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Kristy H (1252 KP) rated Black-Eyed Susans in Books
Feb 13, 2018
When she was sixteeen, young Tessa "Tessie" Cartwright was found, hanging on to life, in a field of Black-Eyed Susans. The other girls "dumped" with Tessa did not survive (in fact, some were just bones), and Tessa is doomed to live her life as the surviving "Black-Eyed Susan" in the press. Justifiably, the event haunts her life and her nightmares. Further, she is tormented by the fact that her testimony about what happened helped put the suspect, Terrell, on death row.
Now, a grown woman and mother, Tessa is working with the Terrell's legal team to exonerate him. This includes a forensic scientist (the forensics in the book are detailed and excellent). Her main reason? It seems wherever she lives, a patch of Black-Eyed-Susans follows, forcing her to live in fear, and to wonder if the sentenced killer truly is guilty. But if he isn't, are Tessa and her daughter safe? Why can't she remember what happened nearly 20 years ago? Tessa fears she is going insane, but also can't live with herself if she doesn't try to find out what happened so long ago.
This was a wonderful book; the subject matter is frightening, but the book itself was a captivating page-turner. The mystery is extremely well-plotted and riveting. Even when I was pretty sure I had things figured out, I was rapidly turning pages, still guessing and eagerly awaiting to find out what had happened to Tessa (and the other "Susans," as she calls them) back then. The book flips between present-day Tessa's point of view and to "Tessie," as a younger Tessa was known, talking about events leading up to and right after Terrell's trial. It's a suspenseful plot device that works well here; I was up late turning pages, desperate to know what happened.
Tessa is a well-formed character, even with her angst and anxieties resulting from her horrific past. Her supporting cast - her daughter, Terrell's lead lawyer, the forensic scientist, a quirky neighbor, her best friend from her youth - are all well-done, too. At times, the book is confusing due to Tessa's unreliable narration; she is suffering from memory loss and anxiety, after all, but it only adds to the book's suspense and intrigue. Perhaps the only thing I can find to complain about is that the ending is a bit too pat: it pops up suddenly to resolve things, but there's still a door left open, and it does nothing to diminish how enjoyable the book and the story is. Overall, an excellent thriller and a worthy read.
Now, a grown woman and mother, Tessa is working with the Terrell's legal team to exonerate him. This includes a forensic scientist (the forensics in the book are detailed and excellent). Her main reason? It seems wherever she lives, a patch of Black-Eyed-Susans follows, forcing her to live in fear, and to wonder if the sentenced killer truly is guilty. But if he isn't, are Tessa and her daughter safe? Why can't she remember what happened nearly 20 years ago? Tessa fears she is going insane, but also can't live with herself if she doesn't try to find out what happened so long ago.
This was a wonderful book; the subject matter is frightening, but the book itself was a captivating page-turner. The mystery is extremely well-plotted and riveting. Even when I was pretty sure I had things figured out, I was rapidly turning pages, still guessing and eagerly awaiting to find out what had happened to Tessa (and the other "Susans," as she calls them) back then. The book flips between present-day Tessa's point of view and to "Tessie," as a younger Tessa was known, talking about events leading up to and right after Terrell's trial. It's a suspenseful plot device that works well here; I was up late turning pages, desperate to know what happened.
Tessa is a well-formed character, even with her angst and anxieties resulting from her horrific past. Her supporting cast - her daughter, Terrell's lead lawyer, the forensic scientist, a quirky neighbor, her best friend from her youth - are all well-done, too. At times, the book is confusing due to Tessa's unreliable narration; she is suffering from memory loss and anxiety, after all, but it only adds to the book's suspense and intrigue. Perhaps the only thing I can find to complain about is that the ending is a bit too pat: it pops up suddenly to resolve things, but there's still a door left open, and it does nothing to diminish how enjoyable the book and the story is. Overall, an excellent thriller and a worthy read.
Hazel (1853 KP) rated The Daughter of the Sea and the Sky in Books
Dec 14, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>The Daughter of the Sea and the Sky</i> by David Litwack is set in a world similar to our own, however there have been many wars as a result of religion and the people have separated themselves into believers and non-believers. Helena Brewster and Jason Adams live on the republic where the people rely heavy on reason and reject the supposedly irrational ramblings of the zealots who live on the “Blessed Lands”. One day a nine-year-old girl, Kailani, escapes from the Blessed Land and sails over to the republic where Helena and Jason find her. Kailani is immediately captured and questioned by the authorities that want to send her to a correctional facility to undo the brainwashing of the zealots.
In the meantime, as it is several months until her tribunal, Helena and Jason become Kailani’s legal guardians and take her to live at Glen Eagle Farm away from the main population of the busy towns. Kailani is loved and admired by the inhabitants on the farm, however there are people on the Blessed Land that want her back.
This is certainly an interesting story that explores a range of themes. For Helena there is the grief she is suffering as a result of the recent death of her father, and the feelings she has towards her mother whom she felt abandoned by. Between Jason and Helena there is also a developing romance as the two connect in their determination to protect Kailani. The most important theme, however, is that of the antagonism between the believers and non-believers. Those living on the Blessed Land want to indoctrinate everybody with their ideals about the soul whereas on the republic this is forbidden as they insist on living a life ruled through fact. As the story goes on certain characters begin to understand the need for both realism and religion. One person even suggests, “In our pursuit of reason, we’ve become as unreasonable as the other side.”
Kailani is a lovable character, which makes the novel a joy to read. It is interesting to compare how a child brought up under a strict religion innocently views the world in comparison with adults who have no faith what so ever. Although written for adults it is suitable for young teens to read too who, although may not understand the significance of the two different sides, are sure to love and enjoy reading about Kailani.
<i>The Daughter of the Sea and the Sky</i> by David Litwack is set in a world similar to our own, however there have been many wars as a result of religion and the people have separated themselves into believers and non-believers. Helena Brewster and Jason Adams live on the republic where the people rely heavy on reason and reject the supposedly irrational ramblings of the zealots who live on the “Blessed Lands”. One day a nine-year-old girl, Kailani, escapes from the Blessed Land and sails over to the republic where Helena and Jason find her. Kailani is immediately captured and questioned by the authorities that want to send her to a correctional facility to undo the brainwashing of the zealots.
