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Merissa (13854 KP) rated Speechless in Books

Oct 11, 2023  
Speechless
Speechless
Rachel Grey | 2023 | Romance, Science Fiction/Fantasy
10
8.5 (2 Ratings)
Book Rating
SPEECHLESS - that's what I am after reading this story! For any Release, let alone a debut, this was absolutely fantastic. However, do take notice of the TW as there is a part that some readers may not be comfortable with.

Jade has lived through hell, and now her abusive father is dead, she thinks she's finally free. Having been kept on the farm with no one else, not even her mother, and no education to speak of, Jade is both innocent and wise to the world. When her home is found by two Alphas, she tries to hide, unsuccessfully. They take her back to their Pack and proceed to claim her - for her own safety, of course. But Jade doesn't want to be claimed and has no knowledge of what is expected from her in their eyes. She can't fight back physically so she shuts them out instead.

What follows is an intricate layering of expectations and reality. Told from multiple perspectives, you get to see the inner workings of all of them. I loved Jade's strength in adversity and the size of her heart when she forgives. I loved all the Alphas (although it was definitely in question for a time!) and Brody was just a cinnamon roll to give you cavities! This little family won me over with their recognition of doing wrong and their attempts to make amends.

One thing to mention - 'that' non-con scene. It's not gratuitous. It's there for a reason, and it's not shock value. It plays an integral part in the story, showing how the Alphas believe they are doing the right thing, but also showing how terrifying it is for Jade, who has absolutely no knowledge of the human body. No, it's not comfortable reading. There's no way in hell it should be. But it is so extremely well-written. If you can, read it, don't skip it.

The ending was simply superb. I adored the last sentence! I really hope we return to this world. I would love to know how they are all getting along, or maybe have cameos from them as we find a new family to tag along with.

Absolutely brilliant and HIGHLY RECOMMENDED by me. Just remember the TWs.

** same worded review will appear elsewhere **

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
Oct 3, 2023
  
Star Wars: Episode IX - The Rise of Skywalker (2019)
Star Wars: Episode IX - The Rise of Skywalker (2019)
2019 | Action, Adventure, Fantasy
So, I'd like to preface this review by saying that I never thought i would. Thank you Star Wars fans. My experience while watching Endgame on opening night was one of the most atrocious theater going experiences I have ever had, with every single person yelping like baboons at every single line or character appearance. The Star Wars fans that showed up to almost sell out my theater were super respectful and didn't make a single peep through the runtime, thus making my experience much more enjoyable and giving me a clearer head to rate this film. Therefore, I have made the assertion that Marvel is the lowest common denominator and Star Wars gains a bit of respect in my books!

Now, on to the actual film. Listen, if you love the series, you're gonna love this film. It does enough fan service that it satisfies the craving, yet doesn't let it interfere with the story too much. If you hate what the series has become, you're gonna hate the movie. It's way too convenient how everything works out and there are multiple points where I resisted face palming or aggressively whispering to myself. That being said, as I do on most blockbuster films such as this, I land pretty solidly in the middle.

Listen, this piece has a lot of issues with double and triple twists constricting the narrative and not giving it enough room to breathe. It also implements the music in a worse way than I have observed in a Star Wars film to date and the acting by most of the cast was just average at best to me. I was invested for the first eighty minutes or so, but then I just got uninvested and a tad bored. It felt like we were kinda just being ran around the same circle in a repetitive manner without getting to the point until the last twenty minutes or so.

Yet, there's magic here and it is undeniable. I considered it to be nostalgia and then I realised that I don't have the right to be nostalgic about this property. There's just something about the universe construction that seems masterful, and the performances by Adam Driver and Daisy Ridley kick it into overdrive into getting me to care about a world that I would normally give two shits about. The cinematography is surprisingly well done and cleverly varied to accompany certain emotions or appropriate responses.

Overall, it is an acceptable ending to the franchise that doesn't blow anything out of the water, but instead skids along with a bit of turbulence. Thanks for the ride, Abrams.
  
