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Heather Cranmer (2721 KP) rated Dollhouse (Dark Carousel #1) in Books
Oct 29, 2020
I had been in a book funk for awhile, so when someone recommended Dollhouse by Anya Allyn, I thought I'd give it a try. It seemed right up my alley, and luckily, I wasn't disappointed!
I loved the plot of Dollhouse! Cassie, Evan, Aisha, and Lacey are all friends from school. One day they venture out in the forest. Aisha leaves the group and ventures further into the forest. The three others look for Aisha, but it's like she's vanished. With the cops not being able to find Aisha and Evan being accused of her disappearance, Lacy, Evan, and Cassie go back to the forest to look for her. They find a huge mansion and decide to go in it to search for Aisha. However, what they find is a secret passage that leads into a real life dollhouse where the girls are all forced to look like dolls to appease Jessamine, the leader of the dolls and toys. Getting in was easy, but getting out will be the hard part.
The world building was done beautifully. I felt like I was right there beside each character as the plot unfolded as well as the emotions each character would feel. While the book started out slow, it wasn't long before the action quickly picked up, and I couldn't wait to find out what happened next. There were a couple of times where the pacing became a bit too quick during the action unfolding where I felt a bit lost with what was going on, but the pacing quickly corrected itself. There are a few plot twists that I never saw coming, and there are a few that are semi-predictable. However, I enjoyed everything as well as trying to figure out what was going on. I feel that Dollhouse could be read as a standalone, but as it's a series, it's best to read all the books in the Dark Carousel series if you need one hundred percent closure and more back story.
I loved each and every character featured in Dollhouse. Each character had enough backstory to be fleshed out very well. I believe every character also acted their appropriate age. Cassie was such a strong lead character, and I admired her tenacity to do whatever it took to find a way out. Her loyalty to her friends was noble, and her resolve to not give up was an inspiration. Evan was another character that had the same traits as Cassie. He wanted to protect the girls and didn't care what would happen to himself. I wouldn't say he was reckless though. Missouri and Philly were my favorite characters even though they weren't the main ones. Missouri wanted to protect everyone, and I loved how much of a mother figure she was to little Philly. Jessamine was an awesome antagonist. I loved reading about her so much, and I also loved trying to figure out her backstory. (The bulk of Jessamine's backstory is featured in the second book of the series, Paper Dolls.) There were times when I actually felt sorry for Jessamine, but she was quite selfish. I would have loved to learn more about how Donovan (the man who lived in the mansion the living dollhouse was in) fits into the whole narrative, but perhaps that will be explained throughout the rest of the series. Another thing I really loved about Dollhouse was that the stuffed animals and the wooden clown came to life and were beyond life sized. I felt that was a pretty awesome (and spooky) touch.
Trigger warnings for Dollhouse include fear, kidnapping, some violence, ghosts, druggings, death, and murder.
Overall, Dollhouse was a fantastic fast-paced read that I didn't want to put down. Once the pacing picks up, it's easy to devour in just one setting with its fantastic cast of characters and great narrative. I would definitely recommend Dollhouse by Anya Allyn to those aged 14 and older who love to get lost in a spooky well written story.
I loved the plot of Dollhouse! Cassie, Evan, Aisha, and Lacey are all friends from school. One day they venture out in the forest. Aisha leaves the group and ventures further into the forest. The three others look for Aisha, but it's like she's vanished. With the cops not being able to find Aisha and Evan being accused of her disappearance, Lacy, Evan, and Cassie go back to the forest to look for her. They find a huge mansion and decide to go in it to search for Aisha. However, what they find is a secret passage that leads into a real life dollhouse where the girls are all forced to look like dolls to appease Jessamine, the leader of the dolls and toys. Getting in was easy, but getting out will be the hard part.
The world building was done beautifully. I felt like I was right there beside each character as the plot unfolded as well as the emotions each character would feel. While the book started out slow, it wasn't long before the action quickly picked up, and I couldn't wait to find out what happened next. There were a couple of times where the pacing became a bit too quick during the action unfolding where I felt a bit lost with what was going on, but the pacing quickly corrected itself. There are a few plot twists that I never saw coming, and there are a few that are semi-predictable. However, I enjoyed everything as well as trying to figure out what was going on. I feel that Dollhouse could be read as a standalone, but as it's a series, it's best to read all the books in the Dark Carousel series if you need one hundred percent closure and more back story.
