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A Bibliophagist (113 KP) rated Scythe (Arc of a Scythe #1) in Books
Jan 27, 2020
Well written (3 more)
Unique plot
Less YA tropes
No teen angst and romance
Not your typical YA
I approached this book with little expectation. I saw it cluttering up my feed on Instagram and being posted by everyone. I liked the cover (I'm a sucker for good covers and any YA without a photo manipulated monstrosity catches my eye). However every time I picked it up in the store and read the back and I just wasn't interested.
So in a New year new me moment, I forced myself to pick up two popular books that I was not interested in. Since they were both YA, they'd be quick reads and my expectations could below. I also forced my picks to not be hard SciFi, as I need to step out of my comfort zone. I picked this up, and developed more concern when I noticed how divided the reviews were, I noticed people were either firmly in the "this is my most favorite book ever" or in the "this is the most boring book ever I hated it" camps. I rarely rate books 1 or 5, so I wanted to see how I felt.
Honestly, I was very pleasantly surprised. This book is YA, and obviously has some YA aspects, but it doesn't follow the tropes unless stripped down to bullet points and is surprisingly well written. This well written aspect, with no intentions of making people mad, I think is why so many found it boring. If you primarily read YA, and are used to it's over the top writing, it's over the top dialogue and relationships and emotions, then yes, this book was probably horribly boring.
We do open with the standard tropes of uninteresting, normal girl and boy get thrown into something extraordinary. But that's where the stereotypes ended for me. The author quickly throws us into the world and the events of the story. We're in the future, who knows how far past the present, where society has overcome death. AI has evolved and "The Cloud" is now "The Thunderhead" a massive AI database that has solved most of the world's problems, eliminated poverty, war, government, created jobs for everyone, and even defeated death. We all have healing nanites that prevent illness and repair injury, and even in the case of death, we can be revived at a revival center and be greeted with some tasty ice cream. If we start feeling our age, we can just "turn a corner" resetting ourselves to a younger version of ourselves while retaining our memories.
Now, in a world without death, but babies are still being born, some form of population control is in order, the balance must be restored. So the world created the Scythedom. An organization outside the authority of "The Thunderhead" because death has and always should be a responsibility of the living. Those who become Scythes, must "Glean" (permanently kill) a quota of people every year to maintain population control. How they do so is up to them, but there are rules, a Scythe cannot show bias or malice in their choices, they cannot marry or have a family, they cannot kill another Scythe (but they can glean themselves) or someone with immunity, They may grant immunity to those they feel worthy, they must kill the families of those who resist, and they are above all other laws. The vagueness of these laws worked when the Scythedom was first created, but the world has become complicated, and some people have decided to find joy in what they do, even if it's killing.
Our story follows two teenagers who recently encountered the Honorable Scythe Faraday, Citra, and Rowan. Citra showed gumption and sass and moral balance, and Rowan held the hand of a boy that was not his friend as he was gleaned. Faraday is considered old school and chooses all that is gleaned by old school, age of mortality statistics. If a percentage of teenagers died in alcohol-related car accidents, he found a teenager with a penchant for drinking, who just got a car, and gleaned them. He believes the job is necessary, but should never be enjoyed, you need to be moral and compassionate and hurt every time. He is granted permission to take on an apprentice, and he takes on two, Rowan and Citra. Neither want it, nor should they, but should they become a Scythe, their families will receive immunity as long as they shall live, which in this day in age could be forever. So, reluctantly they both take it. There is a glamour to Scythedom as well, they'll wat for nothing, people will bend over backward to provide them with their desires in the hopes of immunity. If these two follow the teachings of Faraday, they won't be tempted by this, they won't abuse it, but not everyone feels the same way.
Citra and Rowan begin training (it gets a bit YAish here) studying history, poisons, combat, weapons. The goal to make them perfect, moral, compassionate, killing machines. Everything is going as well as it can, and luckily the book doesn't do what every other YA author would do and give us pages upon pages of the two falling in love, awkward encounters, stolen kisses. We have none of that thankfully. The dialogue is all purposeful and helps propel the plot, not flowery passages talking about teenage angst and feelings. But, it is a book, after all, so everything starts falling apart when a group of "New Age" Scythes, Scythes that believe they should enjoy their jobs, who take pleasure in mass killings (entire flights, festivals, food courts) stir things up at a Scythe Conclave meeting. They question if having two apprentices hurts whether or not the Conclave can judge the worthiness of either, or if them being friends will result in them always helping each other. How can they truly judge their ability if they always have each other's support? So they propose, since no law prevents it, that whichever apprentice should be chosen (remember Faraday was given permission to have ONE apprentice) will have to Glean the other. The Lead Scythe allows it, and honestly, this is one aspect of the book I struggled with, but I think was supposed to express the corruption of the Scythedom, at times when things aren't in writing they say "welp can't do it" and other times they say "welp nothing says we can't do it". Faraday attempts to free our two protagonists from their apprenticeships, but instead, they are separated, one going to a respected Old School Scythe, one going to the very modern group that started this whole problem, thrusting them into a world excess, deprivation, and honestly psychotic murdering. They now train, separately, knowing that one will die unless they can figure out a way to change things.
Even writing that sounds so Yaish, but it doesn't feel that way because it's so well written. The author doesn't give us Romeo and Juliet, no pining, no romance, just two kids trying to be that, good. Even when surrounded by something very bad. So, if you want to star crossed lovers, you won't like this book. If you like character development and struggle, you might like this book. We arguably see more of Rowan's development, Citra for me felt less focused on or given fewer opportunities for growth, and she had a bit of an attitude that made me no like her much, but given her circumstances, I UNDERSTOOD why she was the way she is, and I can't say I wouldn't be just as grumpy. If anything her response to the corruption and the situation felt very real, even if it sacrificed having a manic pixie daydream mary sue to project myself into. While appearances weren't really given for the two, setting them up to be good old fashioned Mary Sue and Gary Stu, they were very much their own people, with little room for the reader to pretend to be them. So another star in the breaking the YA mold category. We watch them struggle with where they are, and how to come to terms with their inevitable future, either being takers of life or having their life taken.
