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MusicCritics (472 KP) created a video about track I'm The One by DJ Khaled in Grateful by DJ Khaled in Music

Jul 4, 2017  
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I'm The One - DJ Khaled ft Justin Bieber, Quavo, Chance the Rapper, Lil Wayne

  
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J Cole recommended Tha Carter by Lil Wayne in Music (curated)

 
Tha Carter by Lil Wayne
Tha Carter by Lil Wayne
2004 | Rhythm And Blues
(0 Ratings)
Album Favorite

"Being from the South and being from that whole No Limit/Cash Money movement you’re a Wayne fan. You give him his props just for being associated with the Hot Boyz. It was at a period when I had just gotten to college. ""I had a suitemate that ended up being one of my good friends in life, and he was putting me onto these Lil Wayne Squad Up mixtapes. I started really noticing his lyrical ability. I noticed that something had changed between his younger Hot Boyz days and then. ""After that, we got out and went home for the summer. He was like, ‘Did you hear this Lil Wayne Tha Carter?’ and he sent me his album. I’ll never forget hearing that intro thinking, ‘This shit is crazy.’ That album and his first Dedication mixtape was what got me sold on him to the point where I was going out and praising Lil Wayne, like, ‘This nigga is the best.’ This album represents that time when he started to hit that monster level."

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Beth Ditto recommended Da Real World by Missy Elliott in Music (curated)

 
Da Real World by Missy Elliott
Da Real World by Missy Elliott
1999 | Rock
(0 Ratings)
Album Favorite

"That album! Oh man. Supa Dupa Fly was such a jam but Missy was just a creative fucking force when Da Real World came out. I remember she looked like Lee Bowery and her skin was painted true black, her eyebrows up to her forehead, back when videos could still be incredible videos. It was so top-of-the-line, Timbaland and Missy collaborating, and I felt like it was her time to shine as a writer and as a producer. It set the tone of that time. I was obsessed with it. 'Hot Boyz'? It is hit after hit. 'She's A Bitch'? What a jam? That was the video. She was so innovative and ahead of her fucking time. Everybody was on that, it was a family affair, but she is a genre all of her own. She is her own thing. Nobody is like Missy. She is one of those people where I'm like, sexism is alive, because if she was a man, she would be getting all of these crazy props. She's so incredible, and so underrated. Her harmonies are unbeatable. Un. Beatable. She's a maestro, a genius, a music nerd, an absolute culture nerd. And a style nerd. She's just such an icon. She was cool too. She's powerful. She is performance art, and that wasn't in hip hop at that time. And it certainly wasn't in female hip hop. The thing about Lil' Kim was that she sold sexuality and she did it so well, like no one is Lil' Kim, but Missy wasn't selling conventional sexuality, she wasn't selling female sensuality, that wasn't what she was doing, and I relate to that as a person who is big and a person who isn't attracted to conventional things. I like the weirdness, I like the things that stick out, I like things to look a little clowny, or look a little crazy and that's why she's such an icon. Same with Outkast. I think Southerners are just naturally weirder. Look at Lil' Wayne, Missy, Timberland, Outkast, Neptunes, all of those are Southerners so they're different. A different breed of rapper."

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Rather You Than Me by Rick Ross
Rather You Than Me by Rick Ross
2017 | Rhythm And Blues
Rick Ross is a rapper and CEO of Maybach Music Group. Not too long ago, he released “Rather You Than Me“, a star-studded album filled with expensive thoughts and gun-toting lyrics.

This is Ross’ ninth studio album, and we can agree that his wisdom and wishful thinking are two ingredients which make this project noteworthy.

1) Rick Ross – “Apple of My Eye” (ft. Raphael Saadiq)

Ross, who used to view himself as a fat ugly ni^^a who wouldn’t be anything, now feels out of place in a room full of failures. His lyrical growth is obvious, and Major Nine’s production is reminiscent of ‘90s Funk/R&B. The mood is laid back with choppy drums beating to Beanie Sigel’s “I Feel It in the Air’ vibe.

Ross injects his thoughts about Meek’s & Nicki’s breakup, “I told Meek I wouldn’t trust Nicki, instead of beefing with your dog, you just give him some distance.” But the questionable, “I’m happy Donald Trump became the president because we gotta destroy before we elevate,” had us scratching our heads. Ni^^a what? Anyhow, this is a dope track and we will bump it again.

2) Rick Ross – “Santorini Greece”
Ross realizes that his success doesn’t exempt him from being crucified like Christ or anyone else. But one thing’s for sure, success gave Ross the ability to travel the world, and the bragging rights to say that he put Santorini, Greece on the map.

