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Horrible Histories: The Movie (2019)
Horrible Histories: The Movie (2019)
2019 | Comedy, Family
As I've never read the books or watched the tv show it's a okay movie not as good as say life of Brian which did it better or even carry on Cleo. Some nice cameos from quite few funny comedians like Alexander Armstrong and Lee mack. Anyway probably won't watch again
  
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David McK (3180 KP) rated Horrible Histories: The Movie (2019) in Movies

Jan 14, 2020 (Updated Apr 7, 2024)  
Horrible Histories: The Movie (2019)
Horrible Histories: The Movie (2019)
2019 | Comedy, Family
Effectively a (roughly) 1.5 hour extended edition of one of the skits from the TV show, this - I feel - suffers a bit from the absence of the core cast from that series, although it does try to make up for it with a virtual plethora of famous faces from British TV: off the top of my head including Alexander Armstrong (from Pointless), Warwick Davis, Derek Jacob, Nick Frost and Lee Mack.

This is set in and around the time of Boudiccea's rebellion against Rome, and is clearly aimed (not surprisingly!) at the younger audience, leaving aside the more gory aspects of the time and introducing (just like the TV show) several song and dance numbers throughout its running - a running time that could have been cut, somewhat, if it wasn't so enamoured of toilet humour!
  
Three... Extremes (2004)
Three... Extremes (2004)
2004 | Horror
Miike's segment is the best - just this viscerally atmospheric showcase in artsy horror from someone who clearly has an intimate knowledge of all the ins-and-outs of the genre (and features a mack daddy score from Koji Endo, who has a career full of them). Chan's is second place - just as brutally gross as everyone else has already mentioned. Wook's is my third favorite (I refuse to call it the worst, since they're all pretty awesome) - a good ole' fashioned exercise in mental torture with expectedly cool camerawork and a deeply weird tone that always keeps you on your toes. The kind of simple, nasty, and twisted histrionics you can always count on - if this were made today in the tired 'elevated horror' age it would either be 81 minutes or 3 hours long and be a monotonous, purposefully unsatisfying, rote, blatantly obvious metaphor for trauma or some similar bullshit. Meanwhile this is the type of film to show you a fetus getting chopped up in the first ten minutes then following it with Lee-Byung Hun being forced to dance in his underwear and a woman making out with her father in a Circus Big Top. Just plain sick and I loved it, speaks for itself.