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BankofMarquis (1832 KP) rated Solo: A Star Wars Story (2018) in Movies
May 29, 2018
Surprised by how much I enjoyed this film
I have a confession to make - I was surprised by how much I enjoyed SOLO: A STAR WARS STORY.
Going into this film, I felt that this film had a few things going against it:
1). Trying to replace Harrison Ford with another actor in the title role.
2). Bringing in Ron Howard to "rescue" the film.
3). Overcoming Star Wars "fatigue" from the less than enthusiastic response to THE LAST JEDI.
And you know what? It has overcome these things - and more!
Set sometime between Episode 3 and Episode 4 (and before ROGUE ONE), SOLO is, in essence, the origin story of everyone's favorite rascal, but is told in an interesting way - as a heist/caper film.
Credit must be given to writers Lawrence Kasdan (THE EMPIRE STRIKES BACK) and his son Jonathan Kasdan. They have developed a fast paced, twisty, back and forth con-man film disguised as a sci-fi film set long ago in a galaxy far, far away.
Bringing in Howard was a good, competent move, for he moves the plot along sprightly and the special effects-laden chase sequences are tightly paced - if unspectacular - but they help move the action along - and doesn't get in the way. There is no "special effects for special effects-sake" sequences and Howard's workmanlike approach works well. He lets his strong cast strut on the screen with their strong characters which is wise of him for he inherited a film sprinkled with very good talent who looked like they were having fun with their characters.
Start with Woody Harrelson as Solo's mentor. He provides a solid anchor to the proceedings. As does Emilia Clarke as Solo's best friend/love interest. She more than holds her own with Solo and Harrelson - and is as much a "rascal" as the other two.. Also providing a good turn is Paul Bettany as the main villain.
As with most Star Wars films, the "non-human" continue to be interesting. Starting with Lady Proxima (voiced by Linda Hunt), followed by Rio Durant (voiced by Jon Favreau) and the robot L3 (voiced by Phoebe Waller-Bridge), all were interesting characters, rendered well.
And...of course...there is Chewbacca (performed by Joonas Suotamo). I was thrilled to revisit the friendship between "Chewie" and Han. It was really easy to forget that you were watching a person in a Wookie costume. There is a rumor of a Chewbacca movie - and I'm all for it.
Speaking of "friendships" - this film also explores the beginnings of the HAN SOLO/LANDO CALRISSIAN friendships - and Donald Glover almost steals the movie in his portrayal of Lando. He has the swagger, debonair (and slightly feminine) attitude of the character down.
Which leads me to Alden Ehrenreich's performance as Solo. I have mentioned Harrelson...and Clarke...and Glover...and Bettany...and the CG characters...and Chewbacca...and this leaves Ehreneich's portrayal somewhat in the background. Don't get me wrong, he does a GOOD job as Solo, but - I feel - he just lacks the charisma and screen presence of the rest of them, and, of course, of Harrison Ford. He grew on me as the film progressed, but I felt he faded into the background at times - where he should have been up front.
But...this is a quibble...in a film who's energy, pace and characters really worked for me - more than I thought it would.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Going into this film, I felt that this film had a few things going against it:
1). Trying to replace Harrison Ford with another actor in the title role.
2). Bringing in Ron Howard to "rescue" the film.
3). Overcoming Star Wars "fatigue" from the less than enthusiastic response to THE LAST JEDI.
And you know what? It has overcome these things - and more!
Set sometime between Episode 3 and Episode 4 (and before ROGUE ONE), SOLO is, in essence, the origin story of everyone's favorite rascal, but is told in an interesting way - as a heist/caper film.
Credit must be given to writers Lawrence Kasdan (THE EMPIRE STRIKES BACK) and his son Jonathan Kasdan. They have developed a fast paced, twisty, back and forth con-man film disguised as a sci-fi film set long ago in a galaxy far, far away.
Bringing in Howard was a good, competent move, for he moves the plot along sprightly and the special effects-laden chase sequences are tightly paced - if unspectacular - but they help move the action along - and doesn't get in the way. There is no "special effects for special effects-sake" sequences and Howard's workmanlike approach works well. He lets his strong cast strut on the screen with their strong characters which is wise of him for he inherited a film sprinkled with very good talent who looked like they were having fun with their characters.
Start with Woody Harrelson as Solo's mentor. He provides a solid anchor to the proceedings. As does Emilia Clarke as Solo's best friend/love interest. She more than holds her own with Solo and Harrelson - and is as much a "rascal" as the other two.. Also providing a good turn is Paul Bettany as the main villain.
As with most Star Wars films, the "non-human" continue to be interesting. Starting with Lady Proxima (voiced by Linda Hunt), followed by Rio Durant (voiced by Jon Favreau) and the robot L3 (voiced by Phoebe Waller-Bridge), all were interesting characters, rendered well.
And...of course...there is Chewbacca (performed by Joonas Suotamo). I was thrilled to revisit the friendship between "Chewie" and Han. It was really easy to forget that you were watching a person in a Wookie costume. There is a rumor of a Chewbacca movie - and I'm all for it.
