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He Said/She Said
He Said/She Said
Erin Kelly | 2017 | Fiction & Poetry
8
8.4 (5 Ratings)
Book Rating
3.5 Stars

Laura and Kit are boyfriend and girlfriend. Kit is an eclipse chaser and Laura goes along with him. In 1999 they attend an eclipse in Cornwall where the esclipse is clouded out, but that doesn't stop the excitement of the day. As they are walking back to their tents after the event, they find a girl who is being attacked, Beth. Spanning 16 years back and forth between Laura and Kit each telling their side of the story from their point of view from the time they met each other until the time much later when they are married with kids. How the incidents of this one day will shape their lives forever.

Thank you to St. Martin's Press and Minotaur Books for sending me a copy of this book to review.

It was a slow start for me, having to adjust to who was speaking and what time they were speaking about. After I got all that sorted out, the book moved at a good pace. There were some unexpected twists, and times where I was on the edge of my seat.

Laura is a very caring and compassionate person, always willing to help those in need. Kit is a science person, always seeing the practical side of things. Together their relationship works for them. Laura with her bright blonde hair, and Kit with his eclipses. Beth is an interesting character too. One you're not sure if you are going to like at all. This book definitely sent me through a lot of different emotions. I recommend this book to anyone who is looking for an exciting thriller.
  
LI
Laura Ingalls Is Ruining My Life
8
8.0 (1 Ratings)
Book Rating
Laura Ingalls Is Ruining My Life by Shelley Tougas is a middle grade novel where we meet Charlotte Lake. Charlotte and her family are constantly moving to new cities for her mother’s passion of wanting to be a published author. Charlotte’s mom wants to write a book about Laura Ingalls, who was inspirational to her as a child. Charlotte is embarrassed by her mother’s obsession and frustrated with constantly having to start a new school and new life. She never feels like she fits in anywhere. She has a twin brother who has chosen to not talk since he feels his voice is not being heard in the moves, and a younger sister who is perfect. Charlotte struggles to make friends and find her niche among so many moves.

The family recently relocated to Walnut Grove, one of the places Laura Ingalls grew up. It houses a Laura Ingalls museum that hosts an essay contest each year. In a spark of brilliance, Charlotte decides to enter the contests and win the grand prize of $500. She knows this money will change her family’s life and maybe help her mother put down some roots. As the contest deadline nears, Charlotte becomes very ill with the flu and misses over a week of school, and time to create her essay. At the last moment, she furiously scribbles out the line, “Laura Ingalls is ruining my life,” and turns that in as her essay. Her clever teacher reads this and probes Charlotte to write more and dig deeper.

The family rents out the basement of a house owned by Mia and Miguel, who live upstairs with their granddaughter, Julia. Charlotte has moved so many times that she is reluctant to learn the names of her fellow classmates or draw any attention to herself. After she is out sick at the very beginning of school, she starts to notice that her brother has made a lot of friends in her absence. Charlotte, however, is still uncomfortable and even fails a reading test so that she has to spend her lunch time doing remedial work. She hopes to win an essay contest about Wilder because the $500 would be helpful to her family, but Julia wins instead. The two girls start to volunteer at the Wilder museum, and start to become friends. Charlotte’s mother is writing very little, and as the year progresses, starts to slip into a significant depression. Rose’s father remarries, and Rose is devastated that he no longer schedules any of their visits together. When there is vandalism at the museum, Charlotte is blamed, but the real perpetrator is not any of the people who are suspected.

I recommend this book for any fans of pioneer life, Laura Ingalls Wilder, and middle grade readers. I received this book as an ARC from NetGalley via Macmillan Children’s Publishing Group and Roaring Brook Press.
  
Fight to Learn by Laura Scandiffio brings interest and excitement to going to school. While most people have heard of Malala, they may not have heard of all of the great people in Scandiffio's book: people helping to change education for poverty-stricken Indians and Roma, Pakistanis denied an education because of their gender, children ripped away from schools becoming soldiers, and separate, but not equal, schools on First Nation land.

Liked that the book was divided into different challenges children face rather than by geography. It even included an example in the U.S. I also liked that the book highlighted the people, many of whom are children, who are finding solutions to this issue.

A fantastic resource for older students.

