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Charlie Cobra Reviews (1840 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Jul 7, 2020
A Fairly Tale In Hollywood But Lacks Finesse And Excitement
Once Upon A Time In Hollywood is a 2019 dramedy (drama/comedy) movie written and directed by Quentin Tarantino and producers David Heyman and Shannon Mcintosh. It was produced by Columbia Pictures, Bona Film Group, Heyday Films, and Visiona Romantica and distributed by Sony Pictures Releasing. The movie stars Leonardo DiCaprio, Brad, Margot Robbie, Emile Hirsch and Al Pacino.
In 1969 Los Angeles, actor Rick Dalton (Leonardo DiCaprio) and his best friend and stunt double Cliff Booth (Brad Pitt) navigate their way through an ever changing industry they hardly recognize anymore. Rick laments to Cliff that his career is over, having been the star of Bounty Law a 1950s Western television series and having trouble landing acting jobs as the lead in films. Dalton dreams of befriending actress Sharon Tate (Margot Robbie) and her husband, director Roman Polanski (Rafal Zawierucha), who are now his neighbors, in order to resurrect his career. Booth, who lives in a trailer with his pitbull, Brandy, relies on Dalton for work because of rumors he killed his wife, and drives Dalton around town and does other odd jobs for him.
This movie was definitely not what I expected from Quentin Tarantino. It was very slow building, and honestly boring in a lot of ways. I kept waiting for something to happen, but half way through the movie, still nothing really did. The acting however was outstanding. Leonardo DiCaprio was excellent as Rick Dalton and Brad Pitt was a charmer, I think this movie was awesome in its portrayal of Hollywood from that time and was almost like a fairy tale about Hollywood in a way. The ending of the movie really didn't fit with the rest of the film and was controversial, but to me it didn't fit because it hyper violent like most of Tarantino's other films. To me the ending kind of saved the movie but I see how to others it didn't go with it. I usually really like Tarantino's films but I didn't particularly like this one altogether. It kind of was a collection of good scenes and acting but didn't deliver on an actual story that was good or compelling enough for me personally. But then again I didn't like Inglorious Bastards that much, and thought The Hateful 8 could have been better too. But I loved Django Unchained, and the Kill Bill films and pretty much all his other films. So I would give this movie a 6/10, it's above average in a lot of ways but just fell through for me equally in a lot of ways that can't justify a higher rating from me. Maybe it was overrated or over-hyped, or maybe I just had too high of expectations.
In 1969 Los Angeles, actor Rick Dalton (Leonardo DiCaprio) and his best friend and stunt double Cliff Booth (Brad Pitt) navigate their way through an ever changing industry they hardly recognize anymore. Rick laments to Cliff that his career is over, having been the star of Bounty Law a 1950s Western television series and having trouble landing acting jobs as the lead in films. Dalton dreams of befriending actress Sharon Tate (Margot Robbie) and her husband, director Roman Polanski (Rafal Zawierucha), who are now his neighbors, in order to resurrect his career. Booth, who lives in a trailer with his pitbull, Brandy, relies on Dalton for work because of rumors he killed his wife, and drives Dalton around town and does other odd jobs for him.
This movie was definitely not what I expected from Quentin Tarantino. It was very slow building, and honestly boring in a lot of ways. I kept waiting for something to happen, but half way through the movie, still nothing really did. The acting however was outstanding. Leonardo DiCaprio was excellent as Rick Dalton and Brad Pitt was a charmer, I think this movie was awesome in its portrayal of Hollywood from that time and was almost like a fairy tale about Hollywood in a way. The ending of the movie really didn't fit with the rest of the film and was controversial, but to me it didn't fit because it hyper violent like most of Tarantino's other films. To me the ending kind of saved the movie but I see how to others it didn't go with it. I usually really like Tarantino's films but I didn't particularly like this one altogether. It kind of was a collection of good scenes and acting but didn't deliver on an actual story that was good or compelling enough for me personally. But then again I didn't like Inglorious Bastards that much, and thought The Hateful 8 could have been better too. But I loved Django Unchained, and the Kill Bill films and pretty much all his other films. So I would give this movie a 6/10, it's above average in a lot of ways but just fell through for me equally in a lot of ways that can't justify a higher rating from me. Maybe it was overrated or over-hyped, or maybe I just had too high of expectations.
Romance Film: Passion Strategies in Film and Life
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Romance Film is a critical history of significant romance films from Hollywood and abroad. Kagan...
Bubba Gee (147 KP) rated The Wolf of Wall Street (2013) in Movies
Jun 29, 2019
Best ballsy film ever
This is just madness yet based on a true story.
