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Heather Cranmer (2721 KP) rated Five Total Strangers in Books
Dec 24, 2020
Browsing for my next digital read, I came across Five Total Strangers by Natalie D. Richards. The synopsis definitely had my interest piqued. I'm glad I decided to read this story because I enjoyed it very much.
High school senior Mira is trying to get home to her mother for Christmas. However, a severe snowstorm means that Mira's connecting flight has been cancelled until further notice. Desperate to get home to her mother, Mira decides to take a chance with the college girl who was sat beside her on the plane named Harper. Somehow, Harper manages to snag a rental car, but there are three other people besides Harper and Mira. When personal items start going missing and strange things begin happening, Mira wonders who can she actually trust that's sharing a car with her and just what is the end game.
I loved, loved, loved the plot. It sounds like it's such a simplistic storyline with just five people travelling together, but it was so much more than that. It's a mystery, horror, thriller, and suspense story all in one which are all of my favorite genres. The pacing was absolutely spot on, and I found myself closely following each word on the page to find out what would happen next. I felt like I was one of the people in the car. I started getting paranoid about who to trust in the car. There were a couple of plot twists which were interesting. I never could figure out who was the sender of the letters to Mira until it was revealed at the end, and I wasn't sure who the saboteur was either until the end. There were many times I realized I was holding my breath in anticipation while reading Five Total Strangers. I pretty much read the whole book in one sitting. The only thing that was a small disappointment was the ending. It didn't feel like it was rushed, but I felt like there could have been a bit more information. I would have loved to know what the other occupants of the car got up to after their disastrous trip. There were no cliffhangers though which I was grateful for.
I felt like the characters were fleshed out perfectly for Five Total Strangers. There isn't much backstory for Harper, Brecken, Kayla, and Josh besides little tidbits here and there, but that's what makes this book even better. It gives it more of a mysterious feel. I liked the book being in Mira's perspective. I felt like I was feeling everything right along with Mira. Even though she was only eighteen, she came across as much older. Sure, she still made some decisions with a teen brain, but for the most part, she did have a good head on her shoulders. I liked Harper, and I admired her bravado. However, I also liked the times she showed her human side and her vulnerability. I admired Josh and Brecken's desire to help out when things got really rough. I did love Kayla's dry humor peppered within the book. I would even go as far as saying she was my favorite character in Five Total Strangers.
Trigger warnings for Five Total Strangers include swearing, attempted murder, death, some violence, and some drug use.
All in all, Five Total Strangers is a fantastic read which will leave you guessing who to trust throughout the book. With a great set of characters and fantastic world building, this is not a book you want to miss. I would definitely recommend Five Total Strangers by Natalie D. Richards to those aged 15+ who are after a story that will captivate them the entire time.
High school senior Mira is trying to get home to her mother for Christmas. However, a severe snowstorm means that Mira's connecting flight has been cancelled until further notice. Desperate to get home to her mother, Mira decides to take a chance with the college girl who was sat beside her on the plane named Harper. Somehow, Harper manages to snag a rental car, but there are three other people besides Harper and Mira. When personal items start going missing and strange things begin happening, Mira wonders who can she actually trust that's sharing a car with her and just what is the end game.
I loved, loved, loved the plot. It sounds like it's such a simplistic storyline with just five people travelling together, but it was so much more than that. It's a mystery, horror, thriller, and suspense story all in one which are all of my favorite genres. The pacing was absolutely spot on, and I found myself closely following each word on the page to find out what would happen next. I felt like I was one of the people in the car. I started getting paranoid about who to trust in the car. There were a couple of plot twists which were interesting. I never could figure out who was the sender of the letters to Mira until it was revealed at the end, and I wasn't sure who the saboteur was either until the end. There were many times I realized I was holding my breath in anticipation while reading Five Total Strangers. I pretty much read the whole book in one sitting. The only thing that was a small disappointment was the ending. It didn't feel like it was rushed, but I felt like there could have been a bit more information. I would have loved to know what the other occupants of the car got up to after their disastrous trip. There were no cliffhangers though which I was grateful for.
I felt like the characters were fleshed out perfectly for Five Total Strangers. There isn't much backstory for Harper, Brecken, Kayla, and Josh besides little tidbits here and there, but that's what makes this book even better. It gives it more of a mysterious feel. I liked the book being in Mira's perspective. I felt like I was feeling everything right along with Mira. Even though she was only eighteen, she came across as much older. Sure, she still made some decisions with a teen brain, but for the most part, she did have a good head on her shoulders. I liked Harper, and I admired her bravado. However, I also liked the times she showed her human side and her vulnerability. I admired Josh and Brecken's desire to help out when things got really rough. I did love Kayla's dry humor peppered within the book. I would even go as far as saying she was my favorite character in Five Total Strangers.
Trigger warnings for Five Total Strangers include swearing, attempted murder, death, some violence, and some drug use.
All in all, Five Total Strangers is a fantastic read which will leave you guessing who to trust throughout the book. With a great set of characters and fantastic world building, this is not a book you want to miss. I would definitely recommend Five Total Strangers by Natalie D. Richards to those aged 15+ who are after a story that will captivate them the entire time.
Kristina (502 KP) rated It Ends With Us in Books
Dec 7, 2020
Holy mother of God. I don't know where to start, honestly. Colleen is very good at stunning me into silence, so it's difficult to put my emotions into words - which is why you'll notice I either have no reviews or pretty vague reviews for her books. But I just can't do that with this one. There's no way. What I read wrung me dry and had me staring at the wall for a full 5 minutes before I could even move. What Lily experiences is so real and raw, so emotional, I felt like I was her. Her thoughts were true to who she was and honest. As I read Lily's diary entries, I felt a kinship, because I had experienced some of the same growing up. I felt her fear, her worry, her anger, her curiosity. To watch your mother go through that is no fun. I found it endearing that Lily wrote her diary in the form of letters to Ellen DeGeneres - she's an awesome woman. I fell in love twice in the span of one book. Even though I hoped I was wrong, I had a strong premonition, and I was right about it. I truly wish I wasn't. After reading the Author's note, I completely agree with Colleen. I kind of wish she had written it differently; I kind of wish she hadn't used the plot that she did. But, as she also said, it would have ruined the whole point of writing this story, and I understand that. I still love the story, because it's beautiful (yet heartbreaking) in all its glory, and it gets the meaning across just the way Colleen meant it to. I'm ashamed to say I was like many of the others: "Why doesn't she just leave?" Sure, I questioned the opposite spouse, but this question has always been the first to enter my mind. After reading It Ends With Us, I feel even worse that I've ever had that thought. It's true, life isn't just black and white, and niether is any situation. We never truly know what it's like for anyone unless we were in that same situation - and no two situations are exactly alike. All I can say is that while I fell in love twice, my heart broke a million times, and it still didn't feel completely whole by the time the story ended. I do hope Colleen decides to write a short novella about Lily's future, because I feel like I need more closure. My heart needs more closure. Nothing could have prepared me for this book and I have absolutely no regrets about going in blind. The Queen never ceases to amaze me. Once again, I'm adding a CoHo book to my favorites shelf. Bravo, Colleen.
