this one was going to be the same. Overall, I enjoyed the book, but it left me a bit confused by the language used. The book is set in the South in the US, with ties back to Scotland, but a lot of the wording made me believe that this book was written by a British author. I am also reading an Advanced Copy, so maybe some of that wording will be changed in the final copy.
All the characters in this book are ones I can see myself hanging out with. Izzy is a clumsy woman who is just trying to figure out the life she's living. Whether it brings her joy or if there is something else she can be doing to be happy. Living with her mother and taking care of their home, and being in charge of the festival are all noble deeds, but are they making her happy. When Izzy meets Alasdair, at first she isn't sure how to feel about him. Yes, he is attractive with a deep Scottish accent, but she isn't sure of his true intentions. The same is true of Gareth, although most of her feelings toward him seem to stem from not seeing her mother with anyone else besides her father.
Both of the Buchanan women need some change in their lives. Will these Scottish men be the ones to bring it to them or will they both be left heartbroken?
The book leaves you knowing there is going to be more to this story and I'm interested to find out what is going to happen next.
Thank you to NetGalley and St. Martin's Press for the opportunity to read and review this book.
I was really excited to read this book when I first received it. I have been reading a lot of really steamy romance this summer and I was sure this one was going to be the same. Overall, I enjoyed the book, but it left me a bit confused by the language used. The book is set in the South in the US, with ties back to Scotland, but a lot of the wording made me believe that this book was written by a British author. I am also reading an Advanced Copy, so maybe some of that wording will be changed in the final copy.
All the characters in this book are ones I can see myself hanging out with. Izzy is a clumsy woman who is just trying to figure out the life she's living. Whether it brings her joy or if there is something else she can be doing to be happy. Living with her mother and taking care of their home, and being in charge of the festival are all noble deeds, but are they making her happy. When Izzy meets Alasdair, at first she isn't sure how to feel about him. Yes, he is attractive with a deep Scottish accent, but she isn't sure of his true intentions. The same is true of Gareth, although most of her feelings toward him seem to stem from not seeing her mother with anyone else besides her father.
Both of the Buchanan women need some change in their lives. Will these Scottish men be the ones to bring it to them or will they both be left heartbroken?
The book leaves you knowing there is going to be more to this story and I'm interested to find out what is going to happen next.
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