I loved each and every character featured in Dollhouse. Each character had enough backstory to be fleshed out very well. I believe every character also acted their appropriate age. Cassie was such a strong lead character, and I admired her tenacity to do whatever it took to find a way out. Her loyalty to her friends was noble, and her resolve to not give up was an inspiration. Evan was another character that had the same traits as Cassie. He wanted to protect the girls and didn't care what would happen to himself. I wouldn't say he was reckless though. Missouri and Philly were my favorite characters even though they weren't the main ones. Missouri wanted to protect everyone, and I loved how much of a mother figure she was to little Philly. Jessamine was an awesome antagonist. I loved reading about her so much, and I also loved trying to figure out her backstory. (The bulk of Jessamine's backstory is featured in the second book of the series, Paper Dolls.) There were times when I actually felt sorry for Jessamine, but she was quite selfish. I would have loved to learn more about how Donovan (the man who lived in the mansion the living dollhouse was in) fits into the whole narrative, but perhaps that will be explained throughout the rest of the series. Another thing I really loved about Dollhouse was that the stuffed animals and the wooden clown came to life and were beyond life sized. I felt that was a pretty awesome (and spooky) touch.
Trigger warnings for Dollhouse include fear, kidnapping, some violence, ghosts, druggings, death, and murder.
Overall, Dollhouse was a fantastic fast-paced read that I didn't want to put down. Once the pacing picks up, it's easy to devour in just one setting with its fantastic cast of characters and great narrative. I would definitely recommend Dollhouse by Anya Allyn to those aged 14 and older who love to get lost in a spooky well written story.
Eleanor Luhar (47 KP) rated Nothing Tastes as Good in Books
Jun 24, 2019
I happened to see this book by chance, in my local library. I was drawn to it because it's cover, it's title - I'm anorexic, and I happen to be drawn to things relating to mental health. It doesn't expressly say on it that it's about anorexia, but the cover made it pretty obvious to me. A warning to anyone that wants to read it: it's hard. If you suffer from something like this, like me, then you will probably have difficulty reading something so close to home. Especially if you're recovering. But it gets better. (I mean the book; I'm not using that "life gets better" crap.)
So Annabel is dead. I'm studying The Lovely Bones at school so the whole beyond-death narration isn't that special to me now. But Hennessy does it pretty differently to Sebold.
We don't know much about Annabel, not at first. But we begin to learn about her while she helps her assigned "soul-in-need" - The Boss (definitely not God) has promised her a final communication with her family if she helps Julia. And this looks easy, at first - Julia is from Annabel's old school, with a loving family and good grades. Everything is fine, except she's fat. Annabel thinks this should be easy - after all, she's an expert in weight loss. She lost weight until she died.
But Annabel soon finds out that Julia's issues are a whole lot more complex than her weight. At first, losing weight helps. But then her old scars come back to haunt her, and Annabel realises that maybe losing weight isn't going to fix all her problems.
Aside from the obvious issue, this book does talk about a lot of important topics. It covers friendships and relationships, like most YA novels do, but it also combats ideas on feminism, affairs with older men, and people all having their own hidden demons.
At first, I wasn't keen on Annabel. I wanted to like her - I felt I should, because I could relate to her story so much. But she was a bitch. She wanted other people to be like her, and rather than encouraging recovery and health and happiness, she shared tipped on weight loss. It really did hurt to read. Her ideas on "perfection" and being weak for eating just really hit a nerve for me. Not because it was wrong (though I'd never encourage an eating disorder in someone else), but because it's exactly how I'd think about myself. Her behaviours, her worries, her anger - they were so real.
But Annabel, despite being dead, grows alongside Julia. Yes, she tells Julia to starve herself and run on an empty stomach and hate herself, but eventually she starts to feel for her. She wants Julia to combat her issues, to actually be happy. And she realises, despite having been so upset with her old friends for recovering, that maybe she wasted her life. Maybe she could have been something more, rather than striving to be less.
I found this really emotional. Annabel's love for her sister, the sister she neglected for years while she was focused on her goals, and the future she cut short. The way Julia's life changed when her passion for writing and journalism was overtaken by her obsession with food, calories, exercise. It's so real and so sad. And the ending isn't "happily ever after" - Annabel's still dead, Julia's in counselling - but it's real. It gives hope that things can change, that Julia can really achieve happiness.
At first, I didn't like this that much. I know Annabel is just a character, but I just didn't like her. She was one of those girls that makes anorexia sound like a choice, a lifestyle, and I hated that. But later she realises she is sick, and I actually felt sorry for her. I was sorry that she had been brainwashed by her illness into believing she was doing what was right.
The only reason I'm giving just 4.5 stars to this book is because Annabel was a bitch. Yes, she is a character, and yes, she grows considerably throughout the novel, but her encouragement of EDs just drove me insane. Personal pet peeve, I guess.
So Annabel is dead. I'm studying The Lovely Bones at school so the whole beyond-death narration isn't that special to me now. But Hennessy does it pretty differently to Sebold.
