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I am going to struggle reviewing this book, it's so different from things that I have read before.
I was emailed by Calista and asked if I would read and review this book...obviously I said yes. The blurb had me intrigued and that cover is just absolutely stunning.
I have the most random of dreams,I actually love dreaming and enjoy relaying them back to friends so this book spoke to me, plus there is the main topic of course which is asexuality which I have never read about before and knew little about.
Asexual; a person who is not interested in or does not desire sexual activity, either within or outside of a relationship. asexuality is not the same as celibacy, which is the willful decision to not act on sexual feelings. asexuals, while not physically sexual-type folks, are none the less quite capable of loving, affectionate, romantic ties to others.
I think the topic was interesting to read and is indeed needed as not written in a lot of YA novels, asexuality had me confused when I was reading this I felt there should be sexual tension, for a heterosexual it would have been there, but these girls were happy just holding hands and cuddling. It feels to me like asexuality is just like loving your best friend. You could definitely tell that Victoria loved Ashlinn but in a very different way.
This book was very character driven rather than plot and I found it to be somewhat slow, even though it's only 180 pages long it still took me over a week to read this. As for the blurb it basically sums up the whole book, it doesn't really leave anything out. Victoria's father died and her brother is left in a coma after a car crash, I wish it had delved into this more and an explanation behind it and maybe victoria's life before the accident. The writing in this book was beautiful, however I think some of the wording that was used was a little to old-fashioned for a YA book.
I found the characters to be a bit bland, Victoria is struggling to find her true identity, she thinks she might be a lesbian but hates the thought of intimacy. She is also working hard to get into college to become a ballerina. Then she meets Ashlinn and starts to be obsessed with this beautiful woman in her dreams, it is a bit insta - lovey tbh .I didn't feel any connection with Victoria and couldn't really relate to her.
We also have a character called Samira who is the creator of nightmares and would have enjoyed to learn more about her as she seemed a very interesting character
The character I related to most was Ellie. She is Victoria's only real friend and a raving heterosexual. She speaks her mind and is trying to grasp an idea of her friends sexuality by asking personal questions, She too is confused at the start like myself but comes to realise what it means to be asexual.
This is definitely a book that people should read for an introduction into asexuality as it is portrayed really well and gives you a better understanding.
I rated this 2 out of 5 stars
I was emailed by Calista and asked if I would read and review this book...obviously I said yes. The blurb had me intrigued and that cover is just absolutely stunning.
I have the most random of dreams,I actually love dreaming and enjoy relaying them back to friends so this book spoke to me, plus there is the main topic of course which is asexuality which I have never read about before and knew little about.
Asexual; a person who is not interested in or does not desire sexual activity, either within or outside of a relationship. asexuality is not the same as celibacy, which is the willful decision to not act on sexual feelings. asexuals, while not physically sexual-type folks, are none the less quite capable of loving, affectionate, romantic ties to others.
I think the topic was interesting to read and is indeed needed as not written in a lot of YA novels, asexuality had me confused when I was reading this I felt there should be sexual tension, for a heterosexual it would have been there, but these girls were happy just holding hands and cuddling. It feels to me like asexuality is just like loving your best friend. You could definitely tell that Victoria loved Ashlinn but in a very different way.
This book was very character driven rather than plot and I found it to be somewhat slow, even though it's only 180 pages long it still took me over a week to read this. As for the blurb it basically sums up the whole book, it doesn't really leave anything out. Victoria's father died and her brother is left in a coma after a car crash, I wish it had delved into this more and an explanation behind it and maybe victoria's life before the accident. The writing in this book was beautiful, however I think some of the wording that was used was a little to old-fashioned for a YA book.
I found the characters to be a bit bland, Victoria is struggling to find her true identity, she thinks she might be a lesbian but hates the thought of intimacy. She is also working hard to get into college to become a ballerina. Then she meets Ashlinn and starts to be obsessed with this beautiful woman in her dreams, it is a bit insta - lovey tbh .I didn't feel any connection with Victoria and couldn't really relate to her.
We also have a character called Samira who is the creator of nightmares and would have enjoyed to learn more about her as she seemed a very interesting character
The character I related to most was Ellie. She is Victoria's only real friend and a raving heterosexual. She speaks her mind and is trying to grasp an idea of her friends sexuality by asking personal questions, She too is confused at the start like myself but comes to realise what it means to be asexual.
This is definitely a book that people should read for an introduction into asexuality as it is portrayed really well and gives you a better understanding.