Jordan Belfort (played by Leonardo DiCaprio) goes from being an honest to God working man to the scammer of all scammers working a pump and dump stock trading system using his impressive hard selling skills.
Donnie Azoff (played by Jonah Hill) is his best friend and ally in this scam, you get the sense that Donnie is really just there for comic relief with a couple of scenes standing out.
This film is an enjoyable raucous mix of sex drugs and rock and roll within a financial office setting.
There are several other notable members of cast in this including Jordans long suffering wife Naomi (played by Margot Robbie) and smaller parts from Jon Bernthal, Matthew McConaughey, Rob Reiner and Ethan Suplee.
Well worth a watch and excellently done by Martin Scorsese as always.
Jordan Belfort (played by Leonardo DiCaprio) goes from being an honest to God working man to the scammer of all scammers working a pump and dump stock trading system using his impressive hard selling skills.
Donnie Azoff (played by Jonah Hill) is his best friend and ally in this scam, you get the sense that Donnie is really just there for comic relief with a couple of scenes standing out.
This film is an enjoyable raucous mix of sex drugs and rock and roll within a financial office setting.
There are several other notable members of cast in this including Jordans long suffering wife Naomi (played by Margot Robbie) and smaller parts from Jon Bernthal, Matthew McConaughey, Rob Reiner and Ethan Suplee.
Well worth a watch and excellently done by Martin Scorsese as always.
The Marinated Meeple (1848 KP) rated The Departed (2006) in Movies
Apr 2, 2018
Leonardo Dicaprio (4 more)
Matt Damon
Jack Nicholson
The direction is superb
Dialog is gritty and great.
A great 2 sided coin spinning on the edge of a 3rd story window...
This shouldn't be the first oscar Scorsese wins, but tragedies happen every day I guess... That said this is deserving of the honor, more so than most oscar winners. The Cat and Rat runaround is interesting to watch unfold. plus lines like "I'm the guy who does his job, you must be the other guy." make this a great watch.
A little bit of trivia:Martin Scorsese did not realize this was a remake of a Hong Kong movie until after he had agreed to direct it. It's the only remake of a foreign film to win an Academy Award for Best Picture. Martin Scorsese said that he was surprised the film had won, because the film is such a tough, nasty, and violent film, he never thought about the idea of awards while he was filming it.
Here's some great alternate movie posters to enjoy as well.
A little bit of trivia:Martin Scorsese did not realize this was a remake of a Hong Kong movie until after he had agreed to direct it. It's the only remake of a foreign film to win an Academy Award for Best Picture. Martin Scorsese said that he was surprised the film had won, because the film is such a tough, nasty, and violent film, he never thought about the idea of awards while he was filming it.
Here's some great alternate movie posters to enjoy as well.
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Filmmaker Steven Spielberg and his colleagues discuss the classic movies that made him famous,...
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Gareth von Kallenbach (971 KP) rated J. Edgar (2011) in Movies
Aug 7, 2019
When I first heard about this movie, it intrigued me. When I heard that it starred Leonardo Dicaprio and was directed by Clint Eastwood, I was hooked. And I must say, that with a few small exceptions, the film definitely lived up to expectations for me.
J. Edgar is the story of Hooverās rise to āpowerā, as told by J. Edgar Hoover. The movie takes place during three different time periods: when Hoover was just a budding employee of the Department of Justice and his involvement in the creation of the Bureau of Investigation; flash forward to Kennedyās time in the office of the President of the United States of America, and finally during Nixonās short-lived administration.
Throughout the film we see the influence that Hoover had in the government at the time. Of course, at the beginning of his career, he had very little. But through lies, deceit and manipulation he quickly became very influential. He began building his āpersonal filesā very early on, which he used to blackmail and coerce government officials into many things, but most of all to keep his position as head of the FBI.
Throughout the film we see J. Edgar Hooverās struggle with his controlling mother, his sexuality and his political opponents. His mother, Annie Hoover, played by Dame Judi Dench, saw Hoover as the savior of their family name. It had been disgraced in her eyes by his mentally ill father. She was his guiding voice in all areas of his life, including appearance, stature and his sexuality.
We see Hoover make advances towards Helen Gandy, played by Naomi Watts, who is a typist who becomes his personal assistant his entire life. Hooverās demeanor around her is awkward at best, and she makes it very clear that she is focusing on her career. Shortly after the creation of the Bureau of Investigations he meets Clyde Tolson, played by Armie Hammer of The Social Network fame. It quickly becomes obvious that there is chemistry between these two.