In the meantime, as it is several months until her tribunal, Helena and Jason become Kailani’s legal guardians and take her to live at Glen Eagle Farm away from the main population of the busy towns. Kailani is loved and admired by the inhabitants on the farm, however there are people on the Blessed Land that want her back.
This is certainly an interesting story that explores a range of themes. For Helena there is the grief she is suffering as a result of the recent death of her father, and the feelings she has towards her mother whom she felt abandoned by. Between Jason and Helena there is also a developing romance as the two connect in their determination to protect Kailani. The most important theme, however, is that of the antagonism between the believers and non-believers. Those living on the Blessed Land want to indoctrinate everybody with their ideals about the soul whereas on the republic this is forbidden as they insist on living a life ruled through fact. As the story goes on certain characters begin to understand the need for both realism and religion. One person even suggests, “In our pursuit of reason, we’ve become as unreasonable as the other side.”
Kailani is a lovable character, which makes the novel a joy to read. It is interesting to compare how a child brought up under a strict religion innocently views the world in comparison with adults who have no faith what so ever. Although written for adults it is suitable for young teens to read too who, although may not understand the significance of the two different sides, are sure to love and enjoy reading about Kailani.
JT (287 KP) rated The Purge (2013) in Movies
Mar 10, 2020
Ethan Hawke has been here once before, and when you look deep into the mechanics of The Purge it almost mirrors the remake of Assault on Precinct 13. Director James DeMonaco who wrote the script for the latter has taken the premise of that film and given it a more personal feel, something which we could resonate with.
The year is 2022, Ethan Hawke plays James Sandin who’s made his wealth by selling security systems that help protect people against the yearly purge. The purge is a twelve hour long free for all in which the government has allowed all crime to be legal, with the intention that people will get it out of their system.
As a result crime has dropped and unemployment is at an all time low so something must be working? Of course not everyone takes part and those who choose not to, stay behind the confines of their locked down house waiting for the mayhem to pass.
This particular night for the Sandin’s runs like any other normal purge. They sit down to eat, discuss their day and then wait for the alarm to sound which begins the carnage. When Sandin’s young son lets in a stranger looking to take shelter from a group of mask wearing savages events take a turn for the worse.
Lead by the smiling Rhys Wakefield who should take credit from his performance and one so disturbing that it could be compared to Michael Pitt in Funny Games. The gang are desperate to get their hands on the stranger the Sandin’s are harbouring and so give them an ultimatum, “send him out or we’re coming in”.
And so a decision must be made, do they turn themselves into the people on the outside who have no remorse when it comes to killing or do they stand and fight? The Purge is confused as it is disjoined and the script is weak leaving the tension to do the talking which is filled with horror cliches left, right and centre.
From tight shots of darkened corridors to things lurking in the shadows out of sight it rarely delivers a unique treat. The cast is not particularly strong, Wakefield aside. Hawke moves through the gears but offers nothing that we haven’t already seen before. Leaving the majority of the dramatic turns to his on screen wife, Lena Headey .
Despite the short run time, the film is practically over before it has started and it even tries to save itself with a twist ending which you could see coming a mile off.
The year is 2022, Ethan Hawke plays James Sandin who’s made his wealth by selling security systems that help protect people against the yearly purge. The purge is a twelve hour long free for all in which the government has allowed all crime to be legal, with the intention that people will get it out of their system.
As a result crime has dropped and unemployment is at an all time low so something must be working? Of course not everyone takes part and those who choose not to, stay behind the confines of their locked down house waiting for the mayhem to pass.
This particular night for the Sandin’s runs like any other normal purge. They sit down to eat, discuss their day and then wait for the alarm to sound which begins the carnage. When Sandin’s young son lets in a stranger looking to take shelter from a group of mask wearing savages events take a turn for the worse.
Lead by the smiling Rhys Wakefield who should take credit from his performance and one so disturbing that it could be compared to Michael Pitt in Funny Games. The gang are desperate to get their hands on the stranger the Sandin’s are harbouring and so give them an ultimatum, “send him out or we’re coming in”.
And so a decision must be made, do they turn themselves into the people on the outside who have no remorse when it comes to killing or do they stand and fight? The Purge is confused as it is disjoined and the script is weak leaving the tension to do the talking which is filled with horror cliches left, right and centre.
From tight shots of darkened corridors to things lurking in the shadows out of sight it rarely delivers a unique treat. The cast is not particularly strong, Wakefield aside. Hawke moves through the gears but offers nothing that we haven’t already seen before. Leaving the majority of the dramatic turns to his on screen wife, Lena Headey .
Despite the short run time, the film is practically over before it has started and it even tries to save itself with a twist ending which you could see coming a mile off.
BookInspector (124 KP) rated Playing Nice in Books
Nov 9, 2020
The protagonists in this story were Pete and Maddie, and the story is told from their perspectives. Pete is unemployed/freelance journalist, who loves being the main carer of his son – Theo. Pete is very sweet and a true people pleaser. Maddie is working in advertising and has difficulty finding her motherly instinct when it comes to Theo. We also have Miles and Lucy, the real Theo’s parents, that are truly strange. The only character I really liked was Pete, he is just so sweet and innocent man. I did not like Maddie, I think she is an absolute hypocrite. However, I have to admit, her input in this book was intriguing. The author is an absolute expert when it comes to creating psychopaths in his novels. Every single book has one, and they are really well developed and delivered. In this book it was Miles. I really have nothing good to say about him at all, except that he is a master of deceit and nastiness.