***Spoiler***
Naked truth?
I think a part of me still loves Ryle. I worried that he was too perfect in the beginning. I knew there had to be a flaw and I was scared Lily's mom's situation would have something to do with it. What I'm most scared about is the fact I kind of wanted Lily to forgive him and take him back. Because who knows, having a daughter could have knocked the abusive side of him right out. And, sure, she loved Atlas, but I felt like it could have blossomed into a mature, familial type love. I'm so very proud of Lily and the decision she made, especially because it was for little Emmy. But a part of me mourns the loss of Ryle. Because his pain was real, his regret was real. Still... No matter how sorry he was, as Lily stated, there is no excuse; she did what she had to do.
***Spoiler***
Naked truth?
I think a part of me still loves Ryle. I worried that he was too perfect in the beginning. I knew there had to be a flaw and I was scared Lily's mom's situation would have something to do with it. What I'm most scared about is the fact I kind of wanted Lily to forgive him and take him back. Because who knows, having a daughter could have knocked the abusive side of him right out. And, sure, she loved Atlas, but I felt like it could have blossomed into a mature, familial type love. I'm so very proud of Lily and the decision she made, especially because it was for little Emmy. But a part of me mourns the loss of Ryle. Because his pain was real, his regret was real. Still... No matter how sorry he was, as Lily stated, there is no excuse; she did what she had to do.
Haley Mathiot (9 KP) rated The Last Song in Books
Apr 27, 2018
My Summary: Ronnie does not want to spend the summer with her dad. Her dad left them three years ago, and she hasn’t really forgiven him for it. She hated him for it so much, that she refused to take his calls, quit playing the piano, and never read the letters he sent her. What is she going to do all summer stuck with a dad she hates in a small town with nothing but sand on every side of her, no clubs, no friends…
When she finds Will, the cutest volley-ball players slash aquarium volunteer in her back yard helping her protect un-hatched sea turtles from being eaten by raccoons, she judged him as not-her-type. She doesn’t expect to find a friend in a jock-rich-perfect-family boy, nor does she expect that this will be the best—most exciting, most scary, most fun, most painful—summer of her lifetime.
My Review: I’m not really sure where to start here, other than I am so utterly pleased with The Last Song, I cannot begin to find words to describe it.
Ronnie, Jonah (her brother), Her dad Steve, Will… all the characters really, were such real characters. I felt everything they felt, I laughed when they laughed, and I (nearly) cried when they cried.
I hate it when books suffer from "happy-land syndrome—" where everything works out just too perfectly that it seems silly. The Last Song seemed to work perfectly, but it didn’t have that plot-manipulated feel to it. It didn’t feel like Sparks was just trying to move the story along and causing things to line up too perfectly to be realistic—it felt like the story was writing itself, and it was perfect. The pacing didn’t feel rushed or slow. It was not a thriller, but I did find myself sitting on the edge of my seat dying to find out what happens. I read it through in two or three days (which is fast for me right now, what with school the way it is!). There are twists, there are surprises—some beautiful, some painful, but all wonderful.
The writing was contemporary. It was easy reading and it wasn’t Dostoevsky, but it wasn’t bad either. The humor was light and witty and sarcastic, sometimes laugh out loud, and more times than I can count my sister would look up from her homework and say “Haley. What is so funny?” The perspective alternated between several different characters, but it wasn’t disorientating. It was all from third person perspective, but I still felt like I could get inside the character’s head.
The end was perfect. That’s all I can really say about it because any information would totally ruin the story. All the loose ends were tied, all the questions were answered, and the ending was open to the future but closed in a wonderful conclusion. Suffice to say I grinned so wide I couldn’t see, and my cheeks are still sore.
Audio Review: Let’s just say that I almost gave up reading The Last Song when I started listening to the audio. Pepper Binkley read Ronnie’s perspective and had a high pitched voice, she read a little too fast (which is rare. Most of the time readers are way too slow), there was no differentiating between voices of characters so you couldn’t tell who was talking, and she seemed up tight and nervous. Scott Sowers read the various men’s perspectives, and he read alright. He was a little slow and his voice took some getting used to but he was otherwise ok. I did get too frustrated to get far in the audio book though. I ended up quitting and reading the paperback. I recommend reading The Last Song over listening to it.
Content: blissfully clean. There was romance between Will and Ronnie, but no sex. It wasn’t needed, either. I feel like the fact that they didn’t sleep together added to the book rather than took away from it. It was also clean of foul language. There was some mention of God and the Bible, but never did it feel like Sparks was preaching.
Recommendation: Ages 14+
When she finds Will, the cutest volley-ball players slash aquarium volunteer in her back yard helping her protect un-hatched sea turtles from being eaten by raccoons, she judged him as not-her-type. She doesn’t expect to find a friend in a jock-rich-perfect-family boy, nor does she expect that this will be the best—most exciting, most scary, most fun, most painful—summer of her lifetime.
My Review: I’m not really sure where to start here, other than I am so utterly pleased with The Last Song, I cannot begin to find words to describe it.
Ronnie, Jonah (her brother), Her dad Steve, Will… all the characters really, were such real characters. I felt everything they felt, I laughed when they laughed, and I (nearly) cried when they cried.
I hate it when books suffer from "happy-land syndrome—" where everything works out just too perfectly that it seems silly. The Last Song seemed to work perfectly, but it didn’t have that plot-manipulated feel to it. It didn’t feel like Sparks was just trying to move the story along and causing things to line up too perfectly to be realistic—it felt like the story was writing itself, and it was perfect. The pacing didn’t feel rushed or slow. It was not a thriller, but I did find myself sitting on the edge of my seat dying to find out what happens. I read it through in two or three days (which is fast for me right now, what with school the way it is!). There are twists, there are surprises—some beautiful, some painful, but all wonderful.
The writing was contemporary. It was easy reading and it wasn’t Dostoevsky, but it wasn’t bad either. The humor was light and witty and sarcastic, sometimes laugh out loud, and more times than I can count my sister would look up from her homework and say “Haley. What is so funny?” The perspective alternated between several different characters, but it wasn’t disorientating. It was all from third person perspective, but I still felt like I could get inside the character’s head.
The end was perfect. That’s all I can really say about it because any information would totally ruin the story. All the loose ends were tied, all the questions were answered, and the ending was open to the future but closed in a wonderful conclusion. Suffice to say I grinned so wide I couldn’t see, and my cheeks are still sore.
Audio Review: Let’s just say that I almost gave up reading The Last Song when I started listening to the audio. Pepper Binkley read Ronnie’s perspective and had a high pitched voice, she read a little too fast (which is rare. Most of the time readers are way too slow), there was no differentiating between voices of characters so you couldn’t tell who was talking, and she seemed up tight and nervous. Scott Sowers read the various men’s perspectives, and he read alright. He was a little slow and his voice took some getting used to but he was otherwise ok. I did get too frustrated to get far in the audio book though. I ended up quitting and reading the paperback. I recommend reading The Last Song over listening to it.