Speaking of "friendships" - this film also explores the beginnings of the HAN SOLO/LANDO CALRISSIAN friendships - and Donald Glover almost steals the movie in his portrayal of Lando. He has the swagger, debonair (and slightly feminine) attitude of the character down.
Which leads me to Alden Ehrenreich's performance as Solo. I have mentioned Harrelson...and Clarke...and Glover...and Bettany...and the CG characters...and Chewbacca...and this leaves Ehreneich's portrayal somewhat in the background. Don't get me wrong, he does a GOOD job as Solo, but - I feel - he just lacks the charisma and screen presence of the rest of them, and, of course, of Harrison Ford. He grew on me as the film progressed, but I felt he faded into the background at times - where he should have been up front.
But...this is a quibble...in a film who's energy, pace and characters really worked for me - more than I thought it would.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
BankofMarquis (1832 KP) rated Ant-Man and the Wasp (2018) in Movies
Jul 8, 2018
In a word - fun
By this time, either you are "in" on the Marvel Cinematic Universe or you are "out". If you are "out", there's not a whole lot that I (or any other reviewer) will be able to do to change your mind. Which is too bad, for the Marvel Cinematic Universe is a pretty fun ride. The folks at Marvel "have it down" and I can't remember the last time that I was disappointed by a Marvel movie.
And that goes for the latest installment - ANTMAN AND THE WASP.
Starring Paul Rudd and Evangaline Lilly as the titular characters, ANT-MAN AND THE WASP is the follow-up to 2015's ANT-MAN and (more directly) 2016's CAPTAIN AMERICA: CIVIL WAR. It also answers the question as to why these characters were not involved in the other Marvel movie this summer - AVENGERS: INFINITY WAR, Part 1.
But, like most of the Marvel films, the plot doesn't really matter, it is the characters and the situations they are put in that matter. And, in the case of this film, the word I would use for both is FUN.
Starting with bickering stars Rudd and Lilly. They do the "frenemies with a no-doubter mutual attraction" thing very well. They play off each other smartly, with Lilly's common sense, physicality and "cut the crap" attitude in vast contrast to Rudd's "man-child". Both are winning presences on the screen, with Rudd's natural charm jumping at you in places where (if it didn't) his character would seem like a jerk.
Joining in the fun is Michael Douglas as, basically, the referee for these two. He looks like he's having fun - despite himself - and really comes into his own with his character. Randall Park does a fun turn as a Federal Agent charged with keeping an eye on Rudd's character and Lawrence Fishburne brings "Morpheus-like" gravitas to his role as a fellow scientist.
But...like in the first Ant-Man film...the characters that steal the film are Michael Pena and his two dim-witted assistants, David Dastmalchian and T.I. When any one of these three (but, especially Pena) are on the screen, the maniacal, fun energy of this film rises dramatically. They had me wishing that they would have their own film to themselves. But..maybe I like them so much because they are being fed to us in very small doses.
Unfortunately, Judy Greer and Bobby Canavale (from the first film) and Walton Goggins (new to this film) don't really have enough to do - and when they are given something to do, it pales in comparison to the others - and to the action.
And what terrific action there is! Filmmaker Peyton Reed (he also Directed Ant Man) does a nice job of keeping the action simple (enough) that you always knew what was going on and playing with size (now they're BIG, now they're SMALL, now they're NORMAL size...) was used wisely to always drive the film - and the action - forward.
As with all Marvel films, this one has a place in the larger Marvel Cinematic Universe (a place I won't spoil here), but I was satisfied with how they dealt with this film as a stand alone, "chase" movie, yet still connected to the rest.
A good time was had.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
And that goes for the latest installment - ANTMAN AND THE WASP.
Starring Paul Rudd and Evangaline Lilly as the titular characters, ANT-MAN AND THE WASP is the follow-up to 2015's ANT-MAN and (more directly) 2016's CAPTAIN AMERICA: CIVIL WAR. It also answers the question as to why these characters were not involved in the other Marvel movie this summer - AVENGERS: INFINITY WAR, Part 1.
But, like most of the Marvel films, the plot doesn't really matter, it is the characters and the situations they are put in that matter. And, in the case of this film, the word I would use for both is FUN.
Starting with bickering stars Rudd and Lilly. They do the "frenemies with a no-doubter mutual attraction" thing very well. They play off each other smartly, with Lilly's common sense, physicality and "cut the crap" attitude in vast contrast to Rudd's "man-child". Both are winning presences on the screen, with Rudd's natural charm jumping at you in places where (if it didn't) his character would seem like a jerk.
Joining in the fun is Michael Douglas as, basically, the referee for these two. He looks like he's having fun - despite himself - and really comes into his own with his character. Randall Park does a fun turn as a Federal Agent charged with keeping an eye on Rudd's character and Lawrence Fishburne brings "Morpheus-like" gravitas to his role as a fellow scientist.