Overall this was refreshing, while it was an easy read and was a good "palette cleanser" and m boyfriend calls my YA marathons in between books that actually linger in my soul. It felt elevated, sure it was still very much YA, but it was more thought out than the standard, it focused on the story and not the romance, it focused on important things, and it never lost sight of its story. I started at 11am on a Sunday and Finished by noon on Monday, eager for the next. It was an unexpected, refreshing read, with a unique concept that has room for more. The sequel doesn't feel forced, and if I never got it, this story is finished, but the world and situation created to allow for more, without feeling like a forced trilogy. I wanted to know how this story was going to play out, and now that it has, I want to know how the next story in this set up plays out.
So in a New year new me moment, I forced myself to pick up two popular books that I was not interested in. Since they were both YA, they'd be quick reads and my expectations could below. I also forced my picks to not be hard SciFi, as I need to step out of my comfort zone. I picked this up, and developed more concern when I noticed how divided the reviews were, I noticed people were either firmly in the "this is my most favorite book ever" or in the "this is the most boring book ever I hated it" camps. I rarely rate books 1 or 5, so I wanted to see how I felt.
Honestly, I was very pleasantly surprised. This book is YA, and obviously has some YA aspects, but it doesn't follow the tropes unless stripped down to bullet points and is surprisingly well written. This well written aspect, with no intentions of making people mad, I think is why so many found it boring. If you primarily read YA, and are used to it's over the top writing, it's over the top dialogue and relationships and emotions, then yes, this book was probably horribly boring.
We do open with the standard tropes of uninteresting, normal girl and boy get thrown into something extraordinary. But that's where the stereotypes ended for me. The author quickly throws us into the world and the events of the story. We're in the future, who knows how far past the present, where society has overcome death. AI has evolved and "The Cloud" is now "The Thunderhead" a massive AI database that has solved most of the world's problems, eliminated poverty, war, government, created jobs for everyone, and even defeated death. We all have healing nanites that prevent illness and repair injury, and even in the case of death, we can be revived at a revival center and be greeted with some tasty ice cream. If we start feeling our age, we can just "turn a corner" resetting ourselves to a younger version of ourselves while retaining our memories.
Now, in a world without death, but babies are still being born, some form of population control is in order, the balance must be restored. So the world created the Scythedom. An organization outside the authority of "The Thunderhead" because death has and always should be a responsibility of the living. Those who become Scythes, must "Glean" (permanently kill) a quota of people every year to maintain population control. How they do so is up to them, but there are rules, a Scythe cannot show bias or malice in their choices, they cannot marry or have a family, they cannot kill another Scythe (but they can glean themselves) or someone with immunity, They may grant immunity to those they feel worthy, they must kill the families of those who resist, and they are above all other laws. The vagueness of these laws worked when the Scythedom was first created, but the world has become complicated, and some people have decided to find joy in what they do, even if it's killing.
Our story follows two teenagers who recently encountered the Honorable Scythe Faraday, Citra, and Rowan. Citra showed gumption and sass and moral balance, and Rowan held the hand of a boy that was not his friend as he was gleaned. Faraday is considered old school and chooses all that is gleaned by old school, age of mortality statistics. If a percentage of teenagers died in alcohol-related car accidents, he found a teenager with a penchant for drinking, who just got a car, and gleaned them. He believes the job is necessary, but should never be enjoyed, you need to be moral and compassionate and hurt every time. He is granted permission to take on an apprentice, and he takes on two, Rowan and Citra. Neither want it, nor should they, but should they become a Scythe, their families will receive immunity as long as they shall live, which in this day in age could be forever. So, reluctantly they both take it. There is a glamour to Scythedom as well, they'll wat for nothing, people will bend over backward to provide them with their desires in the hopes of immunity. If these two follow the teachings of Faraday, they won't be tempted by this, they won't abuse it, but not everyone feels the same way.
Citra and Rowan begin training (it gets a bit YAish here) studying history, poisons, combat, weapons. The goal to make them perfect, moral, compassionate, killing machines. Everything is going as well as it can, and luckily the book doesn't do what every other YA author would do and give us pages upon pages of the two falling in love, awkward encounters, stolen kisses. We have none of that thankfully. The dialogue is all purposeful and helps propel the plot, not flowery passages talking about teenage angst and feelings. But, it is a book, after all, so everything starts falling apart when a group of "New Age" Scythes, Scythes that believe they should enjoy their jobs, who take pleasure in mass killings (entire flights, festivals, food courts) stir things up at a Scythe Conclave meeting. They question if having two apprentices hurts whether or not the Conclave can judge the worthiness of either, or if them being friends will result in them always helping each other. How can they truly judge their ability if they always have each other's support? So they propose, since no law prevents it, that whichever apprentice should be chosen (remember Faraday was given permission to have ONE apprentice) will have to Glean the other. The Lead Scythe allows it, and honestly, this is one aspect of the book I struggled with, but I think was supposed to express the corruption of the Scythedom, at times when things aren't in writing they say "welp can't do it" and other times they say "welp nothing says we can't do it". Faraday attempts to free our two protagonists from their apprenticeships, but instead, they are separated, one going to a respected Old School Scythe, one going to the very modern group that started this whole problem, thrusting them into a world excess, deprivation, and honestly psychotic murdering. They now train, separately, knowing that one will die unless they can figure out a way to change things.
Even writing that sounds so Yaish, but it doesn't feel that way because it's so well written. The author doesn't give us Romeo and Juliet, no pining, no romance, just two kids trying to be that, good. Even when surrounded by something very bad. So, if you want to star crossed lovers, you won't like this book. If you like character development and struggle, you might like this book. We arguably see more of Rowan's development, Citra for me felt less focused on or given fewer opportunities for growth, and she had a bit of an attitude that made me no like her much, but given her circumstances, I UNDERSTOOD why she was the way she is, and I can't say I wouldn't be just as grumpy. If anything her response to the corruption and the situation felt very real, even if it sacrificed having a manic pixie daydream mary sue to project myself into. While appearances weren't really given for the two, setting them up to be good old fashioned Mary Sue and Gary Stu, they were very much their own people, with little room for the reader to pretend to be them. So another star in the breaking the YA mold category. We watch them struggle with where they are, and how to come to terms with their inevitable future, either being takers of life or having their life taken.
Overall this was refreshing, while it was an easy read and was a good "palette cleanser" and m boyfriend calls my YA marathons in between books that actually linger in my soul. It felt elevated, sure it was still very much YA, but it was more thought out than the standard, it focused on the story and not the romance, it focused on important things, and it never lost sight of its story. I started at 11am on a Sunday and Finished by noon on Monday, eager for the next. It was an unexpected, refreshing read, with a unique concept that has room for more. The sequel doesn't feel forced, and if I never got it, this story is finished, but the world and situation created to allow for more, without feeling like a forced trilogy. I wanted to know how this story was going to play out, and now that it has, I want to know how the next story in this set up plays out.