Content: blissfully clean. There was romance between Will and Ronnie, but no sex. It wasn’t needed, either. I feel like the fact that they didn’t sleep together added to the book rather than took away from it. It was also clean of foul language. There was some mention of God and the Bible, but never did it feel like Sparks was preaching.
Recommendation: Ages 14+
Daniel Boyd (1066 KP) rated The Jinx: The Life and Deaths of Robert Durst in TV
Jun 27, 2018 (Updated Jun 27, 2018)
Mindblowing
Contains spoilers, click to show
I have been on a bit of a documentary kick lately and my most recent watch was the Jinx. I never watched this show back when it aired in 2015, or followed the story at the time, so I went into this show knowing very little about the tale it was telling. I'd say if you are in the same boat, then that is probably the best way to go into this doc. There are only six parts to the doc, so it can be binged over a few nights or in one day. Don't look up anything about it before watching and just go in blind, by the end your mind will be blown.
Please don't read on until you have seen the show in it's entirety as there are massive SPOILERS ahead. It feels weird to say that about a documentary, something that actually happened, but I promise you will not want this final revelation spoiled for you in any way.
Ok, so during the last interview, Andrew Jarecki confronts Robert Durst with two letters with the same address handwritten on each, one written by Durst years previous and the other was written by the killer and sent into a police station to notify them of the location of a body. Beverly Hills is spelt wrong in each, it is spelt BEVERLEY on each and the handwriting is exceptionally similar, especially the letter N. Durst initially appears pretty unphased by the accusation and brushes it off, until Jarecki asks him to look at a sheet that has the two versions of the address blown up and placed side by side and he asks him to tell him what one he wrote and what one he didn't and Durst is unable to tell the difference. He then begins burping uncontrollably as if trying to supress vomiting. The interview ends and Jarecki thanks Durst for his time. Durst then goes to the bathroom, unaware that he is still wearing a live microphone and says:
"There it is, you're caught.
You're right of course, but you can't imagine...
Arrest him.
I don't know what's in the house.
Oh, I want this.
What a disaster.
He was right, I was wrong.
And the burping?
I'm having difficulty understanding the question.
What the hell did I do?
Killed them all, of course."
Holy shit, these filmmakers just stumbled into getting an accidental confession from a guy who has dodged the law since 1982. Not only that, but what was recorded actually sounds like two different people having a conversation, almost like Gollum and Sméagol from Lord Of The Rings. The recording is creepy, but extremely important and provides an absolutely captivating ending to this already brilliant story. I think that what we hear in the bathroom is two sides of Durst arguing about what has just transpired. The way that each line is like a comment and then a response and the way that his tone of voice changes from line to line. I will type up my interpretation of the conversation below showing what side of Durst said what.
Good Bob: There it is, you're caught.
Bad Bob: You're right of course, but you can't imagine...
Good Bob: Arrest him.
Bad Bob: I don't know what's in the house.
Good Bob: Oh, I want this.
Bad Bob: What a disaster.
Good Bob:He was right, I was wrong.
Bad Bob: And the burping?
Good Bob: I'm having difficulty understanding the question.
What the hell did I do?
Bad Bob: Killed them all, of course.
This is obviously pure conjecture, but it's how I see the conversation going in Durst's head. Whether this is proof of disassociation or multiple personality disorder, I don't know as I'm not a psychiatrist, all that I know is that it is absolutely fascinating to hear this play out in a real world situation and makes for an absolutely brilliant piece of TV.
Please don't read on until you have seen the show in it's entirety as there are massive SPOILERS ahead. It feels weird to say that about a documentary, something that actually happened, but I promise you will not want this final revelation spoiled for you in any way.
Ok, so during the last interview, Andrew Jarecki confronts Robert Durst with two letters with the same address handwritten on each, one written by Durst years previous and the other was written by the killer and sent into a police station to notify them of the location of a body. Beverly Hills is spelt wrong in each, it is spelt BEVERLEY on each and the handwriting is exceptionally similar, especially the letter N. Durst initially appears pretty unphased by the accusation and brushes it off, until Jarecki asks him to look at a sheet that has the two versions of the address blown up and placed side by side and he asks him to tell him what one he wrote and what one he didn't and Durst is unable to tell the difference. He then begins burping uncontrollably as if trying to supress vomiting. The interview ends and Jarecki thanks Durst for his time. Durst then goes to the bathroom, unaware that he is still wearing a live microphone and says:
"There it is, you're caught.
You're right of course, but you can't imagine...
Arrest him.
I don't know what's in the house.
Oh, I want this.
What a disaster.
He was right, I was wrong.
And the burping?
I'm having difficulty understanding the question.
What the hell did I do?
Killed them all, of course."
Holy shit, these filmmakers just stumbled into getting an accidental confession from a guy who has dodged the law since 1982. Not only that, but what was recorded actually sounds like two different people having a conversation, almost like Gollum and Sméagol from Lord Of The Rings. The recording is creepy, but extremely important and provides an absolutely captivating ending to this already brilliant story. I think that what we hear in the bathroom is two sides of Durst arguing about what has just transpired. The way that each line is like a comment and then a response and the way that his tone of voice changes from line to line. I will type up my interpretation of the conversation below showing what side of Durst said what.
Good Bob: There it is, you're caught.
Bad Bob: You're right of course, but you can't imagine...
Good Bob: Arrest him.
Bad Bob: I don't know what's in the house.
Good Bob: Oh, I want this.
Bad Bob: What a disaster.
Good Bob:He was right, I was wrong.
Bad Bob: And the burping?
Good Bob: I'm having difficulty understanding the question.
What the hell did I do?
Bad Bob: Killed them all, of course.
This is obviously pure conjecture, but it's how I see the conversation going in Durst's head. Whether this is proof of disassociation or multiple personality disorder, I don't know as I'm not a psychiatrist, all that I know is that it is absolutely fascinating to hear this play out in a real world situation and makes for an absolutely brilliant piece of TV.
Hazel (1853 KP) rated The Care and Management of Lies in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
British author Jacqueline Winspear states in the letter from the author at the front of the book that the idea for this novel came from a second hand copy of a book titled <i>The Woman’s Book</i> by Florence B Jack (1911) containing an inscription revealing that it was presented as a gift to a woman on her wedding day in July 1914. The story within </i>The Care and Management of Lies</i> is Winspear’s imaginings about who that woman was and what her life was like.
The book focuses primarily on four characters, the main being Kezia Brissenden née Marchant who receives the gift <i>The Woman’s Book</i> from a close friend, Dorothy “Thea”, who so happens to be the older sister of her new husband, Tom. The book was not a particularly kind gift as it emphasized Kezia’s upbringing and who, due to her father being a reverend and employer of maids and cooks, had never produced her own meal in her life nor had any experience with running a household, let alone a farm – her new home.