Star Wars: Episode VIII - The Last Jedi (2017)
Star Wars: Episode VIII - The Last Jedi (2017)
2017 | Action, Sci-Fi
Plenty of comedy aspects. (1 more)
It will leave you feeling on edge.
Chewbacca has gone slim, it makes him looks rather odd. (0 more)
Throughly enjoyable movie.
Contains spoilers, click to show
I went to see this movie with some of our family for our yearly cinema get together. I have to say, I was extremely impressed with the film. I admit, I was a little nervous as I have heard quite a lot of bad things about it, but surprise surprise, it was actually pretty good!

Plenty of the usual action packed scenes, although some of them did feel you leave you feeling a bit dizzy. It was nice to see the characters again and there is plenty of comedy aspects as well, such as the little penguin trying to growl like chewbacca and also a few comedy comments that are made.


One of the things that was mentioned about the film was about the poor CGI, I would have to disagree with that, as I felt that it did go with the film, the little penguins and also the sparkley frozen foxes where incredible and to me, it felt like it added a little something to it. I must say that I am not a fan of the CGI, however, when it is done well, I can appreciate it and this is the case in this film.


The only bad point I would say is that Chewbacca seems to have become very slim and not as heavily built as he has been in the past, I think that this is a let down as it makes him look a bit odd, out of proportion. I'm not sure though that it might just be me, but he didn't look right.


Throught the film, it leaves you feeling on edge, some of the scenes such as when Rey and Kylo are fighting, leave you gasping. Is there still a chance that he will not go over fully to the Darkside...we will see.


Id definitely recommend this film. It's incredible and I look forward to the next installment.
  
Sonic the Hedgehog (2020)
Sonic the Hedgehog (2020)
2020 | Action, Adventure, Animation
Growing up I wasn't a Sonic gamer but even I was majorly sceptical when they released the first trailer, that wasn't a look that worked for me.

Sonic is an excitable little fellow and he can't help but zip around his planet constantly against orders, when his speedy secret is uncovered he's sent to Earth and told to find a safe place to hide. He eventually finds a town to settle in and makes himself at home in the woods away from the people, but it's lonely watching the locals without being able to make friends with them.

When Sonic accidentally exposes his existence he enlists the help of the local sheriff so he might have a chance of evading a government scientist sent to track him down.

Simply said, this is an enjoyable film and it certainly went down well with the kids in the audience... but I'm not sure it would hold up to repeated viewings.

For all the moments I enjoyed there were moments that made my eyes roll. You remember in X-Men where Quicksilver runs fast and moves everything around in an action sequence? Well, you'll be wondering if Sonic happened to watch that one movie night. Sure it's cute, but I don't think it's cute enough to see it more than once in the same film.

Despite that, the effects themselves aren't bad, there are a few moments where real life and animation look a little off together but on the whole it works.

Sonic is an adorable hyperactive kid and he manages to experience a lot of things in the space of the film, they play out well and not at all like he's been stalking an entire town for years.

James Marsden plays Sheriff Tom. Watching him in any film after X-Men is extremely strange to me, and none of the roles seem quite right, potentially I just don't appreciate his comedic value. Tom's character is and a little average, it wasn't bad but at no point did I make a note about something that stood out.

And so to Jim Carrey... I enjoy Carrey as an actor but I'd like to seem him in more things that weren't "90s him". Every scene with Robotnik is classic Carrey, the character is that crazed scientist stereotype but it just never seemed to let up. It feels like they just brought him in to do what everyone expects him to do, and for a while I was okay with that... until that one point. As Robotnik searches for Sonic he waits for some analysis from the computer and he puts on his playlist. Then, for an inexplicably long time, he dances for absolutely no reason. It's not funny, it's just completely irrelevant and excessive. Rather than a subtle bit of nostalgia for the adults and some funny physical comedy for the kids every scene was taken just that step too far and turned into an awkward slapstick moment.