But...like in the first Ant-Man film...the characters that steal the film are Michael Pena and his two dim-witted assistants, David Dastmalchian and T.I. When any one of these three (but, especially Pena) are on the screen, the maniacal, fun energy of this film rises dramatically. They had me wishing that they would have their own film to themselves. But..maybe I like them so much because they are being fed to us in very small doses.
Unfortunately, Judy Greer and Bobby Canavale (from the first film) and Walton Goggins (new to this film) don't really have enough to do - and when they are given something to do, it pales in comparison to the others - and to the action.
And what terrific action there is! Filmmaker Peyton Reed (he also Directed Ant Man) does a nice job of keeping the action simple (enough) that you always knew what was going on and playing with size (now they're BIG, now they're SMALL, now they're NORMAL size...) was used wisely to always drive the film - and the action - forward.
As with all Marvel films, this one has a place in the larger Marvel Cinematic Universe (a place I won't spoil here), but I was satisfied with how they dealt with this film as a stand alone, "chase" movie, yet still connected to the rest.
A good time was had.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Darren (1599 KP) rated American Hustle (2013) in Movies
Jun 20, 2019
Story: When you have a con artist film you need to be anticipating some twist in the heroes favour. This has that and you are left to figure out how he will pull it off, what happens between is very familiar with the differences between the hero and the guy he has to complete the job for. What is not familiar is that the hero starts to support the guys he is meant to be conning, mix in a love triangle and you do get something more original. The film never tries to take its self too serious which is what makes it good, but in the end you won’t be left thinking I have to watch this again. (7/10)
Actor Reviews
Christian Bale: Irving the con-man who has to help his partner get off the crimes, keep his wife happy and work with someone he clearly doesn’t like. Good performance from Bale who takes a big step away from many roles he would be more know for. (9/10)
bale
Bradley Cooper: Richie the FBI agent who wants to take as many people down as he could, stepping on whoever tries to stop him. Good cocky performance showing he doesn’t always have to play the good guy. (8/10)
cooper
Amy Adams: Sydney the partner in crime of Irving who gets caught, but will work with her partner to take down enough people to get off the crime, smart, sexy she has to put up with being Irving’s piece on the side due to his marriage commitments. Good performance as always from Adams showing she can fit in any role given to her. (9/10)
adams
Jeremy Renner: Mayor Carmine the man they are all trying to catch, along with all his fellow big names who take money under the table. Good performance from Jeremy showing he can step into less serious roles after a string of action based films. (8/10)
renner
Jennifer Lawrence: Rosalyn, Irving’s estranged wife, they both don’t like each other but stay together for her child, and she is clumsy and never follows instructions, the complete opposite of Irving. Good performance from Jennifer who shows she can fill smaller roles and still steal the scene.(8/10)
jenny
Director Review: David O. Russell – Good direction throughout showing how each character is currently feeling and letting us know how they think about what is going on. (8/10)
Crime: Good con artist themes throughout. (8/10)
Settings: Very good authentic settings for the time period. (9/10)
Suggestion: I think this is only one to try, I feel some people will not enjoy it due to its unoriginal con artist themes but they may enjoy the characters. (Try It)
Best Part: De Niro cameo
Worst Part: It is kind of slow.
Believability: The corruption involved is real, but the characters are all made up. (5/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Nominated for TEN Oscars, but didn’t win any.
Box Office: $251,171,807
Budget: $40 Million
Runtime: 2 Hours 18 Minutes
Tagline: Everyone Hustles To Survive
Overall: Con Artist time machine to the 70s
https://moviesreview101.com/2014/04/28/american-hustle-2013/
Actor Reviews
Christian Bale: Irving the con-man who has to help his partner get off the crimes, keep his wife happy and work with someone he clearly doesn’t like. Good performance from Bale who takes a big step away from many roles he would be more know for. (9/10)
bale
Bradley Cooper: Richie the FBI agent who wants to take as many people down as he could, stepping on whoever tries to stop him. Good cocky performance showing he doesn’t always have to play the good guy. (8/10)
cooper
Amy Adams: Sydney the partner in crime of Irving who gets caught, but will work with her partner to take down enough people to get off the crime, smart, sexy she has to put up with being Irving’s piece on the side due to his marriage commitments. Good performance as always from Adams showing she can fit in any role given to her. (9/10)
adams
Jeremy Renner: Mayor Carmine the man they are all trying to catch, along with all his fellow big names who take money under the table. Good performance from Jeremy showing he can step into less serious roles after a string of action based films. (8/10)
renner
Jennifer Lawrence: Rosalyn, Irving’s estranged wife, they both don’t like each other but stay together for her child, and she is clumsy and never follows instructions, the complete opposite of Irving. Good performance from Jennifer who shows she can fill smaller roles and still steal the scene.(8/10)
jenny
Director Review: David O. Russell – Good direction throughout showing how each character is currently feeling and letting us know how they think about what is going on. (8/10)
Crime: Good con artist themes throughout. (8/10)
Settings: Very good authentic settings for the time period. (9/10)
Suggestion: I think this is only one to try, I feel some people will not enjoy it due to its unoriginal con artist themes but they may enjoy the characters. (Try It)
Best Part: De Niro cameo
Worst Part: It is kind of slow.