We don't know much about Annabel, not at first. But we begin to learn about her while she helps her assigned "soul-in-need" - The Boss (definitely not God) has promised her a final communication with her family if she helps Julia. And this looks easy, at first - Julia is from Annabel's old school, with a loving family and good grades. Everything is fine, except she's fat. Annabel thinks this should be easy - after all, she's an expert in weight loss. She lost weight until she died.
But Annabel soon finds out that Julia's issues are a whole lot more complex than her weight. At first, losing weight helps. But then her old scars come back to haunt her, and Annabel realises that maybe losing weight isn't going to fix all her problems.
Aside from the obvious issue, this book does talk about a lot of important topics. It covers friendships and relationships, like most YA novels do, but it also combats ideas on feminism, affairs with older men, and people all having their own hidden demons.
At first, I wasn't keen on Annabel. I wanted to like her - I felt I should, because I could relate to her story so much. But she was a bitch. She wanted other people to be like her, and rather than encouraging recovery and health and happiness, she shared tipped on weight loss. It really did hurt to read. Her ideas on "perfection" and being weak for eating just really hit a nerve for me. Not because it was wrong (though I'd never encourage an eating disorder in someone else), but because it's exactly how I'd think about myself. Her behaviours, her worries, her anger - they were so real.
But Annabel, despite being dead, grows alongside Julia. Yes, she tells Julia to starve herself and run on an empty stomach and hate herself, but eventually she starts to feel for her. She wants Julia to combat her issues, to actually be happy. And she realises, despite having been so upset with her old friends for recovering, that maybe she wasted her life. Maybe she could have been something more, rather than striving to be less.
I found this really emotional. Annabel's love for her sister, the sister she neglected for years while she was focused on her goals, and the future she cut short. The way Julia's life changed when her passion for writing and journalism was overtaken by her obsession with food, calories, exercise. It's so real and so sad. And the ending isn't "happily ever after" - Annabel's still dead, Julia's in counselling - but it's real. It gives hope that things can change, that Julia can really achieve happiness.
At first, I didn't like this that much. I know Annabel is just a character, but I just didn't like her. She was one of those girls that makes anorexia sound like a choice, a lifestyle, and I hated that. But later she realises she is sick, and I actually felt sorry for her. I was sorry that she had been brainwashed by her illness into believing she was doing what was right.
The only reason I'm giving just 4.5 stars to this book is because Annabel was a bitch. Yes, she is a character, and yes, she grows considerably throughout the novel, but her encouragement of EDs just drove me insane. Personal pet peeve, I guess.
Joe Kline (10 KP) rated Beetlejuice (1988) in Movies
Dec 9, 2017
The style of Tim Burton makes this movie amazing visually (3 more)
Michael Keaton creates one of the funniest ghosts of all time
The score by Danny Elfman is phenomenal
Still unique after all these years
Some of the stop motion effects may turn off certain people (1 more)
Although originally rated PG it would easily be a PG13 by modern standards
80's Classic with Timeless Appeal
This is a movie about a young couple's struggle to cope with life, or rather their lack there of. The Maitlands discover that death is just the beginning and the living can be a nuisance.
Trouble is on the horizon as a yuppie couple and their terminally dismal daughter Lydia move in. The rustic country house is soon renovated into a warped view of abstract modernism. The Maitlands are unable to scare off the invaders. In a moment of desperation they respond to an erie advertisement by calling Beetlejuice, Beetlejuice, Beetlejuice.
After awakening this audacious spirit they soon realise why the other ghosts had warned against him. He is crass and crude and has no boundaries. However the Maitlands discover that putting this genie back in the bottle will not be easy.
Chaos ensues when Beetlejuice goes overboard and makes the family right back. Lydia, who has befriended the Maitlands, is caught in the middle.
This is one of my favorite movies of all time. It's a funny, quirky take on the afterlife. Tim Burton's signature style makes the world beyond both creepy and intriguing. It's paired perfectly with a brilliant score by Danny Elfman.
This is easily one of Michael Keaton best performances. Beetlejuice is the perfect villain that you love to hate, and you hate that you love. Every character is perfectly cast.
There are some negatives, but they're mostly nit-picks. This movie was PG when it came out, but some of the language and humor would easily make it a PG13 today. Some of the stop motion effects may look cheesey to some, although personally I love them. Finally, the eighties modern stylings of the Deets family may date the movie for some.
I cannot recommend this movie enough. If you love dark humor and the visual flare of Tim Burton you owe it to yourself to see this movie.
One final warning: The song Day-O will be stuck in your head for days.