I received an ARC copy from Annick Press via Netgalley in exchange for an honest review
  
Marriage Story (2019)
Marriage Story (2019)
2019 | Comedy, Drama
One Mann’s Movies Review of “Marriage Story” – a “Kramer vs Kramer lite” in my book, albeit with some great acting performances.
K vs K Lite.
For me, mention the phrase “divorce movie” and there’s only one film that comes to mind – the Oscar-laden classic from 1979 starring an immaculate Dustin Hoffman and Meryl Streep. THAT toy plane; THOSE stiches! (Gulp). This is the yardstick by which I judge such movies… and to be honest, “Marriage Story” didn’t measure up.

The story.
We start the movie seeing the apparently idyllic married life of theatre impresario Charlie (Adam Driver) and his lead actress and muse Nicole (Scarlett Johansson), together bringing up their young child. But spin forwards and the pair are in the middle of an ‘amicable’ separation, with Nicole returning to her home roots in California and Charlie having an expensive commute to and from New York where he’s struggling to premiere his show on Broadway.

But despite an agreement to keep lawyers out of the equation, Nicole is persuaded to lawyer up with Nora Fanshaw (Laura Dern) tightening up the legal screws until Charlie’s life risks being torn apart. It’s time for him to fight back.

Well regarded by the Academy.
As for “Kramer vs Kramer”, this is a movie that has been garlanded with multiple Oscar nominations. Both Driver and Johansson are nominated in the lead acting roles and Laura Dern seems to be favourite for the Best Supporting Actress gong (after winning the Golden Globe and the BAFTA). Three more Oscar nominations come for the score (by Randy Newman); the original screenplay (by director Noah Baumbach); and a Best Film nomination.

Both leads deliver really emotional performances, with Johansson in particular being very believable in the role. But who knew she was so short?! She always strikes me as a statuesque beauty, but she’s only 5′ 3” and it’s particularly noticeable in a scene filmed at Warner Brothers Studios.

It’s also fabulous to see both the great Alan Alda (here showing signs of his Parkinson’s) and Ray Liotta on screen again, as both low-rent and top-dollar lawyers respectively.

But WHY exactly are they divorcing?
I found the whole set up of the movie as frustrating. There seemed no clear understanding of why the separation is happening. True there is an affair involved (and Mrs Movie Man and I have always lived our nearly 40 years of marriage with the understanding that a “one strike” rule applies). But notwithstanding that, it seems to be more of a ‘drifting apart’ that’s gone on. I just wanted to give them a good shaking and get them to work it out!

This is all obviously unfair – because (and I also know this from experience) that in many marriages ‘shit happens’: some people do just want to do different things; feel suffocated; etc. And – thinking about it – I’m not sure there was any real reason given for Meryl Streep‘s departure in K vs K: which was part of the reason for Dustin Hoffman‘s character’s frustration.

Who do you sympathise with?
This is a movie where the audience is bound to take a side. But for me, there was only one side to take and that was Charlie’s. The actions of Nicole seem reprehensible and unforgivable, and when there are lines to be crossed she seems to have little hesitation in crossing them.

Many people seem to rave about this movie, but…
…I found the pace to be inconsistent. At one point, the story just stops for a soulful rendition by Charlie of a song in a bar, and I frankly just got bored with it. And while there’s a steady build up of the legal case involved, suddenly we seem to skip to a resolution without any real rationale for it. Or did I fall asleep??

A further irritation for me was Julie Hagerty as Nicole’s mum Sandra. She does the kooky mum turn that she did perfectly well in last year’s funny “Instant Family“, but its a role that really didn’t seem to fit in this movie. There’s an element of slapstick comedy in these scenes that just didn’t suit the general tone of the movie.

Overall, I just don’t share the love for this movie. Given the choice, I’d much rather watch Kramer vs Kramer again.

And what was that punchline?
By the way, Alan Alda is a fantastic comedian, and really knows how to deliver a joke. In this movie he’s regaling Charlie with a long-winded story (on the clock) when Charlie interrupts him. How did it end…. Alda revealed the full joke after a press screening at the New York Film Festival… and it’s a corker!

This woman’s at her hairdresser’s, and she says, “I’m going to Rome on holiday.”
He says, “Oh really, what airline are you taking?”
She says, “Alitalia.”
He says, “Alitalia, are you crazy? That’s terrible, don’t take that.”
He says, “Where are you gonna stay?”
She says, “I’m gonna stay at The Hassler.”
“The Hassler! What, are you kidding? They’re renovating the Hassler. You’ll hear hammering all night long. You won’t sleep! What are you gonna see?”
She says, “I think I’m going to try to go to the Vatican.” “The Vatican? You’ll be standing in line all day long—”
(Charlie interrupts at this point, but the joke goes on)
So she goes to Rome. She comes back, and the hairdresser says, “How was it?”
She says, “It was a great trip, it was wonderful.”
“How was the Vatican?”
“Wonderful! We happened to meet the Pope.”
“You met the Pope?”
“Yeah, and he spoke to me.”
“What did he say to you?”
“He said, ‘Where’d you get that f***ing haircut?’”