Believability: The corruption involved is real, but the characters are all made up. (5/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: Nominated for TEN Oscars, but didn’t win any.
Box Office: $251,171,807
Budget: $40 Million
Runtime: 2 Hours 18 Minutes
Tagline: Everyone Hustles To Survive
Overall: Con Artist time machine to the 70s
https://moviesreview101.com/2014/04/28/american-hustle-2013/
Gareth von Kallenbach (980 KP) rated Wild Hogs (2007) in Movies
Aug 14, 2019
When four middle aged men all face a collection of issues at the same time, some people might think this premise is a setup for an emotional drama that will explore aging from a men’s point of view.
However in the new film Wild Hogs, the topic is skewered with hysterical results thanks to a great cast and some very funny moments.
When dentist Doug (Tim Allen), worries he has lost his edge and can no longer connect with his past glory, he convinces the three members of his local biking club to join him on a cross country trip from Ohio to California.
Along for the ride are Woody (John Travolta), who has learned he is broke and is getting divorced from his supermodel wife, Shy and socially awkward computer programmer Dudley (William H. Macy), and henpecked plumber Bobby (Martin Lawrence), who after taking a year off to work on a project that has not come to fruition, now finds himself facing the same plumbing issues that made him flee in the first place.
None of the men are happy with their place in life and are in need of a spark to lift them from their middle aged funk. The group sets off and soon finds one misfortune after another as well as some very awkward moments with law enforcement, male bonding, and an over eager family they meet along the way.
Despite this, this trip is going well until the group decides to stop for a drink at a local biker bar. Once in the bar, the leader of the Del Fuegos, Jack (Ray Liotta) decides to make life hard for the guys as he cannot stand suburbanites passing themselves off as bikers. He decides to take one of their bikes and not allow the group to venture further West down the highway in front of the bar.
Resigned to their fate, the guys are ready to head back, when Woody decides to fix the situation and sneaks back to recover Dudley’s bike and play a trick on the Del Fuegos. Everything goes according to plan until the bar explodes from the prank, and the guys end up running from the bikers who are bent on revenge.
The only issue is that Woody has not told the other three what he did, and has his friends convinced that he had a conversation with the bikers where they came to an understanding. Undaunted, the guys stop at a local New Mexico town for gas and learn that they must wait until Monday for the gas station to reopen.
Of course, Woody is freaking out as he knows the bikers will be out looking for them, and matters are further compounded when Dudley falls for a local restaurant owner (Marissa Tomei), and is eager to hang around for a few more days.
What follows is a funny set of circumstances as the guys take part in the local community while they wait for gas, which ultimately leads up to a final confrontation with the Del Fuegos.
Wild Hogs, is one of the funnier comedies I have seen in a while. I went in not expecting much, and I must say I was very surprised. The four leads work well with one another, and there are some very funny segments in the film, which I will not spoil for you, but suffice it to say the audience was in hysterics.
It is rare to find a comedy that not only makes you laugh but makes you leave the theater with a smile, and this film delivers.
However in the new film Wild Hogs, the topic is skewered with hysterical results thanks to a great cast and some very funny moments.
When dentist Doug (Tim Allen), worries he has lost his edge and can no longer connect with his past glory, he convinces the three members of his local biking club to join him on a cross country trip from Ohio to California.
Along for the ride are Woody (John Travolta), who has learned he is broke and is getting divorced from his supermodel wife, Shy and socially awkward computer programmer Dudley (William H. Macy), and henpecked plumber Bobby (Martin Lawrence), who after taking a year off to work on a project that has not come to fruition, now finds himself facing the same plumbing issues that made him flee in the first place.
None of the men are happy with their place in life and are in need of a spark to lift them from their middle aged funk. The group sets off and soon finds one misfortune after another as well as some very awkward moments with law enforcement, male bonding, and an over eager family they meet along the way.
Despite this, this trip is going well until the group decides to stop for a drink at a local biker bar. Once in the bar, the leader of the Del Fuegos, Jack (Ray Liotta) decides to make life hard for the guys as he cannot stand suburbanites passing themselves off as bikers. He decides to take one of their bikes and not allow the group to venture further West down the highway in front of the bar.
Resigned to their fate, the guys are ready to head back, when Woody decides to fix the situation and sneaks back to recover Dudley’s bike and play a trick on the Del Fuegos. Everything goes according to plan until the bar explodes from the prank, and the guys end up running from the bikers who are bent on revenge.
The only issue is that Woody has not told the other three what he did, and has his friends convinced that he had a conversation with the bikers where they came to an understanding. Undaunted, the guys stop at a local New Mexico town for gas and learn that they must wait until Monday for the gas station to reopen.