The plot of this novel started pretty slow. It was a pity to see Pete struggling so much, but when the cruel twists came through, my blood just boiled for all the injustice happening in this book. It was like an avalanche of bad news hitting Pete and Maddie, and all that made me sad, angry and kind of annoyed. The topics discussed in this book were premature babies, mental health issues, infidelity, controlling and psychopathic partners and their behaviour, the legal system in the UK, family courts, challenging of “stay at home dad” stigma, and many more. I really liked how the author released the important information in this novel, some of it was thrown in like a bomb, but other important details were shared slowly throughout the book.
I really like the writing style, it is very well researched, truly personal and a challenging read. The book is set in London, and I really enjoy learning about different boroughs. The chapters are pretty short, and the book is so riveting and emotionally absorbing, that the pages just flew by to me. I really liked the ending of this book, it is very surprising but extremely satisfying, to say the least. 🙂
So, to conclude, I strongly recommend this novel to everyone who loves a good psychological thriller. I would love to see this book made into a film. The characters are all so different, unique and intriguing, and the plot is exceptionally well crafted, filled with so many emotions, that it is really hard to read this book without feeling something (in my case it was anger and pity).
The plot of this novel started pretty slow. It was a pity to see Pete struggling so much, but when the cruel twists came through, my blood just boiled for all the injustice happening in this book. It was like an avalanche of bad news hitting Pete and Maddie, and all that made me sad, angry and kind of annoyed. The topics discussed in this book were premature babies, mental health issues, infidelity, controlling and psychopathic partners and their behaviour, the legal system in the UK, family courts, challenging of “stay at home dad” stigma, and many more. I really liked how the author released the important information in this novel, some of it was thrown in like a bomb, but other important details were shared slowly throughout the book.
I really like the writing style, it is very well researched, truly personal and a challenging read. The book is set in London, and I really enjoy learning about different boroughs. The chapters are pretty short, and the book is so riveting and emotionally absorbing, that the pages just flew by to me. I really liked the ending of this book, it is very surprising but extremely satisfying, to say the least. 🙂
So, to conclude, I strongly recommend this novel to everyone who loves a good psychological thriller. I would love to see this book made into a film. The characters are all so different, unique and intriguing, and the plot is exceptionally well crafted, filled with so many emotions, that it is really hard to read this book without feeling something (in my case it was anger and pity).
Debbiereadsbook (1110 KP) rated When Darkness Turns to Light (Dark River Stone Collective #2) in Books
Jun 18, 2021
I'm not ready for you to leave. . . .me!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 2 in the Dark River Stone Collective series, and I STRONGLY urge you to read book one, The Light Beneath The Dark, before this one. There is much referenced in this book that refers to that book, and not all is fully recapped.
I enjoyed book one, I gave it 4 stars, but THIS book far surpasses that one! A single line broke me.
“I’m not ready for you to leave....me” Sid says to Toad. At this point in the book, this is the closest Sid comes to admitting his feelings out loud and that man, oh that man!
Neither of these guys had a stellar upbringing, they are bad in very different ways. But you don’t get it all in one go, it comes out in snippets and little comments dropped here and there, and putting it all together takes time. During this time, Toad’s past comes back to haunt him and Sid? Well, let face it, Sid was all in from Toad right from the start, he just needed his head to catch up with his heart.
What I loved about these two is the fight they put up! The fight against how they feel, how they think they should act and the fight against that past of Toad’s.
The MC activities are more front and centre here, than in book one. Linc is still trying to bring things around but some things need dealing with in the old manner. Mason helps with some of it, doing things all legal . .ish. . .but some things won’t be sorted that way.
It’s heavy on the emotions, these guys don’t think they deserve to be happy, or loved. It’s heavy on the steam! Oh yes ma’am! Heat wave outside ain’t a touch on these two when they get going! There is violence, but dealing with kidnappers, torture and blackmail is not ever gonna be a picnic in the park, now is it? But I think here, that violence is totally needed to get the point across.
Loved what Toad does at the end! That was so cool!
I’m NOT a rereader, but I am fairly certain at some point I WILL be reading this again. I loved these guys! I know this review is short, but if I go on too much, I’ll start to give it all away, and I don’t want to spoil Toad and Sid for you!
5 stars, but more if I could!
**same worded review will appear elsewhere**
This is book 2 in the Dark River Stone Collective series, and I STRONGLY urge you to read book one, The Light Beneath The Dark, before this one. There is much referenced in this book that refers to that book, and not all is fully recapped.
I enjoyed book one, I gave it 4 stars, but THIS book far surpasses that one! A single line broke me.
“I’m not ready for you to leave....me” Sid says to Toad. At this point in the book, this is the closest Sid comes to admitting his feelings out loud and that man, oh that man!
Neither of these guys had a stellar upbringing, they are bad in very different ways. But you don’t get it all in one go, it comes out in snippets and little comments dropped here and there, and putting it all together takes time. During this time, Toad’s past comes back to haunt him and Sid? Well, let face it, Sid was all in from Toad right from the start, he just needed his head to catch up with his heart.
What I loved about these two is the fight they put up! The fight against how they feel, how they think they should act and the fight against that past of Toad’s.
The MC activities are more front and centre here, than in book one. Linc is still trying to bring things around but some things need dealing with in the old manner. Mason helps with some of it, doing things all legal . .ish. . .but some things won’t be sorted that way.
It’s heavy on the emotions, these guys don’t think they deserve to be happy, or loved. It’s heavy on the steam! Oh yes ma’am! Heat wave outside ain’t a touch on these two when they get going! There is violence, but dealing with kidnappers, torture and blackmail is not ever gonna be a picnic in the park, now is it? But I think here, that violence is totally needed to get the point across.
Loved what Toad does at the end! That was so cool!
I’m NOT a rereader, but I am fairly certain at some point I WILL be reading this again. I loved these guys! I know this review is short, but if I go on too much, I’ll start to give it all away, and I don’t want to spoil Toad and Sid for you!
5 stars, but more if I could!