Purple Phoenix Games (2266 KP) rated Hiding Hitler in Tabletop Games
Apr 6, 2021
Adolf Hitler was an abomination of a person, can we all agree? Now that THAT is out of the way, let’s talk card games based on a character from history named Hitler. This game is based on a historical figure, but once translated to cardstock becomes simply the target of victory. When I heard the pitch (I paraphrased by quite a bit) for Hiding Hitler I immediately winced, as the subject matter makes me wince. But I took a chance on the game, and I am here to let you know that it will be okay, this is merely a card game, but if you are offended by the subject matter, please check out any of our other reviews that contain zero references to horrible people.
Hiding Hitler is a hand management, take that card game for four to six players. In it, players are trying to end the game with either the Hitler card in their hand or the Death token in their possession. The game is played over a series of turns and ends once the final turn has been taken, following the draw of the final card from the draw deck.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
To setup, shuffle the deck of cards and deal six cards to each player. Set the draw deck in the middle of the table, along with the other components. The left of the deck is considered the “Graveyard” and the right side of the deck is the “Action Pile.” Depending on the game mode chosen to play, the Hitler card may be in one of the players’ hands (Blitzkrieg mode – faster because Hitler is already in one player’s hand) or possibly in the draw deck (Strategic mode – slower if Hitler starts in the draw deck). The first player is now able to begin taking their turn and the hunt (or hiding) of Hitler may begin!
On a turn a player may play any amount of Action, Attack, or Instant cards from their hand, resolved one at a time. Action cards are just that: cards that allow for some type of action, be it drawing more cards, or having the entire table draw more cards. Attacks are targeted at a specific player and that player will need to roll the die in order to achieve the Attack card’s victory condition. For example, the Attack card may instruct the attacked to roll higher than value 2 on the die. If they beat that number nothing happens. However, should they roll a 1 (or simply not meet the number on the card) the failing player will need to discard Hitler to the Graveyard if they have it, or discard any other card to the Action Pile. Finally, Instant cards can be played AT ANY TIME, even if not on the player’s turn. These can negate actions or modify die/roll results. Once a player has no more cards to play (or cards they wish to play), the turn ends by drawing one card from the draw deck. It is now the next player’s turn.
Play continues in this fashion of players taking turns playing cards from their hands to attack each other, bolster their hands, and affect each other in various ways until the last card is drawn from the deck. This signifies one final turn for all players. When the final turns are over the winning player is they who either have the Hitler card in hand, or was the last player to send Hitler to the Graveyard, thus collecting the Death token. This winner may now awkwardly congratulate themselves on winning a card game based on eliminating or Hiding Hitler. Yay?
Components. Again, this is a prototype version of the game, so the components may be different as a result of a successful Kickstarter campaign. That said, this game is a bunch of cards, a small die, and a plastic token with Hitler stickers. The cards are all fine, the die is a smaller size than your typical RPG set, and the plastic standee token is fine as well. I do need to address the art style on the cards. It is quite cartoony and really isn’t my style, but for this type of game it works just fine. I am not really excited by it at all, but there is nothing gruesome or triggery in the artwork. FOR ME. I do not speak for everyone though, so if you have issues with it, you are more than entitled to your opinions.
It is difficult to review, or even play for that matter, a game with such an emotionally charged central character. However, this is meant to be a lighthearted card game with a wonky theme. And it most certainly is that. Players are playing as many cards as they dare trying to find out where that Hitler card is residing so they may Attack and send it to the Graveyard. This earns the Death token. But can you hold onto that token until the end of the game? Depending on how far through the deck the game currently is, other players still may have chances to bring the Hitler card back to life. When this happens that Death token is surrendered and available to be earned again. I like that. Now, obviously, the whole zombie thing is weird, but the game is weird in itself, so that fits. Want to throw some achievements into your game? See how many times a player can send Hitler to the Graveyard. You can do that, and it would be a fun way to spice up the game for everyone.
At the end of the day, again, this is a card game with a Hitler theme. In it, Hitler really doesn’t DO anything. He just hangs out in players’ hands, gets sent to the Graveyard, possibly is resurrected, and the cycle continues until the end of the game. The theme may be off-putting for some, but I have no problems with it after having played it several times now. I cannot stress this enough: if you or any of your playmates MAY be offended by the theme, please do not pull this out at game night. It works best with players who can see it and appreciate it for what it is.
Now that the disclaimers are hopefully done, I can explain what this reminds me of, and give you some thoughts. Have you played Munchkin before? You know the part of the game (which we lovingly refer to as “the second half”) where one player is on 9th level attempting to win the game and everyone is ganging up on them to prevent the victory? Hiding Hitler feels a little like that scenario, but throughout the entire game. So many cards can be played on one turn and some cards are played out of turn to increase or decrease the die rolls, and when all players know exactly who has Hitler and they gang up on that player, it’s just Munchkin all over. Now, I feel like here in Hiding Hitler it doesn’t seem to be SO hurtful toward other players as it is in Munchkin, but I get that same vibe. It should be restated that I like Munchkin, so comping this to that game doesn’t necessarily mean it is at all a bad thing. It just gives me that same feeling.
So if you are looking for a possibly quicker and smaller card game to replace your copy of Munchkin, then check out Hiding Hitler. Yes, this is SUPER niche with the gameplay and theme, but with the right crowd I do believe it would be a hit. It has its flaws, but does also offer a rewarding gaming experience that I think about for hours after the game is over. When games can create lasting fond memories of the experience, then it has graduated into a good game. And I think Hiding Hitler is a good game. If you like the sounds of this one, I invite you to consider backing it on Kickstarter when the campaign launches. Find some friends ahead of time that may be into the theme, or can look past it, and prepare them for what is about to come: a game about keeping Hitler safe. Or murdering him. Either way.
Hiding Hitler is a hand management, take that card game for four to six players. In it, players are trying to end the game with either the Hitler card in their hand or the Death token in their possession. The game is played over a series of turns and ends once the final turn has been taken, following the draw of the final card from the draw deck.