The story isn't bad, but perhaps it would have been slightly more interesting if Sonic had to rescue Tom from Robotnik or something similar. The middle of the film could have had some sort of purpose instead of a road trip... which, no matter how you look at it, was not necessary and could have been replaced with a minute of footage of Sonic running.

But... as I said at the beginning, this IS enjoyable, but once you start thinking about things it starts to unravel.

Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/sonic-hedgehog-movie-review.html
  
Gaining Trust (Kiss of Leather #5)
Gaining Trust (Kiss of Leather #5)
Morticia Knight | 2017 | Erotica, LGBTQ+, Romance
10
5.0 (3 Ratings)
Book Rating
straight back up to 5 stars
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

And just like that, back up to 5 stars!

This is book 5 in the Kiss of Leather series, and you really REALLY should read the previous books first. There is an ongoing story arc and you need to be able to follow what's going on with that. And they are 4 and 5 stars reads ?

Chuck has been undercover in another BDSM establishment, and has come to the conclusion he needs to be in this world. A world where these guys are so totally and utterly in love with each other, that he NEEDS that too. Master Jordan has been waiting to get his hands on Chuck, waiting for Chuck to admit what he wants to experience. Master Jordan knows that once he gets his hands on the handsome man, he might never be able to let go.

Master Jordan is, quite possibly, my most favourite of the Doms in this series. He is so laid back, any further and he would be horizontal! While very much a Dom, he is much more relaxed about it, calling Chuck things like babe, and sweetheart. He loves Chuck, right from the start and that shows in his careful handling of Chuck.

Chuck takes to Master Jordan very quickly, and I love watching these guys: Doms and subs alike, fall fast and fall HARD. Loving that it usually takes a major traumatic event to make the Doms see who they really want but not so much here.

I'm loving that each and every one of them from previous books play some part in future books. Loving the gentle introduction of the new guys. Loving the ongoing story arc that seems to be coming to a head. Loving that I have no idea when or where this is going to end!

I said in a previous review, that I'm loving the differences between the subs, but that all the Doms are these big guys and the subs are all younger and smaller. I still AM loving that, but I find myself thinking, what if?? What if there was a brand new Dom, who needs training with an older bigger sub?? Cos, you know, that would just bean amazing addition to this series!

Off to read book 6, trying really hard NOT to read them back to back but it's getting harder!!

5 stars

**same worded review will appear elsewhere**
  
Mission: Impossible - Fallout (2018)
Mission: Impossible - Fallout (2018)
2018 | Action, Adventure, Thriller
Ethan Hunt (Tom Cruise) is back and on a mission to stop a terrorist group, known as The Apostles, from acquiring three uranium cores that they will use to create nuclear devices. Hunt and his Impossible Mission Force (IMF) team (Simon Pegg and Ving Rhames) set up a black market deal to purchase the cores. But during the buy Luther (Rhames) is taken hostage. In a rescue attempt Hunt and Benji (Pegg) let the cores slip into the hands of The Apostles. Due to Hunt’s choice to save his team over protecting the cores has put the world in danger of nuclear attack. Luckily, the head of the IMF, Alan Hunley (Alec Baldwin, has received intelligence that an arms dealer known as the White Widow (Vanessa Kirby) is looking to broker a deal for the cores. The only problem is the price is not money but the breaking out of the former IMF nemesis and anarchist Solomon Lane (Sean Harris). Hunt, eager for redemption, agrees to once again track down the cores. But the CIA want to make sure that this time the job is done right, so Director Erica Sloan (Angela Bassett) demands her top cleaner August Walker (Henry Cavill) accompany. With the help of the CIA they will try and break Lane out of prison and save the world from a catastrophic nuclear attack.

This film, the sixth installment of the Mission: Impossible film franchise, is a true action packed summer blockbuster. Written and directed by Christopher McQuarrie (Mission: Impossible – Rogue Nation, Jack Reacher) this film has the action and suspense that viewers have come to expect from these films. Cruise, who famously does all of his own stunts, puts in a stellar performance, as does the rest of the cast. Rebecca Ferguson, as assassin and Hunt love interest Ilsa Faust, has good on screen chemistry with Cruise. The overall vision of the film is big and everything is well shot. One example is seamlessly shot motorcycle/car chase through Paris streets, with narrow misses, extreme speeds and iconic scenery. Along with all of the action you get the sometimes corny dialog that you can expect. As long as you expect it, and maybe embrace it, you will definitely enjoy the film. At 2 hours and 27 minutes the runtime might seem long but the pace is really good so it does not feel that long.