**same worded review will appear elsewhere**
Melanie Caldicott (6 KP) rated 10 Minutes 38 Seconds in This Strange World in Books
Apr 29, 2021
You can also read my review at my blog - https://roamingthroughbooks.wordpress.com
I saw this book reviewed on The Sky Arts Book Club and Shafak was interviewed and I think I fell a little in love. Shafak is a beautiful human being who is currently self-exiled from Turkey to the content of her novels being subject to investigation as part of a legal movement in which writers are frequently prosecuted. A passionate storyteller, who writes openly about human rights, her protagonists are often the fallen, forgotten and marginalised. Needless to say I have been looking forward to reading this ever since.
10 Minutes 38 Seconds in this Strange World is a novel about a murdered street walker, Tequila Leila and the last moments of brain activity that is said to occur after the heart has stopped beating. The memories of her life flood back, often related to taste and smell and we start to learn about the story of her life.
Central to her memories and providing a backbone to her life were The Five, – five people with which she formed close, integral friendships and in the absence of her blood relatives, are Leila’s “family”.
The book is structured around three parts – the first, The Mind telling the stories of her post-mortem memories, the second, The Body about how she was murdered and the impact it has on The Five, and finally, The Soul which is a touching finale in which The Five determine to give Leila the send-off she deserves.
Shafak is such a clever storyteller and is able to illuminate aspects of humanity which is often avoided or ignored, which make us feel uncomfortable, and yet her tenderness and compassion shine through the portrayal of all her characters enabling the reader to walk a mile in the shoes of those who are often forgotten.
For a book centred around death, an issue that rarely sits comfortably with human beings, 10 Minutes 38 Seconds in this Strange World confronts it without fear. She skilfully takes a sex worker’s body which is disregarded in its anonymity by those that are responsible for sweeping up the detritus of the Istanbul streets, and reveals a story of a life, full of tragedy, joy and love.
I love how Elif Shafak takes the stories of all of The Five and transforms the insignificant to the significant through the love they have for Leila and each other. In a society which elevates the rich and famous and makes their voices the loudest and most significant in the world, I loved the truth which was affirmed in this book about what a life of substance really means.
I saw this book reviewed on The Sky Arts Book Club and Shafak was interviewed and I think I fell a little in love. Shafak is a beautiful human being who is currently self-exiled from Turkey to the content of her novels being subject to investigation as part of a legal movement in which writers are frequently prosecuted. A passionate storyteller, who writes openly about human rights, her protagonists are often the fallen, forgotten and marginalised. Needless to say I have been looking forward to reading this ever since.
10 Minutes 38 Seconds in this Strange World is a novel about a murdered street walker, Tequila Leila and the last moments of brain activity that is said to occur after the heart has stopped beating. The memories of her life flood back, often related to taste and smell and we start to learn about the story of her life.
Central to her memories and providing a backbone to her life were The Five, – five people with which she formed close, integral friendships and in the absence of her blood relatives, are Leila’s “family”.
The book is structured around three parts – the first, The Mind telling the stories of her post-mortem memories, the second, The Body about how she was murdered and the impact it has on The Five, and finally, The Soul which is a touching finale in which The Five determine to give Leila the send-off she deserves.
Shafak is such a clever storyteller and is able to illuminate aspects of humanity which is often avoided or ignored, which make us feel uncomfortable, and yet her tenderness and compassion shine through the portrayal of all her characters enabling the reader to walk a mile in the shoes of those who are often forgotten.
For a book centred around death, an issue that rarely sits comfortably with human beings, 10 Minutes 38 Seconds in this Strange World confronts it without fear. She skilfully takes a sex worker’s body which is disregarded in its anonymity by those that are responsible for sweeping up the detritus of the Istanbul streets, and reveals a story of a life, full of tragedy, joy and love.
I love how Elif Shafak takes the stories of all of The Five and transforms the insignificant to the significant through the love they have for Leila and each other. In a society which elevates the rich and famous and makes their voices the loudest and most significant in the world, I loved the truth which was affirmed in this book about what a life of substance really means.
Eleanor Luhar (47 KP) rated The Girl with the Dragon Tattoo in Books
Jun 24, 2019
I've finally finished it! Whoop whoop!
This is a very different book to what I usually read. It contains a lot of strong language, sexual references, assault and Swedish finance. It also has a lot of investigating, which was my favourite part.
A financial journalist, Mikael Blomkvist, has been accused of libel after submitting a report about a rival company, owned by Hans-Erik Wennerström. The Wennerström Affair is huge - and has earned Blomkvist a three month stay in prison. This was all a bit hard for me to follow, as I don't know much about this subject. But I still managed to get the general gist of it.
A freelance worker at Milton Security is hired to research Mikael Blomkvist. Her name is Lisbeth Salander, and she's only in her twenties. Even so, she's probably the best worker Dragan Armansky has hired.
The client wanting a report on Blomkvist, Herr Frode, works for Henrik Vanger of the massive Vanger Corporation. Pleased with what they hear, they hire the journalist for a private matter - to solve the mystery of a missing girl from the 1960's.
While Blomkvist is researching the suspected crime, Lisbeth Salander is molested and raped by her legal guardian. She should turn him into the police, but that isn't her style. Instead, she gets her revenge.
Blomkvist finds out about the report written on him, and seeks out Salander. Together they begin to crack the case of Harriet Vanger. They are both put at risk when they discover the reason for Harriet's disappearance, and nobody's prepared for what they uncover.
Although the case is solved, the company Blomkvist works for - Millenium - needs revenge against Wennerström. To his surprise, Salander has just what he needs to really make a bang.
Like I said, this is quite an explicit novel - fathers raping their children, guardians attacking vulnerable young women, men sleeping with multiple women. The relationships seem to be ever-changing in this novel, but I suppose that's just realistic. But this is definitely not suitable for the faint-hearted, and there are some really horrific, visual descriptions that really will haunt you.
But if you like investigative or crime novels, I would definitely suggest giving it a go. It's not a quick read by any means, but it's cunning, it's realistic, and it's gripping. What more could you want from a novel of this genre? I really wasn't sure at first, as I just couldn't get into the multiple characters' stories or the whole situation with Mikael Blomkvist, but I did manage to get into the rhythm of it in the end, and really did enjoy it. For these reasons, I'm going to give Larsson's novel 4 stars. I'm seriously hoping I come across the next books in the series now!