DISCLAIMER: We were provided a prototype copy of this game for the purposes of this review. These are preview copy components, and I do not know for sure if the final components will be any different from these shown. Also, it is not my intention to detail every rule in the game, as there are just too many. You are invited to download the rulebook, back the game through the Kickstarter campaign, or through any retailers stocking it after fulfillment. -T
To setup, shuffle the deck of cards and deal six cards to each player. Set the draw deck in the middle of the table, along with the other components. The left of the deck is considered the “Graveyard” and the right side of the deck is the “Action Pile.” Depending on the game mode chosen to play, the Hitler card may be in one of the players’ hands (Blitzkrieg mode – faster because Hitler is already in one player’s hand) or possibly in the draw deck (Strategic mode – slower if Hitler starts in the draw deck). The first player is now able to begin taking their turn and the hunt (or hiding) of Hitler may begin!
On a turn a player may play any amount of Action, Attack, or Instant cards from their hand, resolved one at a time. Action cards are just that: cards that allow for some type of action, be it drawing more cards, or having the entire table draw more cards. Attacks are targeted at a specific player and that player will need to roll the die in order to achieve the Attack card’s victory condition. For example, the Attack card may instruct the attacked to roll higher than value 2 on the die. If they beat that number nothing happens. However, should they roll a 1 (or simply not meet the number on the card) the failing player will need to discard Hitler to the Graveyard if they have it, or discard any other card to the Action Pile. Finally, Instant cards can be played AT ANY TIME, even if not on the player’s turn. These can negate actions or modify die/roll results. Once a player has no more cards to play (or cards they wish to play), the turn ends by drawing one card from the draw deck. It is now the next player’s turn.
Play continues in this fashion of players taking turns playing cards from their hands to attack each other, bolster their hands, and affect each other in various ways until the last card is drawn from the deck. This signifies one final turn for all players. When the final turns are over the winning player is they who either have the Hitler card in hand, or was the last player to send Hitler to the Graveyard, thus collecting the Death token. This winner may now awkwardly congratulate themselves on winning a card game based on eliminating or Hiding Hitler. Yay?
Components. Again, this is a prototype version of the game, so the components may be different as a result of a successful Kickstarter campaign. That said, this game is a bunch of cards, a small die, and a plastic token with Hitler stickers. The cards are all fine, the die is a smaller size than your typical RPG set, and the plastic standee token is fine as well. I do need to address the art style on the cards. It is quite cartoony and really isn’t my style, but for this type of game it works just fine. I am not really excited by it at all, but there is nothing gruesome or triggery in the artwork. FOR ME. I do not speak for everyone though, so if you have issues with it, you are more than entitled to your opinions.
It is difficult to review, or even play for that matter, a game with such an emotionally charged central character. However, this is meant to be a lighthearted card game with a wonky theme. And it most certainly is that. Players are playing as many cards as they dare trying to find out where that Hitler card is residing so they may Attack and send it to the Graveyard. This earns the Death token. But can you hold onto that token until the end of the game? Depending on how far through the deck the game currently is, other players still may have chances to bring the Hitler card back to life. When this happens that Death token is surrendered and available to be earned again. I like that. Now, obviously, the whole zombie thing is weird, but the game is weird in itself, so that fits. Want to throw some achievements into your game? See how many times a player can send Hitler to the Graveyard. You can do that, and it would be a fun way to spice up the game for everyone.
At the end of the day, again, this is a card game with a Hitler theme. In it, Hitler really doesn’t DO anything. He just hangs out in players’ hands, gets sent to the Graveyard, possibly is resurrected, and the cycle continues until the end of the game. The theme may be off-putting for some, but I have no problems with it after having played it several times now. I cannot stress this enough: if you or any of your playmates MAY be offended by the theme, please do not pull this out at game night. It works best with players who can see it and appreciate it for what it is.
Now that the disclaimers are hopefully done, I can explain what this reminds me of, and give you some thoughts. Have you played Munchkin before? You know the part of the game (which we lovingly refer to as “the second half”) where one player is on 9th level attempting to win the game and everyone is ganging up on them to prevent the victory? Hiding Hitler feels a little like that scenario, but throughout the entire game. So many cards can be played on one turn and some cards are played out of turn to increase or decrease the die rolls, and when all players know exactly who has Hitler and they gang up on that player, it’s just Munchkin all over. Now, I feel like here in Hiding Hitler it doesn’t seem to be SO hurtful toward other players as it is in Munchkin, but I get that same vibe. It should be restated that I like Munchkin, so comping this to that game doesn’t necessarily mean it is at all a bad thing. It just gives me that same feeling.
So if you are looking for a possibly quicker and smaller card game to replace your copy of Munchkin, then check out Hiding Hitler. Yes, this is SUPER niche with the gameplay and theme, but with the right crowd I do believe it would be a hit. It has its flaws, but does also offer a rewarding gaming experience that I think about for hours after the game is over. When games can create lasting fond memories of the experience, then it has graduated into a good game. And I think Hiding Hitler is a good game. If you like the sounds of this one, I invite you to consider backing it on Kickstarter when the campaign launches. Find some friends ahead of time that may be into the theme, or can look past it, and prepare them for what is about to come: a game about keeping Hitler safe. Or murdering him. Either way.
Heather Cranmer (2721 KP) rated Where the Crawdads Sing in Books
Feb 3, 2019
The beautiful prose (2 more)
The interesting plot
The well written characters
A Beautifully Written Novel
I have to admit that when I first heard about Where the Crawdads Sing by Delia Owens, it didn't sound like a book I'd want to read. However, as I kept seeing rave reviews for it, I decided to take a chance on it, and I am so glad I did because this book was amazing!
The plot for Where the Crawdads Sing was an interesting one. I found myself immersed in it throughout, even the parts about nature and poetry which I'm not into. Delia Owens wrote this book beautifully where ever piece fit together perfectly. Where the Crawdads Sing felt so realistic and like I was there every step on the way. The prose was amazing, and I can honestly say that I have not read a more beautifully written book. There are a few plot twists, and I didn't see them coming! I didn't even get the death of Chase right! There are no cliff hangers in this book, and all of my questions where answered.
I thought each and every character in Where the Crawdads Sing were written superbly. I loved the main character of Kya. It was so interesting watching her grow up without a family and turn into a beautiful, intelligent, and kind young lady. Her innocence was reassuring even if did get her in trouble. The character of Kya was such a breath of fresh air. It was amazing how she was able to look after herself when she had no one else even at a young age. Jumpin' was another one of my favorite characters. He was such a larger than life character, and he always seemed so optimistic was was fantastic! I loved how caring Tate was and how patient he was with Kya. I was always hoping those two would end up together. I didn't trust Chase from the get go, but even he was written really well. I loved how the author, Delia Owens, even included what happened to most of the characters years in the future. The only minor thing that bothered me was that when the characters spoke, they spoke in their own dialect which could be annoying at times, but it did not ruin this book for me at all.