Whilst Kezia determinedly throws herself into her new role, showing her love for Tom through the food she learns to cook, Thea, living in London, is drifting away from their friendship. With the possibility of war on the horizon, Thea joins a pacifist movement, which is somewhat ironic as she was once involved with the suffragettes. On the other hand, once war is declared, Tom decides to enlist in the army as does neighbour, Edmund Hawkes, a man who is rather envious of Tom and his lovely wife. The reader receives two different perspectives of the terrors of war from these characters, but then also another, surprisingly, from Thea who rejects pacifism and goes out to France to help in anyway she can. This leaves Kezia at home alone with the effects the war has on Britain.
The love between Kezia and Tom is emphasized through the letters they send each other. Both are lying about their situations by trying to convince the other that they are better off than they really are. The thing that keeps them both going are Kezia’s descriptions of her fictional meals that she prepares for Tom’s dinner, describing in great detail the preparation and taste of the food.
Each chapter begins with a quote from <i>The Woman’s Book</i> (and later <i>Infantry Training</i> and <i>Field Service Pocket Book</i>) that relate to the particular events occurring in the story at that time. This is a great way of underlining the significance of that wedding present to the storyline.
The narrative quickly changes from character to character which, although helping to keep the pace of the novel, can sometimes be a little confusing. It also made it difficult to get into the story at the beginning. Sometimes it took a lot of concentration to follow the text and those with minds that easily wander may constantly find themselves suddenly reading from a different point of view without having noticed the change over.
Winspear’s grandfather was a soldier in the trenches during the Great War and so it seems likely that some of the scenes may be based on his experiences. If that is the case then it can be believed that <i>The Care and Management of Lies</i> is as accurate as can be in terms of the war and life on the front lines. Winspear also does not attempt to gloss over any of the war horrors, therefore does not create the unlikely “and they all lived happily ever after” ending that other writers of war stories have done in the past.
Those interested in war themes may be particularly interested in this book, especially as this year (2014) is the anniversary of the Great War. <i>The Care and Management of Lies</i> is a piece of literature to add to the mountain of media coverage of the commemoration of the war.
British author Jacqueline Winspear states in the letter from the author at the front of the book that the idea for this novel came from a second hand copy of a book titled <i>The Woman’s Book</i> by Florence B Jack (1911) containing an inscription revealing that it was presented as a gift to a woman on her wedding day in July 1914. The story within </i>The Care and Management of Lies</i> is Winspear’s imaginings about who that woman was and what her life was like.
The book focuses primarily on four characters, the main being Kezia Brissenden née Marchant who receives the gift <i>The Woman’s Book</i> from a close friend, Dorothy “Thea”, who so happens to be the older sister of her new husband, Tom. The book was not a particularly kind gift as it emphasized Kezia’s upbringing and who, due to her father being a reverend and employer of maids and cooks, had never produced her own meal in her life nor had any experience with running a household, let alone a farm – her new home.
Whilst Kezia determinedly throws herself into her new role, showing her love for Tom through the food she learns to cook, Thea, living in London, is drifting away from their friendship. With the possibility of war on the horizon, Thea joins a pacifist movement, which is somewhat ironic as she was once involved with the suffragettes. On the other hand, once war is declared, Tom decides to enlist in the army as does neighbour, Edmund Hawkes, a man who is rather envious of Tom and his lovely wife. The reader receives two different perspectives of the terrors of war from these characters, but then also another, surprisingly, from Thea who rejects pacifism and goes out to France to help in anyway she can. This leaves Kezia at home alone with the effects the war has on Britain.
The love between Kezia and Tom is emphasized through the letters they send each other. Both are lying about their situations by trying to convince the other that they are better off than they really are. The thing that keeps them both going are Kezia’s descriptions of her fictional meals that she prepares for Tom’s dinner, describing in great detail the preparation and taste of the food.
Each chapter begins with a quote from <i>The Woman’s Book</i> (and later <i>Infantry Training</i> and <i>Field Service Pocket Book</i>) that relate to the particular events occurring in the story at that time. This is a great way of underlining the significance of that wedding present to the storyline.
The narrative quickly changes from character to character which, although helping to keep the pace of the novel, can sometimes be a little confusing. It also made it difficult to get into the story at the beginning. Sometimes it took a lot of concentration to follow the text and those with minds that easily wander may constantly find themselves suddenly reading from a different point of view without having noticed the change over.
Winspear’s grandfather was a soldier in the trenches during the Great War and so it seems likely that some of the scenes may be based on his experiences. If that is the case then it can be believed that <i>The Care and Management of Lies</i> is as accurate as can be in terms of the war and life on the front lines. Winspear also does not attempt to gloss over any of the war horrors, therefore does not create the unlikely “and they all lived happily ever after” ending that other writers of war stories have done in the past.
Those interested in war themes may be particularly interested in this book, especially as this year (2014) is the anniversary of the Great War. <i>The Care and Management of Lies</i> is a piece of literature to add to the mountain of media coverage of the commemoration of the war.
Ivana A. | Diary of Difference (1171 KP) rated Chat Love in Books
Oct 2, 2020
I wanted to read this book immediately after reading the synopsis, and I was honoured when the author, Justine Faeth, approached me and sent me an ebook copy in exchange for an honest review.
The book synopsis is a very promising one. Lucia is having trouble finding a man. After a few disastrous dates, she chooses to follow her friend’s advice and tries Chat Love, an online dating service.
As promising as the synopsis sounds, this book didn’t quite deliver. With Chat Love, I found the whole setting of the book unrealistic. There is a nice background story and a great idea, but it hasn’t been properly executed.
Lucia is an Italian lady. She is a city girl and a business woman. She is searching for love. See, Lucia is under pressure by her Italian family to get married. And I can completely understand that pressure, being born in a country where I have met people with similar beliefs. Lucia’s family thinks that a woman is made to be a mother, and not have a career. They think that if you are thirty and you haven’t got a boyfriend yet, you are useless and unworthy.
And I completely agree with Lucia when she tries to stand up to them and tell them how it’s important for her to find a man she will really love, not just marry in order to please her family. In some scenes though, it appears as if she hates her family, and has very bad attitude towards them. I understand completely where her frustration comes from.
But then, on the other hand, we have a Lucia that is being a hypocrite.
And while this whole book seems like she is searching for her true love, when someone appears and cares about her, she is acting as if she’s not interested. Woman, WHAT DO YOU WANT? She wants true love, and she doesn’t want to be used as a one-night stand, which is completely acceptable. But going on a date with a man for the first time, and telling him you want to get serious is creepy. Even if that is your long-term goal, you DO NOT say it on the first date. It scares people away. It makes people think you are a creep.
Also, given the fact that the synopsis promises an online app, this left me disappointed. During this book, we don’t get to really see a single chat happen through this app. Apart from a few letters from Jake. Honestly, I expected a back and forth conversations with men before a date happens. In the book, we get to see Lucia dating a lot of men. I didn’t stop to count them, but there must’ve been around twenty dates. And all these men had something wrong with them. But she never screwed up.
