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Swifteagle (7 KP) rated Grace and Frankie - Season 1 in TV
Aug 13, 2017
Sarah (7798 KP) rated Eli (2019) in Movies
Nov 3, 2019
Better than expected
I hadn’t heard much about this film and was after a horror film to round off my evening, so thought I’d give this one a go on Netflix and was actually pleasantly surprised. It’s not the best horror I’ve ever seen but it sure isn’t the worst either. It starts off in one direction and by the end has completely flipped into a plot that you weren’t expecting, and for the better.
There are good performances in this although I do think Lily Tomlin was underused, as was Sadie Sink from Stranger Things. The effects are mostly good but there are some slightly dodgy ones at parts. Overall this is just a decent watchable horror that succeeds mainly because it doesn’t end the way you’d expect.
There are good performances in this although I do think Lily Tomlin was underused, as was Sadie Sink from Stranger Things. The effects are mostly good but there are some slightly dodgy ones at parts. Overall this is just a decent watchable horror that succeeds mainly because it doesn’t end the way you’d expect.
Andy K (10821 KP) rated 9 to 5 (1980) in Movies
Jul 6, 2018
He's a sexist, egotistical, lying, hypocritical bigot!
One of the movies I have watched the most times in my life, I probably watched this every week when I was between the ages of 10 and 12 (showing my age here).
I watched again recently and the movies still has the magic.
If ever you want revenge or want to give it to your overbearing, jerkoff boss, this is the movie for you.
The teaming of Lily Tomlin, Jane Fonda and Dolly Parton is so perfect as the three secretaries bent on revenge and Dabney Coleman rounds it out as the loser, backstabbing, chauvinist who everyone hates.
The three ladies imagine what it would be like to do him in, then through hilarious turns of events actually begin to do so.
A true comedy classic!
I watched again recently and the movies still has the magic.
If ever you want revenge or want to give it to your overbearing, jerkoff boss, this is the movie for you.
The teaming of Lily Tomlin, Jane Fonda and Dolly Parton is so perfect as the three secretaries bent on revenge and Dabney Coleman rounds it out as the loser, backstabbing, chauvinist who everyone hates.
The three ladies imagine what it would be like to do him in, then through hilarious turns of events actually begin to do so.
A true comedy classic!
A.O. Scott recommended Grandma (2015) in Movies (curated)
Gareth von Kallenbach (965 KP) rated Admission (2013) in Movies
Aug 7, 2019
What’s the secret to getting in? Everyone wants to know this at some point in their lives, and to some extent Admission has the answer.
Tina Fey plays Portia, a Princeton admmissions officer. She has a very uneventful life; she lives with her very long time boyfriend and has worked for the university for sixteen years. Things are pretty set for Portia, she even has her eye on a promotion. This is when John Pressman (Paul Rudd) calls her to come to his alternative school to meet Jerimiah (Nat Wolff) a gifted student whose past would never get him into Princeton. Out of a competitive streak to try and get the promotion she goes to John’s school. John tells Portia he thinks she is Jerimiah’s birth mother and she pulls out all the stops trying to get Jerimiah admitted, to try and fulfill his dream. Along the way sparks fly between Portia and John.
Admission is a great movie, it has some interesting ideas about parenting and life in general. Tina Fey is totally believable as the woman in a rut who gets dumped and rebounds into a completely different life. Rudd is a wonderfully refreshing blend of a nice guy who makes, and can admit to making, mistakes. Perhaps my favorite character was Portia’s mother, Susannah (Lily Tomlin). Her take on feminist beliefs was hilarious. The story is solid too, for the most part. I would have questioned some things Portia just let slide. Other than that; its tale of growth, both tennager and adult is excellent.
So what’s the secret to getting in? Buy a movie ticket and find out.