The pacing in Where the Crawdads Sing was done so well. I was hooked from the very first page. Never once did the pacing slow down where I found myself bored. I was constantly enthralled by every page in this book. I could not get enough! The words flowed beautifully.
Trigger warnings for Where the Crawdads Sing include profanity, child neglect and abandonment, child abuse, attempted rape, violence, possible murder, sexual situations, alcoholism, racial slurs, and overly judgmental people.
All in all, Where the Crawdads Sing is a beautifully written book through and through. The writing was brilliant, and the characters were written beautifully. The plot is just as fantastic and very interesting. I would definitely recommend Where the Crawdads Sing by Delia Owens to everyone aged 16+. This is one of those books that needs to be read!
The plot for Where the Crawdads Sing was an interesting one. I found myself immersed in it throughout, even the parts about nature and poetry which I'm not into. Delia Owens wrote this book beautifully where ever piece fit together perfectly. Where the Crawdads Sing felt so realistic and like I was there every step on the way. The prose was amazing, and I can honestly say that I have not read a more beautifully written book. There are a few plot twists, and I didn't see them coming! I didn't even get the death of Chase right! There are no cliff hangers in this book, and all of my questions where answered.
I thought each and every character in Where the Crawdads Sing were written superbly. I loved the main character of Kya. It was so interesting watching her grow up without a family and turn into a beautiful, intelligent, and kind young lady. Her innocence was reassuring even if did get her in trouble. The character of Kya was such a breath of fresh air. It was amazing how she was able to look after herself when she had no one else even at a young age. Jumpin' was another one of my favorite characters. He was such a larger than life character, and he always seemed so optimistic was was fantastic! I loved how caring Tate was and how patient he was with Kya. I was always hoping those two would end up together. I didn't trust Chase from the get go, but even he was written really well. I loved how the author, Delia Owens, even included what happened to most of the characters years in the future. The only minor thing that bothered me was that when the characters spoke, they spoke in their own dialect which could be annoying at times, but it did not ruin this book for me at all.
The pacing in Where the Crawdads Sing was done so well. I was hooked from the very first page. Never once did the pacing slow down where I found myself bored. I was constantly enthralled by every page in this book. I could not get enough! The words flowed beautifully.
Trigger warnings for Where the Crawdads Sing include profanity, child neglect and abandonment, child abuse, attempted rape, violence, possible murder, sexual situations, alcoholism, racial slurs, and overly judgmental people.
All in all, Where the Crawdads Sing is a beautifully written book through and through. The writing was brilliant, and the characters were written beautifully. The plot is just as fantastic and very interesting. I would definitely recommend Where the Crawdads Sing by Delia Owens to everyone aged 16+. This is one of those books that needs to be read!
Movie Metropolis (309 KP) rated American Assassin (2017) in Movies
Jun 10, 2019
Great, another terrorism thriller
Just what the world needs, another ill-timed terrorism-based thriller – you can almost hear the groans can’t you? It seems the movie-going public just can’t get enough of these accounts of urban terrorism.
Last year’s diabolical London Has Fallen inexplicably took over $200million at the box office and the better-received Unlocked also performed well commercially. All of this in spite of the constant threat posed by terrorism across the globe.
Now, there’s a new kid on the block. American Assassin. But does this film based on the novel of the same name do enough to be different?
When Cold War veteran Stan Hurley (Michael Keaton) takes CIA black ops recruit Mitch Rapp (Dylan O’Brien) under his wing, they receive an assignment to investigate a wave of random attacks on both military and civilian targets. After discovering a pattern of violence, Hurley and Rapp join forces with a lethal Turkish agent to stop a mysterious operative who wants to start a global war.
Michael Cuesta’s film is propped up by a nicely shot opening in which Dylan O’Brien’s Mitch comes up against Islamic terrorists while on holiday with his fiancé. Naturally, she’s brutally murdered and it becomes Mitch’s life-ambition to hunt down terrorist cells across the world.
Yes, you heard me right. That’s the plot. Ridiculous in every way and frankly, a little boring, American Assassin is a poor excuse for a film riddled with dreadful dialogue, phoned-in performances and uninspiring camerawork.
What makes it worse is that Maze Runner rising star Dylan O’Brien thought it would be a good idea to helm such a vehicle. He performs well but feels at odds with the film’s dark tone and is in serious danger of doing a post-Abduction Taylor Lautner and tanking his promising career. Michael Keaton’s bizarre effort here is the polar opposite of his genuinely menacing turn in Spider-Man: Homecoming only two months ago.
The rest of the cast might as well be made of cardboard they’re that uninteresting and while globe-trotting should evoke some visual joy, the scenery feels flat, hampered by a dull colour palette and the fact it’s been done to death already.
As American Assassin steamrolls to a 70s-esque Bond finale, we’re subjected to some torturous CGI, though Cuesta does well to ramp up the tension a little, but it’s the subject matter once again that proves a sticking point.
In a world where our fears of urban terrorism are greater than ever, should we be classing films like this as ‘entertainment’? Take the opening sequence for example, as nicely choreographed as it is, the parallels to the dreadful Tunisian beach attack of 2015 linger in the back of my mind and I find it all very much in poor taste.
Overall, American Assassin is yet another addition to the already overstuffed terrorism thriller genre that adds absolutely nothing new. The performances are dull, the story is flat and the cinematography is uninspired. Poor Dylan O’Brien left the Maze for this?
https://moviemetropolis.net/2017/09/15/american-assassin-review/
Last year’s diabolical London Has Fallen inexplicably took over $200million at the box office and the better-received Unlocked also performed well commercially. All of this in spite of the constant threat posed by terrorism across the globe.
Now, there’s a new kid on the block. American Assassin. But does this film based on the novel of the same name do enough to be different?
When Cold War veteran Stan Hurley (Michael Keaton) takes CIA black ops recruit Mitch Rapp (Dylan O’Brien) under his wing, they receive an assignment to investigate a wave of random attacks on both military and civilian targets. After discovering a pattern of violence, Hurley and Rapp join forces with a lethal Turkish agent to stop a mysterious operative who wants to start a global war.