Trouble is on the horizon as a yuppie couple and their terminally dismal daughter Lydia move in. The rustic country house is soon renovated into a warped view of abstract modernism. The Maitlands are unable to scare off the invaders. In a moment of desperation they respond to an erie advertisement by calling Beetlejuice, Beetlejuice, Beetlejuice.
After awakening this audacious spirit they soon realise why the other ghosts had warned against him. He is crass and crude and has no boundaries. However the Maitlands discover that putting this genie back in the bottle will not be easy.
Chaos ensues when Beetlejuice goes overboard and makes the family right back. Lydia, who has befriended the Maitlands, is caught in the middle.
This is one of my favorite movies of all time. It's a funny, quirky take on the afterlife. Tim Burton's signature style makes the world beyond both creepy and intriguing. It's paired perfectly with a brilliant score by Danny Elfman.
This is easily one of Michael Keaton best performances. Beetlejuice is the perfect villain that you love to hate, and you hate that you love. Every character is perfectly cast.
There are some negatives, but they're mostly nit-picks. This movie was PG when it came out, but some of the language and humor would easily make it a PG13 today. Some of the stop motion effects may look cheesey to some, although personally I love them. Finally, the eighties modern stylings of the Deets family may date the movie for some.
I cannot recommend this movie enough. If you love dark humor and the visual flare of Tim Burton you owe it to yourself to see this movie.
One final warning: The song Day-O will be stuck in your head for days.
Daniel Boyd (1066 KP) rated Game Of Thrones - Season 7 in TV
Sep 5, 2017
Inconsistent characters (2 more)
Lazy writing
Huge plot holes
Who Wrote This?
Contains spoilers, click to show
Full disclosure, I wasn't a huge GoT fan to begin with, but this season takes the cake for the amount of nonsense it expected the viewer to accept without question. The show is ahead of the books at this point, so its no longer based on George RR Martin's books and it shows.
From this point on, I will be spoiling the events of the season, so if you haven't seen it and you care about spoilers, look away now.
If you are looking for a drinking game to play this season, drink every time Danyres is an entitled brat, drink every time Bran says something pretentious, drink every time John mentions the white walkers and drink when Tyrion screws up and I guarantee you that you won't be able to stand up by the end of the season.
There were two things in particular that got under my skin this season. First of all Littlefinger, (the supposed 'smartest character in the show,') got outsmarted by Arya and Sansa? Are you kidding? His death was so unsatisfying and ridiculous and in past seasons that character would have never have been stupid enough to get himself into that situation without working out a way to get himself away with his life.
The second thing is Bran. You can't have an all knowing character that doesn't know things. How is it that Sam has to be the one to tell Bran about John's parents being married when he was born? I've heard the excuse made that Bran has to choose to go to a period in history in order to see what happened at that time, but we have seen that he was back there last season when John was born in that tower! Also, why didn't he inform his brother that the Night King had a dragon, as soon as it happened? I realise that Bran is in Winterfell and John is with Danyres, but in the last episode, John sends Bran a note via carrier pigeon, so why couldn't he have sent one to John? Why didn't Bran see that Cersei was going to betray John and Danyres? If in the next season John and Dany are surprised when Cersei doesn't back them, then the writing for this show has well and truly fell off a cliff.
From this point on, I will be spoiling the events of the season, so if you haven't seen it and you care about spoilers, look away now.
If you are looking for a drinking game to play this season, drink every time Danyres is an entitled brat, drink every time Bran says something pretentious, drink every time John mentions the white walkers and drink when Tyrion screws up and I guarantee you that you won't be able to stand up by the end of the season.
There were two things in particular that got under my skin this season. First of all Littlefinger, (the supposed 'smartest character in the show,') got outsmarted by Arya and Sansa? Are you kidding? His death was so unsatisfying and ridiculous and in past seasons that character would have never have been stupid enough to get himself into that situation without working out a way to get himself away with his life.
The second thing is Bran. You can't have an all knowing character that doesn't know things. How is it that Sam has to be the one to tell Bran about John's parents being married when he was born? I've heard the excuse made that Bran has to choose to go to a period in history in order to see what happened at that time, but we have seen that he was back there last season when John was born in that tower! Also, why didn't he inform his brother that the Night King had a dragon, as soon as it happened? I realise that Bran is in Winterfell and John is with Danyres, but in the last episode, John sends Bran a note via carrier pigeon, so why couldn't he have sent one to John? Why didn't Bran see that Cersei was going to betray John and Danyres? If in the next season John and Dany are surprised when Cersei doesn't back them, then the writing for this show has well and truly fell off a cliff.
