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Heather Cranmer (2721 KP) created a post

Jul 31, 2021  
How awesome is this scrapbook page from author Teddy Jones about West Texas!?! Check it out on my blog, and learn about her women's fiction novel MAKING IT HOME. Enter the giveaway to win a set of all three novels in her Jackson's Pond, Texas-the Series or a copy of her short stories/literary fiction novel Nowhere Near and a $25 Bookshop.org gift card!

https://alltheupsandowns.blogspot.com/2021/07/book-blog-tour-and-giveaway-making-it.html

**BOOK SYNOPSIS**
In this third novel in the Jackson’s Pond, Texas series, fifty-five-year-old Melanie Jackson Banks encounters racism, intolerance, and violence both in her family’s distant past and in current day Jackson’s Pond. She leads family and community efforts to create reconciliation for past wrongs and also to demonstrate strength and defiance in the face of vandalism, cross-burning, domestic violence, threats to Jackson Ranch’s operation, and kidnapping. In the midst of this stormy period, she finds allies in her mother’s long-time companion, Robert Stanley; her mother, Willa Jackson; her daughter Claire Havlicek; and many others.
     
Nosferatu (Eine Symphonie Des Grauens) (1922)
Nosferatu (Eine Symphonie Des Grauens) (1922)
1922 | Horror, International

"I’ve seen the Herzog one a good many times too, but the Murnau film… Murnau is neck to neck with Bergman as my favorite director. He’s responsible for some of the best images in cinema of all time, from Nosferatu to Faust to Sunset. His work was so influential that filmmakers generations later can be referencing Murnau without knowing it. But Nosferatu is an interesting movie. It was produced by Albin Grau, an occultist who started an independent film studio to make occult-themed movies. Nosferatu was his first endeavor. And he hired the screenwriter, and he hired Murnau, and he was the production designer and did a lot of concept art. Very much part of the authorship of this film. And Max Schreck, as much as he is a folk vampire and a reinterpretation of Stoker’s literary gothic vampire, he’s also influenced by Albin Grau’s early 20th-century occultist views on vampirism. But in many ways — there’s horror movies before it, obviously — Nosferatu invents horror movies. The editing of the parallel story together in some ways invents cinema."

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