The film takes us all the way to Hooverās death and the many things he has accomplished, or perhaps did not accomplish, in between. Remember that I said that this a story of J. Edgar Hoover as told by the man himself. This plays into the film in a very great way. Overall, this is definitely a must-see film as it is a great drama sprinkled with spots of humor. I can see a trio of Oscar nominations with this film for Clint Eastwood in directing, and for Leonardo Dicaprio and Armie Hammer in acting.
J. Edgar is the story of Hooverās rise to āpowerā, as told by J. Edgar Hoover. The movie takes place during three different time periods: when Hoover was just a budding employee of the Department of Justice and his involvement in the creation of the Bureau of Investigation; flash forward to Kennedyās time in the office of the President of the United States of America, and finally during Nixonās short-lived administration.
Throughout the film we see the influence that Hoover had in the government at the time. Of course, at the beginning of his career, he had very little. But through lies, deceit and manipulation he quickly became very influential. He began building his āpersonal filesā very early on, which he used to blackmail and coerce government officials into many things, but most of all to keep his position as head of the FBI.
Throughout the film we see J. Edgar Hooverās struggle with his controlling mother, his sexuality and his political opponents. His mother, Annie Hoover, played by Dame Judi Dench, saw Hoover as the savior of their family name. It had been disgraced in her eyes by his mentally ill father. She was his guiding voice in all areas of his life, including appearance, stature and his sexuality.
We see Hoover make advances towards Helen Gandy, played by Naomi Watts, who is a typist who becomes his personal assistant his entire life. Hooverās demeanor around her is awkward at best, and she makes it very clear that she is focusing on her career. Shortly after the creation of the Bureau of Investigations he meets Clyde Tolson, played by Armie Hammer of The Social Network fame. It quickly becomes obvious that there is chemistry between these two.
The film takes us all the way to Hooverās death and the many things he has accomplished, or perhaps did not accomplish, in between. Remember that I said that this a story of J. Edgar Hoover as told by the man himself. This plays into the film in a very great way. Overall, this is definitely a must-see film as it is a great drama sprinkled with spots of humor. I can see a trio of Oscar nominations with this film for Clint Eastwood in directing, and for Leonardo Dicaprio and Armie Hammer in acting.
Nicole Kidman: Anatomy of an Actor
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A comprehensive study of Nicole Kidman's work through the lens of ten of her most iconic roles...
LeftSideCut (3778 KP) rated Once Upon a Time in Hollywood (2019) in Movies
Aug 28, 2019 (Updated Oct 25, 2019)
Another fantastic entry into Tarantino's legacy
If there's one thing that springs to mind after watching Once Upon a Time in Hollywood, is that's it's not particularly user friendly, it's not easily consumed.
It's a loooong film (perhaps a little too long), and I feel that even some proper Tarantino fans may struggle to get along with it.
The film feels like a full on love letter to Hollywood during the late 60s, and Tarantino's passion for this period is obvious.
The audience are spoiled with gorgeous shots throughout, set to a backdrop of great music (as per usual).
The cast are fantastic - I've mentioned before on here that I'm an unashamed Brad Pitt fanboy, and nothing here changes that. Leonardo DiCaprio is also great (just as he was in Django Unchained) as the two of them stick by each other as Rick Dalton's (DiCaprio) acting career starts to waver.
Living just up the road from Rick are Roman Polanski and Sharon Tate (played by a hugely charming Margot Robbie).
As the film progresses, I found myself wondering what story was trying to be told, but it does all tie up in a very Tarantino way. It's pretty glorious (no spoilers here).
The plot certainly benefits from the viewer having prior knowledge to the horrific Manson family/Tate murder.
The final 20 minutes is where things ramp up, after a very slow burning 2 hours... and after Tarantino's last 3 movies, which I found more action heavy than some of his early work, it's a different approach, and a reason why I think some people may struggle with it.
The pacing is, weirdly, most akin to Death Proof - an extremely dialogue heavy movie with a crazy final act.
But the huge amount of dialogue we're subjected to is pretty much perfect. It's a real treat if you have the patience.
Once Upon a Time... can proudly stand shoulder to shoulder with the rest of Tarantino's portfolio.
It's a loooong film (perhaps a little too long), and I feel that even some proper Tarantino fans may struggle to get along with it.
The film feels like a full on love letter to Hollywood during the late 60s, and Tarantino's passion for this period is obvious.
The audience are spoiled with gorgeous shots throughout, set to a backdrop of great music (as per usual).