This is the best action film of the summer I have seen so far. The attention to detail in the action scenes really shows through. The twists and turns of the story keep you as engaged as the jaw dropping stunts. Maybe not the film for everyone but a great action/spy movie. For me it is definitely a film that should be seen in theaters, maybe more than once.
  
VFW (2019)
VFW (2019)
2019 | Action, Horror
4
6.4 (7 Ratings)
Movie Rating
VFW had been an off the cuff pick for ones to watch, at the last minute it appeared in some listings and I was intrigued by the cast and the vibe I was getting from the poster.

When a young girl's plan for revenge goes awry she leads a drug fueled army to the doorstep of the local veterans club. The group must defend their home away from home and try to survive until the morning.

The opening scene paints a picture of a slightly dystopian present/future where drugs run rife and cities are shells of their former selves. There are addicts and revellers all in different states and they're either in lively party spirits or high and out of it. Right from the off I found the set up confusing because you're watching something that is difficult to assess, the darkness makes it almost impossible to gauge the surrounding and you're thrown for a loop when they cut to the bright afternoon scene that is pinpointed by captions to just three hours later.

VFW definitely has a heavy 80s vibe to it. The titles, the background hum of music and the style of the filming. The colours are great but it is incredibly difficult to see anything unless you're watching it in anything but darkness. On my first watch I found myself squinting and peering at the screen trying to decipher what was going on.

There's no logical consistency to things that happen even if you take into consideration that half the characters are supposed to be drugged up to the eyeballs. The event that starts off the whole caper gives you a fairly clear idea of how the addicts react to things, if that is translated to the rest of the hoard then there's no way this film is making it past 30 minutes. It would have been done and dusted.

Dialogue throughout isn't very inspiring, there's are some truly dubious moments and the rest is easily forgotten. The scenes themselves aren't believable, the main cast get lots of opportunities to have moments together inside the VFW club despite having moments before been under the threat of a siege. There was one point where I genuinely wondered if the baddies approached and went "No. It's rude to interrupt someone when they're talking."

What it's missing in those areas it makes up for in random violence. (Make sure to watch out for the plastic machete.) There's a vaguely amusing tooling up sequence and I kind of hope they got the cast drunk and let them improvise weapons all on their own for it. This is another thing that smacks of the 80s, a lot of that violence feels like it's been lifted out of retro horror movies and adapted to this film.

I haven't spoken about the cast, and it's something that left me a little frustrated. The names and faces on the list are epic, they're solid actors with a lot of good credits under their belts... but even though they get a couple of good points in the film it's not really what I'd want for them.

VFW has a lot of elements that could work but with the slightly b-moviesque action scenes and clear omissions for the sake of having a "moment" I think it misses the opportunity to be something more serious. It's not right for b-movie/spoof status and because it doesn't take itself seriously enough it's left in a no man's land and I just couldn't figure out what it was trying to do, especially as even they didn't seem to know if they were attempting to make zombie or an action film.

Originally posted on: https://emmaatthemovies.blogspot.com/2020/06/vfw-movie-review.html
  
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Haley Mathiot (9 KP) rated You in Books

Apr 27, 2018  
Y
You
6
6.0 (1 Ratings)
Book Rating
While reading—and after finishing—You, I really had no idea what to say about it. I let it sit in my brain for a while, and I think I’ve decided how I feel. It’s a funny book though, because honestly, you have to be the right kind of reader for it. I’m not yet sure what that kind of reader is.

First, as you can see above, I can’t really say what genre it was. It wasn’t really young adult, though I’m sure some young people will enjoy it. It’s not really adult either though, because it’s about a group of people who play videogames for a living. So I wasn’t sure what category to put it into for my brain.