I will be honest with you now, and you people need to be honest with yourselves. In your life, you will meet people, and some people will make you giggle. Others might make you gag. But sometimes, the reason for a bad date is you. I am only trying to be honest here. I have screwed up a few dates myself, and you must have done the same thing too. That’s life though. We have to move on and try not to blame others for our mistakes. I wish this been represented in this book.
I really wish I loved this book.
I have mixed feelings, because despite all, this book did make me think and bring up discussions with people around the various topics, from family beliefs, to being creepy on first dates, to finding out what you really like. In a summary, as much as I didn’t enjoy it, I also am grateful for this book, for bringing out a lot of things to think about.
If you love chick-lit and short romance funny novels, you might enjoy it. If you think any of this discussion points is intriguing, you might enjoy it. I would love to have a chat and see what you think of this book.
The book synopsis is a very promising one. Lucia is having trouble finding a man. After a few disastrous dates, she chooses to follow her friend’s advice and tries Chat Love, an online dating service.
As promising as the synopsis sounds, this book didn’t quite deliver. With Chat Love, I found the whole setting of the book unrealistic. There is a nice background story and a great idea, but it hasn’t been properly executed.
Lucia is an Italian lady. She is a city girl and a business woman. She is searching for love. See, Lucia is under pressure by her Italian family to get married. And I can completely understand that pressure, being born in a country where I have met people with similar beliefs. Lucia’s family thinks that a woman is made to be a mother, and not have a career. They think that if you are thirty and you haven’t got a boyfriend yet, you are useless and unworthy.
And I completely agree with Lucia when she tries to stand up to them and tell them how it’s important for her to find a man she will really love, not just marry in order to please her family. In some scenes though, it appears as if she hates her family, and has very bad attitude towards them. I understand completely where her frustration comes from.
But then, on the other hand, we have a Lucia that is being a hypocrite.
And while this whole book seems like she is searching for her true love, when someone appears and cares about her, she is acting as if she’s not interested. Woman, WHAT DO YOU WANT? She wants true love, and she doesn’t want to be used as a one-night stand, which is completely acceptable. But going on a date with a man for the first time, and telling him you want to get serious is creepy. Even if that is your long-term goal, you DO NOT say it on the first date. It scares people away. It makes people think you are a creep.
Also, given the fact that the synopsis promises an online app, this left me disappointed. During this book, we don’t get to really see a single chat happen through this app. Apart from a few letters from Jake. Honestly, I expected a back and forth conversations with men before a date happens. In the book, we get to see Lucia dating a lot of men. I didn’t stop to count them, but there must’ve been around twenty dates. And all these men had something wrong with them. But she never screwed up.
I will be honest with you now, and you people need to be honest with yourselves. In your life, you will meet people, and some people will make you giggle. Others might make you gag. But sometimes, the reason for a bad date is you. I am only trying to be honest here. I have screwed up a few dates myself, and you must have done the same thing too. That’s life though. We have to move on and try not to blame others for our mistakes. I wish this been represented in this book.
I really wish I loved this book.
I have mixed feelings, because despite all, this book did make me think and bring up discussions with people around the various topics, from family beliefs, to being creepy on first dates, to finding out what you really like. In a summary, as much as I didn’t enjoy it, I also am grateful for this book, for bringing out a lot of things to think about.
If you love chick-lit and short romance funny novels, you might enjoy it. If you think any of this discussion points is intriguing, you might enjoy it. I would love to have a chat and see what you think of this book.
Bob Mann (459 KP) rated Hacksaw Ridge (2016) in Movies
Sep 29, 2021
In God, and Doss, we Trust.
Those dreaded words – “Based On A True Story” – emerge again from the blackness of the opening page. Actually, no. In a move that could be considered arrogant if it wasn’t so well researched, here we even lose the first two words.
When a war film is described as being “visceral” then you know you need to steel yourself mentally for what you might see. But given that this film is based around the horrendously brutal combat between the Americans and the Japanese on the Pacific island of Okinawa in 1945 this is a warning well-founded. For the battle scenes in this film are reminiscent of the opening scenes of “Saving Private Ryan” in their brutality: long gone are the war films of John Wayne where there would be a shot, a grasp of the stomach and a casual descent to earth.
But before we get to the battle itself, the film has a leisurely hour of character building which is time well spent (although it could have perhaps been trimmed a tad tighter). Desmond Doss (Andrew Garfield, “The Amazing Spiderman”, “Never Let Me Go”) grows up a God-fearing youngster in the beautiful surroundings of the Blue Ridge Mountains of Virginia. His alcoholic father (Hugo Weaving, “The Lord of the Rings”, “The Matrix”) has been mentally traumatised by the First World War, further strengthening Desmond’s fervent belief in following the Ten Commandments; most notably “Thou Shalt Not Kill”. But his patriotic sense of duty is also strong, and Doss signs up after Pearl Harbor and is posted to a rifle brigade that – given his refusal to even touch a rifle – puts him on a collision course with the US Army. It also (obviously) disrupts his romance with nurse sweetheart Dorothy (Teresa Palmer).
This is really two films in one, with the first half setting up extremely well the characters that make the second half so effective. For you care – really care – for what happens to most of the characters involved, especially the zealous and determined Doss who has nothing to face the Japanese hoards with but a medical bag. The feelings that comes to top of mind are awe that these real people actually had to go through this horror and hope that in today’s increasingly unstable political world we will never need to again face such inhumanity of man against man again.
Andrew Garfield really carries this film, and his Best Actor Oscar nomination is well-deserved. He is perfectly cast as the (onward) Christian soldier. Also outstanding is Hugo Weaving in an emotional and persuasive role playing opposite Rachel Griffiths (“Saving Mr Banks”) his wife. But the real acting surprise here for me was Vince Vaughn (“The Wedding Crashers”) who plays the no-nonsense platoon Sergeant Howell: never one of my favourite actors, here he brings in a warm and nuanced performance that ends with a memorable action scene.
Also worthy of specific note is Dan Oliver (“Mad Max: Fury Road”) and his team of special effects technicians, the stunt teams (led by Kyle Gardiner and Mic Rodgers), production designer Barry Robinson and the hair and makeup team, all of who collaborate to make the final half of the film so gripping.
The film marks a comeback from the film society ‘naughty step’ of Mel Gibson after his much publicised fall from grace in the mid-noughties. A Best Director Oscar nomination would appear to cement that resurrection. For this is a phenomenal achievement in direction and one that should be applauded.
The film bears closest comparison with the interesting two-film combo from Clint Eastwood – “Flags of our Fathers” (from the American viewpoint) and “Letters from Iwo Jima” (from the Japanese viewpoint). While all three films share the same blood and guts quotient, with “Hacksaw Ridge” edging this award, the Eastwood films tend to have more emotional depth and a more thought-provoking treatment of the Japanese angle. In “Hacksaw Ridge”, while the war crimes of the Japanese are clear, the war crimes of the Americans are quietly cloaked behind a cryptic line (“They didn’t make it”).