This is a very different book to what I usually read. It contains a lot of strong language, sexual references, assault and Swedish finance. It also has a lot of investigating, which was my favourite part.
A financial journalist, Mikael Blomkvist, has been accused of libel after submitting a report about a rival company, owned by Hans-Erik Wennerström. The Wennerström Affair is huge - and has earned Blomkvist a three month stay in prison. This was all a bit hard for me to follow, as I don't know much about this subject. But I still managed to get the general gist of it.
A freelance worker at Milton Security is hired to research Mikael Blomkvist. Her name is Lisbeth Salander, and she's only in her twenties. Even so, she's probably the best worker Dragan Armansky has hired.
The client wanting a report on Blomkvist, Herr Frode, works for Henrik Vanger of the massive Vanger Corporation. Pleased with what they hear, they hire the journalist for a private matter - to solve the mystery of a missing girl from the 1960's.
While Blomkvist is researching the suspected crime, Lisbeth Salander is molested and raped by her legal guardian. She should turn him into the police, but that isn't her style. Instead, she gets her revenge.
Blomkvist finds out about the report written on him, and seeks out Salander. Together they begin to crack the case of Harriet Vanger. They are both put at risk when they discover the reason for Harriet's disappearance, and nobody's prepared for what they uncover.
Although the case is solved, the company Blomkvist works for - Millenium - needs revenge against Wennerström. To his surprise, Salander has just what he needs to really make a bang.
Like I said, this is quite an explicit novel - fathers raping their children, guardians attacking vulnerable young women, men sleeping with multiple women. The relationships seem to be ever-changing in this novel, but I suppose that's just realistic. But this is definitely not suitable for the faint-hearted, and there are some really horrific, visual descriptions that really will haunt you.
But if you like investigative or crime novels, I would definitely suggest giving it a go. It's not a quick read by any means, but it's cunning, it's realistic, and it's gripping. What more could you want from a novel of this genre? I really wasn't sure at first, as I just couldn't get into the multiple characters' stories or the whole situation with Mikael Blomkvist, but I did manage to get into the rhythm of it in the end, and really did enjoy it. For these reasons, I'm going to give Larsson's novel 4 stars. I'm seriously hoping I come across the next books in the series now!
Purple Phoenix Games (2266 KP) rated Food Chain Island in Tabletop Games
Jul 1, 2020
With the current pandemic (not the game) going on in the world, and the necessity for people to distance themselves from each other, game nights everywhere have been put on hold. That doesn’t mean that gaming must stop! Whether you’re a seasoned solo gamer, or new to the solo genre, ButtonShy has done it again with a fantastic new little wallet game in their Simply Solo series – check it out!
You find yourself on a small, isolated island teeming with wildlife – but there is no set hierarchy! It’s a world of ‘eat or be eaten’ and you’ve got to survive. Manipulate the wildlife and organize the food chain in such a way that leaves you on top. Are you able to strategize the best meals, or will the island be left in chaos?
Disclaimer: We were provided a PnP version of Food Chain Island for the purposes of this preview. Please excuse my lack of a color printer, but rest assured that the artwork of the final product is eye-catching, colorful, and easy to read! Check out the Kickstarter (Live now through June 6th) for a look at the finished production copy. -L
Food Chain Island is a solo card game of network building and chaining in which players are trying to end with the fewest remaining cards possible. The game, like its other ButtonShy siblings, contains only 18 cards, divided into Land animals (16 cards) and Water animals (2 cards). All animals have a special power associated with it, and all of the Land animal cards are numbered from 0-15. To setup the game, set the 2 Water animals off to the side (you’ll use those later), shuffle all of the Land animals, and create a 4×4 face-up grid of Land animal cards. Now you can start the game!
Every turn you will move one animal card to ‘eat’ another. Select an animal, and move it one space in one of the four cardinal directions so that it is placed over top of another animal. The card that is now covered up is considered ‘eaten.’ Each animal may only eat certain other animals, however, so this is where the card number comes into play. An animal can only ‘eat’ any animal card that is 1-3 numbers lower than its value. For example, the ‘4’ animal can only eat cards 3, 2, or 1. Simple, right? Not so fast. Each animal also has a special ability on it, and you must activate the ability of that card once it has eaten another animal. This step is mandatory, and can really help or hinder your strategy – so make sure you are thinking about those abilities and not just the card numbers. At any time during the game, you may choose to discard one of the 2 Water animals from the side to perform its special ability in addition to, or instead of, the ability you just triggered. The game ends when you have only 1-3 animals remaining, the number remaining signifying varying degrees of success. If you have 4 or more animals remaining but are unable to make any more legal moves, the game is over and you have lost.
For being a game with such simple rules and gameplay, it is way more strategic than meets the eye. Each card can only eat specific cards, so you’re trying to position them in a way that fulfills those requirements numerically. You also have to be thinking ahead to each card power, because that step is mandatory. You cannot choose to ignore a card ability just because it may be detrimental to you – that’s what keeps your strategy changing at all times! You’re playing a long game here, and must be looking ahead several turns in advance so as to not accidentally strand yourself with no legal moves left. Every move should be thought through and carefully calculated to see if you can truly win the game. Along with that, every game will have a different starting grid which ensures that you won’t play the same game twice. The rules even suggest alternate beginning grid layouts to provide further challenge to players.
The other thing I love about Food Chain Island is that it is so fast to play, and it has a small footprint. If I only had 5 minutes to spare and was dying to play a game, Food Chain Island is what I would pull out. The speed of gameplay doesn’t take away from the engagement and thought needed to be successful, and that keeps me coming back for more. I rarely just play one game at a time – I will play 4-5 in a row because it is so addicting! Although it’s not officially a Tiny Epic game, it is designed by the one and only Scott Almes who hits it out of the park with this one as well. Coupled with the quick play time, the small footprint of the game makes it easy to play at any place or time you want.