Of course, Woody is freaking out as he knows the bikers will be out looking for them, and matters are further compounded when Dudley falls for a local restaurant owner (Marissa Tomei), and is eager to hang around for a few more days.
What follows is a funny set of circumstances as the guys take part in the local community while they wait for gas, which ultimately leads up to a final confrontation with the Del Fuegos.
Wild Hogs, is one of the funnier comedies I have seen in a while. I went in not expecting much, and I must say I was very surprised. The four leads work well with one another, and there are some very funny segments in the film, which I will not spoil for you, but suffice it to say the audience was in hysterics.
It is rare to find a comedy that not only makes you laugh but makes you leave the theater with a smile, and this film delivers.
Phil Leader (619 KP) rated A Game of Thrones in Books
Nov 13, 2019
I've been reviewing books online for nearly a year now... and in that time I have finished every book I have started and more-or-less enjoyed every book and given positive reviews.
But this book has put an end to that. As a fan of writers such as Joe Abercrombie who cite this series and George R R Martin as a big influence, I thought I should give this a read. After all, with so many plaudits and a hit television show it couldn't be that bad, could it.
Unfortunately it could. I liked the prologue - that was interesting to read and had some good writing and interesting characters in it. The one star is purely for this part of the book. Treat it as a short story and ignore the rest of the weighty tome and you won't go far wrong.
From this point forward nothing works. I can see that Martin was trying to inject a bit of reality and grit into fantasy, though it could be argues it had not exactly been all sunlight, dancing elves and heroes with rippling muscles for several decades so I don't see it as the massive change in direction it has been touted as in some quarters.
What we have is a succession of dreary, uninteresting characters taking part in a series of dull and stilted conversations attempting to create some sort of dramatic tension simply by existing. And then quite often there will be sex, not for any reason other than it seems this is what Martin thinks makes characters interesting. And the sex scenes are really, really awful. They read as if an over-excited 15 year old boy has written them.
The structure - where each chapter is told from the point of view of a different character - probably sounded really good on paper. But the end result is almost impossible to read as there is no continuity between sections that are dealing with the same characters, So for the first half of every chapter the reader is trying to get to grips with the new main character while also working out which kingdom they are in and how they related to the many, many other characters. It's just plain too confusing and exhausting as an actual narrative device.
And the characters themselves... I was expecting Martin to try everything possible to avoid any of the usual tropes, but no. Accepted there are no magicians, elves or pure-hearted swashbuckling heroes. But what is left is just the usual supporting cast - the bastard half brother with a grudge, the scheming dwarf, the wronged heir to the throne... there is absolutely nothing new or inventive in any of the characters.
What this book reminded me of most was the Harry Potter series. Completely derivative, averagely written and heavily marketed fantasy stories eagerly consumed by people who don't actually read fantasy. To those who do read fantasy this is such a poor relation to the other fine works that have been published in the last 30 years it's not even worth considering.
If you have never read this, don't bother. Instead do yourself a favour and pick up something that actually has something to say and contains some truly interesting characters and worlds. Joe Abercrombie or Mark Lawrence, for example.
But this book has put an end to that. As a fan of writers such as Joe Abercrombie who cite this series and George R R Martin as a big influence, I thought I should give this a read. After all, with so many plaudits and a hit television show it couldn't be that bad, could it.
Unfortunately it could. I liked the prologue - that was interesting to read and had some good writing and interesting characters in it. The one star is purely for this part of the book. Treat it as a short story and ignore the rest of the weighty tome and you won't go far wrong.
From this point forward nothing works. I can see that Martin was trying to inject a bit of reality and grit into fantasy, though it could be argues it had not exactly been all sunlight, dancing elves and heroes with rippling muscles for several decades so I don't see it as the massive change in direction it has been touted as in some quarters.
What we have is a succession of dreary, uninteresting characters taking part in a series of dull and stilted conversations attempting to create some sort of dramatic tension simply by existing. And then quite often there will be sex, not for any reason other than it seems this is what Martin thinks makes characters interesting. And the sex scenes are really, really awful. They read as if an over-excited 15 year old boy has written them.
The structure - where each chapter is told from the point of view of a different character - probably sounded really good on paper. But the end result is almost impossible to read as there is no continuity between sections that are dealing with the same characters, So for the first half of every chapter the reader is trying to get to grips with the new main character while also working out which kingdom they are in and how they related to the many, many other characters. It's just plain too confusing and exhausting as an actual narrative device.
And the characters themselves... I was expecting Martin to try everything possible to avoid any of the usual tropes, but no. Accepted there are no magicians, elves or pure-hearted swashbuckling heroes. But what is left is just the usual supporting cast - the bastard half brother with a grudge, the scheming dwarf, the wronged heir to the throne... there is absolutely nothing new or inventive in any of the characters.