There was some fantasy aspects, because the videogame they made was fantasy. The videogame characters would come to visit Russell, the main character, in his dreams or daydreams. Once he took one of them on a date. That was kind of weird.

Then there was the plot. They’re making this game, another game in the series, and there’s a bug that’s causing all sorts of problems. They have to play the game to get rid of the bug. Now I’m not a game designer but that doesn’t seem very probable to me personally. I’d do a control search for the line of problem code, and just take it the hell out. But like I said, I’m not a designer.

The subplot to the bug mystery had something to do with the past, the founder of the company, a mysterious death, and an “ultimate game.” It was all very vague, and not a lot of it was wrapped up.

Finally, I didn’t particularly like the conclusion. Suffice to say I thought the whole novel would take a different turn than it did, and it wasn’t what I wanted.

But the good parts were good! The writing was funny and descriptive, the characters were well developed—I loved Lisa so much!—and it was fast paced.

Personally, I liked it. I didn’t love it, I didn’t hate it, but I probably wouldn’t read (or listen to) it again.

Content/recommendation: some language, no sex. Ages 16+
  
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Paul Chesworth (3 KP) created a post

Feb 20, 2018  
OSTURA – THE ROOM

Six years is a long time between album releases. A lot can happen in that time, the biggest issue being the fan-base. In today's throwaway music era, where songs are disposed for having a 20 second intro by the ‘millennials’, but thankfully us rock fans are of a more discerning disposition and made of sterner stuff. Six years is nothing in the scale of rock bands, but I had to admit that even I was a bit worried that this album would never see the light of day. It was written immediately after the debut ‘Ashes Of The Reborn) from 2013 up and through to 2016…..and here it is (finally) in 2018! Top marks to Ostura for not losing faith and getting ‘The Room’ out there. I for one am bloody glad that they have persevered.


They probably feel like a cat with 10 lives, as it has been picked up by Universal Music MENA, when it could have literally gone south and not got released at all. There have been some Ostura casualties along the way. Gone are Tony Ghanem (vocals) and Chris Naimeh (drums), and in comes Alain Ibrahim (guitars), and Alexander Abi Chaker (drums – live, and additional percussions, and he wrote all the drum parts for The Room’). For the album, Thomas Lang is behind the kit and has quite an extensive CV; and I have to say, he IS ON FIRE here.

The 12 songs were written in chronological order and work as a score for an equally cinematic storyline about a social recluse girl who takes refuge in a room. Locked in with her thoughts, fears and ambitions, the girl’s imagination turns the room into an endless universe where she is the creator. Soon after, the creation gains the ability to create and ask the right questions. The story tackles the notions of fear, perfection, social anxiety, ambitions, rage, power, and the struggle between the creator and the creation.

'The Room' is a massive production with performers from 12 countries, alongside the City of Prague Philharmonic Orchestra and the core band. The premise has a lot to live up to. So, do Ostura live up to this high bar they have set for themselves?

Emphatically, yes! Where the debut was more ‘Metal’, and a mix between something like Avantasia and Kamelot, ‘The Room’ is a different experience entirely. The sound now is more cinematic and falls partly on the side of Ayreon. The sound (track) is like that of a film, it’s filled out and sounds huge, partly due to the involvement of The City of Prague Philharmonic Orchestra, a choir, string quartet, and an electric triangle (one of these isn't true). The whole concept has been so carefully constructed that the Orchestra and band are not overwhelming each other or jockeying for position. It’s a perfect balance of band and orchestra coming together for probably THE release of the year.