With every new wallet game, ButtonShy continues to surprise me with quality gameplay and design using only 18 cards. Food Chain Island is no exception, and is a perfect first installation in their new Simply Solo line of wallet games. I know that this is a game I will be backing to get the final production copy in lieu of my PnP copy. I encourage everyone to check this game out – whether you’ve played solo games or not, this is a great little filler or introductory game to the genre. Visit the Kickstarter before it’s too late!
You find yourself on a small, isolated island teeming with wildlife – but there is no set hierarchy! It’s a world of ‘eat or be eaten’ and you’ve got to survive. Manipulate the wildlife and organize the food chain in such a way that leaves you on top. Are you able to strategize the best meals, or will the island be left in chaos?
Disclaimer: We were provided a PnP version of Food Chain Island for the purposes of this preview. Please excuse my lack of a color printer, but rest assured that the artwork of the final product is eye-catching, colorful, and easy to read! Check out the Kickstarter (Live now through June 6th) for a look at the finished production copy. -L
Food Chain Island is a solo card game of network building and chaining in which players are trying to end with the fewest remaining cards possible. The game, like its other ButtonShy siblings, contains only 18 cards, divided into Land animals (16 cards) and Water animals (2 cards). All animals have a special power associated with it, and all of the Land animal cards are numbered from 0-15. To setup the game, set the 2 Water animals off to the side (you’ll use those later), shuffle all of the Land animals, and create a 4×4 face-up grid of Land animal cards. Now you can start the game!
Every turn you will move one animal card to ‘eat’ another. Select an animal, and move it one space in one of the four cardinal directions so that it is placed over top of another animal. The card that is now covered up is considered ‘eaten.’ Each animal may only eat certain other animals, however, so this is where the card number comes into play. An animal can only ‘eat’ any animal card that is 1-3 numbers lower than its value. For example, the ‘4’ animal can only eat cards 3, 2, or 1. Simple, right? Not so fast. Each animal also has a special ability on it, and you must activate the ability of that card once it has eaten another animal. This step is mandatory, and can really help or hinder your strategy – so make sure you are thinking about those abilities and not just the card numbers. At any time during the game, you may choose to discard one of the 2 Water animals from the side to perform its special ability in addition to, or instead of, the ability you just triggered. The game ends when you have only 1-3 animals remaining, the number remaining signifying varying degrees of success. If you have 4 or more animals remaining but are unable to make any more legal moves, the game is over and you have lost.
For being a game with such simple rules and gameplay, it is way more strategic than meets the eye. Each card can only eat specific cards, so you’re trying to position them in a way that fulfills those requirements numerically. You also have to be thinking ahead to each card power, because that step is mandatory. You cannot choose to ignore a card ability just because it may be detrimental to you – that’s what keeps your strategy changing at all times! You’re playing a long game here, and must be looking ahead several turns in advance so as to not accidentally strand yourself with no legal moves left. Every move should be thought through and carefully calculated to see if you can truly win the game. Along with that, every game will have a different starting grid which ensures that you won’t play the same game twice. The rules even suggest alternate beginning grid layouts to provide further challenge to players.
The other thing I love about Food Chain Island is that it is so fast to play, and it has a small footprint. If I only had 5 minutes to spare and was dying to play a game, Food Chain Island is what I would pull out. The speed of gameplay doesn’t take away from the engagement and thought needed to be successful, and that keeps me coming back for more. I rarely just play one game at a time – I will play 4-5 in a row because it is so addicting! Although it’s not officially a Tiny Epic game, it is designed by the one and only Scott Almes who hits it out of the park with this one as well. Coupled with the quick play time, the small footprint of the game makes it easy to play at any place or time you want.
With every new wallet game, ButtonShy continues to surprise me with quality gameplay and design using only 18 cards. Food Chain Island is no exception, and is a perfect first installation in their new Simply Solo line of wallet games. I know that this is a game I will be backing to get the final production copy in lieu of my PnP copy. I encourage everyone to check this game out – whether you’ve played solo games or not, this is a great little filler or introductory game to the genre. Visit the Kickstarter before it’s too late!
Bob Mann (459 KP) rated Marriage Story (2019) in Movies
Sep 28, 2021
One Mann’s Movies Review of “Marriage Story” – a “Kramer vs Kramer lite” in my book, albeit with some great acting performances.
K vs K Lite.
For me, mention the phrase “divorce movie” and there’s only one film that comes to mind – the Oscar-laden classic from 1979 starring an immaculate Dustin Hoffman and Meryl Streep. THAT toy plane; THOSE stiches! (Gulp). This is the yardstick by which I judge such movies… and to be honest, “Marriage Story” didn’t measure up.
The story.
We start the movie seeing the apparently idyllic married life of theatre impresario Charlie (Adam Driver) and his lead actress and muse Nicole (Scarlett Johansson), together bringing up their young child. But spin forwards and the pair are in the middle of an ‘amicable’ separation, with Nicole returning to her home roots in California and Charlie having an expensive commute to and from New York where he’s struggling to premiere his show on Broadway.
But despite an agreement to keep lawyers out of the equation, Nicole is persuaded to lawyer up with Nora Fanshaw (Laura Dern) tightening up the legal screws until Charlie’s life risks being torn apart. It’s time for him to fight back.
Well regarded by the Academy.
As for “Kramer vs Kramer”, this is a movie that has been garlanded with multiple Oscar nominations. Both Driver and Johansson are nominated in the lead acting roles and Laura Dern seems to be favourite for the Best Supporting Actress gong (after winning the Golden Globe and the BAFTA). Three more Oscar nominations come for the score (by Randy Newman); the original screenplay (by director Noah Baumbach); and a Best Film nomination.
Both leads deliver really emotional performances, with Johansson in particular being very believable in the role. But who knew she was so short?! She always strikes me as a statuesque beauty, but she’s only 5′ 3” and it’s particularly noticeable in a scene filmed at Warner Brothers Studios.