What this book reminded me of most was the Harry Potter series. Completely derivative, averagely written and heavily marketed fantasy stories eagerly consumed by people who don't actually read fantasy. To those who do read fantasy this is such a poor relation to the other fine works that have been published in the last 30 years it's not even worth considering.
If you have never read this, don't bother. Instead do yourself a favour and pick up something that actually has something to say and contains some truly interesting characters and worlds. Joe Abercrombie or Mark Lawrence, for example.
Lee (2222 KP) rated Bad Boys for Life (2020) in Movies
Jan 20, 2020
The first Bad Boys movie came out in 1995, with the second arriving in 2003. So, 17 years on and these Miami bad boys are sure to be showing signs of age, following a career of fast cars and extreme action. Thankfully, Bad Boys for Life acknowledges that fact, even if we do get to hear the phrase "we're getting too old for this shit", or variations of, on many occasions throughout. Marcus Burnett (Martin Lawrence) is becoming a grandfather, keen to move on from being a bad boy in order to try and become a "good man" instead. Meanwhile, Mike Lowrey (Will Smith) isn't quite there just yet, continuing to try and live his shallow bad boy life at full throttle, dying his greying goatee beard in denial. When Mike becomes the target for a badass Mexican drug-lord (Kate del Castillo) and her ruthless son, his past comes back to haunt him and both boys have no choice but to get back together in order to take down the bad guys one last time.
OK, full disclaimer - I haven't seen Bad Boys and I haven't seen Bad Boys II. I probably wouldn't have been concerned about seeing this third installment either if I'm honest, but I found myself with a couple of hours to kill in London over the weekend, with Bad Boys for Life being literally the only movie that I hadn't seen which was showing at a convenient time. General opinion online so far seems to be that this is a fairly decent entry into the franchise though, and not necessarily something where you needed to have seen the previous movies in order to enjoy, so I decided to give it a shot. Consequently, there may be things about this movie that fans of the series will be happy to see or that they will be disappointed to see, but which I can't really comment on. I was heading into this like it was a standalone movie.
So, with Burnett trying to adjust to a life of relaxation at home, getting under his wife's feet in the process, it's up to Lowrey to tackle the assassin threat. However, due to him being one of their targets, he's forced to join the AMMO squad as a consultant. AMMO are Miami PD's elite team, utilising technology to track and monitor high-profile criminals, and the majority of the team are all considerably younger than Lowrey too. To them, Lowrey is just the old man that would rather shoot first and ask questions later, and it's not long before a frustrated Lowrey is disobeying orders, taking charge and introducing the team to some of his Bad Boy ways.
As far as buddy cop action movies go, Bad Boys for Life was an absolute blast. I've seen reviewers negatively describe the impact that Michael Bay had on the last Bad Boys movie with his over the top action mayhem style of film making. However, this time around, new co-directors Bilall Fallah and Adil El Arbi are in charge (although Bay does have a small cameo in the movie!) and while the action is still frenetic at times, it's also a lot more coherent too. The pacing in Bad Boys for Life felt spot on and with a good mix of humour, some decent villains and some fast paced inventive action that you can actually follow, it all makes for an enjoyable ride.
OK, full disclaimer - I haven't seen Bad Boys and I haven't seen Bad Boys II. I probably wouldn't have been concerned about seeing this third installment either if I'm honest, but I found myself with a couple of hours to kill in London over the weekend, with Bad Boys for Life being literally the only movie that I hadn't seen which was showing at a convenient time. General opinion online so far seems to be that this is a fairly decent entry into the franchise though, and not necessarily something where you needed to have seen the previous movies in order to enjoy, so I decided to give it a shot. Consequently, there may be things about this movie that fans of the series will be happy to see or that they will be disappointed to see, but which I can't really comment on. I was heading into this like it was a standalone movie.
So, with Burnett trying to adjust to a life of relaxation at home, getting under his wife's feet in the process, it's up to Lowrey to tackle the assassin threat. However, due to him being one of their targets, he's forced to join the AMMO squad as a consultant. AMMO are Miami PD's elite team, utilising technology to track and monitor high-profile criminals, and the majority of the team are all considerably younger than Lowrey too. To them, Lowrey is just the old man that would rather shoot first and ask questions later, and it's not long before a frustrated Lowrey is disobeying orders, taking charge and introducing the team to some of his Bad Boy ways.
As far as buddy cop action movies go, Bad Boys for Life was an absolute blast. I've seen reviewers negatively describe the impact that Michael Bay had on the last Bad Boys movie with his over the top action mayhem style of film making. However, this time around, new co-directors Bilall Fallah and Adil El Arbi are in charge (although Bay does have a small cameo in the movie!) and while the action is still frenetic at times, it's also a lot more coherent too. The pacing in Bad Boys for Life felt spot on and with a good mix of humour, some decent villains and some fast paced inventive action that you can actually follow, it all makes for an enjoyable ride.