After a very long wait, I can wholeheartedly, 100% state that ‘The Room’ is worth it, and then some! Opening track ‘The Room’ starts with this pulsating and growing riff that explodes into action. The contrast in vocals between Erosion (Monsef) and The Girl (Jreissata) works a treat, you have the roughness/industrial vs. the angelic, its light vs. dark, and they also have the wonderfully melodic metal vocals of Utopia (Michael Mills, Toehider). ‘Escape’ has hall the hallmarks of symphonic metal that you could wish for. Mills proves to be the Ace in the pack as his vocals are ear-splittingly phenomenal. The Room is more than just Within Temptation with a couple of extra sets of balls, as Ostura throw everything into the mix, both vocally and musically, there is even the daddy of them all, a Hammond organ.

In case you are worried, the three-pronged (trident) vocal assault that was seen on the debut is still here. Only this time, Monsef and Jreissata have seriously upped their game, and have in Mills a singer of the highest quality. Mills is immense, his vocals are up there with early Queesnryche’s Geoff Tate. Its not just the Mills show - Monsef glides from low to high with ease, and Jreissati' vocals are just simply divine. The three together are pure perfection.

‘Beyond’ is where the cinematic soundtrack comes to the fore. Alan Ibrahim’s and Marco Sfogli’s guitar playing collides with the PSO – electric vs. an orchestra, industrial riffs dueling against violins (An orchestra is just the heavy metal of the 1600s to the present day, without a Marshall), all coming together for this huge soundscape of noise. ‘Erosion’ is one of those songs that I wish I could play through a PA. It’s a track that you just can’t play loud enough. It mixes the brutality of guitars that Dream Theater used to do so well, with a male baritone choir! Ostura have so much faith in what they are doing that the orchestra parts come to the fore and throw in a choir for good measure adding further to the already pomp-tastic sound.

‘Mourning Light’ is the first chance to catch your breath as its just The Girl, and a small accompaniment in comparison. We have just witnessed the beautiful calm and serenity of The Girl, you know there’s something sinister just around the corner. It doesn’t half deliver with ‘Deathless’. It’s the kind of intro that you would see on a film like Godzilla, or Cloverfield, dark and looming with a sense of impending danger. The final third of ‘The Room’ has two of the biggest songs in both ‘Darker Shape Of Black’ in which Ostura have roped in 'he who shall not be named!' The other being a 12-minute magnum opus ‘Duality’. 'The 'International Man of Mystery's' style is so distinctive that it is bound to draw comparisons. The song has everything – huge riffs, against a Middle Eastern backdrop, and with the orchestra adding an overall massive sound. The filling in the middle of these two monsters is ‘The Surge’ and is solely a vehicle for ‘Erosion’ and Monsef to take centre stage.

In fact I’m going to leave it right there. It would be a poor read if all I did was wax lyrical about every song in a similar manner. I blame Danny Bou-Maroun and Elia Monsef. Its their bloody fault that the ‘The Room’ is so damn good!

I simply cannot fully express in words how good ‘The Room’ is. If you’re a fan of Ayreon, and I know there are quite a few of you out there, you absolutely positively need this in your collection. There’s a lot to absorb here, as ‘The Room’ will require several listens as its like being bombarded with a wall of sound. You will pick up on things you didn't hear the first time, and so on. The end result though is seriously worth the wait. In the world of cinematic rock, Ostura stand-alone, no one can touch them. Purely as an album it is up there with Ayreon’s ‘01011001’ and possibly Dream Theater’s ‘Metropolis Pt. 2: Scenes From A Memory’. I'm not kidding.

Credit also needs to go to Jens Bogren. Ostura have a hell of a lot going on here, and to get the production so ‘right’ has taken one huge effort. To mix the sound and multiple layers are not an easy task to make it sound as good as this, and he has done a superb job, where others could easily have failed.

Honestly, very few albums hit my inbox that are this good. If anything peaks this in 2018 whether it be metal, prog, AOR and everything in between, I will be very surprised indeed. This is without doubt, awesome!

NOTE – Universal are not releasing this on CD as it’s a dying format. This is a shocking decision considering they have a potential ‘Ostura’ of an album in their possession. Criminal. Here’s hoping the band can offer up something via a Pledge campaign.

Score – Awesome!