I rated this 2 out of 5 stars
Ivana A. | Diary of Difference (1171 KP) rated Princess in Practice (Rosewood Chronicles #2) in Books
Oct 2, 2020
From Connie Glynn comes the second book of the Rosewood Chronicles - Princess in Practice, and it is the adventure of a lifetime that we all have been waiting for. If you thought Undercover Princess was amazing - you will definitely love its sequel.
''Nothing in life is to be feared; it is only to be understood. Now is the time to understand more, so that we may fear less.''
The story continues where it left off, with Ellie, Lottie and Jamie settling after the adventurous ending and getting ready for their second year in Rosewood. With the new school year starting, their enemies are on the rise again, plotting their new actions, and Lottie and Jamie are more than ready to protect their princess.
But as always, things are not as easy as they seem, and they never suspect that danger will be so close to them, now more than ever.
I loved that Lottie has her moment with her old best friend, when she visits the hometown, and tells him all about the princess world. It was soothing to know that she still cares about him, and always will, despite their lives being very different now.
Throughout the book, we don't see any romantic scenes, but we do have a lot of subtle talks about them. I really loved the romance between Anastacia and Saskia. Maybe not the romance itself actually, because to be honest, as much as I love the author, she doesn't have a skill set for writing romance. What I did love, was the dedication of the couple to stay together and what Saskia would do and sacrifice, just for the person she loves.
I was very upset with the author trying so hard to make Lottie and Ellie a couple. Yes, we know lesbian relationships are against the rules in the kingdom and Ellie's father would be furious to find out. But Lottie had such a nice slow-burn romance going with Jamie, getting to know him and all. They even reminded me of Dimitri and Rose from Vampire Academy. They have a thing, and the author ruined it with trying to convince me Lottie likes girls. Well, I am not convinced. I already have my favourite girl couple, and it's not Lottie and Ellie.
Princess in Practice was a better-written book than Undercover Princess in my opinion.
If I had to choose though, I would still prefer the first book, because of the whole set up. The friendship stories were better and even the villains were better in the previous book.
The villains we had in this book were plain, without a character, and I simply did not care about any of them. Even that last chapter, with the mysterious leader that stands behind everything, all I could feel was - MEH!
When it comes to the friendship, and the wider team that helps these three main characters, we didn't really get to know them much more than we did from the previous book. My favourite was and will stay Raphael, who always makes me laugh.
''What? Why don't I get to be a plus-one?'' Raphael maned, putting.
''Because, Raphael,'' Anastacia mocked, ''you're not a trained bodyguards, nor are you a princess.''
To conclude, I loved reading Princess in Practice. It had a nice overall story and it was very easy to read. I will definitely be waiting for the third book to come out and will be desperate to read it! A great book during the summer period for sure. If you love princesses - that is :)
''Nothing in life is to be feared; it is only to be understood. Now is the time to understand more, so that we may fear less.''
The story continues where it left off, with Ellie, Lottie and Jamie settling after the adventurous ending and getting ready for their second year in Rosewood. With the new school year starting, their enemies are on the rise again, plotting their new actions, and Lottie and Jamie are more than ready to protect their princess.
But as always, things are not as easy as they seem, and they never suspect that danger will be so close to them, now more than ever.
I loved that Lottie has her moment with her old best friend, when she visits the hometown, and tells him all about the princess world. It was soothing to know that she still cares about him, and always will, despite their lives being very different now.
Throughout the book, we don't see any romantic scenes, but we do have a lot of subtle talks about them. I really loved the romance between Anastacia and Saskia. Maybe not the romance itself actually, because to be honest, as much as I love the author, she doesn't have a skill set for writing romance. What I did love, was the dedication of the couple to stay together and what Saskia would do and sacrifice, just for the person she loves.
I was very upset with the author trying so hard to make Lottie and Ellie a couple. Yes, we know lesbian relationships are against the rules in the kingdom and Ellie's father would be furious to find out. But Lottie had such a nice slow-burn romance going with Jamie, getting to know him and all. They even reminded me of Dimitri and Rose from Vampire Academy. They have a thing, and the author ruined it with trying to convince me Lottie likes girls. Well, I am not convinced. I already have my favourite girl couple, and it's not Lottie and Ellie.
Princess in Practice was a better-written book than Undercover Princess in my opinion.
If I had to choose though, I would still prefer the first book, because of the whole set up. The friendship stories were better and even the villains were better in the previous book.