Gareth von Kallenbach (980 KP) rated A Walk Among the Tombstones (2014) in Movies
Aug 6, 2019
A Walk Among the Tombstones stars Liam Neeson as former cop, and former alcoholic, Matthew Scudder in this adaptation of the tenth novel in Lawrence Block’s long-running series. Set in 1999, amid the Y2K scare, Scudder operates just outside of the law as an unlicensed private investigator. Approached by a fellow AA member, he is tasked with finding the men responsible for kidnapping and murdering the wife of a local drug trafficker. Along the way, he receives help from homeless teen T.J. (played, with admirable restraint in a role easy to overdo, by newcomer Brian ‘Astro’ Bradley) and discovers that the two men he is investigating have killed before, and will do so again.
This is exactly the type of movie that I find myself drawn to, a brooding, hard-edged film-noir, but what stops me from enjoying it more and rating it higher is that right from the opening frames, Tombstones, unlike last year’s Prisoners, which defied all my expectations, doesn’t strive to do anything more than to satisfy the requirements of its genre and lean heavily on the performance of its lead.
That being said, it is another fantastic performance from Neeson and, still sporting that questionable American accent, he brings real weight to the character of Scudder. Don’t expect to see a tour-de-force the likes of Denzel Washington battling alcoholism in Flight, but it is refreshing to see these types of characters humanized and played straight in roles that have previously been over-the-top and laughably romanticized.
Another highlight is the relationship between Scudder and T.J, something that from the outset seems a cliché and had the potential to detract from the plot, it is however surprisingly well-constructed. One scene in particular between them is a stand-out as we see Scudder’s reaction to finding out that T.J. has been carrying a presumably stolen firearm. I will refrain from ruining the punchline, but it is a rare piece of frank dialogue and is deservedly shocking in its delivery.
Where A Walk Among the Tombstones unfortunately falls short is in its lack of subtlety, through a heavy-handed score and, more importantly, a bloated running time. More times than I would have liked, I found myself asking, “Is this scene necessary, or relevant?” Less would have been so much more, especially in the case of the two antagonists, who are set up as being formidable psychopaths for our anti-hero, they are instantly deflated through a single moment that depicts the normality of what we assume is their morning routine. Though it’s not unheard of that the most violent of criminals lead ordinary lives, the tongue-in-cheek nature of the scene does nothing to intensify the fear and dread we are supposed to feel toward these men.
Fans of Liam Neeson should be pleased, but what we’re given here is a solid first act and dialogue that ranges from good to great, but ultimately a predictable, over-long, paint-by-numbers effort. Sure, it hits all the right notes atmospherically, but I can’t expect that it will be more or less memorable than any of the other recent thriller entries in Neeson’s oeuvre (anyone remember 2011’s Unknown?). Between this and knowing that a third Taken is on the way, I now find myself longing for another great dramatic turn from him along the lines of Five Minutes of Heaven, or Kinsey.
This is exactly the type of movie that I find myself drawn to, a brooding, hard-edged film-noir, but what stops me from enjoying it more and rating it higher is that right from the opening frames, Tombstones, unlike last year’s Prisoners, which defied all my expectations, doesn’t strive to do anything more than to satisfy the requirements of its genre and lean heavily on the performance of its lead.
That being said, it is another fantastic performance from Neeson and, still sporting that questionable American accent, he brings real weight to the character of Scudder. Don’t expect to see a tour-de-force the likes of Denzel Washington battling alcoholism in Flight, but it is refreshing to see these types of characters humanized and played straight in roles that have previously been over-the-top and laughably romanticized.
Another highlight is the relationship between Scudder and T.J, something that from the outset seems a cliché and had the potential to detract from the plot, it is however surprisingly well-constructed. One scene in particular between them is a stand-out as we see Scudder’s reaction to finding out that T.J. has been carrying a presumably stolen firearm. I will refrain from ruining the punchline, but it is a rare piece of frank dialogue and is deservedly shocking in its delivery.
Where A Walk Among the Tombstones unfortunately falls short is in its lack of subtlety, through a heavy-handed score and, more importantly, a bloated running time. More times than I would have liked, I found myself asking, “Is this scene necessary, or relevant?” Less would have been so much more, especially in the case of the two antagonists, who are set up as being formidable psychopaths for our anti-hero, they are instantly deflated through a single moment that depicts the normality of what we assume is their morning routine. Though it’s not unheard of that the most violent of criminals lead ordinary lives, the tongue-in-cheek nature of the scene does nothing to intensify the fear and dread we are supposed to feel toward these men.
Fans of Liam Neeson should be pleased, but what we’re given here is a solid first act and dialogue that ranges from good to great, but ultimately a predictable, over-long, paint-by-numbers effort. Sure, it hits all the right notes atmospherically, but I can’t expect that it will be more or less memorable than any of the other recent thriller entries in Neeson’s oeuvre (anyone remember 2011’s Unknown?). Between this and knowing that a third Taken is on the way, I now find myself longing for another great dramatic turn from him along the lines of Five Minutes of Heaven, or Kinsey.