Tina Fey plays Portia, a Princeton admmissions officer. She has a very uneventful life; she lives with her very long time boyfriend and has worked for the university for sixteen years. Things are pretty set for Portia, she even has her eye on a promotion. This is when John Pressman (Paul Rudd) calls her to come to his alternative school to meet Jerimiah (Nat Wolff) a gifted student whose past would never get him into Princeton. Out of a competitive streak to try and get the promotion she goes to John’s school. John tells Portia he thinks she is Jerimiah’s birth mother and she pulls out all the stops trying to get Jerimiah admitted, to try and fulfill his dream. Along the way sparks fly between Portia and John.
Admission is a great movie, it has some interesting ideas about parenting and life in general. Tina Fey is totally believable as the woman in a rut who gets dumped and rebounds into a completely different life. Rudd is a wonderfully refreshing blend of a nice guy who makes, and can admit to making, mistakes. Perhaps my favorite character was Portia’s mother, Susannah (Lily Tomlin). Her take on feminist beliefs was hilarious. The story is solid too, for the most part. I would have questioned some things Portia just let slide. Other than that; its tale of growth, both tennager and adult is excellent.
So what’s the secret to getting in? Buy a movie ticket and find out.
BankofMarquis (1832 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Dec 28, 2018
The first "true" comic book movie
The animated feature, SPIDERMAN: INTO THE SPIDER-VERSE, is the first, true "comic-book" film I have ever seen.
"But wait", you say, "How about the Marvel films? Or the DC Universe films? Or the X-Men or DeadPool? Aren't they Comic-Book films?".
I would have to answer - "no". At least not in the same way. All of those properties are films that are BASED on comic-books. Spider-verse, brilliantly, is a comic-book brought to life. It includes scenes that look like pages of a comic book (or graphic novel). It uses thought bubbles,sound effect words and abstract images. The characters are distorted and when other versions of the Spider-Verse are scene (not a spoiler: it's in the title), they are designed in a different graphic style.
Credit for this unique vision/type of film must start with the writers, Phil Lord (The Lego Movie) and Rodney Rothman (22 Jump Street) as well as Directors Bob Persischetti (in his Directing debut) and Rothman (again). These 3 brought to the screen a dazzling visual storytelling vision that is engrossing and interesting and (I am sure) will become richer and richer the more that this film is viewed.
This vision must have been apparent from the "get-go" as these 3 were able to load some top-notch voice talent into this film - Mahershala Ali, Hailee Steinfeld, Jake Johnson, Lily Tomlin(!), Zoe Kravitz, John Mulaney, Kathryn Hahn, Liev Schrieber, Chris Pine and good ol' Nicholas Cage all bring their "A" game to the voices, presenting (instantly) interesting, distinct characters to this interesting, distinct world.
The action of this film moves at a fast-pace, but not so fast that you get lost and the emotions of the film are strong, so the "slow" scenes are just as well paced and don't seem too slow.
I see alot of films, and it is rare when I am struck with how "unusual" a film is. And this one IS unusual - in a very good way. I was thoroughly entertained throughout and I cannot wait to see this film again to catch some of the things I missed the first time through and have a deeper and richer experience for knowing what is to come.
Letter Grade: A
9 (out of 10) stars (yes, it's that good!) and you can take this to the Bank(ofMarquis)
"But wait", you say, "How about the Marvel films? Or the DC Universe films? Or the X-Men or DeadPool? Aren't they Comic-Book films?".
I would have to answer - "no". At least not in the same way. All of those properties are films that are BASED on comic-books. Spider-verse, brilliantly, is a comic-book brought to life. It includes scenes that look like pages of a comic book (or graphic novel). It uses thought bubbles,sound effect words and abstract images. The characters are distorted and when other versions of the Spider-Verse are scene (not a spoiler: it's in the title), they are designed in a different graphic style.
Credit for this unique vision/type of film must start with the writers, Phil Lord (The Lego Movie) and Rodney Rothman (22 Jump Street) as well as Directors Bob Persischetti (in his Directing debut) and Rothman (again). These 3 brought to the screen a dazzling visual storytelling vision that is engrossing and interesting and (I am sure) will become richer and richer the more that this film is viewed.