It’s also fabulous to see both the great Alan Alda (here showing signs of his Parkinson’s) and Ray Liotta on screen again, as both low-rent and top-dollar lawyers respectively.
But WHY exactly are they divorcing?
I found the whole set up of the movie as frustrating. There seemed no clear understanding of why the separation is happening. True there is an affair involved (and Mrs Movie Man and I have always lived our nearly 40 years of marriage with the understanding that a “one strike” rule applies). But notwithstanding that, it seems to be more of a ‘drifting apart’ that’s gone on. I just wanted to give them a good shaking and get them to work it out!
This is all obviously unfair – because (and I also know this from experience) that in many marriages ‘shit happens’: some people do just want to do different things; feel suffocated; etc. And – thinking about it – I’m not sure there was any real reason given for Meryl Streep‘s departure in K vs K: which was part of the reason for Dustin Hoffman‘s character’s frustration.
Who do you sympathise with?
This is a movie where the audience is bound to take a side. But for me, there was only one side to take and that was Charlie’s. The actions of Nicole seem reprehensible and unforgivable, and when there are lines to be crossed she seems to have little hesitation in crossing them.
Many people seem to rave about this movie, but…
…I found the pace to be inconsistent. At one point, the story just stops for a soulful rendition by Charlie of a song in a bar, and I frankly just got bored with it. And while there’s a steady build up of the legal case involved, suddenly we seem to skip to a resolution without any real rationale for it. Or did I fall asleep??
A further irritation for me was Julie Hagerty as Nicole’s mum Sandra. She does the kooky mum turn that she did perfectly well in last year’s funny “Instant Family“, but its a role that really didn’t seem to fit in this movie. There’s an element of slapstick comedy in these scenes that just didn’t suit the general tone of the movie.
Overall, I just don’t share the love for this movie. Given the choice, I’d much rather watch Kramer vs Kramer again.
And what was that punchline?
By the way, Alan Alda is a fantastic comedian, and really knows how to deliver a joke. In this movie he’s regaling Charlie with a long-winded story (on the clock) when Charlie interrupts him. How did it end…. Alda revealed the full joke after a press screening at the New York Film Festival… and it’s a corker!
This woman’s at her hairdresser’s, and she says, “I’m going to Rome on holiday.”
He says, “Oh really, what airline are you taking?”
She says, “Alitalia.”
He says, “Alitalia, are you crazy? That’s terrible, don’t take that.”
He says, “Where are you gonna stay?”
She says, “I’m gonna stay at The Hassler.”
“The Hassler! What, are you kidding? They’re renovating the Hassler. You’ll hear hammering all night long. You won’t sleep! What are you gonna see?”
She says, “I think I’m going to try to go to the Vatican.” “The Vatican? You’ll be standing in line all day long—”
(Charlie interrupts at this point, but the joke goes on)
So she goes to Rome. She comes back, and the hairdresser says, “How was it?”
She says, “It was a great trip, it was wonderful.”
“How was the Vatican?”
“Wonderful! We happened to meet the Pope.”
“You met the Pope?”
“Yeah, and he spoke to me.”
“What did he say to you?”
“He said, ‘Where’d you get that f***ing haircut?’”
LOL!
For me, mention the phrase “divorce movie” and there’s only one film that comes to mind – the Oscar-laden classic from 1979 starring an immaculate Dustin Hoffman and Meryl Streep. THAT toy plane; THOSE stiches! (Gulp). This is the yardstick by which I judge such movies… and to be honest, “Marriage Story” didn’t measure up.
The story.
We start the movie seeing the apparently idyllic married life of theatre impresario Charlie (Adam Driver) and his lead actress and muse Nicole (Scarlett Johansson), together bringing up their young child. But spin forwards and the pair are in the middle of an ‘amicable’ separation, with Nicole returning to her home roots in California and Charlie having an expensive commute to and from New York where he’s struggling to premiere his show on Broadway.
But despite an agreement to keep lawyers out of the equation, Nicole is persuaded to lawyer up with Nora Fanshaw (Laura Dern) tightening up the legal screws until Charlie’s life risks being torn apart. It’s time for him to fight back.
Well regarded by the Academy.
As for “Kramer vs Kramer”, this is a movie that has been garlanded with multiple Oscar nominations. Both Driver and Johansson are nominated in the lead acting roles and Laura Dern seems to be favourite for the Best Supporting Actress gong (after winning the Golden Globe and the BAFTA). Three more Oscar nominations come for the score (by Randy Newman); the original screenplay (by director Noah Baumbach); and a Best Film nomination.
Both leads deliver really emotional performances, with Johansson in particular being very believable in the role. But who knew she was so short?! She always strikes me as a statuesque beauty, but she’s only 5′ 3” and it’s particularly noticeable in a scene filmed at Warner Brothers Studios.
It’s also fabulous to see both the great Alan Alda (here showing signs of his Parkinson’s) and Ray Liotta on screen again, as both low-rent and top-dollar lawyers respectively.
But WHY exactly are they divorcing?
I found the whole set up of the movie as frustrating. There seemed no clear understanding of why the separation is happening. True there is an affair involved (and Mrs Movie Man and I have always lived our nearly 40 years of marriage with the understanding that a “one strike” rule applies). But notwithstanding that, it seems to be more of a ‘drifting apart’ that’s gone on. I just wanted to give them a good shaking and get them to work it out!
This is all obviously unfair – because (and I also know this from experience) that in many marriages ‘shit happens’: some people do just want to do different things; feel suffocated; etc. And – thinking about it – I’m not sure there was any real reason given for Meryl Streep‘s departure in K vs K: which was part of the reason for Dustin Hoffman‘s character’s frustration.
Who do you sympathise with?
This is a movie where the audience is bound to take a side. But for me, there was only one side to take and that was Charlie’s. The actions of Nicole seem reprehensible and unforgivable, and when there are lines to be crossed she seems to have little hesitation in crossing them.