Tracklisting –
The Room
Escape
Beyond (The New World)
Let There Be
Erosion
Mourning Light
Deathless
Darker Shade Of Black
The Surge
Duality
Exit The Room

Ostura
Youmna Jreissati – Vocals as ‘The Girl’
Elia Monsef – Vocals as ‘Erosion’ Charango, Additional Acoustic Guitar, Programming, Engineering, Media
Danny Bou-Maroun – Piano, Keyboards, Orchestration, Programming, Cubase Operation, Additional Percussions
Alain Ibrahim – Acoustic guitar, Rhythm Guitars, Guitar Co-arrangements
Alexander Abi Chaker –Additional percussions, Drums Co-arrangements on tracks (1,2,4,5,8)

Guest Musicians

Michael Mills – Vocals as ‘Utopia’
Thomas Lang – Drums
Dan Veall – Bass
Marco Sfogli – Lead Guitar on tracks (1.2.3.5.8.11)
He who shall not be named, yet!! – Lead Guitar on Track 9
Ōzgūr Abbak – Lead Guitar on Track 6
The City Of Prague Philharmonic Orchestra Conducted by Danny Bou-Maroun
The Lebanese Filmscoring Ensemble – Choirs, String Quartet
Yamane Al Hage – Violin Solo on Tracks (3,8,9)
Jokine Solban – Violin Solo on Track 2
Nobuko Miyazaki – Flutes on Tracks (9,11)
Mohannad Nassar - Oud on Tracks (5,10)
Roger Smith – Cello on Tracks (1,10,12)

Mixed, mastered and re-amped by Jens Bogren at fascination Street Studio, Sweden
Alexandre Moreira – Editing
All vocals, piano, violins, percussions, recorded at the Citadel, Dlebta, Lebanon

Twitter - @Ostruraband
Facebook - https://www.facebook.com/osturaband/
     
Trusting a Warrior (Loving a Warrior #3)
Trusting a Warrior (Loving a Warrior #3)
Melanie Hansen | 2020 | Contemporary, Romance
10
10.0 (1 Ratings)
Book Rating
Hansen can grab you, by the heart strings, and drag you kicking and screaming through every single emotion known to man
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

This is book 3 in the Loving A Warrior, and I STRONGLY suggest you read both books one, Loving A Warrior, and book 2, Keeping A Warrior, before you read this one. There is much referenced here that is not fully recapped. And you know, cos I said so! Both are 5 star reads.

As is this one!

Lani meets Geo on possibly the worst day of her life. Geo's ain't much better. Together they begin to navigate a relationship, while dealing with a huge amount of grief at the death of their loved ones.

Hansen has a knack of roping you in, pulling you close, and not letting you go. She can grab you, by the heart strings, and drag you kicking and screaming through every single emotion known to man, and then expect you to write a coherent review after!

I mean, I loved this book, I really did. It carries some difficult story lines, but again, Ms Hansen delivers them in a way that you cannot fault. Grief is a fickle thing, and everyone deals with that differently. I know, my sister and I dealt with my mother and father's death very different, but there is no right or wrong way. Here, Lani's grief is a decade old, but she still suffers. Geo's is much fresher, and it's HIS pain that hit me the most.

I have no personal experience of war, or those who serve. I can only imagine the horrors that are presented on a daily basis. It's to be expected that some will struggle with that, but put on a "brave face" The way Hansen describes Geo's grief and his own spiral downwards is heartbreaking, it really is. Only his relationship with Lani saves him.

I loved how the others in this series; Matt and Shane and Rhys and Devon, play a huge part here. I loved that Devon and Lani become such good friends, even if Lani is Rhys' ex.

What I want to know now, Ms Hansen, is this! Will we be privvy to want happened in Keeping A Warrior, and here, to Matt and Shane?? Cos let me tell ya, I does NEEEEEEEEEEEEEEED to know! We get an inkling of what Matt suffers here, but not enough. So, please, write a followup!

Love, love LOVED the epilogue! And I loved Bosch, Geo's military dog.

I can't, in any honesty, give this book any less than. . .

5 stars

**same worded review will appear elsewhere**