That being said, there is no crime in a rollicking good story well told, and “Hacksaw Ridge” is certainly that. This was a film I did not have high hopes for. But I was surprised to be proved wrong. Recommended.
When a war film is described as being “visceral” then you know you need to steel yourself mentally for what you might see. But given that this film is based around the horrendously brutal combat between the Americans and the Japanese on the Pacific island of Okinawa in 1945 this is a warning well-founded. For the battle scenes in this film are reminiscent of the opening scenes of “Saving Private Ryan” in their brutality: long gone are the war films of John Wayne where there would be a shot, a grasp of the stomach and a casual descent to earth.
But before we get to the battle itself, the film has a leisurely hour of character building which is time well spent (although it could have perhaps been trimmed a tad tighter). Desmond Doss (Andrew Garfield, “The Amazing Spiderman”, “Never Let Me Go”) grows up a God-fearing youngster in the beautiful surroundings of the Blue Ridge Mountains of Virginia. His alcoholic father (Hugo Weaving, “The Lord of the Rings”, “The Matrix”) has been mentally traumatised by the First World War, further strengthening Desmond’s fervent belief in following the Ten Commandments; most notably “Thou Shalt Not Kill”. But his patriotic sense of duty is also strong, and Doss signs up after Pearl Harbor and is posted to a rifle brigade that – given his refusal to even touch a rifle – puts him on a collision course with the US Army. It also (obviously) disrupts his romance with nurse sweetheart Dorothy (Teresa Palmer).
This is really two films in one, with the first half setting up extremely well the characters that make the second half so effective. For you care – really care – for what happens to most of the characters involved, especially the zealous and determined Doss who has nothing to face the Japanese hoards with but a medical bag. The feelings that comes to top of mind are awe that these real people actually had to go through this horror and hope that in today’s increasingly unstable political world we will never need to again face such inhumanity of man against man again.
Andrew Garfield really carries this film, and his Best Actor Oscar nomination is well-deserved. He is perfectly cast as the (onward) Christian soldier. Also outstanding is Hugo Weaving in an emotional and persuasive role playing opposite Rachel Griffiths (“Saving Mr Banks”) his wife. But the real acting surprise here for me was Vince Vaughn (“The Wedding Crashers”) who plays the no-nonsense platoon Sergeant Howell: never one of my favourite actors, here he brings in a warm and nuanced performance that ends with a memorable action scene.
Also worthy of specific note is Dan Oliver (“Mad Max: Fury Road”) and his team of special effects technicians, the stunt teams (led by Kyle Gardiner and Mic Rodgers), production designer Barry Robinson and the hair and makeup team, all of who collaborate to make the final half of the film so gripping.
The film marks a comeback from the film society ‘naughty step’ of Mel Gibson after his much publicised fall from grace in the mid-noughties. A Best Director Oscar nomination would appear to cement that resurrection. For this is a phenomenal achievement in direction and one that should be applauded.
The film bears closest comparison with the interesting two-film combo from Clint Eastwood – “Flags of our Fathers” (from the American viewpoint) and “Letters from Iwo Jima” (from the Japanese viewpoint). While all three films share the same blood and guts quotient, with “Hacksaw Ridge” edging this award, the Eastwood films tend to have more emotional depth and a more thought-provoking treatment of the Japanese angle. In “Hacksaw Ridge”, while the war crimes of the Japanese are clear, the war crimes of the Americans are quietly cloaked behind a cryptic line (“They didn’t make it”).
That being said, there is no crime in a rollicking good story well told, and “Hacksaw Ridge” is certainly that. This was a film I did not have high hopes for. But I was surprised to be proved wrong. Recommended.
Kristy H (1252 KP) rated Before I Let Go in Books
Jan 5, 2018
Easy to read (1 more)
Honest portrayal of mental illness
Lacks full character development (1 more)
Difficult to discern full point
Quick read that falls a little short
When Corey gets the call that her best friend, Kyra, has passed away--falling under the ice in their frigid hometown of Lost Creek, Alaska--she is devastated. Corey has been gone from Lost, as it's known, away at boarding school, corresponding with Kyra only via letters. She was due to visit in a few days and now her best friend is gone. Lost always shunned Kyra because she was bipolar and had maniac episodes. The small, insulated town couldn't understand Kyra's highs and lows. She stood out too much in a place where being different was wrong. But the seven months that Corey's been away has been long enough for the town of Lost to turn on her and now deem her an outsider. Since Corey's departure, Lost has suddenly embraced Kyra, though Corey isn't sure why. Even worse, they are calling Kyra's death meant to be, her time. They've rallied around in her death and they want nothing to do with Corey. Kyra always said she would wait for Corey to return: why didn't she?
I definitely have some mixed feelings about this one. It's billed as a YA mystery, and I can see its drama appealing more to teens, perhaps, but I could never really fully tell what the book was truly about or what it was trying to be. It has weird unexplained mystical elements thrown in--think Carol Goodman or Jennifer McMahon, but they aren't fully fleshed out or well-explained. I believe the intent is to slowly build up suspense and creep you out, but they don't slowly build up (they sort of start out full force and stay there, or almost trickle away... it's hard to explain) and they never really seem to have a purpose. So it's just one element of the book that leaves you hanging. The ending, too, leaves you with little closure.
The novel is told mainly from Corey's perspective, but we also get weird snippets told as if in a play format (like we're hearing from the town), but those aren't fully formed either. It's very strange. I liked Corey, but she comes in angry at her town and we don't get a lot of explanation into her character or real background into her friendship with Kyra, despite being assured that they were best friends up until Corey left.
It's sad, because I was really drawn to the character of Kyra (you get flashbacks to the girls' friendship and life before Kyra's death). I thought the book did a fairly good job of portraying mental illness and honestly Kyra--despite her death--seemed to be the most fully formed character in many ways. She implores Corey not to fix her, that she's not a puzzle to solve, and she discusses her manic spells in a very mature and very thoughtful way. It's one of the reasons that I'm keeping a three-star rating for this one; I'm hoping the portrayal of her illness can help and inform others.
There are also a variety of relationships portrayed in the novel--albeit, I thought, rather superficially--lesbian, pansexual, asexual, gay, etc. I wouldn't say any relationship is at all fully delved into, but I appreciate that Nijkamp at least wanted to try to be representative with her characters.
The other thing is that Nijkamp's books are just so darn easy to read. I remember that about This Is Where It Ends, too. I read almost this entire novel in one setting. Her writing draws you in so easily, even if you don't always agree with what you're reading, or if you wish for more character development. You could pick this up and fly through it in a day.
