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Awix (3310 KP) rated Survivors in TV

Mar 9, 2018  
Survivors
Survivors
2008 | Drama, Sci-Fi
6
7.3 (23 Ratings)
TV Show Rating
21st century remake of the cult post-apocalyptic drama is supposedly based on the novelisation of the 70s show, not the show itself, but one gets the impression this claim is just there as a legal requirement: in the early episodes, at least, this is recognisably the same story.

That said, New Survivors is notably more suburban and less concerned with the realities of post-apocalyptic survival than with making grand statements about family and love through the medium of slightly soapy and soft-centred drama. It's a BBC genre drama from the late 2000s, so the characters are more diverse, everything is rather sentimental, and supplies of subtlety do not appear to have made it through the catastrophe. Still, it's kind of watchable, especially if you can put the original show out of your mind, and in the second series in particular one can discern an interesting subtext suggesting the programme is partly motivated by anger aimed at the culprits of the financial disaster of 2008. Second series concludes on a cliffhanger of sorts, so you can have fun making up your own ending for the story.
  
Just Mercy (2019)
Just Mercy (2019)
2019 | Drama
Fact-based courtroom drama. Idealistic young lawyer Bryan Stevenson (Jordan), fresh out of Harvard, heads down to Alabama and sets up an agency to provide legal support to people with no other recourse. He comes across the case of convicted murderer Walter McMillian (Foxx), which strikes him as deeply compromised. But can he overcome a prejudiced system and win his client justice?

I was all set to be very glib and cynical about what looks like - from the trailer at least - another box-ticking exercise in liberal angst about the Plight of Black America, calculated to have a presence during awards season. Well, to some extent this is that kind of a movie, but it is also a genuinely involving, powerful and moving drama - it's the kind of film that gets past your defences and forces you to care, thanks to basic film-making virtues, a compelling story, and strong performances. Anyone doubting that Michael B Jordan is now a significant leading man should check out his performance here: he brings strength, dignity, and nobility, as you would expect, but there is also a willingness to show naivety and vulnerability. Obviously this is part of a tradition of films about racism in America that includes To Kill a Mockingbird and In the Heat of the Night, but by focusing mainly on the legal plotline and saving its political points until near the end, it makes them all the more impactful when they land. Jordan gets stuck with a bit too much speechifying as the film goes on, and a couple of the supporting performances are arguably overcooked, but otherwise this is an extremely accomplished film.