3) Rick Ross – “Idols Become Rivals” (ft. Chris Rock)
After letting the first two songs marinate, Ross adds a plot to the scene and pens a letter to Birdman, the CEO of Cash Money Records. If Tupac’s “Against All Odds” is the realest sh^t ever written in hip-hop, then this song is not too far behind. Ross airs out the rap mogul’s dirty laundry while taking him to the cleaners at the same time.

Black Metaphor’s track is laid back and Ross’s melodic flow is hypnotic. And Ross reaches Godfather status when he chooses to stick up for DJ Khalid, BG, Lil Wayne, Mannie Fresh, etc.


4) Rick Ross – “Trap Trap Trap” (ft. Young Thug, Wale)
Ross turns up the pulse and takes us on a trap journey with Young Thug and Wale. But unfortunately, Ross talking about trapping isn’t stimulating and doesn’t contribute to the momentum gained by the first three songs. Quite frankly, Ross already established his trapping legacy on his first album.

Now, it just sounds repetitive, causing our emotional attachment to depart temporarily, especially when Wale raps, “I ain’t nothing like them trap guys,” got us questioning the lineup, even though Wale delivers a dope verse. If the first three songs brought us to the third eye or crown chakra, then this song took us down to the solar chakra.


5) Rick Ross – “Dead Presidents” (ft. Future, Jeezy, Yo Gotti)
Ross goes lower to the root chakra and brings in a drug-dealing line up to support his trapping movement. But the drug-dealing references and gun-toting accolades blow a huge black cloud over Rather You Than Me, an optimistic album that Ross created to showcase his happiness of seeing other survivalist enjoying the finer things in life.

So, every time a dark thought or a dire situation is inserted, it defeats Ross’ higher purpose for the album. We would’ve appreciated this song more if it was on another project with a trapping theme.

6) Rick Ross – “She’s on My D*ck” (ft. Gucci Mane)
A dope, hard-knocking track produced by Beat Billionaire, keeps the momentum going horizontally when it should be moving vertically north towards Ross’ original script. This song has a mediocre theme and suffers from lack of creativity in the chorus, but the beat saves the song. [usr 3.0]

7) Rick Ross – “I Think She Like Me” (ft. Ty Dolla $ign)
Ross probably heard us yelling, “Stick to the script” because he restores order over J-Pilot- & C Gutta-produced track.

Ross raps with a Barry White vocal tone, “I once got no allowance, now I got the crown. I said I was The Boss, nobody made a sound. Really had to see them things, this level story telling. Who else could flip a chorus into 40 million?”

Ross wins here, and he wins big. One of the best in the business to talk that talk and Ty Dollar $ign comes through in the clutch.

8) Rick Ross – “Powers That Be” (ft. Nas)
Now in storytelling mode, Ross enlists lyricist Nas to help him usher his concept. The lyrics are on point but the fullness of the song is lackluster. We expected more, but only got a few firecrackers igniting, roman candles busting, minus the major firework show. It felt like an appetizer. You know? If you eat enough, you might be too full to finish your incoming meal.

9) Rick Ross – “Game Ain’t Based on Sympathy”
Ross reminisces about his past over a dope soul-inspired track with a groovy/psychedelic loop that blends in naturally with Ross’s deep monotone.

We can listen to Ross rap for hours, especially if he’s talking about conscious issues.

10) Rick Ross – “Scientology”
As the momentum, gradually rises back to the crown, Ross flows over a dope, wonderland of sounds track produced by Bink! & The Youngstars. Like going up an elevator, Ross took us to a destination that we didn’t know existed.

11) Lamborghini Doors – (ft. Meek Mill, Anthony Hamilton)
If it’s not broke, don’t fix it. Ross’ decision to follow in the same direction as “Scientology” was the right one because Ross’ and Meek Mill’s chemistry is heartfelt. Since the momentum is moving upwards towards the sky, it’s fitting when Meek said, “We coming up like them Lamborghini doors.”

12) Triple Platinum – (ft. Scrilla)
The prayer at the beginning does the album justice; and when Ross said, “Me and HOV back and forth like I’m triple platinum,” we saw how far Ross had come, and how far he still must go.

13) Maybach Music V – (ft. Katt Rockell & Dej Loaf)
Ross and Dej Loaf rap over an airy/dreamy track produced by Beat Butcha & Buda & Grandz. More expensive thoughts and money spending don’t hurt the momentum if the topic is about the finer things in life.

14) Summer Seventeen – (ft. Yo Gotti)
In conclusion, Ross ends the album on a gangster note. And the Beat Billionaire-produced track is hard as steel and bump-worthy. We love the theme, “I want my ni^^as rich by summer seventeen”, a wishful thought like that is what ‘Rather You Than Me’ is all about—everybody eating.

https://www.bongminesentertainment.com/rick-ross-rather-review/