In the end, this certainly wasn't what I expected. The strange mystical elements seemed out of place and they, along with most of the characters, weren't really fleshed out. I was a fan of how easy the story was to read and the mental illness portrayal, though, as well as how easy the story was to read. I was drawn to the character of Kyra and wished I could have learned even more about her. The story was compelling and Nijkamp did an excellent job making you feel the cold of the Alaskan setting and the similar coldness of the townspeople. At the same time, while I could certainly see a small town being incredibly close-minded (and they were), some of the other plot points seemed a little overboard. A quick read, especially for teens.
I definitely have some mixed feelings about this one. It's billed as a YA mystery, and I can see its drama appealing more to teens, perhaps, but I could never really fully tell what the book was truly about or what it was trying to be. It has weird unexplained mystical elements thrown in--think Carol Goodman or Jennifer McMahon, but they aren't fully fleshed out or well-explained. I believe the intent is to slowly build up suspense and creep you out, but they don't slowly build up (they sort of start out full force and stay there, or almost trickle away... it's hard to explain) and they never really seem to have a purpose. So it's just one element of the book that leaves you hanging. The ending, too, leaves you with little closure.
The novel is told mainly from Corey's perspective, but we also get weird snippets told as if in a play format (like we're hearing from the town), but those aren't fully formed either. It's very strange. I liked Corey, but she comes in angry at her town and we don't get a lot of explanation into her character or real background into her friendship with Kyra, despite being assured that they were best friends up until Corey left.
It's sad, because I was really drawn to the character of Kyra (you get flashbacks to the girls' friendship and life before Kyra's death). I thought the book did a fairly good job of portraying mental illness and honestly Kyra--despite her death--seemed to be the most fully formed character in many ways. She implores Corey not to fix her, that she's not a puzzle to solve, and she discusses her manic spells in a very mature and very thoughtful way. It's one of the reasons that I'm keeping a three-star rating for this one; I'm hoping the portrayal of her illness can help and inform others.
There are also a variety of relationships portrayed in the novel--albeit, I thought, rather superficially--lesbian, pansexual, asexual, gay, etc. I wouldn't say any relationship is at all fully delved into, but I appreciate that Nijkamp at least wanted to try to be representative with her characters.
The other thing is that Nijkamp's books are just so darn easy to read. I remember that about This Is Where It Ends, too. I read almost this entire novel in one setting. Her writing draws you in so easily, even if you don't always agree with what you're reading, or if you wish for more character development. You could pick this up and fly through it in a day.
In the end, this certainly wasn't what I expected. The strange mystical elements seemed out of place and they, along with most of the characters, weren't really fleshed out. I was a fan of how easy the story was to read and the mental illness portrayal, though, as well as how easy the story was to read. I was drawn to the character of Kyra and wished I could have learned even more about her. The story was compelling and Nijkamp did an excellent job making you feel the cold of the Alaskan setting and the similar coldness of the townspeople. At the same time, while I could certainly see a small town being incredibly close-minded (and they were), some of the other plot points seemed a little overboard. A quick read, especially for teens.
Chris Sawin (602 KP) rated Zombieland (2009) in Movies
Jun 22, 2019
Columbus is a loner in every sense of the word. He usually spent his nights indoors playing World of Warcraft, so it's safe to say he probably didn't get out much. He wasn't even all that close to his family. So when the zombie apocalypse finally began to spread across the globe, Columbus already had an advantage over the majority of the population. In addition to that, Columbus had a lot of weird phobias (like clowns and those wet towels they use to wipe down tables at big restaurants). As his experience with the undead grew, so did his list of rules on how to survive in Zombieland. Columbus is on his way to Ohio, where his parents reside, hoping that by some miracle they're still alive. Before he can get very far, he runs into the first human face he's seen since the outbreak, Tallahassee. Tallahassee seems to be fearless, lives life in the moment, and worries about consequences later. His hatred for zombies bleeds through so much that his zombie killing ways are practically down to a fine art. What starts out as a potential ride to get him to his final destination could wind up being everything Columbus has ever wanted and that's a family that he feels comfortable with.
Zombieland somehow managed to breathe life into an aspect of horror I thought dried up along with George A. Romero's career and that's zombies. What started out as a fairly fresh idea has been milked dry with every situation going in every possibly way you could think of. You know Zombieland is going to be a bit different as soon as the movie begins. Columbus does a rundown of some of the most important rules he's learned while living in Zombieland leading up to the credits playing over slow-motion scenes of people being chased and eaten by zombies with "For Whom the Bell Tolls" by Metallica playing the entire time. The cinematography and the way the characters on screen interact with the letters in the opening credits is incredible. Blood splattering on the screen, glass shattering, and the way everything seems to be jumping out at you. To be honest, it's probably one of my favorite openings to any film ever.
Jesse Eisenberg's character Columbus immediately made me think of Michael Cera when I first saw the trailer. It's a role that's so similar to the roles he's played in the past and I found it kinda funny that a new trailer of Cera's was attached to this film. After that first reaction though, it didn't really bother me. In fact, the entire cast does an incredible job with the roles they play. Woody Harrelson is fantastic and steals a good portion of scenes as Tallahassee. With everything else going on, Tallahassee is on this quest to find a Twinkie and it's pretty hilarious watching him lose it whenever he can't find them. Emma Stone and Abigail Breslin as Wichita and Little Rock add more to the film when they're acting as a sisterly team rather than when they have scenes separately later on. Their cons are pretty spectacular and priceless in execution.
One of the most interesting factors of the film was something that made its way online two weeks before the film was even released. Zombieland originally started as a TV pilot. Before the cast we're familiar with now was set, Patrick Swayze was going to cameo as a zombie and there were several moments paying homage to Ghost that just sounded amazing and comical. They actually had several people in mind to cameo in the film. The actor they wound up going with is wonderful in their own right, gets plenty of screen time, and manages to steal quite a few laughs, but the Patrick Swayze zombie would've been just as good if not a bit better considering the circumstances.
The finale of the film that takes place in an amusement park is one of the best closing sequences to a zombie film ever. It's surprising no other zombie film has gone that route. The way the rides and carnival attractions are incorporated into zombie execution is marvelous in itself.
Zombieland is witty horror entertainment with a great cast and clever cinematography. A roller coaster ride you immediately want to ride again as soon as its over. What's surprising is it might just wind up being the best all around horror film to come out this year. As the tagline says, I strongly urge each and every one of you to "nut up or shut up."
Zombieland somehow managed to breathe life into an aspect of horror I thought dried up along with George A. Romero's career and that's zombies. What started out as a fairly fresh idea has been milked dry with every situation going in every possibly way you could think of. You know Zombieland is going to be a bit different as soon as the movie begins. Columbus does a rundown of some of the most important rules he's learned while living in Zombieland leading up to the credits playing over slow-motion scenes of people being chased and eaten by zombies with "For Whom the Bell Tolls" by Metallica playing the entire time. The cinematography and the way the characters on screen interact with the letters in the opening credits is incredible. Blood splattering on the screen, glass shattering, and the way everything seems to be jumping out at you. To be honest, it's probably one of my favorite openings to any film ever.
