Search

Search only in certain items:

The Hidden Village (Wartime Holland Book 1) [Audiobook]
The Hidden Village (Wartime Holland Book 1) [Audiobook]
Imogen Matthews | 2022 | History & Politics
7
7.0 (1 Ratings)
Book Rating
This is an engaging and compelling story of what life was like in a small village in Holland during World War II. It is a fictional story but is based on real events.

There is a palpable sense of tension throughout; you really get a sense of the fear amongst a village population trying to keep their fellow human beings, who just happen to be Jewish and the odd downed airman, safe from the clutches of the Nazis whilst putting their own lives and the lives of their families at significant risk.

The story is told through the eyes of various villages of different ages and of Dutch and Jewish perspectives. This really helps to provide a full picture of what life was like for each of the individuals at this horrendous time; the bravery of them all astounds me. Amongst all this, is a look into "normal" life and the trials and tribulations of trying to survive in occupied and war-torn Holland.

The story moves on at a fairly good pace. I listened to the audio version of this book and realised that I was on tenterhooks all the time knowing that something could happen at any moment but not knowing what. I must applaud the narrator; there are quite a few characters, male and female, young and old, but she did a great job.

If I have one gripe it's that I felt it ended rather suddenly and, I feel, left some things unfinished - maybe there is a Book 2 to come? If so, I would be interested in reading/listening to find out more.

My thanks must go to Bookouture and NetGalley for providing my copy in return for an honest, unbiased and unedited review.
  
Good Samaritans [Audiobook]
Good Samaritans [Audiobook]
Will Carver | 2018 | Crime, Thriller
10
10.0 (1 Ratings)
Book Rating
Oh my word ... what a book ... absolutely brilliant and the best audiobook I have listened to this year so far and, I think, it will take something remarkable to beat it!

This is a very dark, disturbing and extremely gripping story that will draw you in, shake you around and spit you out the other side and all the while you're thinking, what the heck and why am I enjoying this so much?!?

It's all kinds of wrong but so right and deliciously wicked and addictive.

I'm not even going to go into the story - you'll just have to buy it - but what I will say is that the characters are scarily normal which makes them ultra creepy, the story is riveting and there's some great twists that I didn't see coming and the build up of tension is palpable.

There are graphic descriptions of murder, a lot about suicide, mental health and a number of sex scenes (maybe too many if I'm honest and this is my only negative) so if any of these are triggers for you, I would steer clear.

Would I have enjoyed it as much had I read the physical book? I'm not sure if I'm honest because the narrator made all the difference and was absolutely perfect and brilliant. I fell in love with his voice from the beginning ... it was so contradictory to the content of what he was reading that it made the story all the more creepy and disturbing.

I haven't read or listened to any of Will Carver's work before and after listening to Good Samaritans, I won't make that mistake again and I must thank Bolinda Audio and NetGalley for enabling me to listen to and share my thoughts of Good Samaritans and introducing me to another excellent author.
  
Thirteen Reasons Why
Thirteen Reasons Why
Jay Asher | 2009 | Children
8
8.4 (49 Ratings)
Book Rating
The concept (0 more)
The inaccurate portrayal of depression (0 more)
Trigger Warning
This eBook was provided by the publisher via NetGalley in exchange for an honest review

Recently filmed as a thirteen-part Netflix drama executively produced by Selena Gomez, Thirteen Reasons Why was the first novel by the award-winning author, Jay Asher. It is the type of book readers will either love or hate, but it should definitely come with a warning. This story is NOT an accurate representation of depression and suicide.

Yes, suicide. A teenaged girl has committed suicide, shocking everyone who knew her. No one could understand why, but thirteen people are going to find out. Clay Jensen is the ninth person to receive a box of thirteen audiotapes from Hannah Baker. However, Hannah died two weeks ago. As she premeditated taking her life, Hannah recorded thirteen stories involving people from her school that caused her to snowball into deep depression and despair. Desperate to find out why his name features in Hannah’s story, Clay begins listening to the tapes in order, putting together the events that led to Hannah’s death.