The villains we had in this book were plain, without a character, and I simply did not care about any of them. Even that last chapter, with the mysterious leader that stands behind everything, all I could feel was - MEH!
When it comes to the friendship, and the wider team that helps these three main characters, we didn't really get to know them much more than we did from the previous book. My favourite was and will stay Raphael, who always makes me laugh.
''What? Why don't I get to be a plus-one?'' Raphael maned, putting.
''Because, Raphael,'' Anastacia mocked, ''you're not a trained bodyguards, nor are you a princess.''
To conclude, I loved reading Princess in Practice. It had a nice overall story and it was very easy to read. I will definitely be waiting for the third book to come out and will be desperate to read it! A great book during the summer period for sure. If you love princesses - that is :)
Kristy H (1252 KP) rated Before I Let Go in Books
Jan 5, 2018
Easy to read (1 more)
Honest portrayal of mental illness
Lacks full character development (1 more)
Difficult to discern full point
Quick read that falls a little short
When Corey gets the call that her best friend, Kyra, has passed away--falling under the ice in their frigid hometown of Lost Creek, Alaska--she is devastated. Corey has been gone from Lost, as it's known, away at boarding school, corresponding with Kyra only via letters. She was due to visit in a few days and now her best friend is gone. Lost always shunned Kyra because she was bipolar and had maniac episodes. The small, insulated town couldn't understand Kyra's highs and lows. She stood out too much in a place where being different was wrong. But the seven months that Corey's been away has been long enough for the town of Lost to turn on her and now deem her an outsider. Since Corey's departure, Lost has suddenly embraced Kyra, though Corey isn't sure why. Even worse, they are calling Kyra's death meant to be, her time. They've rallied around in her death and they want nothing to do with Corey. Kyra always said she would wait for Corey to return: why didn't she?
I definitely have some mixed feelings about this one. It's billed as a YA mystery, and I can see its drama appealing more to teens, perhaps, but I could never really fully tell what the book was truly about or what it was trying to be. It has weird unexplained mystical elements thrown in--think Carol Goodman or Jennifer McMahon, but they aren't fully fleshed out or well-explained. I believe the intent is to slowly build up suspense and creep you out, but they don't slowly build up (they sort of start out full force and stay there, or almost trickle away... it's hard to explain) and they never really seem to have a purpose. So it's just one element of the book that leaves you hanging. The ending, too, leaves you with little closure.
The novel is told mainly from Corey's perspective, but we also get weird snippets told as if in a play format (like we're hearing from the town), but those aren't fully formed either. It's very strange. I liked Corey, but she comes in angry at her town and we don't get a lot of explanation into her character or real background into her friendship with Kyra, despite being assured that they were best friends up until Corey left.
It's sad, because I was really drawn to the character of Kyra (you get flashbacks to the girls' friendship and life before Kyra's death). I thought the book did a fairly good job of portraying mental illness and honestly Kyra--despite her death--seemed to be the most fully formed character in many ways. She implores Corey not to fix her, that she's not a puzzle to solve, and she discusses her manic spells in a very mature and very thoughtful way. It's one of the reasons that I'm keeping a three-star rating for this one; I'm hoping the portrayal of her illness can help and inform others.
There are also a variety of relationships portrayed in the novel--albeit, I thought, rather superficially--lesbian, pansexual, asexual, gay, etc. I wouldn't say any relationship is at all fully delved into, but I appreciate that Nijkamp at least wanted to try to be representative with her characters.
The other thing is that Nijkamp's books are just so darn easy to read. I remember that about This Is Where It Ends, too. I read almost this entire novel in one setting. Her writing draws you in so easily, even if you don't always agree with what you're reading, or if you wish for more character development. You could pick this up and fly through it in a day.
In the end, this certainly wasn't what I expected. The strange mystical elements seemed out of place and they, along with most of the characters, weren't really fleshed out. I was a fan of how easy the story was to read and the mental illness portrayal, though, as well as how easy the story was to read. I was drawn to the character of Kyra and wished I could have learned even more about her. The story was compelling and Nijkamp did an excellent job making you feel the cold of the Alaskan setting and the similar coldness of the townspeople. At the same time, while I could certainly see a small town being incredibly close-minded (and they were), some of the other plot points seemed a little overboard. A quick read, especially for teens.