Gareth von Kallenbach (980 KP) rated Safe (2012) in Movies
Aug 7, 2019
I’ve returned with another movie review for y’all and it should certainly come as no surprise Whatsoever that my review covers the latest edition to Jason Statham’s growing resume of action Movies. After 3 delays for its U.S. release, “SAFE” has finally arrived.
“Safe” is first and foremost an action film as one would expect from Statham
But somehow he always seems to up his game with even better actions scenes which are brilliantly Choreographed.
Some of which will have you laughing at the ineptness of his enemies
Or to the point where you’ll cringe at the very thought of the pain the characters might be going through. But as always, it’s worth it. This time, they’ve even thrown in more of a storyline and a plot twist or two that would peak Tarentino’s interest.
From writer/director by Boaz Yakin and executive producer Kevin Spacey and producer Lawrence Bender (Of Pulp Fiction and Inglorious Bastards fame), Jason Statham stars as Luke Wright. A garbage man turned second-rate cage fighter and former NYPD officer. Upon leaving the NYPD after testifying against corrupt NYPD detectives, Luke drifts from garbage man to Mixed Martial Arts fighter.
In order to support his pregnant wife. Upon winning a fight that he was supposed to lose the bad guys decides to make an example of him by brutally murdering his wife and unborn child. If this was not bad enough, the bad guys then tell Luke that they will murder anyone he comes into contact with as is illustrated when they later kill a homeless man Luke gave his shoes to.
Meanwhile, Mei (Catherine Chan) a young math prodigy, is forced to be a ‘counter’ for a Chinese triad (in essence instead of using computers, the triad forces her to memorize everything from money for drug transactions to police payoffs etc.), in order to keep the triad from killing her mother.
Upon learning of the death of her mother, Mei escapes but with the knowledge of the entire organization retained in her memory the triad hunts her down through the streets of New York City while also trying to avoid the same thugs who terrorize Luke as they have discovered who she is and want to use everything she knows to bring down their competitors.
Luke, mourning the loss of his wife and unborn child nearly commits suicide by jumping in front of a subway when he witness Mei being chased through the subway by the same goons who killed his wife.
After realizing that he is the only one who can protect Mei, Luke begins a brutal rampage through New York City battling all who stand in the way and pose a threat to Mei.
To sum up the movie briefly it is Grand Theft Auto meets “The Transporter” in New York City
minus the sex, drugs, and the modified Audi with the V-12 rocket engine.
There are plenty of shootouts, fight scenes, car chases, in even some intrigue to keep you thinking. A most excellent movie if you’re looking to take a break from the sunny weather and take refuge in a cool air-conditioned movie theater as the film is more than worth spending your hard earned cash on.
“Safe” is first and foremost an action film as one would expect from Statham
But somehow he always seems to up his game with even better actions scenes which are brilliantly Choreographed.
Some of which will have you laughing at the ineptness of his enemies
Or to the point where you’ll cringe at the very thought of the pain the characters might be going through. But as always, it’s worth it. This time, they’ve even thrown in more of a storyline and a plot twist or two that would peak Tarentino’s interest.
From writer/director by Boaz Yakin and executive producer Kevin Spacey and producer Lawrence Bender (Of Pulp Fiction and Inglorious Bastards fame), Jason Statham stars as Luke Wright. A garbage man turned second-rate cage fighter and former NYPD officer. Upon leaving the NYPD after testifying against corrupt NYPD detectives, Luke drifts from garbage man to Mixed Martial Arts fighter.
In order to support his pregnant wife. Upon winning a fight that he was supposed to lose the bad guys decides to make an example of him by brutally murdering his wife and unborn child. If this was not bad enough, the bad guys then tell Luke that they will murder anyone he comes into contact with as is illustrated when they later kill a homeless man Luke gave his shoes to.
Meanwhile, Mei (Catherine Chan) a young math prodigy, is forced to be a ‘counter’ for a Chinese triad (in essence instead of using computers, the triad forces her to memorize everything from money for drug transactions to police payoffs etc.), in order to keep the triad from killing her mother.
Upon learning of the death of her mother, Mei escapes but with the knowledge of the entire organization retained in her memory the triad hunts her down through the streets of New York City while also trying to avoid the same thugs who terrorize Luke as they have discovered who she is and want to use everything she knows to bring down their competitors.
Luke, mourning the loss of his wife and unborn child nearly commits suicide by jumping in front of a subway when he witness Mei being chased through the subway by the same goons who killed his wife.
After realizing that he is the only one who can protect Mei, Luke begins a brutal rampage through New York City battling all who stand in the way and pose a threat to Mei.
To sum up the movie briefly it is Grand Theft Auto meets “The Transporter” in New York City
minus the sex, drugs, and the modified Audi with the V-12 rocket engine.
There are plenty of shootouts, fight scenes, car chases, in even some intrigue to keep you thinking. A most excellent movie if you’re looking to take a break from the sunny weather and take refuge in a cool air-conditioned movie theater as the film is more than worth spending your hard earned cash on.
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