What follows is a heart-breaking story showing the impact individuals have on other people’s lives, often without realising it. In some cases, the characters only played a minor role in Hannah’s life, whereas others caused significant damage. The saddest thing is, Clay could have helped Hannah, but she had pushed him away.

At times, Hannah seemed like the horrible person, calling all these people out on petty little things, but these things, along with the more horrible ones, all built up to create a life that did not feel worth living. It is eye opening how much a small action, comment or rumour can so drastically alter someone’s future.

Bearing in mind that depression affects everyone differently and has numerous causes, some readers may feel disgusted at Hannah’s extreme action, but this is the fault of the author. Jay Asher fails to completely describe the emotional torment that Hannah felt, and only someone who may have been through a similar situation, or worse, will fully be able to understand the impact everything has had on her mental health.

As Hannah beleaguers her listeners, the thirteen people start to feel like the victims rather than the “attackers”, which is most probably not what the author was intending. Now, these people will have to live their lives believing they caused a girl to commit suicide when really they were only 1/13th of the reason. Although, before criticising this novel, keep in mind it is a work of fiction.

What is most painful about Thirteen Reasons Why, is not Hannah’s plight, but the reaction Clay has to hearing Hannah’s story. Unlike the other people Hannah accuses, Clay is not one of her antagonists; all Hannah wants to do is to say sorry.

It is up to the reader to judge whether Thirteen Reasons Why is worthy of praise or not. Those without an understanding of depression may dislike it on account of misunderstanding Hannah’s reasons, whereas others may feel insulted that she killed herself over things that could have been eased had she told someone. Personally, I understand where Hannah is coming from, and although I would not go to the extremes Hannah did, I do not think she was selfish or stupid or any other insult that may befall her.

The reason I give this book a good rating lies in the quality of writing. Asher seamlessly alternates between two narratives – Hannah’s story and Clay’s reaction and reflection. Although the author may not have clearly expressed Hannah’s emotions, he successful emphasises the grief and despair Clay feels listening to the cassettes. My main concern is that Thirteen Reasons Why will only be short lived. Audiotapes were already obsolete when the book was published, but soon will there be any new readers who know what a tape is?
  
Thirteen Reasons Why
Thirteen Reasons Why
Jay Asher | 2009 | Children
6
8.4 (49 Ratings)
Book Rating
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>

Recently filmed as a thirteen-part Netflix drama executively produced by Selena Gomez, <i>Thirteen Reasons Why</i> was the first novel by the award-winning author, Jay Asher. It is the type of book readers will either love or hate, but it should definitely come with a warning. This story is NOT an accurate representation of depression and suicide.

Yes, suicide. A teenaged girl has committed suicide, shocking everyone who knew her. No one could understand why, but thirteen people are going to find out. Clay Jensen is the ninth person to receive a box of thirteen audiotapes from Hannah Baker. However, Hannah died two weeks ago. As she premeditated taking her life, Hannah recorded thirteen stories involving people from her school that caused her to snowball into deep depression and despair. Desperate to find out why his name features in Hannah’s story, Clay begins listening to the tapes in order, putting together the events that led to Hannah’s death.

What follows is a heart-breaking story showing the impact individuals have on other people’s lives, often without realising it. In some cases, the characters only played a minor role in Hannah’s life, whereas others caused significant damage. The saddest thing is, Clay could have helped Hannah, but she had pushed him away.

At times, Hannah seemed like the horrible person, calling all these people out on petty little things, but these things, along with the more horrible ones, all built up to create a life that did not feel worth living. It is eye opening how much a small action, comment or rumour can so drastically alter someone’s future.

Bearing in mind that depression affects everyone differently and has numerous causes, some readers may feel disgusted at Hannah’s extreme action, but this is the fault of the author. Jay Asher fails to completely describe the emotional torment that Hannah felt, and only someone who may have been through a similar situation, or worse, will fully be able to understand the impact everything has had on her mental health.

As Hannah beleaguers her listeners, the thirteen people start to feel like the victims rather than the “attackers”, which is most probably not what the author was intending. Now, these people will have to live their lives believing they caused a girl to commit suicide when really they were only 1/13th of the reason. Although, before criticising this novel, keep in mind it is a work of fiction.