Michael Cuesta’s film is propped up by a nicely shot opening in which Dylan O’Brien’s Mitch comes up against Islamic terrorists while on holiday with his fiancé. Naturally, she’s brutally murdered and it becomes Mitch’s life-ambition to hunt down terrorist cells across the world.
Yes, you heard me right. That’s the plot. Ridiculous in every way and frankly, a little boring, American Assassin is a poor excuse for a film riddled with dreadful dialogue, phoned-in performances and uninspiring camerawork.
What makes it worse is that Maze Runner rising star Dylan O’Brien thought it would be a good idea to helm such a vehicle. He performs well but feels at odds with the film’s dark tone and is in serious danger of doing a post-Abduction Taylor Lautner and tanking his promising career. Michael Keaton’s bizarre effort here is the polar opposite of his genuinely menacing turn in Spider-Man: Homecoming only two months ago.
The rest of the cast might as well be made of cardboard they’re that uninteresting and while globe-trotting should evoke some visual joy, the scenery feels flat, hampered by a dull colour palette and the fact it’s been done to death already.
As American Assassin steamrolls to a 70s-esque Bond finale, we’re subjected to some torturous CGI, though Cuesta does well to ramp up the tension a little, but it’s the subject matter once again that proves a sticking point.
In a world where our fears of urban terrorism are greater than ever, should we be classing films like this as ‘entertainment’? Take the opening sequence for example, as nicely choreographed as it is, the parallels to the dreadful Tunisian beach attack of 2015 linger in the back of my mind and I find it all very much in poor taste.
Overall, American Assassin is yet another addition to the already overstuffed terrorism thriller genre that adds absolutely nothing new. The performances are dull, the story is flat and the cinematography is uninspired. Poor Dylan O’Brien left the Maze for this?
https://moviemetropolis.net/2017/09/15/american-assassin-review/
Zuky the BookBum (15 KP) rated My Sister's Bones in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/my-sisters-bones-by-nuala-ellwood
NOW AVAILABLE IN THE UK!
<b>Trigger warnings are noted in the first paragraph.</b>
<b><i>Were all of us, every day, just a hairbreadth away from evil. If Ive learnt anything from fifteen years of reporting, its that. But I couldnt expect these people to understand.</b></i>
This is a really heavy read as it deals with some really dark and depressing subjects, <b>such as the war and refugees in Syria, domestic & child abuse, rape, death, mental illness, alcoholism and miscarriages.</b> Dont read this if youre having a low period in your life because this is not going to make you feel any better, throughout its a rather distressing and upsetting story.
Each character in this novel was well developed, no matter how small a part they played in the plot. Ellwood has done a fantastic job with her research into PTSD as Kates fears and anxieties seem so real to the reader. Though Ive never experienced anything even close to PTSD, I can really imagine how terrifying and disturbing it would be, from reading this book. Its definitely the best and most harrowing description of the condition Ive ever read in a fiction novel.
This was a really well presented novel and Im amazed that its a debut! It was excellently written and thought out. My only issue being that sometimes, the timings in this book felt a little off. When Kate and Paul were together, one minute they'd be serving dinner and the next, after a small 5 lined conversation, it would be midnight and time for Paul to leave and Kate to get into bed. It seemed like large chunks of the day would just disappear.
Maybe I shouldnt have read some other peoples reviews on this beforehand, but because I was expecting all these super duper amazing twists, I kind of didnt feel that they were super duper amazing. I also found some of them to be a little far fetched and silly, rather than surprising.
I can definitely see why this has gained so many 5 star ratings, but its all down to personal preference at the end of the day, and this one was just a little too dark for my liking. That's not to say I didn't like this...I enjoyed this a lot, hence the 4 stars. I found myself not wanting to put it down, even when my eyes were telling me it was definitely time for sleep. It was certainly a thrilling and page turning read, but I dont know if I could recommend this to anyone because of all the dark subject matters. It seems like the sort of book some people are going to love for its dark realism and others are going to hate that and find it too distressing to read.
Thanks to Netgalley and Penguin Books UK for giving me the opportunity to read this in exchange for an honest review.
NOW AVAILABLE IN THE UK!
<b>Trigger warnings are noted in the first paragraph.</b>
<b><i>Were all of us, every day, just a hairbreadth away from evil. If Ive learnt anything from fifteen years of reporting, its that. But I couldnt expect these people to understand.</b></i>
This is a really heavy read as it deals with some really dark and depressing subjects, <b>such as the war and refugees in Syria, domestic & child abuse, rape, death, mental illness, alcoholism and miscarriages.</b> Dont read this if youre having a low period in your life because this is not going to make you feel any better, throughout its a rather distressing and upsetting story.
Each character in this novel was well developed, no matter how small a part they played in the plot. Ellwood has done a fantastic job with her research into PTSD as Kates fears and anxieties seem so real to the reader. Though Ive never experienced anything even close to PTSD, I can really imagine how terrifying and disturbing it would be, from reading this book. Its definitely the best and most harrowing description of the condition Ive ever read in a fiction novel.
This was a really well presented novel and Im amazed that its a debut! It was excellently written and thought out. My only issue being that sometimes, the timings in this book felt a little off. When Kate and Paul were together, one minute they'd be serving dinner and the next, after a small 5 lined conversation, it would be midnight and time for Paul to leave and Kate to get into bed. It seemed like large chunks of the day would just disappear.
Maybe I shouldnt have read some other peoples reviews on this beforehand, but because I was expecting all these super duper amazing twists, I kind of didnt feel that they were super duper amazing. I also found some of them to be a little far fetched and silly, rather than surprising.
I can definitely see why this has gained so many 5 star ratings, but its all down to personal preference at the end of the day, and this one was just a little too dark for my liking. That's not to say I didn't like this...I enjoyed this a lot, hence the 4 stars. I found myself not wanting to put it down, even when my eyes were telling me it was definitely time for sleep. It was certainly a thrilling and page turning read, but I dont know if I could recommend this to anyone because of all the dark subject matters. It seems like the sort of book some people are going to love for its dark realism and others are going to hate that and find it too distressing to read.
Thanks to Netgalley and Penguin Books UK for giving me the opportunity to read this in exchange for an honest review.
Gareth von Kallenbach (980 KP) rated Wanted (2009) in Movies
Aug 14, 2019
Wesley Gibson (James Mc Avoy) is a man with issues. He toils away in his office cubicle taking countless amounts of grief from his boss and lamenting the fact that he has gone nowhere with his life. As if this was not bad enough, his best friend is having an affair with his girlfriend, and he has a standing order for anti anxiety medication to deal with his frequent flare ups.