Phillip McSween (751 KP) rated Ready Player One (2018) in Movies
Apr 5, 2018
Very Good Time
It's 2045 and most of the world's population has turned to the virtual world called OASIS which has become a second home for many. When the world's creator James Halladay (Mark Rylance) passes away, he leaves behind an easter egg inside the virtual world and whoever finds that egg will inherit both his fortune and the OASIS. Wade Watts (Tye Sheridan) hopes to find that egg before Nolan Sorrento (Ben Mendelsohn) and his greedy corporation IOI can get their hands on it and forever ruin the OASIS.
Acting: 8
Beginning: 10
Characters: 2
Cinematography/Visuals: 10
Conflict: 9
A death-defying race chocked full of easter eggs (like Ryu from Street Fighter and the bike from Akira) where the participants have to deal with a shifting path, bulldozers, the T-Rex from Jurassic Park and a very angry King Kong. Yeah, that's just the first ten minutes.
In Ready Player One, it's not just about the action but about everyone and everything involved in said action. I can't go into too much detail without ruining the surprises, but I will say there is plenty of eye-candy and intense action sequences that will keep you fully engaged in the film. Just when you think you've seen it all, they surprise you with something new.
Genre: 9
Memorability: 8
Pace: 10
The epitome of a popcorn movie. Just relax. Have fun. Enjoy the ride. Don't expect substance. Just thrills on top of consistent thrills. The film arrives from one scene to the next at a speed I felt was just right.
Plot: 7
Resolution: 10
Solid ending that made me appreciate the otherwise flat characters more. There's a good message here revolving around the importance of taking full advantage of life around you. You just might call me a sap when you see it for yourself but, for this film...it fits.
Overall: 83
Was Ready Player One as good as the novel it was made after? No. Not even close. If you can keep that in mind from the jump like I was able to do, the film should still make for a very enjoyable experience. You can tell that a lot of time and love was poured into the film. See it.
Acting: 8
Beginning: 10
Characters: 2
Cinematography/Visuals: 10
Conflict: 9
A death-defying race chocked full of easter eggs (like Ryu from Street Fighter and the bike from Akira) where the participants have to deal with a shifting path, bulldozers, the T-Rex from Jurassic Park and a very angry King Kong. Yeah, that's just the first ten minutes.
In Ready Player One, it's not just about the action but about everyone and everything involved in said action. I can't go into too much detail without ruining the surprises, but I will say there is plenty of eye-candy and intense action sequences that will keep you fully engaged in the film. Just when you think you've seen it all, they surprise you with something new.
Genre: 9
Memorability: 8
Pace: 10
The epitome of a popcorn movie. Just relax. Have fun. Enjoy the ride. Don't expect substance. Just thrills on top of consistent thrills. The film arrives from one scene to the next at a speed I felt was just right.
Plot: 7
Resolution: 10
Solid ending that made me appreciate the otherwise flat characters more. There's a good message here revolving around the importance of taking full advantage of life around you. You just might call me a sap when you see it for yourself but, for this film...it fits.
Overall: 83
Was Ready Player One as good as the novel it was made after? No. Not even close. If you can keep that in mind from the jump like I was able to do, the film should still make for a very enjoyable experience. You can tell that a lot of time and love was poured into the film. See it.
Whatchareadin (174 KP) rated Paris Ever After in Books
Apr 9, 2019
Amy has been staying in Paris for the past few months. After the death of her best friend, she had to fulfill their dream of going to Paris. The problem, she took off without saying anything to anyone, including her husband. When she returns home, he says he doesn't want to see her anymore, so she goes back to Paris. She makes new friends, finds a place to live and even finds a little job to keep her busy. But as she is gathering items for her birthday celebration, she sees her husband in Paris. What is he doing here? Why didn't he tell her he was coming? Why hasn't he replied to any of her texts or phone calls? And why does he look like that? Over the few days he is in Paris, Amy's life will change dramatically. Will she return to the States with him, or will she stay in Paris, ever after?
Thank you to KSR Burns for a copy of this book and the opportunity to read and review it.
When I first started reading this book, I was sure I was going to love it. Amy and I share the same birthday so I was bound to connect to her. But for me the story fell flat. There were good parts to it, like learning more about Paris and the sights there. Some of the plot seemed a bit far-fetched. I can't say too much without giving away the story. I did read the book from cover to cover though and it didn't make me want to stop reading it, which is why I gave it 3 stars.
I think other readers may enjoy this story more than I did. If you like Paris and are familiar with French, maybe this will speak to you better than it did me. Sometimes I find that books with a lot of foreign phrases that aren't translated are difficult. This book did explain the phrases a lot, but their were parts that left me confused. Maybe because this is a sequel the story fell flat for me, I'm not sure.