LOL!
  
Cold Pursuit (2019)
Cold Pursuit (2019)
2019 | Action, Drama, Thriller
Entertaining Neeson revenge-porn offering (0 more)
Bonkers and nonsensical at times plotting. (0 more)
Comments on revenge are best kept on the screen.
I'd completely forgotten the furore about Liam Neeson's comments back last February during the press-tour preceding the film's release. In discussing the destructive feelings of revenge experienced by his character, Nels Coxman, Neeson revealed something he did 40 years ago: after the rape of a friend by "a black man", Neeson went out on the streets to find another "black man" and do them harm. (As a fellow Ballymena-born man, David Moody (from the "Mark and Dave" blog) has an interesting theory about this... that it was not a "rascist" statement in the true sense, but something else entirely. See here -
).

The comments undoubtedly impacted the movie at the box office. Which is a shame. Because in his catalogue of bonkers and violent revenge-porn flicks, this is one of Neeson's more entertaining ones.

Revenge is a dish best served cold. And where colder to serve it than in the ski-resort of Kehoe where Nels Coxman is the local snowplow operative and "man of the year" for his services to the community. But the tracks are about to fall off his orderly life. For his son Kyle (Micheál Richardson) winds up dead through a drugs overdose and his strained marriage with wife Grace (Laura Dern) disintegrates. (One of the most cutting and best-written "Bye" notes ever seen in the movies).

With revenge in mind, Coxman pursues the Denver-based drugs lord Trevor Calcote (Tom Bateman) who dished out the drugs to his son. But he inadvertently manages to stay just below the parapet as he sets in train a gang war between Calcote and a Kehoe-based native-American drugs gang led by White Bull (Tom Jackson). The snow turned progressively pinker as the body count rises.

Calcote (aka "Viking") is painted as a colourful family man, with an annoyingly bright son Ryan (Nicholas Holmes) that he controls with a rod of iron. Viking is estranged from wife Aya (Julia Jones), who seems completely unafraid of him and happily embarrasses him in front of his men. This relationship never really works. Since given all the terrible and irrational things Viking does to people, whether they obstruct him or help him in equal measure, putting a quiet bullet into Aya's head seems to be to least he could do!

Where there is fun to be had is in the "Stockholm syndrome" linkage between young Ryan and Coxman. When his father insists on controlling his diet, feeding him the same insipidly healthy meals morning, noon and night, the alternative of being kidnapped and fed burgers seems eminently more preferable!

The film is at times really difficult to follow. There are lots of inexplicable leaps of logic and really inexplicably bonkers scenes that you can only patch together later. It's as if the filmmakers randomly filmed 5 hours of footage and then tried to edit it all into a cohesive plot!

As one example of this, the relationship between Coxman and "Wingman" (William Forsythe) was poorly introduced such that I was left baffled by a later plot twist.

In another scene, Neeson smashes the head of enforcer "Santa" (Michael Adamthwaite) into his steering wheel, but in the next scene collapses with him utterly exhausted in the snow. There was clearly a significant fight here that was cut out of the finished cut. But as a result the final cut makes no sense at all!

Of course, the local law enforcement team are average at best. Average because although young and keen-as-mustard detective Kim Dash (Emmy Rossum) is hot on the trail of the truth, her partner Gip (John Doman) is f*ckin' useless... wanting to do nothing but drink coffee and eat donuts in true Simpsons style.

Normally with these sort of films, it's difficult to keep track of the body count. No such problem here. Every death is celebrated with a tombstone graphic so it's easy to keep count! Needless to say, there are a lot of tombstones registered.

Directed by Norwegian Hans Petter Moland, it's all good violent cartoonish fun, that keeps its tongue firmly in its cheek for most of the running time. The snowy setting, the partly native-American cast and the presence of Julia Jones brings to mind the truly excellent Jeremy Renner / Elizabeth Olsen movie "Wind River". But there the similarities (and quality levels) definitely stop. It's not a clever movie; it's borderline bonkers for most of its running time (never more so than with a totally bizarre "joke" final shot); but it is entertaining. As a 'park brain at door' action comedy it just about makes the grade.