What is most painful about <i>Thirteen Reasons Why</i>, is not Hannah’s plight, but the reaction Clay has to hearing Hannah’s story. Unlike the other people Hannah accuses, Clay is not one of her antagonists; all Hannah wants to do is to say sorry.

It is up to the reader to judge whether <i>Thirteen Reasons Why</i> is worthy of praise or not. Those without an understanding of depression may dislike it on account of misunderstanding Hannah’s reasons, whereas others may feel insulted that she killed herself over things that could have been eased had she told someone. Personally, I understand where Hannah is coming from, and although I would not go to the extremes Hannah did, I do not think she was selfish or stupid or any other insult that may befall her.

The reason I give this book a good rating lies in the quality of writing. Asher seamlessly alternates between two narratives – Hannah’s story and Clay’s reaction and reflection. Although the author may not have clearly expressed Hannah’s emotions, he successful emphasises the grief and despair Clay feels listening to the cassettes. My main concern is that <i>Thirteen Reasons Why</i> will only be short lived. Audiotapes were already obsolete when the book was published, but soon will there be any new readers who know what a tape is?
  
40x40

Moby recommended Suicide by Suicide in Music (curated)

 
Suicide by Suicide
Suicide by Suicide
1977 | Electronic, Experimental, Rock

"One of the first jobs I ever had was working as a caddy on a golf course, and I worked just long enough so I could buy Lodger by David Bowie. The second job I had was cutting lawns, and I remember it was one of those hot summer days, I was sweating and getting attacked by wasps, and I was just thinking 'This is all worthwhile, because when I'm done here I'm going to ride my bike and go and buy the cut out vinyl of Suicide'. Cut outs were like the discount version. To be honest with you, I don't really even remember why I was fixated on buying the first Suicide album. Part of it was the cover, and the guy who ran my local record store, his name was Johnny, he was this alcohol and drug-addicted crazy person, and you'd walk in and he'd be playing all these random records, from Nick Drake to the Grateful Dead to The Clash to Miles Davis, and one day he was playing Suicide. It sounded like nothing I'd ever heard before. I think I was about 14. It wasn't until many years later that I met anyone who liked Suicide. I don't know if you experienced this as well, but when I was growing up albums were these almost, not to sound too grad studenty, totemic things that you would take into your house. Nowadays if I hear a song and it doesn't immediately resonate with me I probably won't spend any time on it. Some of the early records that I bought, like Public Image's Second Edition or Suicide, I'd made the effort to bring these into my house. I only had nine or 10 albums in my possession, so if I didn't understand a record back then I would think it was my fault. I'd think that the people making the record were smarter and more sophisticated than I was, and the fact that I didn't understand it was indicative of my own shortcomings. It was the middle of the summer, and I didn't really have a lot of friends, I didn't have a lot going on. My mum would go to work in the day and I was pretty much left alone to read books and watch TV. I had a lot of free time to listen to records. I took the Suicide album home and it didn't make sense to me, but I spent day after day and week after week listening to it until I cracked the code and it started to make sense. The first song is 'Ghostrider', and I still remember that Saul on the road to Damascus moment when I was listening to it for the third or fourth time, and there's that recurring line ""America America is killing its youth"", and I'd never heard anyone say anything like that before. And to say it in such a throwaway, casual way, it wasn't delivered in a portentous way, it's a throwaway lyric in a song, and that was the moment that really resonated. At the same time I was taking guitar lessons, and my teacher loved very complicated well-produced modern jazz fusion and heavy metal with long guitar solos, and he'd force me to listen to Van Halen or Larry Carlton and then when I listened to Suicide I was first confused - am I allowed to like something that clearly my music teacher hates? And finally I admitted to myself I don't like these well-produced records, I like these strange sounds. I think it also really corrupted my musical DNA."

Source
  
    VOA

    VOA

    News and Education

    (0 Ratings) Rate It

    App

    *** Finalist for “Best Mobile Media & Publishing App” in the 2015 GSMA Global Mobile Awards and...