The cast are fantastic - I've mentioned before on here that I'm an unashamed Brad Pitt fanboy, and nothing here changes that. Leonardo DiCaprio is also great (just as he was in Django Unchained) as the two of them stick by each other as Rick Dalton's (DiCaprio) acting career starts to waver.
Living just up the road from Rick are Roman Polanski and Sharon Tate (played by a hugely charming Margot Robbie).
As the film progresses, I found myself wondering what story was trying to be told, but it does all tie up in a very Tarantino way. It's pretty glorious (no spoilers here).
The plot certainly benefits from the viewer having prior knowledge to the horrific Manson family/Tate murder.
The final 20 minutes is where things ramp up, after a very slow burning 2 hours... and after Tarantino's last 3 movies, which I found more action heavy than some of his early work, it's a different approach, and a reason why I think some people may struggle with it.
The pacing is, weirdly, most akin to Death Proof - an extremely dialogue heavy movie with a crazy final act.
But the huge amount of dialogue we're subjected to is pretty much perfect. It's a real treat if you have the patience.
Once Upon a Time... can proudly stand shoulder to shoulder with the rest of Tarantino's portfolio.
Gareth von Kallenbach (971 KP) rated Inception (2010) in Movies
Aug 8, 2019
Inception is a stunningly good movie. Written and rewritten over the course of the last 10 years, this has been Christopher Nolanās pet project since before he worked on either of the Batman movies. Finally getting the support to afford a big-budget movie of his own creation, he does not disappoint, as Inception is by far one of the best films of the last several years.
The plot is the strongest feature of Inception. In a way, it mirrors the labyrinthine twists of the subconscious, but Nolan is adept at keeping all his proverbial ducks in a row. Luckily, the plot isnāt exactly the same as dreaming, because that would make an insane, disjointed experience. The only negative I could find regarding the flow of the plot was during the first 15 minutes. Nolan doesnāt hold back on twisting your brain, and expects you to figure out when heās showing reality and when heās showing you a dream. The plot generally follows the heist genre, but because many elements take place during dream sequences, you never really know whatās going to come next until the film finally ends.
The cast does an excellent job, with much of the interaction spinning around the hub that is Leonardo DiCaprio. Nolan has said that the emotional life of this character is the āguiding thread of the storyā and DiCaprio gives a great performance as the dream security expert who is haunted by his own dreams. The supporting cast, that includes Joseph Gordon-Levitt, Ellen Page, Marion Cotillard, Michael Caine and Cillian Murphy, truly has no weak points; they round out the story well, and in some cases provide some needed comic relief in heavier moments.
Inception is a surprise blockbuster. For a heist movie with tinges of sci-fi, itās a thinker of a movie that will reward extra viewings with extra insight into the motivations of the characters. The action isnāt overly heavy, the special effects work for the story and not the other way around, and it has one of the most clever plots Iāve seen in a very long time. Do not miss this movie.
The plot is the strongest feature of Inception. In a way, it mirrors the labyrinthine twists of the subconscious, but Nolan is adept at keeping all his proverbial ducks in a row. Luckily, the plot isnāt exactly the same as dreaming, because that would make an insane, disjointed experience. The only negative I could find regarding the flow of the plot was during the first 15 minutes. Nolan doesnāt hold back on twisting your brain, and expects you to figure out when heās showing reality and when heās showing you a dream. The plot generally follows the heist genre, but because many elements take place during dream sequences, you never really know whatās going to come next until the film finally ends.
The cast does an excellent job, with much of the interaction spinning around the hub that is Leonardo DiCaprio. Nolan has said that the emotional life of this character is the āguiding thread of the storyā and DiCaprio gives a great performance as the dream security expert who is haunted by his own dreams. The supporting cast, that includes Joseph Gordon-Levitt, Ellen Page, Marion Cotillard, Michael Caine and Cillian Murphy, truly has no weak points; they round out the story well, and in some cases provide some needed comic relief in heavier moments.
Inception is a surprise blockbuster. For a heist movie with tinges of sci-fi, itās a thinker of a movie that will reward extra viewings with extra insight into the motivations of the characters. The action isnāt overly heavy, the special effects work for the story and not the other way around, and it has one of the most clever plots Iāve seen in a very long time. Do not miss this movie.
Movie Metropolis (309 KP) rated The Revenant (2015) in Movies
Jun 11, 2019
Typical Oscar Fodder
There are two types of film critic when it comes to the Academy Awards. Those who enjoy the glamour that the Oscars bring every spring and those who despise what the awards mean for film. Iām in the latter camp, I find them out of touch with what movie-watching audiences enjoy and feel an overhaul is necessary to reflect that.