Jesse Eisenberg's character Columbus immediately made me think of Michael Cera when I first saw the trailer. It's a role that's so similar to the roles he's played in the past and I found it kinda funny that a new trailer of Cera's was attached to this film. After that first reaction though, it didn't really bother me. In fact, the entire cast does an incredible job with the roles they play. Woody Harrelson is fantastic and steals a good portion of scenes as Tallahassee. With everything else going on, Tallahassee is on this quest to find a Twinkie and it's pretty hilarious watching him lose it whenever he can't find them. Emma Stone and Abigail Breslin as Wichita and Little Rock add more to the film when they're acting as a sisterly team rather than when they have scenes separately later on. Their cons are pretty spectacular and priceless in execution.
One of the most interesting factors of the film was something that made its way online two weeks before the film was even released. Zombieland originally started as a TV pilot. Before the cast we're familiar with now was set, Patrick Swayze was going to cameo as a zombie and there were several moments paying homage to Ghost that just sounded amazing and comical. They actually had several people in mind to cameo in the film. The actor they wound up going with is wonderful in their own right, gets plenty of screen time, and manages to steal quite a few laughs, but the Patrick Swayze zombie would've been just as good if not a bit better considering the circumstances.
The finale of the film that takes place in an amusement park is one of the best closing sequences to a zombie film ever. It's surprising no other zombie film has gone that route. The way the rides and carnival attractions are incorporated into zombie execution is marvelous in itself.
Zombieland is witty horror entertainment with a great cast and clever cinematography. A roller coaster ride you immediately want to ride again as soon as its over. What's surprising is it might just wind up being the best all around horror film to come out this year. As the tagline says, I strongly urge each and every one of you to "nut up or shut up."
Ivana A. | Diary of Difference (1171 KP) rated Dear Edward in Books
Feb 3, 2020
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<b><i>Dear Edward by Ann Napolitano is one of the few books that instantly captures your heart, then shatters it into hundred pieces and teaches you many life lessons at the same time.</i></b>
"A reporter holds up a copy of The New York Times to a camera, to show a huge block headline, the kind normally reserved for presidential elections and moonwalks. It reads:
191 DIE IN PLANE CRASH; 1 SURVIVOR
The relatives have only one question when the press briefing comes to close; they all lean toward it like a window in a dark room:
"How is the boy?"</i>
Dear Edward features a boy called Edward, who is flying with his family to move across states. This is their chance of a new life, a brand new start. When the plane crashes, he is the only survivor.
The author tells the story through two different timelines; during the flight and after the plane crash. We follow Edward's life and how he is coping with the loss of everything he knew. We also see how he is struggling to cope with the unwanted celebrity title he has now.
I have always been intrigued by planes and plane crashes. I used to watch every single episode of the documentary on Discovery Channel back in the days. And today, I like to listen to the Plane Crash Podcast by Michael Bauer. I have had some bad experiences while flying, and have always wanted to understand what exactly happens when a plane crashes, and what aviation does to prevent this from happening in the future. This book contains amazing details about the crash, and my hidden mystery person inside me was deeply satisfied by all those pilot dialogues and explanations.
Edward's grief and growing up journey is so painful. He survived, but everyone he loved and cared about in his life died. He is lucky to have survived, but why does he then feel guilty? Why did he swap places with his brother on the flight? If they didn't - his brother would still be alive now. The brother relationship was written so perfectly. The love and the bond they shared for each other was so strong.
Despite the fact that Edward is the main character in this story, we also get to meet so many other characters, the people who lost their lives in the crash. Through flashbacks and "during flight" scenes, as well as encounters from their families, we get to see all the wishes that will never come through, all the hopes and dreams buried under the plane ash.
And that is why Edward's journey is so difficult. He doesn't have to only carry to guilt for his own family, but all those other lives as well. Edward receives letters from the families asking him to do all these things that these people would do. He is asked to become a musician, a doctor, a teacher, to travel around the world, learn knitting, etc, and Edward feels obligated to do all of these things, to give peace to the families.
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<b><i>I knew this book would stay with me forever from the moment I started reading the first few pages. It is so harshly real and painful, but what it does it remind us how every day is special and we should be thankful for it! We may not get a tomorrow, but that's why we have today. Let's make the best of it!</i></b>
Thank you to the team at Penguin Random House for sending me a copy of this book in exchange for my honest review. Also thank you to the team at LoveReading UK, for allowing me to be their Super Ambassador of this book for the month of November.
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<b><i>Dear Edward by Ann Napolitano is one of the few books that instantly captures your heart, then shatters it into hundred pieces and teaches you many life lessons at the same time.</i></b>
"A reporter holds up a copy of The New York Times to a camera, to show a huge block headline, the kind normally reserved for presidential elections and moonwalks. It reads:
191 DIE IN PLANE CRASH; 1 SURVIVOR
The relatives have only one question when the press briefing comes to close; they all lean toward it like a window in a dark room:
"How is the boy?"</i>
Dear Edward features a boy called Edward, who is flying with his family to move across states. This is their chance of a new life, a brand new start. When the plane crashes, he is the only survivor.
The author tells the story through two different timelines; during the flight and after the plane crash. We follow Edward's life and how he is coping with the loss of everything he knew. We also see how he is struggling to cope with the unwanted celebrity title he has now.
I have always been intrigued by planes and plane crashes. I used to watch every single episode of the documentary on Discovery Channel back in the days. And today, I like to listen to the Plane Crash Podcast by Michael Bauer. I have had some bad experiences while flying, and have always wanted to understand what exactly happens when a plane crashes, and what aviation does to prevent this from happening in the future. This book contains amazing details about the crash, and my hidden mystery person inside me was deeply satisfied by all those pilot dialogues and explanations.
Edward's grief and growing up journey is so painful. He survived, but everyone he loved and cared about in his life died. He is lucky to have survived, but why does he then feel guilty? Why did he swap places with his brother on the flight? If they didn't - his brother would still be alive now. The brother relationship was written so perfectly. The love and the bond they shared for each other was so strong.
Despite the fact that Edward is the main character in this story, we also get to meet so many other characters, the people who lost their lives in the crash. Through flashbacks and "during flight" scenes, as well as encounters from their families, we get to see all the wishes that will never come through, all the hopes and dreams buried under the plane ash.
And that is why Edward's journey is so difficult. He doesn't have to only carry to guilt for his own family, but all those other lives as well. Edward receives letters from the families asking him to do all these things that these people would do. He is asked to become a musician, a doctor, a teacher, to travel around the world, learn knitting, etc, and Edward feels obligated to do all of these things, to give peace to the families.
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<b><i>I knew this book would stay with me forever from the moment I started reading the first few pages. It is so harshly real and painful, but what it does it remind us how every day is special and we should be thankful for it! We may not get a tomorrow, but that's why we have today. Let's make the best of it!</i></b>
Thank you to the team at Penguin Random House for sending me a copy of this book in exchange for my honest review. Also thank you to the team at LoveReading UK, for allowing me to be their Super Ambassador of this book for the month of November.
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