This vision must have been apparent from the "get-go" as these 3 were able to load some top-notch voice talent into this film - Mahershala Ali, Hailee Steinfeld, Jake Johnson, Lily Tomlin(!), Zoe Kravitz, John Mulaney, Kathryn Hahn, Liev Schrieber, Chris Pine and good ol' Nicholas Cage all bring their "A" game to the voices, presenting (instantly) interesting, distinct characters to this interesting, distinct world.
The action of this film moves at a fast-pace, but not so fast that you get lost and the emotions of the film are strong, so the "slow" scenes are just as well paced and don't seem too slow.
I see alot of films, and it is rare when I am struck with how "unusual" a film is. And this one IS unusual - in a very good way. I was thoroughly entertained throughout and I cannot wait to see this film again to catch some of the things I missed the first time through and have a deeper and richer experience for knowing what is to come.
Letter Grade: A
9 (out of 10) stars (yes, it's that good!) and you can take this to the Bank(ofMarquis)
Gareth von Kallenbach (965 KP) rated Spider-Man: Into the Spider-Verse (2018) in Movies
Jul 2, 2019
This is the Spider-Man movie that we deserved.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.
It’s hard to believe that the movie I would end up saying that about would be an animated one. Nevertheless, I left the theater this time feeling a sense of warm satisfaction for the first time since Sony originally graced us with Tobey Maguire.
Spider-Ma n: Into the Spider-Verse is the most poignant statement that Sony could make about their recommitment to all things webslinger. The star-studded cast for this film includes Academy Award winners like Nicolas Cage and Mahershala Ali as well as the likes of Lily Tomlin, Chris Pine, and John Mulaney. But those aren’t even the main characters. Along with the stellar writing, an unbelievably well curated soundtrack and art direction that can only be described as sublime, Into the Spider-verse was exactly what we all needed right now.
This entry into the world of Spider-man actually brings us up to date with the comics by introducing us to Miles Morales (Shameik Moore), the black teenager from Brooklyn who has taken up the mantle of Spider-man following the death of Peter Parker (well, one of them). Witnessing Parker’s demise at the hands of The Kingpin, Morales promises to help destroy the weapon that killed him. Little does he realize that the weapon has opened a hole in the multiverse and multiple other spider men, women (and things) have been drawn through the rift into his universe. They all have to work together to get back to their own universes and to prevent the destruction of reality itself.
The soundtrack for this movie really brings Spider-man into modern times. Artists such as Kendrick Lamar, Eminem and Run the Jewels speak to the Brooklyn upbringing of Morales as the new webslinger. At the same time, it also serves up artists like Marshmello, Pendulum and Prodigy who demonstrate how action can be fueled through their EDM stylings. The music here is the most perfect complement to each part of the action and drama alike. Just as you will see multiple different Spider-men, you’ll be taken through a wide spectrum of musical stylings to match each hero.
The animation style displayed here really can’t be appropriately categorized. Part graffiti, part moving comic book and part CGI, the film brings together numerous different styles and effects such as cell-shading, anime breaks and word bubble subtitles to create something truly unique. The medium itself is perfect because we can finally see everything that a live-action film couldn’t execute. But unlike other animated superhero movies, this feature brings the artistic nature of illustrations to new levels. The mix of styles is unlike any cartoon you’ve ever seen (or are likely to see again). Beauty and realism combine to actually take you into a comic book instead of simply translating one for the screen.
The writing for Into the Spider-verse achieves something that few producers have managed to do in the animation field: it’s equally appealing to both children AND adults. These days it’s rare to see an animated superhero film being made for the big screen instead of going straight to television. As a result, Into the Spider-verse offers up plenty of quick witted and intelligent jokes for adults without crossing the lines of propriety. In addition to the quality humor, the story includes a number of emotional moments that all manage to evoke real feelings instead of coming off as just pandering. So, if you’re planning to take your children to this movie, you’ll certainly both enjoy it.
All-in-all, Into the Spider-Verse brings together all of the best elements in film-making and executes them to perfection. Writing, drawing, music all come together to create an experience that you have to see to believe. The only disappointing part here is that we had to wait 16 years for a Spider-Man movie this well done.