Thatās not to say the Oscars reward bad films of course. Not at all. I do feel however that they, on the whole, reward technical brilliance, rather than the deeper aspects of movie-making and forget to include mass-market crowd-pleasers for fear of cheapening the ceremony.
The film everyone is talking about this year is The Revenant. With an incredible 12 nominations, itās the one to watch in 2016. But is it actually any good?
With Birdman director Alejandro G. IƱƔrritu at the helm, it promises more of the exceptional performances and technical perfection he brought to that film, and thatās exactly what you get.
Leonardo DiCaprio, nominated for yet another Academy Award, stars as Hugh Glass, a hunter left for dead by his supposed comrades after a vicious bear attack leaves him gravely injured. He is supported by man-of-the-moment Tom Hardy, nominated for a Best Supporting Actor award, and British rising star Will Poulter (The Maze Runner).
DiCaprioās Glass is a commanding presence throughout The Revenant as he tracks down those who betrayed him. With little English dialogue, itās impressive that he is able to convey such emotion, but he does so perfectly. Heās certainly worthy of his Oscar nod, but whether or not he will be fifth time lucky remains to be seen.
Elsewhere, the cinematography that IƱƔrritu uses is nothing short of breath-taking. Beautiful lingering shots of snow-capped mountains, icy waterfalls and baron forests all make for a documentary-level of awe and itās here where the film succeeds the most.
Unfortunately, the rest of The Revenant falls a little flat. The story is incredibly pedestrian considering the filmās 156 minute running time and whilst the cast are all excellent, the material is a little staid ranging from the ordinary, to the bizarre. One scene in particular had me remembering The Empire Strikes Back of all films.
The intriguing plot that IƱƔrritu brought to Birdman is nowhere to be seen here and as the film reaches its mightily predictable conclusion, it runs out of steam. Thereās only so much landscape, however beautiful, that you can throw at an audience.
Overall, The Revenant is a technical masterpiece, flanked by impressive performances from Leonardo DiCaprio and Will Poulter in particular, but the story just isnāt there. It may have a dozen award nominations to its name, but in this case, itās nothing more than style over substance.
https://moviemetropolis.net/2016/01/17/typical-oscar-fodder-the-revenant-review/
Thatās not to say the Oscars reward bad films of course. Not at all. I do feel however that they, on the whole, reward technical brilliance, rather than the deeper aspects of movie-making and forget to include mass-market crowd-pleasers for fear of cheapening the ceremony.
The film everyone is talking about this year is The Revenant. With an incredible 12 nominations, itās the one to watch in 2016. But is it actually any good?
With Birdman director Alejandro G. IƱƔrritu at the helm, it promises more of the exceptional performances and technical perfection he brought to that film, and thatās exactly what you get.
Leonardo DiCaprio, nominated for yet another Academy Award, stars as Hugh Glass, a hunter left for dead by his supposed comrades after a vicious bear attack leaves him gravely injured. He is supported by man-of-the-moment Tom Hardy, nominated for a Best Supporting Actor award, and British rising star Will Poulter (The Maze Runner).
DiCaprioās Glass is a commanding presence throughout The Revenant as he tracks down those who betrayed him. With little English dialogue, itās impressive that he is able to convey such emotion, but he does so perfectly. Heās certainly worthy of his Oscar nod, but whether or not he will be fifth time lucky remains to be seen.
Elsewhere, the cinematography that IƱƔrritu uses is nothing short of breath-taking. Beautiful lingering shots of snow-capped mountains, icy waterfalls and baron forests all make for a documentary-level of awe and itās here where the film succeeds the most.
Unfortunately, the rest of The Revenant falls a little flat. The story is incredibly pedestrian considering the filmās 156 minute running time and whilst the cast are all excellent, the material is a little staid ranging from the ordinary, to the bizarre. One scene in particular had me remembering The Empire Strikes Back of all films.
The intriguing plot that IƱƔrritu brought to Birdman is nowhere to be seen here and as the film reaches its mightily predictable conclusion, it runs out of steam. Thereās only so much landscape, however beautiful, that you can throw at an audience.
Overall, The Revenant is a technical masterpiece, flanked by impressive performances from Leonardo DiCaprio and Will Poulter in particular, but the story just isnāt there. It may have a dozen award nominations to its name, but in this case, itās nothing more than style over substance.
https://moviemetropolis.net/2016/01/17/typical-oscar-fodder-the-revenant-review/