Many people seem to rave about this movie, but…
…I found the pace to be inconsistent. At one point, the story just stops for a soulful rendition by Charlie of a song in a bar, and I frankly just got bored with it. And while there’s a steady build up of the legal case involved, suddenly we seem to skip to a resolution without any real rationale for it. Or did I fall asleep??
A further irritation for me was Julie Hagerty as Nicole’s mum Sandra. She does the kooky mum turn that she did perfectly well in last year’s funny “Instant Family“, but its a role that really didn’t seem to fit in this movie. There’s an element of slapstick comedy in these scenes that just didn’t suit the general tone of the movie.
Overall, I just don’t share the love for this movie. Given the choice, I’d much rather watch Kramer vs Kramer again.
And what was that punchline?
By the way, Alan Alda is a fantastic comedian, and really knows how to deliver a joke. In this movie he’s regaling Charlie with a long-winded story (on the clock) when Charlie interrupts him. How did it end…. Alda revealed the full joke after a press screening at the New York Film Festival… and it’s a corker!
This woman’s at her hairdresser’s, and she says, “I’m going to Rome on holiday.”
He says, “Oh really, what airline are you taking?”
She says, “Alitalia.”
He says, “Alitalia, are you crazy? That’s terrible, don’t take that.”
He says, “Where are you gonna stay?”
She says, “I’m gonna stay at The Hassler.”
“The Hassler! What, are you kidding? They’re renovating the Hassler. You’ll hear hammering all night long. You won’t sleep! What are you gonna see?”
She says, “I think I’m going to try to go to the Vatican.” “The Vatican? You’ll be standing in line all day long—”
(Charlie interrupts at this point, but the joke goes on)
So she goes to Rome. She comes back, and the hairdresser says, “How was it?”
She says, “It was a great trip, it was wonderful.”
“How was the Vatican?”
“Wonderful! We happened to meet the Pope.”
“You met the Pope?”
“Yeah, and he spoke to me.”
“What did he say to you?”
“He said, ‘Where’d you get that f***ing haircut?’”
LOL!
Lee (2222 KP) rated The Incredibles 2 (2018) in Movies
Jul 16, 2018 (Updated Jul 17, 2018)
Worthy sequel, although a bit patchy in places
Contains spoilers, click to show
It's hard to believe that the original Incredibles movie is now 14 years old. It was, and still is, a fun, original and highly enjoyable superhero movie that was always deserving of a sequel. I re-watched it recently with my daughter who had never seen it, and despite it's age, and the fact that we've now had a decade of non-stop Marvel superhero movies since it was made, it still holds up 'incredibly' well.
The sequel picks up right where the original finished off, with The Incredibles battling supervillain The Underminer. It's the first of many impressive battle sequence, and does a good job of reminding us of the skills and abilities of each individual family member, not to mention how well they all work together as a team. The advances in animation quality over the last 14 years are obvious, while still managing to retain the unique look and feel of the original.
Unfortunately, the Parr's attempts to save the city don't quite go to plan, leading once again to their helpfulness being questioned by the US Government. They find themselves in a motel, contemplating their futures, until they are approached by Winston Deavor (Bob Odenkirk). He claims that the public have only seen the negative side of superheroes that is portrayed by the government, and wants to provide microscopic cameras embedded within the superhero costumes so that they can capture what they see. By showing the hero's side of the story, Winston plans to generate enough good publicity to start winning over the general public once again and hopefully reverse the law that makes superheroes illegal. Elastigirl is chosen to kick things off, largely due to the minimal government damage she's likely to cause in comparison to her husband! As a result, Mr Incredible is left at home to care for the kids, while Elastigirl is out having fun and saving the world.
The domestic comedy with Mr Incredible stuck at home is just brilliant. Not only does he have to try and get to grips with 'New Math' homework for son Dash, but also with daughter Violet and her boyfriend trouble. Not to mention the discovery that baby Jack-Jack has a set of impressive and highly unpredictable superpowers of his own. Meanwhile, the plan involving Elastigirl is working so well, that plans to make superheroes legal again get underway. But then mysterious new villain Screenslaver begins causing hypnotic chaos around town, and the family must band together once again in order to save the day.
Aside from the impressive action, and the hilarious scenes involving Jack-Jack, the rest of the movie in comparison does feel a little flat in places. In my opinion it falls slightly short of matching the original, although still a highly enjoyable and worthy sequel.
The sequel picks up right where the original finished off, with The Incredibles battling supervillain The Underminer. It's the first of many impressive battle sequence, and does a good job of reminding us of the skills and abilities of each individual family member, not to mention how well they all work together as a team. The advances in animation quality over the last 14 years are obvious, while still managing to retain the unique look and feel of the original.
Unfortunately, the Parr's attempts to save the city don't quite go to plan, leading once again to their helpfulness being questioned by the US Government. They find themselves in a motel, contemplating their futures, until they are approached by Winston Deavor (Bob Odenkirk). He claims that the public have only seen the negative side of superheroes that is portrayed by the government, and wants to provide microscopic cameras embedded within the superhero costumes so that they can capture what they see. By showing the hero's side of the story, Winston plans to generate enough good publicity to start winning over the general public once again and hopefully reverse the law that makes superheroes illegal. Elastigirl is chosen to kick things off, largely due to the minimal government damage she's likely to cause in comparison to her husband! As a result, Mr Incredible is left at home to care for the kids, while Elastigirl is out having fun and saving the world.
The domestic comedy with Mr Incredible stuck at home is just brilliant. Not only does he have to try and get to grips with 'New Math' homework for son Dash, but also with daughter Violet and her boyfriend trouble. Not to mention the discovery that baby Jack-Jack has a set of impressive and highly unpredictable superpowers of his own. Meanwhile, the plan involving Elastigirl is working so well, that plans to make superheroes legal again get underway. But then mysterious new villain Screenslaver begins causing hypnotic chaos around town, and the family must band together once again in order to save the day.
Aside from the impressive action, and the hilarious scenes involving Jack-Jack, the rest of the movie in comparison does feel a little flat in places. In my opinion it falls slightly short of matching the original, although still a highly enjoyable and worthy sequel.