(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/03/15/one-manns-movies-dvd-review-cold-pursuit-2019/. Thanks.)
  
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Allison Anders recommended Monterey Pop (1968) in Movies (curated)

 
Monterey Pop (1968)
Monterey Pop (1968)
1968 |
(0 Ratings)
Movie Favorite

"Most people think that the concert at Altamont was the antithesis of Woodstock. But one of my students at UCSB recently commented that you could tell a lot about what went wrong at Altamont by watching what went right at Monterey. I couldn’t agree more . . . It’s fascinating to watch both of these films and compare what happened just a few years and less than a hundred miles apart. First off, Monterey Pop, which may be my favorite of all Criterion DVD packages. The booklet is printed on nature-rough hippy-grade paper stock that you would have first encountered on the streets of Haight-Ashbury, in the form of a free press or psychedelic poster on a telephone pole, and later on your thrift-store coffee table with a pile of pot about to be rolled next to it! Yes, it is this evocative! The DVD box set includes amazing outtake performances with Laura Nyro, Quicksilver Messenger Service, TINY TIM (!), and Buffalo Springfield . . . and another DVD, Jimi Plays Monterey and Shake! Otis at Monterey, contains the complete performances by Jimi Hendrix and Otis Redding (with commentary by the ever-enlightening Peter Guralnick, who knows the history of Memphis musicians better than anyone alive). The accompanying doc of a conversation between record producer Lou Adler and filmmaker D. A. Pennebaker is such a coup—not only do you hear how the concert came together and how it was organized during the entire event, but you also get to hear Lou Adler’s story. A lot of people don’t know (although smarty-pants me did) that Adler started his music career with Herb Alpert, as songwriting and producing partners . . . and he has awesome stories of Paul McCartney hanging out at Cass Elliot’s house in Laurel Canyon . . . There’s endless music-nerd gold like that! The color in the film is all that psychedelia had to offer—vibrant, otherworldly, and hyperreal. There’s an innocence throughout Monterey Pop that exceeds the “positive vibes” of Woodstock a few years later and that is of course completely nonexistent in Gimme Shelter. You can also see in Monterey Pop the cops in the crowd (who were replaced by Hells Angels at Altamont) and SEATING! My student pointed out there were folding chairs on the lawns at Monterey—very civilized. Now that wasn’t throughout the concert grounds, but it was more in the tradition of the Newport Folk Festival than the mayhem to follow in Altamont. Also like Newport, the performers were in the audience—they were not in some rarefied backstage area, cut off from the fans or their fellow performers—and you get to see the moment when Mama Cass Elliot in the audience has her mind blown by the powerful performance of young Janis Joplin. There’s a fabulous interview with Papa John Phillips, who cofounded the event with Adler, and a gorgeous photo exhibit by photographer Elaine Mayes. Gimme Shelter director Albert Maysles was one of seven cameramen on Monterey Pop. And I need to point out that you do see a few Hells Angels on the lawn toward the end of Monterey Pop. So the Angels already had a presence at large outdoor rock events that far back. I’ve talked to a lot of people who were at Altamont as performers, friends of bands, and audience members, and the consensus is that nothing in this film was manipulated in the least: the vibe was bad from the very start, and the filmmakers didn’t create that in the editing room. Interestingly, the film is shot much darker than the saturated colors in Monterey Pop—but then again colors were becoming less vibrant in pop culture and fashion at that time too. But interestingly—here you have some of the same players—you have Jefferson Airplane, who are almost humble on the Monterey Pop stage (despite the fact that Grace Slick shows off her powerful rock pipes at Monterey—she was the first true female rock singer and very underrated in my opinion), having to stop their set at Altamont when singer Marty Balin is dragged off the stage and beat up by the Hells Angels. The Grateful Dead play a soothing jam at Monterey and don’t even make it to the stage at Altamont. Chris Hillman with the Byrds plays an evening set to the Monterey audience, and in Gimme Shelter his band, the Flying Burrito Brothers, only get two songs done before the mayhem drives them off the stage at the Speedway. Watching Charlie Watts listening to the interviews with the promoter and with Hells Angel Sonny Barger makes Watts your favorite member of the band if he wasn’t already . . . His quiet devastation over the murder at his band’s concert is profound to witness (and you do feel as though you are let in on a very private event)."

Source
  
Space Explorers
Space Explorers
2017 | Card Game, Economic, Space
Space! It’s all the rage nowadays. Okay, it has been for many decades now, but I feel like recently we have, as a human race, decided to get back out there and start exploring again. While this game is not set in modern times, the excitement of exploration and the different facets of what actually goes into successful launches is certainly prevalent. Will our heroes overcome the G-Forces that press them into their seats and become one of the few to view Earth from afar, or will they fizzle out at launch and come back shamed?