I will read other books by KSR Burns. In fact, I'm going to go back and read this first book The Paris Effect by K.S.R. Burns to see if that helps.
Thank you to KSR Burns for a copy of this book and the opportunity to read and review it.
When I first started reading this book, I was sure I was going to love it. Amy and I share the same birthday so I was bound to connect to her. But for me the story fell flat. There were good parts to it, like learning more about Paris and the sights there. Some of the plot seemed a bit far-fetched. I can't say too much without giving away the story. I did read the book from cover to cover though and it didn't make me want to stop reading it, which is why I gave it 3 stars.
I think other readers may enjoy this story more than I did. If you like Paris and are familiar with French, maybe this will speak to you better than it did me. Sometimes I find that books with a lot of foreign phrases that aren't translated are difficult. This book did explain the phrases a lot, but their were parts that left me confused. Maybe because this is a sequel the story fell flat for me, I'm not sure.
I will read other books by KSR Burns. In fact, I'm going to go back and read this first book The Paris Effect by K.S.R. Burns to see if that helps.
Merissa (12841 KP) rated Violet Souls (The Evoxian Legacies #1) in Books
Oct 19, 2018
Violet Souls (The Evoxian Legacies #1) by Abbey MacMunn
Violet Souls is the first book in The Evoxian Legacies, which tells us about violet-eyed aliens living amongst the humans here on Earth. Bree is one such alien, although she doesn't know it. She has always felt differently to the others, but never knew why. She wears blue contact lenses to hide her violet eyes, as she was teased when she was younger. When she searches for more information on her birth parents, it opens up a whole new world of which she was unaware.
This started off really well, with plenty of action and build up to her actually finding out just who, or what, she is. Bree is a no-nonsense character, determined to do what is right by her daughter. I think the thing for me is that Bree was just too laid back! If I found out I was an alien from another world, which is dying, and I have a soul mate I chose when I was a baby, oh, and my talisman grants me a special power too. No matter how relaxed I tended to be in 'normal' life, I think I would still have some sort of panic attack over all of the above. Not Bree though, nope, not happening. You can throw what you want at this woman, and she won't even blink an eye. Torture? Boring. Death of an enemy turned friend to helped her? So yesterday. Daughter ageing quickly? It's fine. I liked Bree, I really did, but I found her emotions definitely needed broadening.
On the whole, this was a great start to the series, and an epic cast of supporting characters I would love to learn more about. There were no editing or grammatical errors that disrupted my reading flow (unless you count the emotional distance). This IS the start of a new series, so be prepared for world and character building, which you always need. I can't wait to see where this series will go. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This started off really well, with plenty of action and build up to her actually finding out just who, or what, she is. Bree is a no-nonsense character, determined to do what is right by her daughter. I think the thing for me is that Bree was just too laid back! If I found out I was an alien from another world, which is dying, and I have a soul mate I chose when I was a baby, oh, and my talisman grants me a special power too. No matter how relaxed I tended to be in 'normal' life, I think I would still have some sort of panic attack over all of the above. Not Bree though, nope, not happening. You can throw what you want at this woman, and she won't even blink an eye. Torture? Boring. Death of an enemy turned friend to helped her? So yesterday. Daughter ageing quickly? It's fine. I liked Bree, I really did, but I found her emotions definitely needed broadening.
On the whole, this was a great start to the series, and an epic cast of supporting characters I would love to learn more about. There were no editing or grammatical errors that disrupted my reading flow (unless you count the emotional distance). This IS the start of a new series, so be prepared for world and character building, which you always need. I can't wait to see where this series will go. Definitely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Hazel (1853 KP) rated These Shallow Graves in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Known for her young adult series about mermaids, Jennifer Donnelly also proves she is an excellent writer of historical murder mysteries. <i>These Shallow Graves</i> is set in the USA during the late 1800s where Josephine Montfort, a headstrong seventeen-year-old from a respectable family, is expected to marry well and produce a male heir. However, Jo’s innocent lifestyle is disrupted after her father’s mysterious death. With her passion for writing at the forefront of her mind, Jo rejects social etiquette and begins searching for answers.
Jo meets Eddie, a young, ambitious newspaper reporter who agrees to assist with her enquiries. However it is not as straightforward as Jo expects it to be. As the pair begin to uncover dangerous secrets, Jo is also witness to the injustices in the world. Life for the rich was a whole different world from that of the poor, but as Jo learns, that does not make anyone less worthy of being treated as a person.
<i>These Shallow Graves</i> is an exciting story that is gripping from beginning to end. Not only is there a crime to solve, Jo also ends up in a forbidden relationship that crosses the boundaries of her social status. From an historical point of view it is refreshing to read of a female challenging her position in society rather than being the naïve protagonist that many novels written during this time period contain. In some ways she is comparable to Jo March in <i>Little Women</i>, and not only because of their shared name.