One day while waiting in line for his prescription, Wesley encounters a very attractive lady, and before long, is in a world gone mad as a violent gunfight has erupted all around him. As he attempts to flee the scene, the mysterious woman comes to his aid and whisks him away in dramatic style only to thrust Wesley into a frantic chase through the city streets as they attempt to escape from their mysterious attacker.
Eventually Wesley learns that the woman is named Fox (Angelina Jolie), and that he has been recruited to join a secret society known as The Fraternity.
At first awash in disbelief, Wesley is told that the man who tried to kill him also killed his father. Wesley had thought that his father had abandoned him at childhood and despite initial reservations, joins the group.
Under the leadership of Sloan (Morgan Freeman), Wesley begins to train and learns that he is part of an elite assassin’s guild and has abilities that go beyond the powers of normal men. As the training progresses, Wesley changes from the docile offer drone to an efficient and deadly adversary who is capable of killing with a variety of weapons.
Wesley will soon have to use all of his training and abilities to the fullest extent as the action switches into overdrive leaving a path of death and destruction as this bloody tale of revenge unfolds.
In the new movie “Wanted” Director Timur Bekmambetov, the guiding power behind the highly successful Russian Vampire “Day Watch” trilogy, has crafted a sleek action film that pulls no punches. From edge of your seat action and stunts to graphic violence, the film is a ballet of bullets and blood that mixes in equal amounts of humor with solid FX in a winning formula.
The leads work well with one another, and the story and characters are a cut above the standard genre staples. While the film does drag in the final third, it recovers nicely to conclude with an action filled finale as well as a few unexpected twists.
Angelina Jolie does well with a very physical role as does McAvoy who shows that he is a talent to be watched. The film is based on a graphic novel and as such has a distinctive style that mixes the real world with the unknown to help illustrate the transformation of Wesley from doormat to deadly weapon. The FX is solid, though at times the bullet time may seem a bit repetitive after you see it a few times. That being said, “Wanted” is a solid action film that is not afraid to take chances and step outside the box.
One day while waiting in line for his prescription, Wesley encounters a very attractive lady, and before long, is in a world gone mad as a violent gunfight has erupted all around him. As he attempts to flee the scene, the mysterious woman comes to his aid and whisks him away in dramatic style only to thrust Wesley into a frantic chase through the city streets as they attempt to escape from their mysterious attacker.
Eventually Wesley learns that the woman is named Fox (Angelina Jolie), and that he has been recruited to join a secret society known as The Fraternity.
At first awash in disbelief, Wesley is told that the man who tried to kill him also killed his father. Wesley had thought that his father had abandoned him at childhood and despite initial reservations, joins the group.
Under the leadership of Sloan (Morgan Freeman), Wesley begins to train and learns that he is part of an elite assassin’s guild and has abilities that go beyond the powers of normal men. As the training progresses, Wesley changes from the docile offer drone to an efficient and deadly adversary who is capable of killing with a variety of weapons.
Wesley will soon have to use all of his training and abilities to the fullest extent as the action switches into overdrive leaving a path of death and destruction as this bloody tale of revenge unfolds.
In the new movie “Wanted” Director Timur Bekmambetov, the guiding power behind the highly successful Russian Vampire “Day Watch” trilogy, has crafted a sleek action film that pulls no punches. From edge of your seat action and stunts to graphic violence, the film is a ballet of bullets and blood that mixes in equal amounts of humor with solid FX in a winning formula.
The leads work well with one another, and the story and characters are a cut above the standard genre staples. While the film does drag in the final third, it recovers nicely to conclude with an action filled finale as well as a few unexpected twists.
Angelina Jolie does well with a very physical role as does McAvoy who shows that he is a talent to be watched. The film is based on a graphic novel and as such has a distinctive style that mixes the real world with the unknown to help illustrate the transformation of Wesley from doormat to deadly weapon. The FX is solid, though at times the bullet time may seem a bit repetitive after you see it a few times. That being said, “Wanted” is a solid action film that is not afraid to take chances and step outside the box.
Andy K (10823 KP) rated The Devil's Rejects (2005) in Movies
Oct 16, 2019
Chinese, Japanese, Dirty knees, look at these!
Shortly after the events of House of 1,000 Corpses, Sheriff Wydell and his band of deputies approach and surround the homestead occupied by everyone's favorite murderous, diabolical, psychotic family. Inside, lazy slumbering quickly turns to mounting a counter offensive when the family realizes what is about to happen. The ensuring shootout claims several victims before the aid of tear gas precedes a law enforcement home invasion. Unfortunately, only one family member is captured while Baby and Otis escape out the back. Baby calls their father, Captain Spaulding, to inform him of the pending doom on his way so he can meet up with them subsequently.
The two siblings arrive at a local motel only to perform their brand of debauchery on two couples and friends staying there. They are forced to be in constant fear for their lives whilst their kidnappers decide what to do with them while waiting on their matriarch. The torture endured by their victims is heinous, cruel and unnecessary, but is their way of life.
The law is tightly on their trail waiting for that lead which will lead them to the felons. This is growing personal for the sheriff as he discovers the "rejects" were responsible for the death of his brother. The sheriff decides to hire some disreputable men of his own to use whatever methods they can to acquire the location of his targets.
The inevitable stand off leaves other casualties and a position it will be difficult for the sheriff to return from. The "rejects" always seem to find a way to survive no matter their degree of peril.
This film takes a different direction than that of House of 1,000 Corpses. That film being more of a standard "teenagers wander into a house of horrors" situation, whereas this film feels more like a "Natural Born Killers" type.
The total lack of any sort of normal human decency for the family is truly revolting and is on display every time they interact with anyone including women and children. They even don't really like each other very much and are constantly arguing with one other; their visceral hatred always right on the edge of bubbling over.
The unspeakable cruelty they enact on their victims can seem excessive at times; however, if you have lived through the events of the first film, you know what you are getting into here. When they are attached to their motel guests, you are just waiting for the next moment of panic when their guests start to figure out exactly what type of monsters they are dealing with.
I loved the gritty look of the film along with the mostly 1970s classic rock soundtrack. The scenery and landscapes of the sparse countryside fit the film well as well.
Not too many sequels build or are as good or better than their predecessor, but this film could be one of those for sure.