Space Explorers is a card drafting, set collection game for two to four players. In it players will take on the mantles of unique Human Resources managers… in space! Well, not IN space, but FOR space. By recruiting the best and brightest engineers, testers, scientists, builders, and astronauts players will score points in addition to scoring points for completing projects.

DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T


To setup, assemble Hub parts tableau organizer for each player. Shuffle the deck of Specialist cards (engineer, tester, et al) to be recruited and reveal six face up to symbolize the Center. Deal each player one of these Specialist cards to create their starting hand. Randomly choose two plus the number of players Project tiles and lay them on the table to be completed throughout the game. Each player will also receive a reference sheet (VERY handy) and one token of each Research type. Determine the starting player and the space race may now begin!
On a player’s turn they have two choices to make: take a Specialist card from the table into their hand, or recruit a Specialist from either their hand or from the table and place in their personal tableau. After this is completed the player may collect one Project tile if they now control the correct number of Specialists per Project tile.

To take a card into hand, a player simply selects one face-up Specialist card from those on the table and places it in hand. Simple.

To recruit a Specialist the player will need to spend Resources equal to the recruitment cost printed on the Specialist card. Resources may be spent in any combination from actual Resource tokens, Resources provided by recruited Specialists already in the player Hub (tableau), and discarding a Specialist card from hand to the table to give two Resources of any type.

As Specialists are recruited to the players’ Hubs they will then give a discount toward recruiting future Specialists of the same type along with other abilities. For each Specialist in the Hub the player will receive a discount of one Resource icon needed to spend to recruit a Specialist of the same type. For example, if a player already has recruited two Scientists, the next Scientist they recruit will be discounted by two Resources. These Resources are discounted from the bottom-up on the listed recruitment cost, and may even result in Specialists being recruited for free. Similarly, some Specialists have certain abilities printed on their card that allow such actions as recruiting cards for free, or providing Resource icons to be used to recruit, or even providing extra points at game end for a variety of reasons.


Play continues in this fashion of players taking Specialists in hand or recruiting them to their Hub to be used to complete Projects and earn points. The game ends once the last Project has been completed or any one player has recruited their 12th Specialist. Every player will have the same number of turns, after which the winner will be the player with the most points!
Components. I have a lot to say about the components here. I think that 25th Century Games has absolutely nailed every single component in this box. The Specialist cards are excellent quality: linen finished, great thickness, and they shuffle realllllly well. The Project tiles, Hub parts, and Resource tokens are thick board stock. The reference sheets are good and the rulebook is just perfect. One thing that may be slightly polarizing is the art style. Space Explorers uses imagery similar to what you would find on many things in the 1950s and 1960s in America. That said, I absolutely love the art style and it is reinforced on every component in this game. The icons are slick and stylish, the color scheme is muted without being drab, and everything you play with is meant to help immerse you into the time of the first astronauts. It’s simply amazingly well done.

The gameplay is also quite stellar (Laura will like that one). I know many compare it to Splendor, and that is certainly warranted, but I feel that Space Explorers pulls it off much more fluidly. Yes, Splendor has those weighty chips that everyone likes while Space Explorers has cardboard tokens. But other than that Space Explorers surpasses the other by leaps and bounds. The gameplay is much more intriguing, the theme is way cooler, and I am just overall much more attracted to it.

While gameplay overall is similar, there is quite a number of differences Space Explorers offers. Foremost, when Resource tokens are spent to recruit Specialists, instead of being sent to a communal bank they are passed along to the player on the left. That’s right, you literally give those Resources to your opponent that will be playing next. This small change really increases the need to be aware of what each player’s strategy may be in order to recruit who you need without also helping your rivals. Being able to utilize three different sources of currency in combination to recruit Specialists is also quite nice. Don’t have the right number of tokens? No problem! Check out what your Specialists are providing from their years of experience.

It is really no shock here that I am enamored with Space Explorers. I really didn’t know that I needed a Splendor killer in my collection, but now that I have this I will be holding it tightly and in high regard. Purple Phoenix Games gives this one an out-of-this-world 11 / 12. If you LIKE the aforementioned game that everyone seems to own but don’t LOVE it, then you need to check out Space Explorers. The theme is great, the components are superb, and the gameplay is light and fast. I love it dearly and hope you do too.