Having read the first two books in the <i>Waterfire</i> saga, and been slightly disappointed with the writing style, I was a little apprehensive when beginning to read <i>These Shallow Graves</i>. I presumed I would get bored part way through, or find the narrative dreary, however I was pleasantly surprised. Donnelly is significantly better at historical fiction. The book was greatly researched thus the setting and dialogue were perfectly in keeping with the time period.
As with most murder mysteries the murderer is only revealed at the very end of the story. I guessed who it was fairly early on, however that is all it was, a guess. Most readers will be left hanging until the final chapters – will you work out who it was before then?
Known for her young adult series about mermaids, Jennifer Donnelly also proves she is an excellent writer of historical murder mysteries. <i>These Shallow Graves</i> is set in the USA during the late 1800s where Josephine Montfort, a headstrong seventeen-year-old from a respectable family, is expected to marry well and produce a male heir. However, Jo’s innocent lifestyle is disrupted after her father’s mysterious death. With her passion for writing at the forefront of her mind, Jo rejects social etiquette and begins searching for answers.
Jo meets Eddie, a young, ambitious newspaper reporter who agrees to assist with her enquiries. However it is not as straightforward as Jo expects it to be. As the pair begin to uncover dangerous secrets, Jo is also witness to the injustices in the world. Life for the rich was a whole different world from that of the poor, but as Jo learns, that does not make anyone less worthy of being treated as a person.
<i>These Shallow Graves</i> is an exciting story that is gripping from beginning to end. Not only is there a crime to solve, Jo also ends up in a forbidden relationship that crosses the boundaries of her social status. From an historical point of view it is refreshing to read of a female challenging her position in society rather than being the naïve protagonist that many novels written during this time period contain. In some ways she is comparable to Jo March in <i>Little Women</i>, and not only because of their shared name.
Having read the first two books in the <i>Waterfire</i> saga, and been slightly disappointed with the writing style, I was a little apprehensive when beginning to read <i>These Shallow Graves</i>. I presumed I would get bored part way through, or find the narrative dreary, however I was pleasantly surprised. Donnelly is significantly better at historical fiction. The book was greatly researched thus the setting and dialogue were perfectly in keeping with the time period.
As with most murder mysteries the murderer is only revealed at the very end of the story. I guessed who it was fairly early on, however that is all it was, a guess. Most readers will be left hanging until the final chapters – will you work out who it was before then?
Goddess in the Stacks (553 KP) rated Anna Dressed in Blood (Anna, #1) in Books
Oct 28, 2019
Another spooky story for October! On first glance, this one is very similar to Rin Chupeco's The Girl From The Well, but the plot is actually quite different. It's still human boy, murderous ghost girl, but here the girl is bound to her house and forced to murder whoever comes inside. Unraveling the WHY is a major part of the plot.
I'd say this one is actually less creepy than The Girl From The Well, though one of the evil things Cas encounters is VERY creepy. Both of these were just about the right amount of spooky for me. I'm actually REALLY disappointed that the sequel is proving very difficult to get my hands on! I had to request it through Marina, my statewide lending program, so I'm not sure when it will arrive. But I NEEEEEEED to know what happens to Cas and Anna after this book ends!
I think I liked the relationship between boy and ghost better in Girl From The Well; you could clearly see the draw for the ghost, and the connection between them. Not so much here; Cas is trying to kill Anna, but then they become fascinated with each other for...some reason? Anna isn't compelled to kill Cas, and that's never explained, and seems to be her main source of fascination with the boy.
Another major difference is that while Tark in Girl From The Well is rather isolationist and creeps out his peers, Cas seems to attract his peers, and quickly finds friends wherever he goes. He's typically used them as contacts in the past, not really valuing them as friends, but that changes with the events of this book, as he actually comes to know a couple of the kids at his new school and value their friendship. He even puts up with their jokes about being Ghostbusters and who would be which character, which is kind of hilarious.
Both stories are great; I'd say this one is slightly more light-hearted than Girl From The Well, but only slightly. There's still lots of creepy ghosts, life-or-death situations, gory deaths of side characters, and curses. It's another great spooky October book for scaredy-cats like me!
You can find all my reviews and more at http://goddessinthestacks.com
I'd say this one is actually less creepy than The Girl From The Well, though one of the evil things Cas encounters is VERY creepy. Both of these were just about the right amount of spooky for me. I'm actually REALLY disappointed that the sequel is proving very difficult to get my hands on! I had to request it through Marina, my statewide lending program, so I'm not sure when it will arrive. But I NEEEEEEED to know what happens to Cas and Anna after this book ends!