The two siblings arrive at a local motel only to perform their brand of debauchery on two couples and friends staying there. They are forced to be in constant fear for their lives whilst their kidnappers decide what to do with them while waiting on their matriarch. The torture endured by their victims is heinous, cruel and unnecessary, but is their way of life.
The law is tightly on their trail waiting for that lead which will lead them to the felons. This is growing personal for the sheriff as he discovers the "rejects" were responsible for the death of his brother. The sheriff decides to hire some disreputable men of his own to use whatever methods they can to acquire the location of his targets.
The inevitable stand off leaves other casualties and a position it will be difficult for the sheriff to return from. The "rejects" always seem to find a way to survive no matter their degree of peril.
This film takes a different direction than that of House of 1,000 Corpses. That film being more of a standard "teenagers wander into a house of horrors" situation, whereas this film feels more like a "Natural Born Killers" type.
The total lack of any sort of normal human decency for the family is truly revolting and is on display every time they interact with anyone including women and children. They even don't really like each other very much and are constantly arguing with one other; their visceral hatred always right on the edge of bubbling over.
The unspeakable cruelty they enact on their victims can seem excessive at times; however, if you have lived through the events of the first film, you know what you are getting into here. When they are attached to their motel guests, you are just waiting for the next moment of panic when their guests start to figure out exactly what type of monsters they are dealing with.
I loved the gritty look of the film along with the mostly 1970s classic rock soundtrack. The scenery and landscapes of the sparse countryside fit the film well as well.
Not too many sequels build or are as good or better than their predecessor, but this film could be one of those for sure.
Sophia (Bookwyrming Thoughts) (530 KP) rated Telling Christina Goodbye in Books
Jan 23, 2020
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2013/02/review-telling-christina-goodbye-by-lurlene-mcdaniel.html">Bookwyrming Thoughts</a>
Original Rating: 3.5
*Formatting and image(s) have been lost due to copy and pasting.
I hate commenting about how much the synopsis gives away. I don't find much joy in reading the book when the synopsis gives spoilers away. And I hate giving it a lower rating because of that synopsis. But as much as I want to like this book, I'm gonna have to give it a facepalm. The synopsis practically gave away EVERYTHING. From the synopsis, cover AND title, the book already gives these things away (I don't think this counts as spoilers since the synopsis already says it):
~Trisha, Christina, Cody, and Tucker are Seniors.
~Best friends, Trisha and Christina are having a great year.
~Trisha is dating Cody. Christina is dating Tucker.
~Trisha doesn't get along with Tucker.
~Christina receives a scholarship from University of Vermont.
~Tucker is controlling of Christina and wants her to stay.
~They get into a car crash after a basketball game. Trisha is injured, Cody's in a coma and Christina's dead. Yet Tucker is all injure-less.
Not to mean it in a bad way, but that gives practically the entire plot and some other stuff. Maybe even the entire book. Besides some things, such as (those who read it would know the answers already, but I'm speaking from the reader's perspective of just examining the book at the bookstore and reading the synopsis and such):
~Does Cody wake up from the coma?
~Do those effected by Christina's death find the courage to move on and heal?
~Do Trisha and Tucker get along later?
~Etc, etc. One can only know the answers to their many questions when fully reading a book.
But despite the synopsis giving so much away, Ms. McDaniel still leaves the reader, regardless of whether just staring at it at the bookstore or anyplace or have to read it due to required reading, with many questions. Props for not giving the full story away, especially the ending. And while some of us may love spoilers to the point of actually spilling beans, some of us just like to keep things detailed yet vague on what's happening because we just love the suspense building up. It would've been a triple facepalm if the synopsis gave any more away (kinda explains the meme).
If you're still thinking I'm being a bit negative, the only part I found pretty bad was how the synopsis gave it all away (I'm that person who hates too much spoilers and end up predicting and being right majority of the time. I kinda like my dose of keeping me guessing...).
In many good parts (of the pie or something good), Ms McDaniel manages to narrow in with an emotional story while weaving in the meaning of losing a cared one and to not take life fully for granted, because you never know when it will all end and it may be someone or something very close to you. (Kinda reminds me of a sad song...)
Original Rating: 3.5
*Formatting and image(s) have been lost due to copy and pasting.
I hate commenting about how much the synopsis gives away. I don't find much joy in reading the book when the synopsis gives spoilers away. And I hate giving it a lower rating because of that synopsis. But as much as I want to like this book, I'm gonna have to give it a facepalm. The synopsis practically gave away EVERYTHING. From the synopsis, cover AND title, the book already gives these things away (I don't think this counts as spoilers since the synopsis already says it):
~Trisha, Christina, Cody, and Tucker are Seniors.
~Best friends, Trisha and Christina are having a great year.
~Trisha is dating Cody. Christina is dating Tucker.
~Trisha doesn't get along with Tucker.
~Christina receives a scholarship from University of Vermont.
~Tucker is controlling of Christina and wants her to stay.
~They get into a car crash after a basketball game. Trisha is injured, Cody's in a coma and Christina's dead. Yet Tucker is all injure-less.
Not to mean it in a bad way, but that gives practically the entire plot and some other stuff. Maybe even the entire book. Besides some things, such as (those who read it would know the answers already, but I'm speaking from the reader's perspective of just examining the book at the bookstore and reading the synopsis and such):
~Does Cody wake up from the coma?
~Do those effected by Christina's death find the courage to move on and heal?
~Do Trisha and Tucker get along later?
~Etc, etc. One can only know the answers to their many questions when fully reading a book.
But despite the synopsis giving so much away, Ms. McDaniel still leaves the reader, regardless of whether just staring at it at the bookstore or anyplace or have to read it due to required reading, with many questions. Props for not giving the full story away, especially the ending. And while some of us may love spoilers to the point of actually spilling beans, some of us just like to keep things detailed yet vague on what's happening because we just love the suspense building up. It would've been a triple facepalm if the synopsis gave any more away (kinda explains the meme).
If you're still thinking I'm being a bit negative, the only part I found pretty bad was how the synopsis gave it all away (I'm that person who hates too much spoilers and end up predicting and being right majority of the time. I kinda like my dose of keeping me guessing...).
In many good parts (of the pie or something good), Ms McDaniel manages to narrow in with an emotional story while weaving in the meaning of losing a cared one and to not take life fully for granted, because you never know when it will all end and it may be someone or something very close to you. (Kinda reminds me of a sad song...)
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