I definitely have some mixed feelings about this one. It's billed as a YA mystery, and I can see its drama appealing more to teens, perhaps, but I could never really fully tell what the book was truly about or what it was trying to be. It has weird unexplained mystical elements thrown in--think Carol Goodman or Jennifer McMahon, but they aren't fully fleshed out or well-explained. I believe the intent is to slowly build up suspense and creep you out, but they don't slowly build up (they sort of start out full force and stay there, or almost trickle away... it's hard to explain) and they never really seem to have a purpose. So it's just one element of the book that leaves you hanging. The ending, too, leaves you with little closure.
The novel is told mainly from Corey's perspective, but we also get weird snippets told as if in a play format (like we're hearing from the town), but those aren't fully formed either. It's very strange. I liked Corey, but she comes in angry at her town and we don't get a lot of explanation into her character or real background into her friendship with Kyra, despite being assured that they were best friends up until Corey left.
It's sad, because I was really drawn to the character of Kyra (you get flashbacks to the girls' friendship and life before Kyra's death). I thought the book did a fairly good job of portraying mental illness and honestly Kyra--despite her death--seemed to be the most fully formed character in many ways. She implores Corey not to fix her, that she's not a puzzle to solve, and she discusses her manic spells in a very mature and very thoughtful way. It's one of the reasons that I'm keeping a three-star rating for this one; I'm hoping the portrayal of her illness can help and inform others.
There are also a variety of relationships portrayed in the novel--albeit, I thought, rather superficially--lesbian, pansexual, asexual, gay, etc. I wouldn't say any relationship is at all fully delved into, but I appreciate that Nijkamp at least wanted to try to be representative with her characters.
The other thing is that Nijkamp's books are just so darn easy to read. I remember that about This Is Where It Ends, too. I read almost this entire novel in one setting. Her writing draws you in so easily, even if you don't always agree with what you're reading, or if you wish for more character development. You could pick this up and fly through it in a day.
In the end, this certainly wasn't what I expected. The strange mystical elements seemed out of place and they, along with most of the characters, weren't really fleshed out. I was a fan of how easy the story was to read and the mental illness portrayal, though, as well as how easy the story was to read. I was drawn to the character of Kyra and wished I could have learned even more about her. The story was compelling and Nijkamp did an excellent job making you feel the cold of the Alaskan setting and the similar coldness of the townspeople. At the same time, while I could certainly see a small town being incredibly close-minded (and they were), some of the other plot points seemed a little overboard. A quick read, especially for teens.
Bob Mann (459 KP) rated The New Mutants (2020) in Movies
Sep 9, 2020
Character-driven storyline rather than wham-bam Marvel action (1 more)
Illyana Rasputin - great character
"Glass" - Half Full.
So, I've heard a lot of bad word-of-mouth about this X-Men flick, but otherwise knew very little about it. As such, I went in with low expectations. And although there is nothing remotely novel about the movie, I didn't think it was too bad at all.
The plot: So, my review title suggests that the plot is very closely aligned to M Night Shymalan's "Glass" - his "Split" sequel from last year. A Victorian-style hospital-cum-prison similarly forms the claustrophobic setting for the majority of the movie. This is where the troubled teen Dani Moonstar (Blu Hunt) is taken after being suddenly orphaned in dramatic and mysterious circumstances. The only doctor present, Dr Reyes (Alice Braga), says she is being held there for her own - and society's safety - while her puberty-driven mutant tendencies emerge.
Locked away with her is Rahne (Maisie Williams), Charlie (Sam Guthrie), 'hot' Brazilian hunk Roberto (Henry Zaga) and the gloriously named Illyana Rasputin (Anya-Taylor Joy). Danni's arrival sparks a serious of escalating events that literally lead to all hell breaking loose.
Blu is the warmest colour: What made this Marvel movie stand-out for me, from the normal glass-shattering standard, is that it is predominantly a character-led piece. We spend quite a bit of time (for a Marvel movie) in building relationships between the teens, including a sweet lesbian-coming-out 'will they/won't they' tension between Rahne and Danni.
I was also very much attracted to the performance of Blu Hunt. I admit that this might not just be due to her interesting performance (the indigenous / LBGT angle is intriguing) but because she reminded me strongly of a girl at school who I had a mad crush on and completely failed to get off with! Blu is actually native American (from the Lakota tribe). Given she is the lead and has to carry the movie, it's a surprise that she is only about 5th in the billing: I'd have been upset with the director (Josh "A Fault in our Stars" Boone) about that.
Maisie Williams is also effective in this, and gets top billing, although arguably Anya-Taylor-Joy has emerged - with her wonderful "Emma" - as the bigger star since filming.