I think I liked the relationship between boy and ghost better in Girl From The Well; you could clearly see the draw for the ghost, and the connection between them. Not so much here; Cas is trying to kill Anna, but then they become fascinated with each other for...some reason? Anna isn't compelled to kill Cas, and that's never explained, and seems to be her main source of fascination with the boy.
Another major difference is that while Tark in Girl From The Well is rather isolationist and creeps out his peers, Cas seems to attract his peers, and quickly finds friends wherever he goes. He's typically used them as contacts in the past, not really valuing them as friends, but that changes with the events of this book, as he actually comes to know a couple of the kids at his new school and value their friendship. He even puts up with their jokes about being Ghostbusters and who would be which character, which is kind of hilarious.
Both stories are great; I'd say this one is slightly more light-hearted than Girl From The Well, but only slightly. There's still lots of creepy ghosts, life-or-death situations, gory deaths of side characters, and curses. It's another great spooky October book for scaredy-cats like me!
You can find all my reviews and more at http://goddessinthestacks.com
Ali A (82 KP) rated The Last Confession of Autumn Casterly in Books
Mar 3, 2020 (Updated Mar 4, 2020)
Sisters Ivy and Autumn couldn’t be any more different. Ivy is a band-geek with a tight knit group of friends she loves to play board games with. Autumn is the school’s drug dealer and hasn’t trusted anyone, even Ivy, in years.
After a drug deal gone wrong, Autumn is beaten, bound, and hidden away. Tittering between life and death, Autumn leaves her body trying to find help - the problem is the only one who can really sense her is Ivy.
When Autumn doesn’t come home, Ivy knows her sister is in trouble, even though she’s done this before, this time is different. Following chills and intuitions she can’t explain, Ivy follows clues that bring her closer to Autumn’s dangerous location. But soon, dots are connected that lead to the truth - both where Autumn is being kept and what secrets Autumn has been keeping.
This book was so much more than I originally thought it would be. I read it in a day and a half and that was only because I had work in between. The book has a bit of everything… coming of age, sister relationships, broken families, suspense, and mystery… something for anyone who likes something heartbreaking and heartwarming all at the same time. I’m not someone who reads a lot of mysteries, but this novel grabbed me within the first few pages and I couldn’t let go until I knew what happened.
The viewpoint shifts between Ivy and Autumn and it allows you to see more in depth of each sisters’ side of the story, allowing you to dig deeper into the layers of Autumn’s past. I connected with both Ivy (her Nerd Herd is something I would have called my group of friends back in the day) and Autumn (the chip on her shoulder she has after her mother died is one I also had after my father died). Meredith Tate has such an amazing writing style that even the side characters are realistic and have so much depth that it makes you care for them as well. Tate is definitely an author that I will have on my ‘To Read’ list for any future releases.
The Last Confession of Autumn Casterly is a book I would recommend to those of all ages who like suspense but also something heartwarming as well.
I was given an advance copy of this book through BookishFirst in exchange for an honest review.
After a drug deal gone wrong, Autumn is beaten, bound, and hidden away. Tittering between life and death, Autumn leaves her body trying to find help - the problem is the only one who can really sense her is Ivy.
When Autumn doesn’t come home, Ivy knows her sister is in trouble, even though she’s done this before, this time is different. Following chills and intuitions she can’t explain, Ivy follows clues that bring her closer to Autumn’s dangerous location. But soon, dots are connected that lead to the truth - both where Autumn is being kept and what secrets Autumn has been keeping.
This book was so much more than I originally thought it would be. I read it in a day and a half and that was only because I had work in between. The book has a bit of everything… coming of age, sister relationships, broken families, suspense, and mystery… something for anyone who likes something heartbreaking and heartwarming all at the same time. I’m not someone who reads a lot of mysteries, but this novel grabbed me within the first few pages and I couldn’t let go until I knew what happened.
The viewpoint shifts between Ivy and Autumn and it allows you to see more in depth of each sisters’ side of the story, allowing you to dig deeper into the layers of Autumn’s past. I connected with both Ivy (her Nerd Herd is something I would have called my group of friends back in the day) and Autumn (the chip on her shoulder she has after her mother died is one I also had after my father died). Meredith Tate has such an amazing writing style that even the side characters are realistic and have so much depth that it makes you care for them as well. Tate is definitely an author that I will have on my ‘To Read’ list for any future releases.
The Last Confession of Autumn Casterly is a book I would recommend to those of all ages who like suspense but also something heartwarming as well.
I was given an advance copy of this book through BookishFirst in exchange for an honest review.