But it's Taylor-Joy's Rasputin that really stands out as the most interesting of the characters on show. There's a scene where she goes into action - eyes blazing and 'daemon' hovering - that would make a splendid PC screensaver! Stuff the "Black Widow" standalone movie: I'd go watch Illyana Rasputin kicking ass in her own follow-up movie! (Of course, Anya Taylor-Joy was also prominent in "Glass", which unfortunately cements the similarities between the films.)
The movie has had a long and tortuous path to its final release, being made waaaaaayyyyy back in 2017. As an X-Men movie, it's appeared after the X-Men universe finally imploded (with the disappointing whimper of "Dark Phoenix"). So in that sense it's a bit of a ghost of a flick.
Overall, it's a mixed bag. There's a sense of great familiarity with the contents - particularly with the strong echoes of "Glass", actually filmed after this one (but with 'inversion', who knows anymore?). Even the "Indian legend" that runs through the movie swaps a bear for a wolf but ends with a familiar, rather groan-inducing, motto. (It was used in "Tomorrowland" I think?)
But the young cast are attractive and entertained me for the (pleasantly short) running time. It's not going to win any prizes for originality, or indeed anything else. But it really wasn't the X-Men bust I expected it to be.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/09/08/x-men-the-new-mutants-2020-glass-half-full/ . Thanks.)
The plot: So, my review title suggests that the plot is very closely aligned to M Night Shymalan's "Glass" - his "Split" sequel from last year. A Victorian-style hospital-cum-prison similarly forms the claustrophobic setting for the majority of the movie. This is where the troubled teen Dani Moonstar (Blu Hunt) is taken after being suddenly orphaned in dramatic and mysterious circumstances. The only doctor present, Dr Reyes (Alice Braga), says she is being held there for her own - and society's safety - while her puberty-driven mutant tendencies emerge.
Locked away with her is Rahne (Maisie Williams), Charlie (Sam Guthrie), 'hot' Brazilian hunk Roberto (Henry Zaga) and the gloriously named Illyana Rasputin (Anya-Taylor Joy). Danni's arrival sparks a serious of escalating events that literally lead to all hell breaking loose.
Blu is the warmest colour: What made this Marvel movie stand-out for me, from the normal glass-shattering standard, is that it is predominantly a character-led piece. We spend quite a bit of time (for a Marvel movie) in building relationships between the teens, including a sweet lesbian-coming-out 'will they/won't they' tension between Rahne and Danni.
I was also very much attracted to the performance of Blu Hunt. I admit that this might not just be due to her interesting performance (the indigenous / LBGT angle is intriguing) but because she reminded me strongly of a girl at school who I had a mad crush on and completely failed to get off with! Blu is actually native American (from the Lakota tribe). Given she is the lead and has to carry the movie, it's a surprise that she is only about 5th in the billing: I'd have been upset with the director (Josh "A Fault in our Stars" Boone) about that.
Maisie Williams is also effective in this, and gets top billing, although arguably Anya-Taylor-Joy has emerged - with her wonderful "Emma" - as the bigger star since filming.
But it's Taylor-Joy's Rasputin that really stands out as the most interesting of the characters on show. There's a scene where she goes into action - eyes blazing and 'daemon' hovering - that would make a splendid PC screensaver! Stuff the "Black Widow" standalone movie: I'd go watch Illyana Rasputin kicking ass in her own follow-up movie! (Of course, Anya Taylor-Joy was also prominent in "Glass", which unfortunately cements the similarities between the films.)
The movie has had a long and tortuous path to its final release, being made waaaaaayyyyy back in 2017. As an X-Men movie, it's appeared after the X-Men universe finally imploded (with the disappointing whimper of "Dark Phoenix"). So in that sense it's a bit of a ghost of a flick.
Overall, it's a mixed bag. There's a sense of great familiarity with the contents - particularly with the strong echoes of "Glass", actually filmed after this one (but with 'inversion', who knows anymore?). Even the "Indian legend" that runs through the movie swaps a bear for a wolf but ends with a familiar, rather groan-inducing, motto. (It was used in "Tomorrowland" I think?)
But the young cast are attractive and entertained me for the (pleasantly short) running time. It's not going to win any prizes for originality, or indeed anything else. But it really wasn't the X-Men bust I expected it to be.
(For the full graphical review, please check out One Mann's Movies here - https://bob-the-movie-man.com/2020/09/08/x-men-the-new-mutants-2020-glass-half-full/ . Thanks.)
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